• Review: "And indeed, [Carl Barks's] work of c. 1948–54 ranks amongst the most consistently inspired, inventive, touching, and plain fun in the history of comics. Fantagraphics’ inaugural volume in their complete edition of Barks’s Disney comics [Walt Disney's Donald Duck: Lost in the Andes] drops the reader in right at the onset of this creative surge, covering the years 1948–49. ...[T]his is a series that finally promises Barks done right, promising a major revival of one of our greatest cartoonists." – Matthias Wivel, The Comics Journal
• Interview:The Believer blog presents part 1 of an interview with Jim Woodring conducted in 2008 by Ross Simonini: "There’s a Robinson Jeffers poem about a guy who has made wounds on the back of his hands and keeps them fresh by cutting them over and over again with a sharp piece of clean metal. That always struck me as being akin to what I do. I wouldn’t let those childhood wounds heal. The tunnel kept trying to close behind me, and I kept forcing it open so I could remember those primordial things, the way that the world seemed to me as a child. It’s been a vocation for me to keep that view intact."
• Interview (Audio): Matt Smith-Lahrman of New Books Network talks to Kevin Avery about Everything Is an Afterthought: The Life and Writings of Paul Nelson; in Smith-Lahrman's written introduction he says "In Avery’s biography, Nelson is a man who deeply believed in the idea of the American hero as a maverick: tough, brave, in touch with the essence of what it means to be human, and, importantly, alone. Nelson died in 2006, just as Avery was beginning to write this book. He died alone.... Nelson’s writing is deeply personal, inviting readers into the relationships he had with the people he wrote about. Avery’s biography similarly invites readers into Paul Nelson’s life, lonely as it was."
• Plug: "New from Fantagraphics, a decade spanning comics anthology from icon maker Bill Griffith. Griffith is surely best known as the creator of the polka-dot robe wearing daily strip character, Zippy the Pinhead, but Griffith's productivity reaches far beyond Zippy. Lost and Foundis a collection of comics, handpicked by the artist, many rare and out of print, from 1969-2003 (but with the first third of that time period, the heyday of the underground, occupying the majority of the book). Though most of the comics in Lost and Found aren't about Zippy, there are some unique and important Zippy moments included, like the icon's first appearance..." – 211 Bernard (Librairie Drawn & Quarterly)
• Plugs:Robot 6's Michael May & Graeme McMillan look ahead to a couple of our upcoming releases:
Angelman – I’ve not read much by Austrian cartoonist Nicolas Mahler, but I think I’m won over just by the idea of his new book, which satirizes not just superheroes, but the business behind them. [Graeme]
Interiorae – Lovely, lovely art by Gabriella Giandelli in this collection of his Ignatz series. (It’s also in full-color, unlike the original serialization, which is another win.) [Graeme]
I don’t know why it’s taken this long for Fantagraphics to collect the comics that got their cool Ignatz format a few years ago, but I’ll shut up and be grateful. I greatly enjoyed Giandelli’s creepy tale of an apartment building, its residents, the large rabbit who roams its halls, and the creature the rabbit seems to serve. What’s also exciting though is that this means Richard Sala’s Delphine will get a collection too. [Michael]
• Plug: "Malcolm McNeill was just finishing art school when he began his seven year collaboration with the author, William S. Burroughs. This work, which has never been published, is finally going to see the light of day. Fantagraphics has two books coming out this Spring by McNeill: one with his lost drawings and paintings, and the other a reflection on the relationship between word and image which has made an indelible mark on the artist and master draftsman." – Laura Williams, Lost at E Minor
• List: On the Inkstuds radio programme's "Best of 2011 with the Cartoonists" episode, Aaron Costain, Dustin Harbin and John Martz discuss their favorite comics of 2011 with host Robin McConnell, including:
• Review: "You know who’s great? Lewis Trondheim, the incredibly prolific French cartoonist. Evidence comes in... Approximate Continuum Comics, an English translation of a six-part series Trondheim published in the 1990s concerning his struggles in the comics industry, desire for success and acclaim and just general angst, anxiety and feelings of self-doubt. It sounds all terribly self-involved to the point of tedium, but Trondheim is simply too skilled a storyteller to allow his own ego to override the quality of his work. Approximate is filled with wonderful visual inventions, like an early daydream about dealing with obnoxious passangers on the subway. More to the point, Trondheim’s self-effacing sense of humor is so charming and revealing that the book never becomes too solipsistic or insufferable." – Chris Mautner, Robot 6
• Review (Audio):Extra Sequential Podcast hosts Kris Bather and Mladen Luketin examine Young Romance: "Legendary creators Joe Simon and Jack Kirby effectively created the romance comics genre which was surprisingly dominant during the 1940s and 50s. We look at Fantagraphics’ entertaining new collection of some of their work."
• Review: "Paul Nelson's life narrative is too good and too tragic.... The painful thing about reading this book [Everything Is an Afterthought], beautifully written and edited by Kevin Avery, is a lot of people are going to identify with Nelson's love for culture and what it means to him/us/them.... A very sad book. But the interviews with his fellow critics and friends (most love him to bits) [are] quite moving and a tribute to those who write to expose how 'their' feelings are attached to the shine or the mirror-like image of pop culture." – Book Soup Blog
• List: Chris Mautner's list of "12 Comics to Look Forward to in 2012" at Robot 6 includes our first volume of Crockett Johnson's Barnaby: "Johnson’s wonderful, vastly underrated comic strip about a little boy and his underperforming fairy godfather is finally, finally being collected. Can’t wait."
• Review: "Wandering Son Vol. 2 is a great sophomore collection from Takako; I feel like the slightly choppy nature from the early chapters in Vol. 1 is gone, and Takako’s starting to expand the cast and the plot in a way that provides more of a dramatic bite. Based on the class trip sequence in this volume, Takako’s just getting ready to make Wandering Son a lot more heavy and less idealized for the characters. If it goes anything like we see here, we’ve got a hell of a ride ahead of us. With beautifully designed hardcovers (and a pleasing weight and feel to the books too, with a good paper stock to boot), Wandering Son is the sort of series you’ll be proud to have on your bookshelf. I’m ready for the next volume now." – Greg McElhatton, Read About Comics
• Review: "...I should warn you: this book is dark and bleak even for Sala, and that's dark indeed. There are still hints of his mordant humor, and his precise lines and color washes are as ghoulishly appropriate as always -- but The Hidden out-Salas any of the prior Sala books, which is an unlikely and impressive thing." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview: At USA Today Pop Candy , guest contributor Grace Bello chats with Tony Millionaire: "I'm still stuck with my love for fantasy. When I say 'fantasy,' I don't mean wizards and swords -- I mean anything that pops into my mind. I like stuff that doesn't have a contemporary feel to it. I mean, if I draw a telephone, it's got to be one of those old-fashioned phones that you hold with two hands. But that would be the problem with anything that's autobio; I'd have to draw modern cars and telephones, and I don't want to do that yet. If I draw an autobio comic, it's got to be about me in 1727."
• Interview: At Comic Book Resources, Alex Dueben talks to Michel Gagné about restoring Simon & Kirby's romance comics for our upcoming collection Young Romance: "Like a snowball, the project kept getting bigger and bigger. It was one of those things you have on the back burner for years and you constantly have to give it some attention. Finding the material was difficult and costly, the restoration process was long and tedious, but the book kept looking better all the time so I stayed motivated throughout. I wanted that book on my shelf!"
• Interview (Video):Mr. Media®'s Bob Andelman talks to Kevin Avery about Paul Nelson and Everything Is an Afterthought: "Paul Nelson had a fascinating life. If we worked together, it would not have been the same book; being a very private man, Paul would not have revealed everything that I found out."
• Plug: The Austin American-Statesman's Joe Gross looks ahead to some of his most-anticipated 2012 books, including Listen, Whitey!: The Sounds of Black Power 1965-1975: "Producer and writer Pat Thomas spent five years researching this tome, exploring the vinyl legacy of the Black Power movement from recordings of speeches by activists such as Huey Newton, Bobby Seale and Elaine Brown to Motown's activist imprint Black Forum to the role white figures such as Bob Dylan and John Lennon played in the movement. Probably the book on this list to which I am most looking forward."
"Paul Nelson, a propagandist committed to some dubious values, had a gift for imbuing disreputable, even dangerous ideas with discomforting grace. You might almost say he was the Leni Riefenstahl of rock criticism....
"Still, he matters — and not only as an exemplary case of a good mind applied to wrongheaded purposes. He was on to something legitimate when, in his 20s during the early ’60s, he took the ambitions of the rapidly maturing music of the rock generation as a challenge to produce ambitious criticism. The fiery, literate pop-music writing he developed soon crystallized — and probably helped elevate — the standards of the work he wrote about, while raising the expectations of its audience. The existence of criticism of an art is one of the things that establish it as an art, and the rock world came to think of its music as an art when serious critics started treating it like one....
"His significance as a maker of ardent and crafty (if parochial) rock writing is clear from the testimonies by critics and musicians in the biographical sections of Everything Is an Afterthought: The Life and Writings of Paul Nelson, a quirky pastiche of biography and anthology put together by a zealous Nelson admirer, Kevin Avery."
• List:NPR's Glen Weldon names The Best Comics of 2011, including Pogo Vol. 1 ("Walt Kelly's hugely influential strip gets the deluxe treatment it deserves"), Mark Twain's Autobiography 1910-2010 by Michael Kupperman ("The silliest, funniest, most bracing, and really-I-wasn't-kidding-when-I-said-silliest, book of the year"), and Wandering Son Vol. 1 by Shimura Takako ("An insightful, empathetic and deeply moving manga about a boy who wants to be a girl and a girl who wants to be a boy")
• List: Megamedia conglomerate music-video website VEVO names Everything Is an Afterthought: The Life and Writings of Paul Nelson by Kevin Avery one of 2011's Top Music Books: "Another key critic of rock’s early years, Paul Nelson had a deep skill for explaining artists’ intentions. He was also unafraid of point out their foibles. That makes for a good balance, and some of the portraits he crafted through the years... still resonate as luminous pieces of writing.... But as this combination of bio and anthology reminds us of superb work, it also sketches out his troubled life."
• Award: Thanks to the Well Watchers comics podcast for bestowing us their 2011 Golden Uatu award for Best Publisher
• Profile: At The Atlantic, Steven Heller talks to Bill Griffith about Zippy the Pinhead and his new "landmark book": "Who would have imagined in 1970 that Zippy the Pinhead would become a national icon, up there with Pogo, Charlie Brown, and Mr. Natural? 'Never in my wildest underground imaginings did I foresee Zippy as a continuing character, much less a nationally syndicated daily strip,' says Zippy’s creator, Bill Griffith (Griffy to his intimates). By 1970 he had a hit comic titled 'Young Lust,' an X-rated parody of girl's romance comics. He figured Zippy would take his place alongside other one-shot characters: 'I had no intention of giving him any further thought.' Yet 42 years later, this month marks the publication of an anthology of Zippy and other Griffith characters in Lost and Found - Comics 1969-2003."
Critic and writer Ken Tucker counted down his Top 10: The Year in Music on NPR's Fresh Air, a list which included 9 albums and one book, Kevin Avery's Everything Is an Afterthought: The Life and Writings of Paul Nelson: "Nelson, who died in 2006 at age 69, was part of the first generation of rock critics, instrumental in bringing attention to musicians including Bob Dylan, Jackson Browne, New York Dolls and Warren Zevon. The book is both an anthology of his best writing and a tragic recounting of a life that shut down too soon." The book has previously been named one of Library Journal's Best Books 2011 and one of Rolling Stone's Best Rock Books of 2011, among other accolades.
• List: Esteemed Washington, DC bookstore Politics & Prose has posted their list of "Favorite Graphic Literature of 2011":
"It seems sort of cruel to celebrate the final issue of Mome, Fantagraphics’ premier anthology of comics. But one can hardly resist such a celebratory finale. As to be expected, Mome Volume 22 packs a wallop, throwing in a mind-bending array of cartoonists, some Mome regulars, some first-time contributors. Some favorites: Joe Kimball’s 'Secret Hand,' Tim Lane’s 'Belly Gunner,' Eleanor Davis’ 'Nita Go Home' and 'Loving Bin Laden' by James Romberger. As always, this is a refreshing and eye-opening anthology. So thank you, Mome, and goodbye."
"Jacques Tardi’s wildly inventive The Arctic Marauder follows Jerome Plumier as he tries to uncover the mystery of why ships keep sinking in the arctic. Written to parody a Victorian and Jules Verne-esque style, Tardi’s illustrations look as if they’re out of a much older book; his seascapes and townscapes are scenic and highly detailed; his creative paneling is fresh and interesting; and the abundance of machinery and wild inventions makes this book a real wonder to read. Ending on a strangely ominous, ironic, and humorous note, this is yet another masterpiece by the French master, finally brought to American audiences."
"Jim Woodring’s little anthropomorph, Frank, has been around for quite some time, and his silent, life altering, universe confusing, epic comics finally get collected into one nice book. Frank has graced the comics page for decades now, and his curiosity, foolishness, but utter innocence leaves one always wishing for more, and to have it collected into one volume is an absolute treasure. There is much to say about The Frank Book, but really, you should just pick it up and wander with Frank and his friends and enemies, into a world that is so different, and yet, so similar to our own."
"Stigmata is one of the greatest virtuoso displays of pen-and-ink work in the history of graphic novels. Illustrator Lorenzo Mattotti’s 'raging fury of intense linework' is mesmerizing on every single page, and drives the novel-length story by Claudio Piersanti set in the hellish world of bars and traveling carnivals (with a final redemptive chapter). Stigmata is a recognized classic in the comics world, and was published in Europe in 1998. It has finally been translated and published here."
"Pogo Possum and the bunch of characters that make up Walt Kelly’s colorful, smart, and witty comic finally get the sort of treatment they deserve. It has taken Fantagraphics a long, long time to find perfect copies of all these fantastic strips, and to make sure Pogo was given its due in the best possible way. So here it is: the first of twelve volumes, complete with dailies and Sunday pages (with absolutely gorgeous color). This is quite possibly one of the best things to come out this year, and one of the best books for any library."
"Hot on the heels of popular Mickey Mouse hardcover comics collections, Fantagraphics puts forth a second Disney classic, Donald Duck: Lost in the Andes. While some readers may have been surprised by Mickey’s exploits in the early days, Donald is exactly as you remember and expect him to be: perpetually frustrated with a heart of gold. What is also not surprising is the level of skill behind the cartooning of Carl Barks, whose knack for expressive figures and attention to detail makes this collection an endlessly entertaining read. So well-loved were these stories, that none other than the great Steven Spielberg paid tribute to them in the famous scene of Indiana Jones versus the boulder in Raiders of the Lost Ark. Sure to please any fan of good-humored Golden Age comics."
"I’ve never quite liked Mickey Mouse. He was always a little too tame, too good. And while he was always the hero, he never seemed to earn it. Fantagraphics recent release of the classic 1930’s comic strips has completely changed my mind. While Mickey’s essential character hasn’t changed, he is certainly more bold, more willing to throw a punch or rush into a haunted house, or even into a brawl with Pegleg Pete and his gang. Floyd Gottfredson’s artwork bears the trademark Disney look (given that it is clear and at times inventive), but the limit on panels and the daily format of the strip forced Gottfredson to tell his stories in intriguing, and always brilliant ways. These comic strips are full of adventure and clever satire. With the usual Fantagraphics treatment, there are over 50 pages of supplemental material, so these books provide a wealth of information on the series and on Gottfredson’s life. Also available in a slipcased set!"
"For those who still think that Prince Valiant is simply an illustrated version of your boring high school history textbook, it is time to take heed. Fantagraphics continues to release these gorgeous remastered editions of one of America’s most beloved and enduring comics. This is a story steeped in family and tradition, with a dash of fantasy. Hal Foster’s professionalism shines in every painstakingly-researched and well-composed page of Prince Valiant Volumes 3and4. Each panel’s composition immediately draws you in and invites you to linger in a world of romance and adventure, in which you may spend many Sunday afternoons. Previously released editions were high-contrast, lurid affairs that seemed determined to destroy the good name of the original color artist; however, the impeccable restoration of the comic’s original colors makes it enjoyable for the modern audiences and almost a brand new experience for fans lucky enough to have read it in their youth."
• List/Review: "Finally starting to be collected, Gottfredson's masterful first year was released by Fantagraphics, publisher of all good things, in a wonderful hardbound... Aside from the subject matter, the most striking thing about this volume is Gottfredson's art. He demonstrates a supernatural knack for detail and fluidity that remains largely unchallenged in his representation of Mickey, as well as in animation/ cartooning/ sequential art.... As a longtime appreciator of Gottfredson and proponent for his legacy, Race to Death Valley was the best comic release of 2011 — a feat, considering the material is 70 years old. Take that, modern literature!" – Rafael Gaitan, Spectrum Culture "Best Books of the Year"
• Review: "The fact is that Paul Nelson was one of the handful of people who have scribbled about rock-and-roll over the years who might be described as a genuinely important writer, regardless of the (some would say) transience of much of his subject matter. In that regard, while re-reading Everything [Is an Afterthought] I was struck by how little any of it has dated; the various reviews and think pieces Avery has anthologized are as passionate, perceptive and hilarious as they seemed back in the day, and given that most of them have been out of print since forever (in fact, almost all the work collected here has never been between hardcovers) this is a major piece of cultural exhumation at the very least." – Steve Simels, PowerPop
• Review: "The gender orientations of eleven-year-olds just isn’t the stuff of stories here. In fact, it is the stuff of reality. Shimura balances a full plate in this story, all the while offering it with the kind of easy grace that makes the balance appear to be almost magical.... In Shimura’s sympathetic hands, this manga is neither gag nor message heavy: both main characters, their peers, and their family members are credible and developed with enough depth that readers can think about them beyond the bounds of the book. ...[Wandering Son Vol. 1] belongs in every high school library, as well as in public collections that are accessible to both youth and adults." – Francisca Goldsmith, School Library Journal
• Review: "But upon reflection, I wonder if these terrible people’s wholly alien way of interacting with the world isn’t just the writing equivalent of Tardi’s nimble, scribbled line and sooty blacks — a heightened reality in which things are rendered at their loosest, darkest, ugliest, and weirdest at all times. God knows both creators can rigorously focus when they want... Tardi’s backgrounds and lighting effects are a realist’s dream and his action sequences and set-pieces are choreographed tighter than a drum. The absurdist demeanors may prevent everything from gelling as well as they might have done, but overall [Like a Sniper Lining Up His Shot] delivers a fastball to your face so hard that you barely have time to notice that some of the stitches need straightening." – Sean T. Collins, Attentiondeficitdisorderly