FLOG! Entries tagged 'Kevin Huizenga'

Fantagraphics at the 2012 Small Press Expo!

janice

Join Fantagraphics this weekend for the 2012 Small Press Expo in Bethesda, Maryland! On September 15th & 16th, we'll be filling the Marriott Betheseda Conference Center with some dazzling debuts, panels, and signings! Come meet your favorite artists and get your books signed:

Saturday, September 15th
11:30-1:00 PM     Lilli Carré // Noah Van Sciver
1:00 - 2:00 PM    Daniel Clowes // Phillip Nel
2:00 - 3:00 PM    Mark Newgarden
2:00 - 3:30 PM    Steven Weissman // Chris Wright
3:30 - 4:30 PM    Kevin Huizenga // Rich Tommaso
4:30 - 6:30 PM    Gilbert Hernandez // Jaime Hernandez

Sunday, September 16th
12:00-1:00 PM    Lilli Carré // Steven Weissman
1:00 - 2:00 PM    Gilbert Hernandez // Jaime Hernandez
2:00 - 3:00 PM    Phillip Nel // Rich Tommaso
3:00 - 4:00 PM    Chris Wright
3:30 - 4:30 PM    Noah Van Sciver
4:00 - 5:00 PM    Kevin Huizenga
5:00 - 6:00 PM    Gilbert Hernandez // Jaime Hernandez

Fantagraphics will be located at tables W40-W44, as seen in the map excerpt below! For a larger version of the complete floor map, please click here.

It's mind-boggling how many debuts we're bringing -- and many of these books won't be in stores until October or November! Check out more details here.

• The Lost Art of Ah Pook Is Here: Images from the Graphic Novel by Malcolm McNeill
• Observed While Falling: Bill Burroughs, Ah Pook, and Me by Malcolm McNeill
• Barack Hussein Obama by Steven Weissman

• Blacklung by Chris Wright
• Came the Dawn and Other Stories (The EC Comics Library) illustrated by Wallace Wood; written by Al Feldstein et al.; edited by Gary Groth

• The Cartoon Utopia by Ron Rege, Jr.
• Corpse on the Imjin! and Other Stories (The EC Comics Library) by Harvey Kurtzman, et al.; edited by Gary Groth
• Naked Cartoonists: Drawers Drawing Themselves Without Drawers by Various Artists; edited by Gary Groth

• Heads or Tails by Lilli Carré
• The Hypo by Noah Van Sciver
• Is That All There Is? by Joost Swarte [softcover & hardcover 2nd edition debut]
• Love and Rockets: New Stories #5 by Gilbert & Jaime Hernandez

• Prison Pit: Book 4 by Johnny Ryan
• Ralph Azham Vol. 1: Why Would You Lie to Someone You Love? by Lewis Trondheim
• Walt Disney's Mickey Mouse Vol. 4: House of the Seven Haunts by Floyd Gottfredson
• You'll Never Know Book 3: Soldier's Heart by C. Tyler

And click here to see a schedule of programming featuring our fantastic Fantagraphics artists!

It's gonna be an incredible year! See you at SPX!

2012 Ignatz Award nominees!

mike

The list of nominees for the 2012 Ignatz Awards was announced today and we are pleased to report that our artists and publications received a total of 6 nominations in 4 categories:

Love and Rockets: New Stories #4 by the Hernandez Brothers:
• Outstanding Artist — Jaime Hernandez
• Outstanding Story — "Return for Me" by Jaime Hernandez
• Outstanding Series

Ganges #4 by Kevin Huizenga:
• Outstanding Series

The Man Who Grew His Beard by Olivier Schrauwen:
• Outstanding Anthology or Collection

"Keith or Steve," Mome Vol. 22, by Nick Drnaso:
• Outstanding Story

In addition to these nominees with our logo on them, Leslie Stein's self-published Eye of the Majestic Creature was nominated for Outstanding Series (Vol. 1 collection, with our logo on it, out now; Vol. 2 out next year) and Noah Van Sciver's The Death of Elijah Lovejoy, which ties in to his debut graphic novel The Hypo, was nominated for Outstanding Mini-Comic! Additional congrats to Kevin Huizenga for sharing another nom with Dan Zettwoch and to Gabrielle Bell & Anders Nilsen for their respective noms. Winners will be announced on Saturday, September 14 at SPX.

Blood Orange is back, in packs

mike

Before there was Mome, before the current explosion of small-press anthologies, there was Blood Orange, the short-lived mid-'00s series edited by Chris Polkki which gathered rising stars of the art-comics scene in four distinctive, beautifully designed 48-page issues. Blood Orange captured the pulse of alt-comics circa 2004-2005. We recently recovered a small quantity of shrink-wrapped packs of all 4 issues from the distributor, and we're now offering them via mail-order for the special low price of $17.85 — that's 3 issues for the price of 4! (You can also get the individual issues for $5.95 each.)

In the first issue: Nicolas Mahler, Rick Altergott, Michael Kupperman, Lauren Weinstein, Typex, David Collier, Maaike Hartjes, Allison Cole, Tobias Tak, Dan James, Marc Bell, John Hankiewicz, Matthew Thurber, Kevin Huizenga, Ron Regé Jr., a sketchbook from Gary "Teacher's Pet" Baseman, and covers by Andrew Brandou.

The second issue continues to encourage experimentation, pushing the medium in new directions. Look for innovative stories from groundbreakers such as Archer Prewitt, Rebecca Dart, Chris Wright (with a full-length 18-page story), Ron Regé Jr., Jeffrey Brown, Matti Hagelberg, Lauren Weinstein, Cole Johnson, Helge Reumann, and Fabio Viscogliosi, along with drawings by Renee French... all wrapped in a lovely cover designed by the one and only Steven Weissman.

The third issue of this always-surprising quarterly anthology series features European cartoonists Pakito Bolino and Caroline Sury (of France's Le Dernier Cri), Ulf K., Alex Baladi, Nicolas Mahler, Olaf Ladousse, and Fabio Zimbres; as well the homegrown talents of Anders Nilsen, Renee French and Ben Jones (Paper Rad). Also includes a brand-new 11-pager by Jeffrey Brown! With an eye-popping cover by French illustrator Olivier Douzou.

Blood Orange #4 wraps up the series with exclusive new stories by Brian Ralph, Lark Pien, Tobias Tak, Rebecca Dart and Ted May. Covers by Lark Pien.

Harvey Awards Nominees: Ganges #4, Mickey Mouse & The Comics Journal

mike

The nominees for the 2012 Harvey Awards were announced yesterday and we're pleased to share that we've received 3 nominations:

Ganges #4 by Kevin Huizenga — Best Single Issue or Story

Walt Disney's Mickey Mouse by Floyd Gottfredson — Best Domestic Reprint Project

The Comics Journal — Best Biographical, Historical, or Journalistic Presentation

Winners will be announced at a ceremony on September 8, 2012 at the Baltimore Comic-Con, as per tradition. Browse and order all of our 2012 nominated titles here, and see here for links to past years' award honorees. Congratulations to all the nominees!

This Week in Fantagraphics Events: 6/18-6/25

janice

Not a ton going on this week... I s'pose we're all either recovering from CAKE, or gearing up for... SAN DIEGO! (More details about that coming soon.)

Monday, June 18th

• New York City, NY: Tim Kreider will be doing a signing at the Half King Restuarant & Bar at 7:00 PM! (more info)

Friday, June 22nd

• St Louis, MO: Kevin Huizenga will be doing a signing at Star Clipper, along with Dan Zettwoch, at 7:00 PM! (more info)

Saturday, June 23rd

• Brighton, UK: There's gonna be a midsummer midnight 35mm-print screening of the Daniel Clowes movie Ghost World at the Duke Of York's Cinema. They'll have a Ghost World-themed bar, zine stalls, and a raffle! Plus, the screening will be preceeded by live music from Sacred Paws and The Choo-Choo Trains! What? No Blueshammer? (more info)

This Week in Fantagraphics Events: 6/11-6/18

janice

Wednesday, June 13th

• Los Angeles, CA: Listen up, 'cause author Pat Thomas will be doing a signing and presentation for Listen, Whitey! The Sights and Sounds of Black Power 1965-1975 at Skylight Books. (more info)

Friday, June 15th

• Elmhurst, IL: Anders Nilsen debuts his new exhibit, Adam and Eve Sneaking Back Into the Garden to Steal More Apples, at the Elmhurst Art Museum at 6:30 PM. (more info)

• Chicago, IL: Kevin Huizenga will be doing a signing at Quimby's alongside Dan Zettwoch, starting at 7:00 PM. Get those Ganges comics signed! (more info)

Saturday, June 16th

• Chicago, IL: Um... CAKE, anyone? (more info)

Have Some CAKE with Fantagraphics This Weekend in Chicago!

janice

The most delicious comic-con ever debuts this weekend, Saturday, June 16th and Sunday, June 17th... Introducing CAKE: the Chicago Alternative Comics Expo, a weekend-long celebration of independent comics, inspired by Chicago’s rich legacy as home to many of underground and alternative comics’ most talented artists!

While Fantagraphics won't be tabling there ourselves (sob!), many of our wonderful artists will be there, as featured guests, panelists, exhibitors, or probably just walkin' around somewhere.

Some of the featured guests include:

• Jeffrey Brown Table 57
• Lilli Carré Table 1
• Paul Hornschemeier Table 71
• Anders Nilsen Table 80
• Laura Park (who did that gorgeous poster, btw!) Table 1
• Jeremy Tinder Table 3

Some more exhibitors:

• Gabrielle Bell
• Nick Drnaso
• Charles Forsman
• Justin Hall
• Kevin Huizenga
• Tom Kaczynski
• Jim Rugg
• Leslie Stein

And check out these panels with our Fantagraphics artists! Why, it's the icing on the... okay, I'll stop:

• Crude and Rude: Comics and Vulgarity: featuring Ivan Brunetti , Lisa Hanawalt, Hellen Jo and Onsmith, moderated by Josh Reinwald and Justin Rosenberg (Sponsored by Quimby’s Bookstore)

• Jeffrey Brown Makes a Minicomic: Jeffrey Brown makes a minicomic in 1 hour!

• Double Vision: Comics and Animation: with a Q&A featuring Jo Dery, Jim Trainor, Amy Lockhart and Marc Bell, presented by the Eyeworks Animation Festival (Lilli Carré and Alexander Stewart)

• Start a Micropress: featuring Sarah Becan, Austin English, Jesjit Gill, Annie Koyama, Greg Means and Caroline Paquita, moderated by Zak Sally

• Comics In Chicago: The Past 10 Years (Sponsored by the Chicago Independent Radio Project - CHIRP): featuring Ezra Claytan Daniels, Lyra Hill, Paul Hornschemeier, Robin Hustle and Jeremy Tinder, moderated by Edie Fake;

• Queer Communities, Queer Anthologies: featuring Justin Hall, Robert Kirby and Annie Murphy, moderated by Noah Berlatsky (Sponsored by Little Heart, a Comic Anthology for Marriage Equality)

• Kevin Huizenga, Anders Nilsen and John Porcellino in Conversation, moderated by Caitlin McGurk

• Violent Line: Mark-Making and Meaning: featuring Anya Davidson, Charles Forsman, Patrick Kyle, Grant Reynolds, Conor Stetchschulte, Lale Westvind and Mickey Zacchilli, moderated by Noel Freibert

• Real Life: A Roundatable on Women and Graphic Autobiography: featuring Rina Ayuyang, Lucy Knisley, Keiler Roberts, Marian Runk, Leslie Stein, Julia Wertz

CAKE will be held at the Columbia College of Chicago's Ludington Building [ 1104 S. Wabash (8th Floor) ] from 11 AM to 6 PM. It is free and open to the public. Go, and give our artists a hug and your money.

Daily OCD: 4/16/12

mike

Today's Online Commentary & Diversions:

• Review: "Here’s the thing about Pogo. There’s never been anything like it. It’s utterly unique and individual in the same fashion that Peanuts, or Calvin and Hobbes or Little Nemo or any other of the great 20th century comic strips are.... It’s a much weirder strip than I think most people give it credit for and that is certainly something worth both recognizing and admiring." – Chris Mautner, Robot 6

• Review: "I highly recommend anyone who has an interest in LGBT issues to pick up Wandering Son, regardless of whether or not you read a lot of manga. It is, in many ways, distinctly Japanese, but its straightforward and honest deception of gender issues is rare in any medium, and it shines equally as a coming-of-age tale, especially for anyone who's ever felt they never quite fit in." – Anne Lee, Chic Pixel

• Review: "Prior to 1947, romance existed in comics but primarily as the humorous teenage variety for young readers, typified by the gang from Riverdale in Archie Comics. Simon and Kirby re-imagined the concept with mature stories aimed at adults, primarily women.... Fantagraphics recently collected many of these stories in the handsome hardcover Young Romance: The Best of Simon & Kirby's Romance Comics. Within the true artistic mastery of Kirby becomes evident. The same man, well known at the time for his bombastic stories, delivers these subtle, very human tales of angst, betrayal, and of course love. The volume's essays place these tales within the proper historical context. The beautiful reproductions were completely restored and unlike some of the Marvel Kirby reprints, nothing was recolored." – Rick Klaw, The SF Site: Nexus Graphica

• Interview: Drew Friedman writes us: "I wanted to share. This is the new online issue of INK, SVA's Student run comics mag, featuring an interview with me, also an article about WFMU radio's connection to cartoonists. This is pretty impressive I think. Enjoy!"

• Interview: Robot 6's Tim O'Shea has a Q&A with Kevin Huizenga: "Seems to me like you’re doing something wrong as a writer if you’re not affected or surprised by your own work. But it’s not something to talk about. You’re not supposed to laugh at your own jokes. The author at his desk, deeply moved by his own work is a pretty funny image."

• Scene: "In the exhibition, titled, 'Modern Cartoonist: The Art of Daniel Clowes,' we find the artist revealing the weird underbelly of America through quick and methodical strokes of a pen. Furrowed brows, sneers, and nervous beads of sweat accompany many of Clowes' odes to anxiety, causing us to acknowledge the strange and desperately sad state of his characters, who are striving to fit in." – Kathleen Massara, The Huffington Post

• Commentary: We can fully get behind this editorial decision by The Comics Reporter's Tom Spurgeon (and not just because our new Spain book is coming out)

• Links: Love & Maggie is back with another roundup of Love and Rockets-related links from around the web

2012 Eisner Award nominees!

mike

The list of nominees for the 2012 Will Eisner Comic Industry Awards was announced yesterday and we are pleased to report that our artists and publications received a total of 10 nominations in 8 categories:

Ganges #4 by Kevin Huizenga:

• Best Single Issue

Freeway by Mark Kalesniko:

• Best Graphic Album – New

Prince Valiant Vol. 3: 1941-1942 and Vol. 4: 1943-1944 by Hal Foster, edited by Kim Thompson:

• Best Archival Collection/Project – Strips

Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley & Vol. 2: Trapped on Treasure Island (also available in the Vols. 1-2 Box Set) by Floyd Gottfredson, edited by David Gerstein & Gary Groth:

• Best Archival Collection/Project – Strips

Isle of 100,000 Graves by Jason & Fabien Vehlmann:

• Best U.S. Edition of International Material

Like a Sniper Lining Up His Shot by Jacques Tardi & Jean-Patrick Manchette:

• Best U.S. Edition of International Material

Wandering Son Vol. 1 by Shimura Takako:

• Best U.S. Edition of International Material – Asia

Congress of the Animals by Jim Woodring:

• Best Writer/Artist — Jim Woodring (Jim is also nominated for Best Short Story for "Harvest of Fear" in The Simpsons’ Treehouse of Horror #17 from Bongo)

The Comics Journal, edited by Gary Groth, and The Comics Journal website, www.tcj.com, edited by Timothy Hodler and Dan Nadel:

• Best Comics-Related Journalism

Drawing Power: A Compendium of Cartoon Advertising 1870s-1940s, edited by Rick Marschall and Warren Bernard:

• Best Comics-Related Book

As announced in January, Bill Blackbeard (responsible for the Krazy & Ignatz series and so much more), Mort Meskin, Trina Robbins (underground legend and, for us, editor of The Brinkley Girls), and Gilbert Shelton (underground legend and contributor to Mome) are among the nominees for induction into the Eisner Hall of Fame.

An additional shout-out to Fantagraphics contributors, alumni and friends who received nominations for work with other publishers, including Stan Sakai, Ed Brubaker, Émile Bravo, Geoffrey Hayes, Roger Langridge, Anders Nilsen, Daniel Clowes, Al Jaffee, Rick Geary, Tom Orzechowski (who lettered Oil and Water), Ivan Brunetti, Eric Skillman (designer of The Comics Journal #301), and anyone I may have overlooked. Congratulations to all the nominees!

Winners will be announced at a ceremony on Friday, July 13, 2012 at Comic-Con International in San Diego. Browse and order all of our 2012 nominated titles here, and see here for links to past years' award honorees.

New target market

mike

Due to privacy concerns I'm slightly uneasy about posting photos of other people's babies, but this is too good not to share, so I'll just leave it anonymous and say that it came via Kevin Huizenga, who says "Wanted: more readers like [this]."

Daily OCD: 2/13/12

mike

Today's Online Commentary & Diversions:

• List: Critic Rob Clough names his Top Fifteen Comic Books of 2011 on his High-Low blog, including Love & Rockets: New Stories #4 at #1...

"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."

...Ganges #4 by Kevin Huizenga at #4...

"Huizenga's work is restrained and even playful in its approach but wildly ambitious in terms of its content, and he continues to successfully mine work left untouched by other cartoonists."

...Hate Annual #9 by Peter Bagge at #8...

"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."

...and Tales Designed to Thrizzle #7 by Michael Kupperman at #11:

"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."

• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly

• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly

• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix

• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)

• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club

• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew

• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News

• Plug: Anime News Network picks up the news of Wandering Son Vol. 1's inclusion on the ALA GLBT Round Table's Rainbow List, pointing out that it's the first manga ever to make the list

• History: At The New York Times Local East Village Blog, Kim Deitch writes about The East Village Other's Joel Fabrikant

Weekend Webcomics for 2/3/12

mike

Running a little thin this week — our only exclusive update is Nicolas Mahler's Angelman — but we've got the usual links to strips from around the web:

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Angelman by Nicolas Mahler (view at original size):

And elsewhere:

The All-New Cartoon Boy Adventure Hour by John Kerschbaum at ACT-I-VATE:

Amazing Facts... and Beyond! with Leon Beyond by Kevin Huizenga:

Belligerent Piano by Tim Lane:

Forming by Jesse Moynihan:

Humblug by Arnold Roth (two new updates):

Maakies by Tony Millionaire (and anonymous photographers):

The Pain — When Will It End? (plus answers to last week's "Ghandi or Batman?") by Tim Kreider:

Truth Serum by Jon Adams:

What's in the Backpack by Victor Kerlow:

Down with OPP*: Kramers Ergot #8

janice

* Other People's Publications
** Yeah, You Know Me.

Hey, it's the very first 2012 edition of "Down With OPP," our occasional column where we spotlight books from other publishers that you can find at the Fantagraphics Bookstore & Gallery in Seattle! And I was thrilled to get to the store this past weekend to find the latest volume of the celebrated Kramers Ergot anthology, from our friends at PictureBox.

It's chock-full of Fantagraphics artists: It opens with a great "Jimbo" strip from Gary Panter. There's also a wonderfully-drawn one-page gag from Tim Hensley. Kevin Huizenga re-draws a sci-fi story originally written decades ago by Bill Molno and Sal Trapani. And Frank Santoro & Dash Shaw turn in a beautiful collaboration on, well, catching pedophiles.

Gabrielle Bell has one of my favorite stories, and I admit, I get so used to reading her autobiographical strips, that with this one, I had a moment of, "You and your Dad did what?!"

Reading Johnny Ryan's story, I found myself thinking, "This might be the most romantic thing he's ever written," but then I ended up nearly laughing out loud by the end. It complements Sammy Harkham's marital comic, in a weird way.

I couldn't help reading the comic from Ben Jones in an "Alfe" voice, and the dialogue is so hilariously quotable, I just wanted to post random lines from it on Twitter.

And there's still more I haven't even mentioned, like the glossy full-color photography, the 70's Penthouse reprints, and the intro from Ian Svenonius, who will forever be to me "The Sassiest Boy in America."

Get a copy for yourself at the Fantagraphics Bookstore & Gallery, located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.

Daily OCD: 1/20/12

mike

Today's Online Commentary & Diversions:

• Reviews: Robot 6's Chris Mautner looks at our 3 newest Golden Age collections:

"...[W]hile I enjoyed [Action! Mystery!] Thrills[!] (I’m especially grateful for being exposed to the neon-color stylings of L.B. Cole, who seems to prefigure the era of black velvet paintings), it’s definitely the slightest — the most coffee tableish — of Sadowski’s books so far. It feels like a book designed more to flip through than to mull over.... That’s not necessarily a bad thing — there’s certainly pleasures to be had in re-examining these covers..."

"What’s exciting for me about this book is watching Everett develop as an artist and storyteller and figure out the medium in relatively rapid fashion.... The material in Amazing [Mysteries] in no way represents Everett’s strongest work, though they do point to his potential — those thrilling Sub Mariner stories were just around the corner. What you see here are the glimmers of an artist struggling to comprehend the potential of this relatively new medium [and] how he can push it to match his own interests."

"Though modern readers may wince at some of the sexual stereotypes on display, not to mention the occasional forced happy ending, Young Romance underscores Simon and Kirby’s keen storytelling skills. Adhering to a mostly six-panel grid, the duo manage to produce work that is visually arresting and dramatic... It’s also worth mentioning that editor Michel Gagne’s [restoration] work is stellar... For Kirby fans and those who just love to explore comics from generations past, it’s a rather essential read."

• Review: "It’s hard to imagine a comic that’s more ambitious and less pretentious; it’s reader-immersive and reader-friendly. Huizenga’s style recalls the 'big nose' school of cartooning — Glenn Ganges' schnoz is one of the comic’s stars. This unaffected old-timey style lends the narrative a sense of charm and elegance... Perhaps we should judge 2012’s comics according the standard set by Ganges #4." – Ken Parille, The Comics Journal

• Plugs: Martha Cornog of Library Journal Reviews spotlights a few of our upcoming releases in the latest "Graphic Novels Prepub Alert":

Buz Sawyer, Vol. 2: Sultry’s Tiger by Roy Crane: "World War II has ended, and flying ace Buz Sawyer has snagged a civilian job at last: troubleshooter for International Airways, which has him traveling to hotspots all over the world. Of course, he always flies into adventure, here visiting a dangerous woman he first met during the war, taking on the Mad Baron, discovering Mayan treasure, and being kidnapped by mysterious thugs. But whatever the adventure, somehow Buz always gets mixed up with a pretty girl. This volume includes both daily and full-color Sunday strips, originally published between 1945 and 1947, drawn in Crane’s clean, realistic style that in retrospect looks remarkably European."

Kolor Klimax: Nordic Comics Now, ed. by Matthias Wivel: "This lavish sampler of work from Denmark, Finland, Norway, and Sweden offers a wide variety of artistic styles and short plots, some with a more adult focus. See samples here; click 'Expand' for the wonderful cover plus 20 pages. Wivel is a veteran of the Danish comics scene who currently lives in New York."

Black Images in the Comics by Fredrik Strömberg: "First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond. Strömberg is a Swedish comics journalist, editor, and educator who has published numerous books in several languages."

Jewish Images in the Comics by Fredrik Strömberg: "Another of Strömberg’s books, in a similar format: over 150 entries from internationally-originating comic strips, comic books, and graphic novels stretching back 'over the last five centuries' that feature Jewish characters and Jewish themes. The works of Art Spiegelman and Will Eisner are well known to comics aficionados in the United States, but many of the other examples, some 'far less savory,' may not be."

Weekend Webcomics for 1/6/12: Kupperman, Mahler, Weissman & more

mike

Our weekly strips from Kupperman, Mahler & Weissman (with something new!), plus links to other strips from around the web:

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Black Classroom by Steven Weissman (view at original size):

Up All Night by Michael Kupperman (view at original size):

Angelman by Nicolas Mahler (view at original size):

And elsewhere:

The All-New Cartoon Boy Adventure Hour by John Kerschbaum at ACT-I-VATE:

Amazing Facts... and Beyond! with Leon Beyond by Kevin Huizenga:

Humblug by Arnold Roth (6 updates this week, continuing serialization of his unpublished 1979 strip Downtown, including the Sunday strip excerpted here):

Lucky by Gabrielle Bell :

Maakies by Tony Millionaire:

Les Petits Riens by Lewis Trondheim (scroll down at the link for one additional new update):

Truth Serum by Jon Adams:

What's in the Backpack by Victor Kerlow:

Daily OCD: 1/3/12

mike

The first Online Commentary & Diversions post of the year might very well end up being the longest:

• List: Humorist and television personality John Hodgman, asked to name his 5 favorite comics in an open Q&A session on his Tumblr blog, says "Love and Rockets: I don’t like to choose between brothers, but Jaime Hernandez is one of the greatest drawers of human faces and human want on the planet."

• List: Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks is #39 on The A.V. Club 's list of "most anticipated entertainments of 2012": "Only a Poor Old Man will bring Scrooge McDuck, possibly Barks’ greatest creation, into the spotlight. The bespectacled miser will dive around in his money bin and burrow through it like a gopher, and his timeless adventures will get the treatment they deserve."

• List: Tucker Stone, whose Best of 2011 previously appeared at comiXology, presents a slightly modified list for Flavorwire's "10 of the Year's Most Buzzed-About Comic Releases":

"Last year’s Love and Rockets was a huge deal, but this year’s installment is arguably even better.... Comics has yet to provide Love and Rockets with anything approximating 'competition,' but it doesn’t appear that the Hernandez brothers have any reason to be concerned about that quite yet. They’re still way better at this than everybody else on the planet."

"The big thing this year was watching all the great young cartoonists of the early 2000s carving out their places in the pantheon. Huizenga’s a perfect example — he’s been regularly turning out excellent comics for years now, and yet Ganges #4 still reads like a revelation.... It’s a fascinating experience reading these comics, and they’re gorgeous to boot."

"The continuing adventures of Johnny Ryan’s most violent fantasies run amuck, [Prison Pit] is rapidly becoming the comic that I look forward to the way a fat kid looks forward to syrup-encrusted cake. There’s no getting around the hoary old cliche — 'these aren’t for everybody' — so God help you if you can’t figure out a way to enjoy these books."

• List: The prolific Sean T. Collins, after having contributed to CBR's Top 100, runs down his personal 20 Best Comics of 2011 on his Attentiondeficitdisorderly blog AND at Robot 6, with Ganges #4 by Kevin Huizenga at #15...

"Huizenga wrings a second great book out of his everyman character’s insomnia. It’s quite simple how, really: He makes comics about things you’d never thought comics could be about, by doing things you never thought comics could do to show you them. Best of all, there’s still the sense that his best work is ahead of him, waiting like dawn in the distance."

...Congress of the Animals by Jim Woodring at #14...

"...[T]he payoff... feels like a weight has been lifted from Woodring’s strange world, while the route he takes to get there is illustrated so beautifully it’s almost superhuman. It’s the happy ending he’s spent most of his career earning."

...The Armed Garden and Other Stories by David B. at #11...

"Religious fundamentalism... has worn a thousand faces in a millennia-long carnevale procession of war and weirdness, and David B. paints portraits of three of its masks with bloody brilliance. Focusing on long-forgotten heresies and treating the most outlandish legends about them as fact, B.’s high-contrast linework sets them all alight with their own incandescent madness."

...Love from the Shadows by Gilbert Hernandez at #4...

"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'"

...and Love and Rockets: New Stories #4 by Gilbert and Jaime Hernandez at #1:

"...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."

• List: In the same Robot 6 piece, Chris Mautner lists his favorites top to bottom, leading off with Love and Rockets: New Stories #4 by the Hernandez brothers at #1...

"The hype and acclaim surrounding Xaime Hernandez’s conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. A moving, thoughtful story of missed opportunities, loss and eventual reconciliation that provides in many ways a fitting conclusion to all of Xaime’s 'Locas' stories. I’d be hard pressed to think of a better comic that came out this year."

...Congress of the Animals by Jim Woodring at #4...

"It takes a bit of daring to be willing to alter the status quo in a respected body of work and considerable talent to be able to do so in as assured manner as Woodring does here."

...Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson at #10...

"More than the new Carl Barks collection, more than the return of Pogo, the resurrected, re-appreciated comic strip I found myself falling in love the most with this year was Gottfredson’s plunky, adventure-loving mouse, a scrappier version of Disney’s iconic creation. More to the point, I was completely taken with the stunning packaging and background information Fantagraphics and the books editor put together for this series. It’s new benchmark for reprint projects."

...Ganges #4 by Kevin Huizenga at #14...

"The arrival of a new issue of Ganges is always a treat and this one, a continuation of lead character Glenn Ganges’ ever-failing attempts to get a decent night’s rest, is no exception."

...Prison Pit Book 3 by Johnny Ryan at #15...

"Three volumes into this grand guginol series and it continues to surprise and delight, this time introducing a new character and suggesting via an end sequence that Ryan has been reading a lot of Fort Thunder comics."

...Walt Disney's Donald Duck: Lost in the Andes by Carl Barks at #16...

"Do I really have to explain at this point why Carl Barks matters or how nice it is to finally see an affordable book-length collection of his work? Can’t wait for volume 2."

...The Cabbie Vol. 1 by Marti at #17...

"In his interview with Tom Spurgeon, publisher Kim Thompson described this as 'Dick Tracy on crank' that’s about as good a description of this fever-pitched crime noir tale as I can come up with."

...and The Man Who Grew His Beard by Oliver Schrauwen at #18:

"Incredibly inventive, Schrauwen, like Yokoyama, seems intent on pushing the comics medium into new and interesting directions. But where Yokoyama is concerned mainly with motion and exploration, Schrauwen is concerned mainly with perception and the interior world of the mind. This is great, mind-blowing work."

• List: More Robot 6 listmaking from Matt Seneca, who has Ganges #4 by Kevin Huizenga and Love and Rockets: New Stories #4 tied for 10th place

• List: Also on Robot 6's roundup of best-of lists from its writers, Tim O'Shea ranks Pogo Vol. 1 at #9: "Damn if this was not worth the wait... Volume 1 of the complete syndicated daily strips of Pogo would be enough to put this book on my list. But the fact that Fantagraphics has a foreword by Jimmy Breslin; an introduction by Steve Thompson; a piece on the Pogo Sunday Funnies by Mark Evanier; and Swamp Talk (R.H. Harvey annotations on the strips) is just icing on the cake."

• List: Praise for designer Jacob Covey as Robot 6's Kevin Melrose names the 50 Best Covers of 2011 including Walt Disney's Donald Duck: Lost in the Andes and Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island

• List: Here's Frank Santoro at The Comics Journal with a year-end favorites list that includes Love and Rockets: New Stories #4 and Ganges #4 and Love from the Shadows

• List: David McKean's Celluloid gets a "See Also" shout-out on Cyriaque Lamar's list of The Best Science Fiction and Fantasy Comics of 2011 at io9: "A decidedly adult erotica graphic novel with no dialogue, this is the famed Sandman cover artist going at page after page of a sexy hallucination, whipped up by a magic porno movie projector. Dreamscapes with boners."

• List: Comics Journal contributor and Fantagraphics pal Gavin Lees names his Top Comics of 2011 on his own Graphic Eye site, including Love and Rockets: New Stories #4...

"After 'Browntown' in last year’s installment of New Stories, there was a worry that Jaime might have peaked — how on earth was he going to top that story? The achingly beautiful conclusion to 'The Love Bunglers' in this volume was the answer. Pulling together strands from Maggie’s entire 30-year history in two pages was nothing short of stunning, with his art as cooly confident as ever, making it a real emotional sucker punch. Gilbert’s work developing Fritz’s movie back-catalogue is a real mind-bender, too, weaving inter- and meta-textual strands together that lets his characters say so much, while saying so little. It is terrifying how talented these guys are."

... and Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson:

"Forget Pogo and Carl Barks — we already knew they were classics — the real reprint revelation of 2011 was good ole' Mickey Mouse.... To read these strips is to rediscover a love for Mickey and marvel at Gottfredson's amazing grasp of storytelling and humour, as well as his flawless artwork. Naturally, with Fantagraphics overseeing the reprints, the design, packaging and presentation is gorgeous — a real worthy successor to their Peanuts series."

• List: Noah Van Sciver lists his top five favorite comics of 2011 in a comic for the Atomic Books blog, with Walt Disney's Donald Duck: Lost in the Andes his second choice: "Being a big Robert Crumb fan, I took great pleasure in reading the stories that the young Crumb was so influenced by."

• Review: At The Hooded Utilitarian Domingos Isabelinho casts a detailed critical eye on Walt Disney's Donald Duck: Lost in the Andes by Carl Barks

• Plug: "I’m a little mortified to admit that Walt Disney's Donald Duck: Lost in the Andes is my first exposure to Carl Barks (after decades of being interested in finally seeing why he’s so revered as a comic creator), but it definitely won’t be my last. Fantagraphics’ first volume of Barks material is a great place to start; a mixture of epic quests, short stories, and gag strips that are all impressively funny and awesome." – Greg McElhatton, Robot 6

• List: On his Domino Books blog, Austin English explains why Joyce Farmer's Special Exits is his favorite comic of 2011: "Farmer's cartooning allows for her characters to act out their illness and struggles in front of the reader. Farmer's drawing of her aging father is something to behold — it's not Farmer saying 'here is what my sick father went through.' Instead we see a drawing age and wither in front of us, and speak to us with both intelligence and dementia. I’ve never seen anything in comics done with such skill — let alone see a graphic novel (often the territory of poorly conceived topical heart wrenchers) speak about tragedy with so much depth and clarity."

• List: Comics writer Vito Delsante declares Love and Rockets: New Stories #4 the Best Single Issue of 2011 on his Best of 2011 blog post: "The Hernandez Brothers, since New Stories 3, have really created the most important mythology in comics since Stan and Jack (and Steve).... Jaime Hernandez should win every single award in comics in 2012."

• List: iFanboy's Ron Richards names Love and Rockets: New Stories #4 the Best Original Gaphic Novel of 2011: "See my Book of the Month review for my reasons."

• List: On his blog The Antick Musings of G.B.H. Hornswoggler, Gent., Andrew Wheeler chooses Popeye Vol. 5: "Wha's a Jeep?" by E.C. Segar as one of his top 12 Favorite Books of 2011

• List: We rank 4 entries on Renee Lott's Top 10 Comics of 2011 at her Blogwithfeet

• Review: "I've been digging the new Fantagraphics release Jason Conquers America which commemorates ten years of the venerable publisher's relationship with the Norewegian artist.... My favorite story in the collection revolves around a crow who naps in a bed in a field and wakes up obliviously in an entirely new life. (Telling any more would spoil the revelation.) In 23 short wordless panels, Jason creates a powerful and compelling commentary that proves how powerfully expressive comics can be." – Stray Riffs

• Review: "A new comic from the top humorist in comics is always welcome. This issue [of Tales Designed to Thrizzle] is the usual combination of dada and surprisingly tightly-wrapped narrative gags surrounding the sort of cultural detritus mined by Drew Friedman & Mark Newgarden.... 'Quincy, M.E.'... is one of Kupperman's best strips because he keeps adding new layers of plot to an already-ridiculous story.... I still miss the sheer density of detail in Kupperman's older work that made reading it almost exhausting, but the avalanche of ideas remains intact, as does his ability to elicit laughs." – Rob Clough, High-Low

• Review: "...Prison Pit... [is] a marriage of pro wrestling, manga, bromance and filth.... Johnny Ryan has an almost Kirbyesque level of character design, but with obviously more genitalia, and it can at times be a joy just to see what is going to come on the next page.... Johnny Ryan is a cartoonist at the top of his game right now and he may just be the closest thing the comic world has to marmite." – Taylor Pithers, The Weekly Crisis

• Interview: The Comics Reporter's Tom Spurgeon talks with Todd DePastino, biographer of Bill Mauldin and editor of our Willie & Joe books. Spurgeon says Willie & Joe: Back Home is "one of my three favorite comics-related books from 2011, and, I think, one of the year's best." From DePastino: "When I look at these cartoons, I think of literary critic Dominic LaCapra's claim that some books are good to think about and a very few are good to think with. Mauldin's postwar cartoons are good to think with. They not only provide a window to the times, like, say, good photographs or reporting might, but they also raise fundamental questions and issues that are with us still."

• Review: "These comics are beautiful. Each single-panel comic is blown up to a full page, so that Mauldin’s artistry can truly (and easily) be admired without squinting. The sentiments expressed are astonishing and bravely progressive for the time.... I’d never thought or heard about the poor reception combat vets received after WWII. (I mistakenly thought that only happened to our soldiers after the Vietnam War.) I wish I knew what they experienced. I’ll settle for giving [Willie & Joe: Back Home] to the next WWII vet I meet and hope that it sparks a conversation." – Gene Ambaum, The Unshelved Book Club

• Discussion (Audio): Hosts of the Deconstructing Comics podcast Tim and Kumar and special guest Tom Spurgeon examine the work of Gilbert Hernandez

• Plug: Alex Carr of Amazon.com's Omnivoracious blog takes note of our "12 Beers of the Apocalypse" collaboration with Elysian Brewing, featuring the artwork of Charles Burns

• Behind the Scenes: Co-author Blake Bell gives you another behind-the-scenes look at The Secret History of Marvel Comics

• Coming Attractions?: The wonderful Trina Robbins reveals not one but THREE possible projects she's talking with us about at The Beat as part of their year-end creators' survey

• Curmudgeonliness: Peter Bagge also participates in The Beat's year-end creators' survey: "Does 'paying my bills' count as a guilty pleasure?" Classic Pete.

Daily OCD: 12/29/11

mike

Today's Online Commentary & Diversions:

• List: Love and Rockets: New Stories #4 is ComicsAlliance's Best Comic of 2011, with Jason Michelitch saying "The final 15 pages of 'The Love Bunglers' isn't just the end of a great new issue of a Bros. Hernanadez comic book. It isn't just the sixth part of a fantastic serialized graphic novel that's run since last year. It is the culmination of nearly thirty years worth of nuance, gesture, shading, pacing and dialogue — of angst, mania, fear, friendship, anger, and love. It is the finale to an epic of human scale feeling and drama. It is heart-stopping."

• List: Matthew Price of The Oklahoman names Love and Rockets: New Stories #4 the Best Graphic Novel of 2011: "The Brothers Hernandez are some of the best cartoonists in comics' history, and Jamie Hernandez has one of the high points of his career in Vol. 4 of 'New Stories.'... Gilbert's visceral tale satirizes a societal obsession with vampires by showing their messy, unforgiving side."

• List: The A.V. Club's Noel Murray names The Best Comics of 2011: Graphic Novels & Art Comics in several subcategories. In Original Graphic Novels Mark Kalesniko's Freeway comes in at #4...

"Kalesniko’s animation-influenced style makes Freeway a fluid read, as he emphasizes motion, in striking compositions that guide the eye across the page smoothly. The plot moves just as freely, as Kalesniko renders both the exterior and interior spaces of his protagonist with a mix of loving care and impassioned disgust."

...and Joyce Farmer's Special Exits is at #5...

"Farmer jumps between matter-of-fact details and amusing anecdotes about the grind of end-of-life care, while turning the book into a celebration of two people: her father, a cheerful man so determined not to complain that he let serious health problems slide for months; and her stepmother, a steadfast woman whose pragmatism warred with her vanity. The book depicts old age as a wild, lurching ride: from medical crises to euphoric nostalgia to an eerie calm as the end draws near."

...the Top Three New Issues includes Love and Rockets: New Stories #4 at #1...

"Anyone who’s alive in the world should be moved by this story’s depiction of life as a series of accidents, miscommunications, and embarrassments, which sometimes work out okay regardless. 'The Love Bunglers' is rich with hidden meanings, complicated ideas and superior artistry."

...and Kevin Huizenga's Ganges #4 in the #2 spot...

"The fourth issue of Kevin Huizenga’s Ganges continues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction... The story suits Huizenga’s style, because he can both document the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying."

...and the Top Five Archival Collections are topped by Walt Disney's Donald Duck: Lost in the Andes by Carl Barks...

"...Lost in the Andes encourages both fannish and intellectual approaches to the material. There are scholarly analyses and bibliographies, but also more than 200 pages of some of the best-written comics ever published, full of square eggs, rubber bricks, golden Christmas trees, and races around the world."

...with Pogo: The Complete Syndicated Comic Strips Vol. 1 - Through the Wild Blue Wonder by Walt Kelly in the 2nd spot...

"The early Pogos aren’t as topical as what would come later, when Kelly would become a hero to the counterculture for taking on McCarthyism and promoting ecology. Mostly, these strips establish the world of the Okefenokee Swamp and the animals who dwell there, with Pogo the possum standing as the calm center of a cast that includes the dim Albert Alligator, the not-as-bright-as-he-thinks Howland Owl and the misanthropic, hilariously humorless Porkypine."

...and Bill Mauldin's Willie & Joe: Back Home at #3:

"The cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, but ferociously inspired professionally. Over the objections of his editors, Mauldin drew cartoons about estranged wives, limited employment opportunities, heartless fatcats, and an America more petty, materialistic, and xenophobic than the one they’d left behind... Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom."

• List: On the Westfield Comics Blog Roger Ash names his Best of 2011, with his Top 5 Books/Collections including Pogo: The Complete Syndicated Comic Strips Vol. 1 - Through the Wild Blue Wonder by Walt Kelly ranked at #3...

"This is not a book to be read quickly, but slowly and savored. Pogo is widely regarded as one of the greatest comic strips ever and this first volume amply shows why."

...and Walt Disney’s Mickey Mouse by Floyd Gottfredson at #2:

"The highlight of the volumes are the strips themselves which are a lot of fun and show an adventurous side to Mickey that may come as a surprise to those who only know the modern Mickey. It’s also fun watching Gottfredson develop as an artist and storyteller as the strips progress. In addition to the comics there are essays examining the stories, the creators involved (the comics were often inked and scripted by others), and the characters themselves. This series is a long overdue look at one of comics legendary creators and their work."

• Reviews: VICE's Nick Gazin looks at Jack Davis: Drawing American Pop Culture...

"...[T]his book is so great and contains all the things you would want from a career retrospective from Jack Davis. Jack Davis is one of America's great illustrators whose career started in the late 1930s and continues to this day. That's fucking insane to think about.... Like I said, this book delivers the goods in a big way. It's 13 inches tall so you can really sink your eyeballs' teeth into the images."

...and Tales Designed to Thrizzle #7 by Michael Kupperman:

"This issue of Tales Designed to Thrizzle starts out with stories based around the idea that bathtubs are evil or haunted, possibly based on childhood fears of getting sucked down the drain or something. Doesn't matter, it's hilarious even if it's based in absurdity. After that there are comics with funny dialogue about Quincy and St. Peter and Reservior Dogs II that all keep referencing back to the previous comics and have a dreamy feel, but if your dreams were hilarious.... A bunch of stuff is thrown your way in this issue and when it's over you think, 'I liked that. I feel satisfied. Mmm-MM!'"

• Review: "[Wandering Son] has a very well-thought, carefully paced narrative that allows us to explore what goes on inside each character’s head and to watch them develop as people. It’s much more a quiet slice of life affair than it is an over-the-top comedy and/or drama, which might be something you’d expect from a manga featuring cross-dressing... [T]his hardcover book... represents a sophisticated side of literary manga. Translated with rare skill and sensitivity by veteran translator and comics scholar Matt Thorn, much of the story’s original flavour remains intact. Shimura Takako’s gender-bending story has a very quiet, introspective touch to it, and her artwork – with its clean lines, minimal backgrounds and sparse dialogue – beautifully reflects this." – Sean A. Noordin, The Star (Malaysia)

• Review (Video): Dave Ferraro & Patrick Markfort of the Comics-and-More Podcast look at Pogo: The Complete Syndicated Comic Strips Vol. 1 - Through the Wild Blue Wonder by Walt Kelly (two-part video at the link)

• Review: "Fantagraphics here in the states once again has begun to unearth [Tardi's] body of work into the North American light, the first volume of The Extraordinary Adventures of Adèle Blanc-Sec being another fine edition produced in the best quality possible.... Does it sound a little crazy, imaginative, and probably addicting to read? Yes, yes it is. Which is why you need to read this series." – Drew McCabe, Comic Attack

• Plugs: Librairie Drawn & Quarterly's 211 Bernard blog spotlights Jack Davis: Drawing American Pop Culture and Tony Millionaire's 500 Portraits

• Plug: "You can’t start the new year without the end of times. Sala’s new book [The Hidden] features his recognizable palette and quirky, gothic font in an adult tale... The post-apocalyptic tale starts with a man waking up to find that everything has gone wrong; sorta a Rip Van Screwed. Great for those who enjoy zombie movies and dystopian books like 1984 or The Hunger Games." – Jen Vaughn, CCS Schulz Library Blog

• Plug: Publishers Weekly spotlights our upcoming Tony Millionaire book signing and art show opening in their Comics Events listings

Daily OCD: 12/28/11

mike

Today's Online Commentary & Diversions:

• List: The National Post's David Berry names The Best Graphic Novels of 2011, saying of his #3 choice "This does feel somewhat like cheating, since there’s only a few sequences of proper graphic work here, but why quibble about format: Mark Twain’s Autobiography 1910-2010 is, quite simply, one of the funniest things you’ll read in any genre. Kupperman has a child’s free-ranging imagination and an aging intellectual’s dry wit... This supposed telling of Mark Twain’s 20th-century life... would be an awe-inspiring work of imagination if it wasn’t so absurdly hilarious. Somewhere between John Hodgman and Graham Roumieu, Kupperman has found stark comic brilliance."

• List: Comic Book Resources continues their Top 100 comics of 2011 countdown, with Ganges #4 by Kevin Huizenga coming in at #48 and Brian Cronin calling it "mind-boggling" and "remarkable. Absolute top notch sequential work."

• List: Comic Book Resources columnist Sonia Harris lists "My Top 10 Comics (for ANY Year)" with Love and Rockets taking the #2 spot: "Read Love & Rockets, all of them, both brothers, everything you can find. Your life will be richer."

• List: Bookgasm's J.T. Lindroos, running down the Best Euro Comics as part of the Best Books of 2011, writes "Fantagraphics continued its Jacques Tardi lineup, and I was particularly delighted by the proto-steampunk The Arctic Marauder, although I think one should own every single book in the series. I was also happy to see some less well-known artists get their chance, and both Sibyl-Anne Vs. Ratticus by R. Macherot and Murder by High Tide by Maurice Tilleux were wonderful surprises in the classic Franco-Belgian 'bigfoot' style. Fantagraphics is quickly becoming the Criterion Collection of comics publishing."

• List: Richmond VA comic shop Velocity Comics counts down their top ten Best Graphic Novels 2011, with Jim Woodring's Congress of the Animals at #9: "There are few artists’ work I can endlessly stare at with as much feverish perplexitude as Jim Woodring’s. Yes, I just made that word up."

• List: Vancouver BC culture site The Snipe surveys local comics industry folks for their favorite comics of the year. The Walt Disney's Mickey Mouse series by Floyd Gottfredson is named Best Collected Edition or Reprint by cartoonist Steve LeCouiliard...

"Floyd Gottfredson is one of the overlooked masters of the comic strip. Like Carl Barks, his work was always signed 'Walt Disney' but his craft and storytelling brilliance shone through. Comic strips really don’t provide much more pure joy than Gottfredson’s Mickey Mouse."

...and by VanCAF organizer Shannon Campbell...

"The two-volume collection of Floyd Gottfredson’s run of Mickey Mouse, hands down! These books chronicle the glory days of the old-school Mickey Mouse comics when Gottfredson did both art and story (from 1930-1934)."

...while the staff of Lucky's Comics can't pick just one:

"This has been a boon year reprint editions, but take your pick from Fantagraphics Books’ amazing editions of Pogo by Walt Kelly, Donald Duck by Carl Barks, Mickey Mouse by Floyd Gottfredson, and Prince Valiant by Hal Foster. Fantagraphics has done such an incredible job on book designs, colors, paper… all of the details that make these editions glow."

• List: On his Four Colours & the Truth blog Tim Reinert picks his top 20 Best Original Graphic Novels of 2011, with Love and Rockets: New Stories #4 at #17...

"Love & Rockets. Three little words, but for those of us who love independent comic books, they mean so much.... As usual with L&R, the stories are sweet, sad, sexy, humorous, and above all, fun."

...21: The Story Of Roberto Clemente by Wilfred Santiago at #13...

"It’s not just the subject matter that’s a winner here. Santiago has a knack for simplicity in his storytelling approach, and in a medium that’s often beset by needless complexity, that’s a rare gift."

...and The Hidden by Richard Sala at #6:

"...[P]robably the best pure horror comic I read this year... and one that quite frankly shocked the hell out of me. Sala’s expressionist art style might not be the most obvious choice for telling blood-curdling horror stories, but its innocent cartoony quality somehow makes a perfect (and terrible) fit with the horrible, almost nihilistic story that Sala is telling."

• Review: "Swarte’s visuals are always gorgeous and distinctive, with a strong influence from Hergé but an even more rigidly mapped out structure. The more you look at them, especially the large ones, the more you see, as in a one-panel, one-pager that lays out a parodic vision of comics production as if it resulted from a Roger Corman-esque movie studio. His eye is careful and his line even more so. ...[Is That All There Is?] is a real pleasure to read and to look at, and it makes a case for Swarte as a real comics guy, not just an illustrator." – Hillary Brown, Paste

• Profile: At City Journal, an essay by Stefan Kanfer with a history of Walt Kelly and Pogo: "He frequently quoted a line that he had written for Porky Pine: 'Don’t take life so serious, it ain’t nohow permanent.' No, it ain’t. But art — even comic art — can be, in the hands of a master. Every book, every comic, every panel verifies the claims of Kelly’s fervent cheering squad: after 63 ever-lovin’ blue-eyed years, Pogo is still incomparabobble." (Via The Comics Reporter)

• Plug: Seattlest's Heather Logue spotlights Tony Millionaire's upcoming appearance and art show at Fantagraphics Bookstore & Gallery: "Aside from the fact that he has an amazing superhero name, Tony Millionaire also has the extraordinary talent to back it up. The cartoonist will be at Fantagraphics with his latest book 500 Portraits -- a collection of portraits (duh) of everything from the very famous face, to the very small bug. All meticulously crafted in his beautiful, yet grotesque way -- you're not going to want to miss Tony's take on portraiture."

• Plugs: At The Beat Heidi MacDonald recommends a few faves from our current 40%-off Inventory Reduction Sale

• Plugs: Ladies Making Comics has a handy guide to books by women creators in our current 40%-off Inventory Reduction Sale

• Scene: At his blog, Drew Friedman recounts his experience as keynote speaker at the International Society of Caricature Artists' annual convention last month, with lots of photos, a couple video clips and a transcription of a Q&A session

• Commentary: On his blog, proud book-papa Blake Bell runs down the reasons he's so excited about the imminent release of Amazing Mysteries: The Bill Everett Archives Vol. 1, which he edited

Daily OCD: 12/27/11

mike

Today's Online Commentary & Diversions:

• List: The first part of Comic Book Resources' Top 100 Comics of 2011 countdown includes Jim Woodring's Congress of the Animals at #88...

"It takes a bit of daring to be willing to alter the status quo in a respected body of work and considerable talent to be able to do so in as assured manner as Woodring does here." – Chris Mautner

...Mark Twain's Autobiography 1910-2010 by Michael Kupperman at #87...

"Through war, animal make-out sessions and film writing, Kupperman takes Twain through the ringer in a hilariously catastrophic epic that the real-life 'Adventures of Huckleberry Finn' author would surely have appreciated. Although reading it won't score you any points on a history-class term paper, the book will certainly open your eyes to one of the funniest writers working in comics right now." – Brian Warmoth

...and Johnny Ryan's Prison Pit Book 3 at #86...

"The excessive violence is still here, more refined, more imaginative, more disturbing. Ryan pushes himself artistically in the second half of the book, delivering a stunning sequence that still haunts me." – Chad Nevett

...and in the second part of CBR's countdown, Love from the Shadows by Gilbert Hernandez at #70...

...and Leslie Stein's Eye of the Majestic Creature at #61:

"Leslie Stein burst onto the comics scene this year when Fantagraphics published the collection of four of her self-published comics... The comic is both surreal and mundane, the story of a young woman who moves to a New York complete with humanoid animals and talking musical instruments. ...Stein [is] one of the best independent creators to emerge in recent years." – Alex Dueben

• List: Robot 6's Graeme McMillan picks his 5 favorite books of 2011, including Stigmata by Lorenzo Mattotti & Claudio Piersanti...

"Way back at the end of last year, I called this the best graphic novel of 2011, and if I’m now a little more reticent to make that claim, it has more to do with the high quality of a lot of other releases this year than anything else because this is still a masterpiece that, were I some kind of unlikely comics czar, I’d make compulsory reading for everyone interested in the medium. Just a breathtaking book."

...Ganges #4 by Kevin Huizenga...

"Another book that I raved about earlier this year, and another one that I’m still raving about as strongly months later. A tour-de-force of cartooning from a creator who just continually improves, and pushes at the medium in almost everything he does."

...and Celluloid by Dave McKean:

"It’s a disturbing book in many ways – questions about exploitation and power are very present in the text – but also a beautiful, seductive one. It’s a book that sticks with you for a long time afterwards, and for that alone, it’s one I’ve returned to many times since first reading it."

• List: Panel Patter's Rob McMonigal names his Best of 2011: Manga Edition, with Wandering Son Vol. 1 by Shimura Takako in the #5 spot: "This is one of the most serious manga series I've ever read, and I finished it unable to come to grips with the best way to review it. Dealing with two children who come to realize they are trapped in the wrong gender, it's a story of secrets, revelations, understandings, and occasional cruelty. The book handles the topic with care and respect, however, which is part of why it is so good."

• List: Another top-10 from Panel Patter's Rob McMonigal, whose Best of 2011: Indie Comics, is topped by 3 of our titles: Jason & Fabien Vehlmann's Isle of 100,000 Graves...

"Isle of 100,000 Graves has Jason's trademark deadpan humor, resolute protagonist, and ending that leaves the reader thinking."

...The Hidden by Richard Sala...

"At first, The Hidden feels like a typical apocalyptic story, albeit one painted amazingly well by Sala. But as things progress, the tale morphs and twists into one of the best horror comics I've read, with a twist towards the end that I never saw coming. That's what makes a comic stand out, and puts it near the top of my best of list."

...and Mark Twain's Autobiography 1910-2010 by Michael Kupperman at #1:

"I laughed out loud so many times over this mixture of text and illustration. It's a pitch-perfect book with almost no mis-steps, and I hereby call it my Best Indie Comic of 2011."

• List: At the Forbidden Planet International blog, comics creator John Riordan names Love and Rockets: New Stories #4 as one of his 3 favorite comics of the year, commenting only "My… aching… heart…"

• Review: "I found myself turning back and re-examining the pages often, digging through the many details that the words and images delivered. The story unfolds in earth tone – sepia illustrations, not gaudy, in keeping with the artist’s respect for the story and the subject. Clemente’s early life is here and one gets a real feel for his family and friends, and not without humor.... [21: The Story of Roberto Clemente] should appeal to graphic novel fans, baseball fans, anyone who likes a great 'bigger then fiction' story, and many others." – Mark Hodgens, Skyscraper Magazine

• Review: "Fantagraphics is now giving Barks’ Duck comics a whirl, and based off this first volume alone if there’s any justice in the comics world, fame should finally (belatedly) be coming for the late, great Barks.... The reproduction on these strips are beautiful; Fantagraphics hired cartoonist Rich Tommaso to re-color the works, and Tommaso wisely uses gentle flat tones to keep with the overall feel of Barks’ crisp, classic art. I also appreciated the essays about the different stories in the back of the book.... Donald Duck: Lost in the Andes is a handsome looking book, and trust me when I say it’s just the first of many I plan on reading by Barks." – Greg McElhatton, Read About Comics

• Review: "So cue the squeals, and scan the racks at your friendly neighborhood comics retailer for writer/artist Michael Kupperman’s Tales Designed to Thrizzle #7. Beyond a cover whose hilarity strangely if successfully depends on its all-day-sucker coloring — tangerine, lemon, lime — this dadaistic offering opens with a six-page excerpt from Scary Bathtub Stories, a faux-Golden Age comic, and thereafter spirals further and further into neo-psychedelic weirdness." – Bryan Hollerbach, PLAYBACK:stl

• Review: "I like to imagine [Michael Kupperman] sitting in some tiny hellhole of a studio apartment packed deep into the bowels of New York -- these noble creatures lose their mystique when they own homes -- doing mutant Thrizzle pages until they stop paying him or until he gets a gig in the back pages of Vice. Some feminine if not female voice of reason hovers next to his desk, thumbing through the newest set as he leans back in his chair, wondering if Fantagraphics paid him enough to afford blowing the budget on a beer, wiping entirely imaginary sweat from his brow." – Patrick Tobin, Multiversity Comics

• Interview: The Comics Reporter's Tom Spurgeon talks to Oil and Water writer Steve Duin: "I'm too new to all of this to fully grasp how the perfect union of writer and artist is formed... and there were times when Shannon [Wheeler] and I struggled to find common ground. But a great deal of my understanding of what we were dealing with in the Gulf owes to Shannon's perceptions and his sketchbook. He was refreshingly aggressive in dealing with the BP clean-up teams disinclined to give us access. His original poster for the group -- a naked woman starring incredulously at the oil derrick in her bed, and saying 'What do you mean, it broke?' -- is brilliant."

• Interview: Bookforum's John Madeira, who says "...Alexander Theroux’s writing... is grandiloquently lyrical, dizzyingly erudite, and often acerbic," talks with Theroux about The Strange Case of Edward Gorey ("a smart, engaging, and insightful monograph asking as many questions about the quirky artist as attempts at answers") and other topics: "Edward Gorey was very ornate — Corinthian! — in his love of language, and when he was in a chatty mood his conversation, crackling with allusions, was rich and often rare, exaggerated, campy to a degree, invariably tinctured with lots of movie-love, sarcasm, irony. Mind you, it was not that the man was trying to be something, contriving, say, to appear a cavalcade of wit, merely that, rather like Dr. Samuel Johnson, he happened to have sharp, remarkable 'views' on all sorts of subjects, almost all worthy of note."

• Plugs: One more from Panel Patter's Rob McMonigal, who recommends some things to pick up in our current 40%-off Inventory Reduction Sale

Daily OCD: 12/23/11

mike

Today's Online Commentary & Diversions:

• List: Tucker Stone counts down The Best of 2011 at comiXology. and we sure like the looks of his top 5:

At #5, Jim Woodring's Congress of the Animals: "Deftly exploring the individual's relationship with labor, consequence and love, Congress of the Animals might be Woodring's least nightmarish work yet. (Although there's still a decent portion of it involving face-robbed humanoids that you shouldn't leave lying open if you have junkies visiting.)"

At #4, Prison Pit Book 3 by Johnny Ryan: "Back in 2009, when Ryan began Prison Pit, it was a revelation; a bone-crushing giant, born fully clothed.... Make no mistake: if Jack Kirby was born today, these are the kinds of comics he'd be drawing."

At #2, Ganges #4 by Kevin Huizenga: "While it has been two years since the release of Ganges #3, the only thing that could possibly have dulled would be the audience's memory of how extraordinary the series can be.... As with Yokoyama's Color Engineering, the audience becomes participatory witness, buried head to toe alongside Glenn, living and dying by his attempts to conquer. The shaggy dog ending -- weirder than the last one -- only seems cruel for the length of time it takes you to remember: being broken out of a trance is supposed to hurt."

And in the #1 spot, Love and Rockets: New Stories #4: "...Love and Rockets 4 saw Jaime Hernandez making good on the promise of decades. Resolving with as much finality as one could ask the question of 'how's this gonna end,' the final passage of this issue's Maggie story was without comparison. There was absolutely nothing else like reading those pages for the first time -- the gasp held tight in your throat, the 8 panel grids giving way only once, for a two page silent recap of the last 30 years of a life only we seem to know was well-lived."

• List: At Trouble with Comics, Alan David Doane names his 10 Best Comics of 2011, including Walt Disney’s Donald Duck: Lost in the Andes by Carl Barks — "Quite simply, some of the best comics of all time, in the most beautiful design and format of any book I saw all year."

• Review: "...[The Armed Garden] is absolutely marvelous, a gorgeous and searing series of comics from an artist who earns the description 'freakishly talented' as completely as anyone this side of his trans-Atlantic fellow in crafting dreamy/nightmarish parables of violent spirituality, Jim Woodring. These comics are just as lovely and just as frightening, and just as singularly the work of their creator and no other." – Sean T. Collins, Attentiondeficitdisorderly

• Profile: At HiLobrow, Luc Sante gives a brief introduction to Jean-Patrick Manchette, from whose novels Jacques Tardi adapted West Coast Blues and Like a Sniper Lining Up His Shot

• Anecdote: When Blake Bell titles a blog post "Being Punked by Jerry Robinson and Other Memories" you know that's going to be good (Pictured: The Comics Journal #271 with Gary Groth's interview of Robinson)