Due to privacy concerns I'm slightly uneasy about posting photos of other people's babies, but this is too good not to share, so I'll just leave it anonymous and say that it came via Kevin Huizenga, who says "Wanted: more readers like [this]."
"Gilbert's stories are typically excellent in this issue, as he manages a certain luridness in one story that brings sexuality to the fore, and goes the other direction in a more oblique, subtle story. Of course, the story that got everyone buzzing was the second half of Jaime's "The Love Bunglers", which is an ending for this thirty-year cycle of stories--and one where Jaime sticks the landing with authority."
"This was Bagge's first feature-length Buddy Bradley story in years, and it's a doozy. Buddy, Lisa and young Harold visit Lisa's parents in a story called 'Hell,' and Bagge truly pulls out all the stops in depicting extreme familial weirdness. His dialogue is as sharp as ever, his line is quite lively and his uncanny ability to depict the creeping weirdness of suburbia is even more disturbing than in the initial run of New Jersey stories in Hate."
"Kupperman's 'Quincy, M.E.' story in this issue is a tour-de-force of twisting narrative structures and just plain crazy silliness. Kupperman's art has become increasingly bland as his aesthetic references have changed from 1920s comic strips to 1950s comic books, forcing the reader to perform double-takes at the crazy juxtapositions he creates. If his comics aren't as visually exhausting and exciting as they once were, he still provides an avalanche of ideas and jokes for the reader to sort through."
• Review: "Norwegian cartoonist Jason has returned with more full-color stories populated by lonely, and at times sociopathic, anthropomorphic characters. Cats, dogs, and ducks steal, fight, murder, and drink themselves into oblivion. Although brimming with black humor, the tales are far from ridiculous; the disjunction between the cute creatures and their actions often serves to highlight the despair inherent in their lives. Text is light, as the images drive the narratives. In these spare, mute panels, infused with flat oranges, greens, and browns, small movements covey great meaning and emotion.... Visually exciting, at times hilarious and at times devastating, Athos in America will only add to Jason’s well-deserved reputation as a star of the graphic novel world." – Publishers Weekly
• Review: "This volume [Amazing Mysteries: The Bill Everett Archives Vol. 1] provides an illuminating look at the artist’s numerous attempts at catching Sub-Marineresque lightning in a bottle for a second time, a task that mostly eluded him. The comics studios of the golden age were product mills that threw any idea against the wall in hope it would stick, and Everett did much the same. Forgotten sci-fi and superhero creations, as well as forays into westerns, historical retellings, and crime comics, populate this loaded volume, which reads like it fell straight out of some four-color twilight zone." – Publishers Weekly
• Review: "Over 150 pages of reprints, a brilliant back-of-the-book by Benson running 26 pages, and an introduction by my old buddy, cartoonist/historian Jay Lynch..., this book is a welcome addition to any comics library.... [I]f nothing else, The Sincerest Form of Parody saves you a lot of time separating the wheat from the chaff. But in and of itself, it is a very worthy book – entertaining on his own, and critical from a historical point of view. You should check this one out..." – Mike Gold, ComicMix
• Review: "[Jordan] Crane’s comic, The Last Lonely Saturday, explores the trials and release of life after loss. Crane’s story beautifully follows a husband’s weekly ritual to pay respect to his wife. In no more than a few pages, Crane retells the husband and wife’s entire history. From the comic’s meticulous book design, with its quaint size and the rounded, hand-lettered type in the first pages, readers can expect the story to be heart-warming. But Crane pulls at readers’ heartstrings with surprising grace. While the story is rooted in the traditional American cliché of lovers reunited in the afterlife, the story is told deftly." – Juan Fernandez, The Tartan (via Robot 6)
• Review: "[Freeway] captures the frustration of being stuck in traffic, particularly the array of images (violent and otherwise) that traffic brings to my mind (even better than Falling Down). Like me, Alex also relieves his frustrations with a lot of swearing." – Gene Ambaum, The Unshelved Book Club
• Plug: "I ran into animator Michel Gagné at the Annie Awards last week (where he picked up an Annie for Best Video Game, Insanely Twisted Shadow Planet) and asked him about his next project. Turns out Gagne had been toiling on a labor of love (literally) that has just gone on sale this week.... That book, Young Romance: the Best of Simon & Kirby’s Romance Comics, is not the usual thing we endorse here at Cartoon Brew – but as a life-long Jack Kirby fan and oddball comic book buff, this project is right up my alley.... I’ve ordered my copy and highly recommend it, sight unseen. Thanks, Michel!" – Jerry Beck, Cartoon Brew
• Plug: "Joe Simon and Jack Kirby created Captain America but they literally created the romance comic genre. The pages [of Young Romance] were packed with dialogue and dramatic art as women fought for love." – Will Harris, KOMO News
* Other People's Publications ** Yeah, You Know Me.
Hey, it's the very first 2012 edition of "Down With OPP," our occasional column where we spotlight books from other publishers that you can find at the Fantagraphics Bookstore & Gallery in Seattle! And I was thrilled to get to the store this past weekend to find the latest volume of the celebrated Kramers Ergot anthology, from our friends at PictureBox.
It's chock-full of Fantagraphics artists: It opens with a great "Jimbo" strip from Gary Panter. There's also a wonderfully-drawn one-page gag from Tim Hensley. Kevin Huizenga re-draws a sci-fi story originally written decades ago by Bill Molno and Sal Trapani. And Frank Santoro & Dash Shaw turn in a beautiful collaboration on, well, catching pedophiles.
Gabrielle Bell has one of my favorite stories, and I admit, I get so used to reading her autobiographical strips, that with this one, I had a moment of, "You and your Dad did what?!"
Reading Johnny Ryan's story, I found myself thinking, "This might be the most romantic thing he's ever written," but then I ended up nearly laughing out loud by the end. It complements Sammy Harkham's marital comic, in a weird way.
I couldn't help reading the comic from Ben Jones in an "Alfe" voice, and the dialogue is so hilariously quotable, I just wanted to post random lines from it on Twitter.
And there's still more I haven't even mentioned, like the glossy full-color photography, the 70's Penthouse reprints, and the intro from Ian Svenonius, who will forever be to me "The Sassiest Boy in America."
Get a copy for yourself at the Fantagraphics Bookstore & Gallery, located at 1201 S. Vale Street in Seattle's Georgetown district. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone: (206) 658-0110.
• Reviews:Robot 6's Chris Mautner looks at our 3 newest Golden Age collections:
"...[W]hile I enjoyed [Action! Mystery!] Thrills[!] (I’m especially grateful for being exposed to the neon-color stylings of L.B. Cole, who seems to prefigure the era of black velvet paintings), it’s definitely the slightest — the most coffee tableish — of Sadowski’s books so far. It feels like a book designed more to flip through than to mull over.... That’s not necessarily a bad thing — there’s certainly pleasures to be had in re-examining these covers..."
"What’s exciting for me about this book is watching Everett develop as an artist and storyteller and figure out the medium in relatively rapid fashion.... The material in Amazing [Mysteries] in no way represents Everett’s strongest work, though they do point to his potential — those thrilling Sub Mariner stories were just around the corner. What you see here are the glimmers of an artist struggling to comprehend the potential of this relatively new medium [and] how he can push it to match his own interests."
"Though modern readers may wince at some of the sexual stereotypes on display, not to mention the occasional forced happy ending, Young Romance underscores Simon and Kirby’s keen storytelling skills. Adhering to a mostly six-panel grid, the duo manage to produce work that is visually arresting and dramatic... It’s also worth mentioning that editor Michel Gagne’s [restoration] work is stellar... For Kirby fans and those who just love to explore comics from generations past, it’s a rather essential read."
• Review: "It’s hard to imagine a comic that’s more ambitious and less pretentious; it’s reader-immersive and reader-friendly. Huizenga’s style recalls the 'big nose' school of cartooning — Glenn Ganges' schnoz is one of the comic’s stars. This unaffected old-timey style lends the narrative a sense of charm and elegance... Perhaps we should judge 2012’s comics according the standard set by Ganges #4." – Ken Parille, The Comics Journal
• Plugs: Martha Cornog of Library Journal Reviews spotlights a few of our upcoming releases in the latest "Graphic Novels Prepub Alert":
Buz Sawyer, Vol. 2: Sultry’s Tiger by Roy Crane: "World War II has ended, and flying ace Buz Sawyer has snagged a civilian job at last: troubleshooter for International Airways, which has him traveling to hotspots all over the world. Of course, he always flies into adventure, here visiting a dangerous woman he first met during the war, taking on the Mad Baron, discovering Mayan treasure, and being kidnapped by mysterious thugs. But whatever the adventure, somehow Buz always gets mixed up with a pretty girl. This volume includes both daily and full-color Sunday strips, originally published between 1945 and 1947, drawn in Crane’s clean, realistic style that in retrospect looks remarkably European."
Kolor Klimax: Nordic Comics Now, ed. by Matthias Wivel: "This lavish sampler of work from Denmark, Finland, Norway, and Sweden offers a wide variety of artistic styles and short plots, some with a more adult focus. See samples here; click 'Expand' for the wonderful cover plus 20 pages. Wivel is a veteran of the Danish comics scene who currently lives in New York."
Black Images in the Comics by Fredrik Strömberg: "First published by Fantagraphics in 2003 and nominated for an Eisner Award, this history of racial depictions in comics has been updated in both its content and its source list. Over 100 entries, each featuring a representative illustration and an instructive short essay, cover an international range of comics, from Moon Mullins through Tintin, Will Eisner, R. Crumb, Peanuts, Boondocks, and beyond. Strömberg is a Swedish comics journalist, editor, and educator who has published numerous books in several languages."
Jewish Images in the Comics by Fredrik Strömberg: "Another of Strömberg’s books, in a similar format: over 150 entries from internationally-originating comic strips, comic books, and graphic novels stretching back 'over the last five centuries' that feature Jewish characters and Jewish themes. The works of Art Spiegelman and Will Eisner are well known to comics aficionados in the United States, but many of the other examples, some 'far less savory,' may not be."
The first Online Commentary & Diversions post of the year might very well end up being the longest:
• List: Humorist and television personality John Hodgman, asked to name his 5 favorite comics in an open Q&A session on his Tumblr blog, says "Love and Rockets: I don’t like to choose between brothers, but Jaime Hernandez is one of the greatest drawers of human faces and human want on the planet."
• List:Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks is #39 on The A.V. Club 's list of "most anticipated entertainments of 2012": "Only a Poor Old Man will bring Scrooge McDuck, possibly Barks’ greatest creation, into the spotlight. The bespectacled miser will dive around in his money bin and burrow through it like a gopher, and his timeless adventures will get the treatment they deserve."
• List: Tucker Stone, whose Best of 2011 previously appeared at comiXology, presents a slightly modified list for Flavorwire's "10 of the Year's Most Buzzed-About Comic Releases":
"Last year’s Love and Rockets was a huge deal, but this year’s installment is arguably even better.... Comics has yet to provide Love and Rockets with anything approximating 'competition,' but it doesn’t appear that the Hernandez brothers have any reason to be concerned about that quite yet. They’re still way better at this than everybody else on the planet."
"The big thing this year was watching all the great young cartoonists of the early 2000s carving out their places in the pantheon. Huizenga’s a perfect example — he’s been regularly turning out excellent comics for years now, and yet Ganges #4 still reads like a revelation.... It’s a fascinating experience reading these comics, and they’re gorgeous to boot."
"The continuing adventures of Johnny Ryan’s most violent fantasies run amuck, [Prison Pit] is rapidly becoming the comic that I look forward to the way a fat kid looks forward to syrup-encrusted cake. There’s no getting around the hoary old cliche — 'these aren’t for everybody' — so God help you if you can’t figure out a way to enjoy these books."
• List: The prolific Sean T. Collins, after having contributed to CBR's Top 100, runs down his personal 20 Best Comics of 2011 on his Attentiondeficitdisorderly blog AND at Robot 6, withGanges #4 by Kevin Huizenga at #15...
"Huizenga wrings a second great book out of his everyman character’s insomnia. It’s quite simple how, really: He makes comics about things you’d never thought comics could be about, by doing things you never thought comics could do to show you them. Best of all, there’s still the sense that his best work is ahead of him, waiting like dawn in the distance."
"...[T]he payoff... feels like a weight has been lifted from Woodring’s strange world, while the route he takes to get there is illustrated so beautifully it’s almost superhuman. It’s the happy ending he’s spent most of his career earning."
"Religious fundamentalism... has worn a thousand faces in a millennia-long carnevale procession of war and weirdness, and David B. paints portraits of three of its masks with bloody brilliance. Focusing on long-forgotten heresies and treating the most outlandish legends about them as fact, B.’s high-contrast linework sets them all alight with their own incandescent madness."
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'"
"...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
"The hype and acclaim surrounding Xaime Hernandez’s conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. A moving, thoughtful story of missed opportunities, loss and eventual reconciliation that provides in many ways a fitting conclusion to all of Xaime’s 'Locas' stories. I’d be hard pressed to think of a better comic that came out this year."
"More than the new Carl Barks collection, more than the return of Pogo, the resurrected, re-appreciated comic strip I found myself falling in love the most with this year was Gottfredson’s plunky, adventure-loving mouse, a scrappier version of Disney’s iconic creation. More to the point, I was completely taken with the stunning packaging and background information Fantagraphics and the books editor put together for this series. It’s new benchmark for reprint projects."
"Three volumes into this grand guginol series and it continues to surprise and delight, this time introducing a new character and suggesting via an end sequence that Ryan has been reading a lot of Fort Thunder comics."
"Incredibly inventive, Schrauwen, like Yokoyama, seems intent on pushing the comics medium into new and interesting directions. But where Yokoyama is concerned mainly with motion and exploration, Schrauwen is concerned mainly with perception and the interior world of the mind. This is great, mind-blowing work."
• List: Also on Robot 6's roundup of best-of lists from its writers, Tim O'Shea ranks Pogo Vol. 1 at #9: "Damn if this was not worth the wait... Volume 1 of the complete syndicated daily strips of Pogo would be enough to put this book on my list. But the fact that Fantagraphics has a foreword by Jimmy Breslin; an introduction by Steve Thompson; a piece on the Pogo Sunday Funnies by Mark Evanier; and Swamp Talk (R.H. Harvey annotations on the strips) is just icing on the cake."
• List: David McKean's Celluloid gets a "See Also" shout-out on Cyriaque Lamar's list of The Best Science Fiction and Fantasy Comics of 2011 at io9: "A decidedly adult erotica graphic novel with no dialogue, this is the famed Sandman cover artist going at page after page of a sexy hallucination, whipped up by a magic porno movie projector. Dreamscapes with boners."
"After 'Browntown' in last year’s installment of New Stories, there was a worry that Jaime might have peaked — how on earth was he going to top that story? The achingly beautiful conclusion to 'The Love Bunglers' in this volume was the answer. Pulling together strands from Maggie’s entire 30-year history in two pages was nothing short of stunning, with his art as cooly confident as ever, making it a real emotional sucker punch. Gilbert’s work developing Fritz’s movie back-catalogue is a real mind-bender, too, weaving inter- and meta-textual strands together that lets his characters say so much, while saying so little. It is terrifying how talented these guys are."
"Forget Pogo and Carl Barks — we already knew they were classics — the real reprint revelation of 2011 was good ole' Mickey Mouse.... To read these strips is to rediscover a love for Mickey and marvel at Gottfredson's amazing grasp of storytelling and humour, as well as his flawless artwork. Naturally, with Fantagraphics overseeing the reprints, the design, packaging and presentation is gorgeous — a real worthy successor to their Peanuts series."
• Plug: "I’m a little mortified to admit that Walt Disney's Donald Duck: Lost in the Andes is my first exposure to Carl Barks (after decades of being interested in finally seeing why he’s so revered as a comic creator), but it definitely won’t be my last. Fantagraphics’ first volume of Barks material is a great place to start; a mixture of epic quests, short stories, and gag strips that are all impressively funny and awesome." – Greg McElhatton, Robot 6
• List: On his Domino Books blog, Austin English explains why Joyce Farmer's Special Exits is his favorite comic of 2011: "Farmer's cartooning allows for her characters to act out their illness and struggles in front of the reader. Farmer's drawing of her aging father is something to behold — it's not Farmer saying 'here is what my sick father went through.' Instead we see a drawing age and wither in front of us, and speak to us with both intelligence and dementia. I’ve never seen anything in comics done with such skill — let alone see a graphic novel (often the territory of poorly conceived topical heart wrenchers) speak about tragedy with so much depth and clarity."
• List: Comics writer Vito Delsante declares Love and Rockets: New Stories #4 the Best Single Issue of 2011 on his Best of 2011 blog post: "The Hernandez Brothers, since New Stories 3, have really created the most important mythology in comics since Stan and Jack (and Steve).... Jaime Hernandez should win every single award in comics in 2012."
• List: We rank 4 entries on Renee Lott's Top 10 Comics of 2011 at her Blogwithfeet
• Review: "I've been digging the new Fantagraphics release Jason Conquers America which commemorates ten years of the venerable publisher's relationship with the Norewegian artist.... My favorite story in the collection revolves around a crow who naps in a bed in a field and wakes up obliviously in an entirely new life. (Telling any more would spoil the revelation.) In 23 short wordless panels, Jason creates a powerful and compelling commentary that proves how powerfully expressive comics can be." – Stray Riffs
• Review: "A new comic from the top humorist in comics is always welcome. This issue [of Tales Designed to Thrizzle] is the usual combination of dada and surprisingly tightly-wrapped narrative gags surrounding the sort of cultural detritus mined by Drew Friedman & Mark Newgarden.... 'Quincy, M.E.'... is one of Kupperman's best strips because he keeps adding new layers of plot to an already-ridiculous story.... I still miss the sheer density of detail in Kupperman's older work that made reading it almost exhausting, but the avalanche of ideas remains intact, as does his ability to elicit laughs." – Rob Clough, High-Low
• Review: "...Prison Pit... [is] a marriage of pro wrestling, manga, bromance and filth.... Johnny Ryan has an almost Kirbyesque level of character design, but with obviously more genitalia, and it can at times be a joy just to see what is going to come on the next page.... Johnny Ryan is a cartoonist at the top of his game right now and he may just be the closest thing the comic world has to marmite." – Taylor Pithers, The Weekly Crisis
• Interview:The Comics Reporter's Tom Spurgeon talks with Todd DePastino, biographer of Bill Mauldin and editor of our Willie & Joe books. Spurgeon says Willie & Joe: Back Home is "one of my three favorite comics-related books from 2011, and, I think, one of the year's best." From DePastino: "When I look at these cartoons, I think of literary critic Dominic LaCapra's claim that some books are good to think about and a very few are good to think with. Mauldin's postwar cartoons are good to think with. They not only provide a window to the times, like, say, good photographs or reporting might, but they also raise fundamental questions and issues that are with us still."
• Review: "These comics are beautiful. Each single-panel comic is blown up to a full page, so that Mauldin’s artistry can truly (and easily) be admired without squinting. The sentiments expressed are astonishing and bravely progressive for the time.... I’d never thought or heard about the poor reception combat vets received after WWII. (I mistakenly thought that only happened to our soldiers after the Vietnam War.) I wish I knew what they experienced. I’ll settle for giving [Willie & Joe: Back Home] to the next WWII vet I meet and hope that it sparks a conversation." – Gene Ambaum, The Unshelved Book Club
• List:Love and Rockets: New Stories #4 is ComicsAlliance's Best Comic of 2011, with Jason Michelitch saying "The final 15 pages of 'The Love Bunglers' isn't just the end of a great new issue of a Bros. Hernanadez comic book. It isn't just the sixth part of a fantastic serialized graphic novel that's run since last year. It is the culmination of nearly thirty years worth of nuance, gesture, shading, pacing and dialogue — of angst, mania, fear, friendship, anger, and love. It is the finale to an epic of human scale feeling and drama. It is heart-stopping."
• List: Matthew Price of The Oklahoman names Love and Rockets: New Stories #4 the Best Graphic Novel of 2011: "The Brothers Hernandez are some of the best cartoonists in comics' history, and Jamie Hernandez has one of the high points of his career in Vol. 4 of 'New Stories.'... Gilbert's visceral tale satirizes a societal obsession with vampires by showing their messy, unforgiving side."
• List:The A.V. Club's Noel Murray names The Best Comics of 2011: Graphic Novels & Art Comics in several subcategories. In Original Graphic Novels Mark Kalesniko's Freeway comes in at #4...
"Kalesniko’s animation-influenced style makes Freeway a fluid read, as he emphasizes motion, in striking compositions that guide the eye across the page smoothly. The plot moves just as freely, as Kalesniko renders both the exterior and interior spaces of his protagonist with a mix of loving care and impassioned disgust."
"Farmer jumps between matter-of-fact details and amusing anecdotes about the grind of end-of-life care, while turning the book into a celebration of two people: her father, a cheerful man so determined not to complain that he let serious health problems slide for months; and her stepmother, a steadfast woman whose pragmatism warred with her vanity. The book depicts old age as a wild, lurching ride: from medical crises to euphoric nostalgia to an eerie calm as the end draws near."
"Anyone who’s alive in the world should be moved by this story’s depiction of life as a series of accidents, miscommunications, and embarrassments, which sometimes work out okay regardless. 'The Love Bunglers' is rich with hidden meanings, complicated ideas and superior artistry."
...and Kevin Huizenga's Ganges #4 in the #2 spot...
"The fourth issue of Kevin Huizenga’s Gangescontinues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction... The story suits Huizenga’s style, because he can both document the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying."
"...Lost in the Andes encourages both fannish and intellectual approaches to the material. There are scholarly analyses and bibliographies, but also more than 200 pages of some of the best-written comics ever published, full of square eggs, rubber bricks, golden Christmas trees, and races around the world."
"The early Pogos aren’t as topical as what would come later, when Kelly would become a hero to the counterculture for taking on McCarthyism and promoting ecology. Mostly, these strips establish the world of the Okefenokee Swamp and the animals who dwell there, with Pogo the possum standing as the calm center of a cast that includes the dim Albert Alligator, the not-as-bright-as-he-thinks Howland Owl and the misanthropic, hilariously humorless Porkypine."
"The cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, but ferociously inspired professionally. Over the objections of his editors, Mauldin drew cartoons about estranged wives, limited employment opportunities, heartless fatcats, and an America more petty, materialistic, and xenophobic than the one they’d left behind... Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom."
"The highlight of the volumes are the strips themselves which are a lot of fun and show an adventurous side to Mickey that may come as a surprise to those who only know the modern Mickey. It’s also fun watching Gottfredson develop as an artist and storyteller as the strips progress. In addition to the comics there are essays examining the stories, the creators involved (the comics were often inked and scripted by others), and the characters themselves. This series is a long overdue look at one of comics legendary creators and their work."
"...[T]his book is so great and contains all the things you would want from a career retrospective from Jack Davis. Jack Davis is one of America's great illustrators whose career started in the late 1930s and continues to this day. That's fucking insane to think about.... Like I said, this book delivers the goods in a big way. It's 13 inches tall so you can really sink your eyeballs' teeth into the images."
"This issue of Tales Designed to Thrizzle starts out with stories based around the idea that bathtubs are evil or haunted, possibly based on childhood fears of getting sucked down the drain or something. Doesn't matter, it's hilarious even if it's based in absurdity. After that there are comics with funny dialogue about Quincy and St. Peter and Reservior Dogs II that all keep referencing back to the previous comics and have a dreamy feel, but if your dreams were hilarious.... A bunch of stuff is thrown your way in this issue and when it's over you think, 'I liked that. I feel satisfied. Mmm-MM!'"
• Review: "[Wandering Son] has a very well-thought, carefully paced narrative that allows us to explore what goes on inside each character’s head and to watch them develop as people. It’s much more a quiet slice of life affair than it is an over-the-top comedy and/or drama, which might be something you’d expect from a manga featuring cross-dressing... [T]his hardcover book... represents a sophisticated side of literary manga. Translated with rare skill and sensitivity by veteran translator and comics scholar Matt Thorn, much of the story’s original flavour remains intact. Shimura Takako’s gender-bending story has a very quiet, introspective touch to it, and her artwork – with its clean lines, minimal backgrounds and sparse dialogue – beautifully reflects this." – Sean A. Noordin, The Star (Malaysia)
• Review: "Fantagraphics here in the states once again has begun to unearth [Tardi's] body of work into the North American light, the first volume of The Extraordinary Adventures of Adèle Blanc-Sec being another fine edition produced in the best quality possible.... Does it sound a little crazy, imaginative, and probably addicting to read? Yes, yes it is. Which is why you need to read this series." – Drew McCabe, Comic Attack
• Plug: "You can’t start the new year without the end of times. Sala’s new book [The Hidden] features his recognizable palette and quirky, gothic font in an adult tale... The post-apocalyptic tale starts with a man waking up to find that everything has gone wrong; sorta a Rip Van Screwed. Great for those who enjoy zombie movies and dystopian books like 1984 or The Hunger Games." – Jen Vaughn, CCS Schulz Library Blog
• List: The National Post's David Berry names The Best Graphic Novels of 2011, saying of his #3 choice "This does feel somewhat like cheating, since there’s only a few sequences of proper graphic work here, but why quibble about format: Mark Twain’s Autobiography 1910-2010 is, quite simply, one of the funniest things you’ll read in any genre. Kupperman has a child’s free-ranging imagination and an aging intellectual’s dry wit... This supposed telling of Mark Twain’s 20th-century life... would be an awe-inspiring work of imagination if it wasn’t so absurdly hilarious. Somewhere between John Hodgman and Graham Roumieu, Kupperman has found stark comic brilliance."
• List:Comic Book Resources continues their Top 100 comics of 2011 countdown, with Ganges #4 by Kevin Huizenga coming in at #48 and Brian Cronin calling it "mind-boggling" and "remarkable. Absolute top notch sequential work."
• List:Comic Book Resources columnist Sonia Harris lists "My Top 10 Comics (for ANY Year)" with Love and Rockets taking the #2 spot: "Read Love & Rockets, all of them, both brothers, everything you can find. Your life will be richer."
• List:Bookgasm's J.T. Lindroos, running down the Best Euro Comics as part of the Best Books of 2011, writes "Fantagraphics continued its Jacques Tardi lineup, and I was particularly delighted by the proto-steampunk The Arctic Marauder, although I think one should own every single book in the series. I was also happy to see some less well-known artists get their chance, and both Sibyl-Anne Vs. Ratticus by R. Macherot and Murder by High Tide by Maurice Tilleux were wonderful surprises in the classic Franco-Belgian 'bigfoot' style. Fantagraphics is quickly becoming the Criterion Collection of comics publishing."
• List: Richmond VA comic shop Velocity Comics counts down their top ten Best Graphic Novels 2011, with Jim Woodring's Congress of the Animals at #9: "There are few artists’ work I can endlessly stare at with as much feverish perplexitude as Jim Woodring’s. Yes, I just made that word up."
• List: Vancouver BC culture site The Snipe surveys local comics industry folks for their favorite comics of the year. The Walt Disney's Mickey Mouse series by Floyd Gottfredson is named Best Collected Edition or Reprint by cartoonist Steve LeCouiliard...
"Floyd Gottfredson is one of the overlooked masters of the comic strip. Like Carl Barks, his work was always signed 'Walt Disney' but his craft and storytelling brilliance shone through. Comic strips really don’t provide much more pure joy than Gottfredson’s Mickey Mouse."
...and by VanCAF organizer Shannon Campbell...
"The two-volume collection of Floyd Gottfredson’s run of Mickey Mouse, hands down! These books chronicle the glory days of the old-school Mickey Mouse comics when Gottfredson did both art and story (from 1930-1934)."
...while the staff of Lucky's Comics can't pick just one:
"This has been a boon year reprint editions, but take your pick from Fantagraphics Books’ amazing editions of Pogo by Walt Kelly, Donald Duck by Carl Barks, Mickey Mouse by Floyd Gottfredson, and Prince Valiant by Hal Foster. Fantagraphics has done such an incredible job on book designs, colors, paper… all of the details that make these editions glow."
"It’s not just the subject matter that’s a winner here. Santiago has a knack for simplicity in his storytelling approach, and in a medium that’s often beset by needless complexity, that’s a rare gift."
"...[P]robably the best pure horror comic I read this year... and one that quite frankly shocked the hell out of me. Sala’s expressionist art style might not be the most obvious choice for telling blood-curdling horror stories, but its innocent cartoony quality somehow makes a perfect (and terrible) fit with the horrible, almost nihilistic story that Sala is telling."
• Review: "Swarte’s visuals are always gorgeous and distinctive, with a strong influence from Hergé but an even more rigidly mapped out structure. The more you look at them, especially the large ones, the more you see, as in a one-panel, one-pager that lays out a parodic vision of comics production as if it resulted from a Roger Corman-esque movie studio. His eye is careful and his line even more so. ...[Is That All There Is?] is a real pleasure to read and to look at, and it makes a case for Swarte as a real comics guy, not just an illustrator." – Hillary Brown, Paste
• Profile: At City Journal, an essay by Stefan Kanfer with a history of Walt Kelly and Pogo: "He frequently quoted a line that he had written for Porky Pine: 'Don’t take life so serious, it ain’t nohow permanent.' No, it ain’t. But art — even comic art — can be, in the hands of a master. Every book, every comic, every panel verifies the claims of Kelly’s fervent cheering squad: after 63 ever-lovin’ blue-eyed years, Pogo is still incomparabobble." (Via The Comics Reporter)
• Plug:Seattlest's Heather Logue spotlights Tony Millionaire's upcoming appearance and art show at Fantagraphics Bookstore & Gallery: "Aside from the fact that he has an amazing superhero name, Tony Millionaire also has the extraordinary talent to back it up. The cartoonist will be at Fantagraphics with his latest book 500 Portraits-- a collection of portraits (duh) of everything from the very famous face, to the very small bug. All meticulously crafted in his beautiful, yet grotesque way -- you're not going to want to miss Tony's take on portraiture."
• Scene:At his blog, Drew Friedman recounts his experience as keynote speaker at the International Society of Caricature Artists' annual convention last month, with lots of photos, a couple video clips and a transcription of a Q&A session
"Through war, animal make-out sessions and film writing, Kupperman takes Twain through the ringer in a hilariously catastrophic epic that the real-life 'Adventures of Huckleberry Finn' author would surely have appreciated. Although reading it won't score you any points on a history-class term paper, the book will certainly open your eyes to one of the funniest writers working in comics right now." – Brian Warmoth
"The excessive violence is still here, more refined, more imaginative, more disturbing. Ryan pushes himself artistically in the second half of the book, delivering a stunning sequence that still haunts me." – Chad Nevett
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'" – Sean T. Collins
"Leslie Stein burst onto the comics scene this year when Fantagraphics published the collection of four of her self-published comics... The comic is both surreal and mundane, the story of a young woman who moves to a New York complete with humanoid animals and talking musical instruments. ...Stein [is] one of the best independent creators to emerge in recent years." – Alex Dueben
• List:Robot 6's Graeme McMillan picks his 5 favorite books of 2011, including Stigmata by Lorenzo Mattotti & Claudio Piersanti...
"Way back at the end of last year, I called this the best graphic novel of 2011, and if I’m now a little more reticent to make that claim, it has more to do with the high quality of a lot of other releases this year than anything else because this is still a masterpiece that, were I some kind of unlikely comics czar, I’d make compulsory reading for everyone interested in the medium. Just a breathtaking book."
"Another book that I raved about earlier this year, and another one that I’m still raving about as strongly months later. A tour-de-force of cartooning from a creator who just continually improves, and pushes at the medium in almost everything he does."
"It’s a disturbing book in many ways – questions about exploitation and power are very present in the text – but also a beautiful, seductive one. It’s a book that sticks with you for a long time afterwards, and for that alone, it’s one I’ve returned to many times since first reading it."
• List:Panel Patter's Rob McMonigal names his Best of 2011: Manga Edition, with Wandering Son Vol. 1 by Shimura Takako in the #5 spot: "This is one of the most serious manga series I've ever read, and I finished it unable to come to grips with the best way to review it. Dealing with two children who come to realize they are trapped in the wrong gender, it's a story of secrets, revelations, understandings, and occasional cruelty. The book handles the topic with care and respect, however, which is part of why it is so good."
• List: Another top-10 from Panel Patter's Rob McMonigal, whose Best of 2011: Indie Comics, is topped by 3 of our titles: Jason & Fabien Vehlmann's Isle of 100,000 Graves...
"Isle of 100,000 Graves has Jason's trademark deadpan humor, resolute protagonist, and ending that leaves the reader thinking."
"At first, The Hidden feels like a typical apocalyptic story, albeit one painted amazingly well by Sala. But as things progress, the tale morphs and twists into one of the best horror comics I've read, with a twist towards the end that I never saw coming. That's what makes a comic stand out, and puts it near the top of my best of list."
• Review: "I found myself turning back and re-examining the pages often, digging through the many details that the words and images delivered. The story unfolds in earth tone – sepia illustrations, not gaudy, in keeping with the artist’s respect for the story and the subject. Clemente’s early life is here and one gets a real feel for his family and friends, and not without humor.... [21: The Story of Roberto Clemente] should appeal to graphic novel fans, baseball fans, anyone who likes a great 'bigger then fiction' story, and many others." – Mark Hodgens, Skyscraper Magazine
• Review: "Fantagraphics is now giving Barks’ Duck comics a whirl, and based off this first volume alone if there’s any justice in the comics world, fame should finally (belatedly) be coming for the late, great Barks.... The reproduction on these strips are beautiful; Fantagraphics hired cartoonist Rich Tommaso to re-color the works, and Tommaso wisely uses gentle flat tones to keep with the overall feel of Barks’ crisp, classic art. I also appreciated the essays about the different stories in the back of the book.... Donald Duck: Lost in the Andes is a handsome looking book, and trust me when I say it’s just the first of many I plan on reading by Barks." – Greg McElhatton, Read About Comics
• Review: "So cue the squeals, and scan the racks at your friendly neighborhood comics retailer for writer/artist Michael Kupperman’s Tales Designed to Thrizzle #7. Beyond a cover whose hilarity strangely if successfully depends on its all-day-sucker coloring — tangerine, lemon, lime — this dadaistic offering opens with a six-page excerpt from Scary Bathtub Stories, a faux-Golden Age comic, and thereafter spirals further and further into neo-psychedelic weirdness." – Bryan Hollerbach, PLAYBACK:stl
• Review: "I like to imagine [Michael Kupperman] sitting in some tiny hellhole of a studio apartment packed deep into the bowels of New York -- these noble creatures lose their mystique when they own homes -- doing mutant Thrizzle pages until they stop paying him or until he gets a gig in the back pages of Vice. Some feminine if not female voice of reason hovers next to his desk, thumbing through the newest set as he leans back in his chair, wondering if Fantagraphics paid him enough to afford blowing the budget on a beer, wiping entirely imaginary sweat from his brow." – Patrick Tobin, Multiversity Comics
• Interview:The Comics Reporter's Tom Spurgeon talks to Oil and Water writer Steve Duin: "I'm too new to all of this to fully grasp how the perfect union of writer and artist is formed... and there were times when Shannon [Wheeler] and I struggled to find common ground. But a great deal of my understanding of what we were dealing with in the Gulf owes to Shannon's perceptions and his sketchbook. He was refreshingly aggressive in dealing with the BP clean-up teams disinclined to give us access. His original poster for the group -- a naked woman starring incredulously at the oil derrick in her bed, and saying 'What do you mean, it broke?' -- is brilliant."
• Interview:Bookforum's John Madeira, who says "...Alexander Theroux’s writing... is grandiloquently lyrical, dizzyingly erudite, and often acerbic," talks with Theroux about The Strange Case of Edward Gorey ("a smart, engaging, and insightful monograph asking as many questions about the quirky artist as attempts at answers") and other topics: "Edward Gorey was very ornate — Corinthian! — in his love of language, and when he was in a chatty mood his conversation, crackling with allusions, was rich and often rare, exaggerated, campy to a degree, invariably tinctured with lots of movie-love, sarcasm, irony. Mind you, it was not that the man was trying to be something, contriving, say, to appear a cavalcade of wit, merely that, rather like Dr. Samuel Johnson, he happened to have sharp, remarkable 'views' on all sorts of subjects, almost all worthy of note."
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