|Kim Deitch silkscreen for Desert Island|
|Written by Mike Baehr | Filed under Kim Deitch||16 May 2010 7:06 PM|
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Category >> Kim Deitch
Mark your calendars! Desert Island in Brooklyn welcomes Kim Deitch for a signing and celebration of his new collection of The Search for Smilin' Ed! on Friday, May 14, 2010. Then, on Saturday, June 19, Jim Woodring will be in the house to meet fans and sign his new graphic novel Weathercraft. As usual with Desert Island, exclusive silkscreen show prints will be available at the events — that's a process picture of one of the screens for Kim's print above, and you can see the others on the Desert Island blog. We'll let you know more details as they become available, but in the meantime you can RSVP on Facebook for Kim here and for Jim here.
Online Commentary & Diversions:
• Review: "...[The Search for Smilin' Ed] closely resembles a bad acid trip I had several years back while watching Howdy Doody, old Fleischer cartoons and listening to Art Bell on Coast to Coast AM..., and I mean that in the most complimentary way possible. But it comes together in a grand and epic fashion, telling a tale that showcases a vintage psychedelic style in terms of both narrative and art. ... The story is alternately hilarious and mildly disturbing in a Philip K. Dick sort of way. ... It’s a hilariously disturbed delight for the eyes and an enjoyable piece of work from a legend in the field." – Chad Derdowski, Mania
• Review: "It’s the experimentation of the work found within (and without) The Unclothed Man in the 35th Century AD, which excites me the most. This is the work of a young artist who is playing with arrangement of panel, with color and form, and coming up with his own thing. ... There's lots to appreciate in this collection of avant garde comics." – Christopher Irving, Graphic NYC
One of the highlights of The Search for Smilin' Ed (aside from the story and artwork, of course) is the full-color two-way foldout illustration of the Kim Deitch Universe, with an annotated guide in the back of the book. We thought it might be nice to give people an advance opportunity to explore this amazing illustration and familiarize themselves with Deitch's mind-bogglingly rich and complex world. Click the images above to open big honking JPGs in a new browser window (they're large files, so please be patient while they download). Here's what the foldout looks like in person:
Originally created in 1997 and 1998 for the underground anthology Zero Zero, The Search for Smilin’ Ed is the latest of Kim Deitch’s graphic novels to showcase his obsessive burrowing into the nooks and crannies of vintage American popular culture.
Where Boulevard of Broken Dreams focused on the earliest days of the animation industry, Alias the Cat delved into the history of comic strips, and “Molly O’Dare” (collected in Shadowland) concerned vintage movie serials, The Search for Smilin’ Ed explores the wacky world of children’s TV shows.
Launched on his latest investigation by a remark from his brother about a shared childhood favorite (“Y’know, I heard that when Smilin’ Ed died... his body was NEVER found!”), Deitch begins to uncover some truly amazing things about the kiddie-show host and his malevolent sidekick, Froggy the Gremlin. Meanwhile, Deitch’s muse and nemesis Waldo the Cat abandons Deitch to hang out with some demon buddies, and soon both Waldo and Deitch are closing in on the mysteries of Smilin’ Ed and Froggy.
Ranging across the entire 20th century, replete with flashbacks, stories within stories, and guest appearances from other Deitch regulars, The Search for Smilin’ Ed is a narrative whirligig that shows Deitch at his wildest and woolliest. For those whose heads have started to spin at the complexity of Deitch's mythology, we've included a full-color two-way fold-out guide to "The Kim Deitch Universe," and Deitch scholar Bill Kartalopoulos offers a lengthy essay on the ins and outs of this ever-evolving, ever-expanding world where fantasy, reality, and satire combine, clash, and are sometimes downright indistinguishable.
Bonus! Deitch has also created a brand new story starring Waldo in his 21st century post-Alias the Cat state of domestic bliss, stumbling across an army of (French-) talking beavers. Of course, there’s a story behind that...
“Kim Deitch has created a private world as fully realized in its own way as Faulkner’s. He’s an American original, a spinner of yarns whose beautifully structured pages and intricate plots conjure up a haunting and haunted American past.” – Art Spiegelman
Video & Photo Slideshow Preview (view in new window):
Bonus Savings: Order The Search for Smilin' Ed! + Deitch's Pictorama together for a discounted price of $29.99 (a savings of about 6 bucks)! Order now and we'll ship you both books when Smilin' Ed arrives in our warehouse.
The Homewood Art Workshops wraps up its 35th anniversary celebration with a slide talk by legendary cartoonist Kim Deitch on Monday, April 26. Deitch's talk, "The Search for Smilin' Ed and Other Tales," will begin at 5:30 p.m. in Room 101 of the F. Ross Jones Building, Mattin Center, on the Homewood campus at 3400 N. Charles St. in Baltimore.
Deitch's latest book, The Search for Smilin' Ed, will be published by Fantagraphics in June. He will sign advance copies of Smilin' Ed at the Johns Hopkins Barnes & Noble, 3330 St. Paul Street, on Sunday, April 25, from 4 to 6 p.m.
Both events are free and open to the public.
Thanks to all the artists, attendees, and MoCCA staff & volunteers for helping make the 2010 MoCCA Art Festival our most successful ever! We sold out of numerous titles, some within hours (and to the chagrin of our artists who ran out of books to sign — sorry!), and had mobs of fans turn out for our signings.
I took a load of photos; some highlights are below, followed by an embedded slideshow with lots more shots (which you can also view full screen) and a mosaic of thumbnails to browse. You can also browse the full set of photos with captions on our Flickr page.
We're no longer distributing Mineshaft, but we're happy to report that the essential underground comix zine is still going strong and the new 25th issue, with a cover by Sophie Crumb and featuring Peter Bagge, R. Crumb, Kim Deitch's review of papa Crumb's Genesis, Pat Moriarity and much more (see above), is at the printer and will be available from the publisher soon! If you order or subscribe now you can get $1 off select back issues — whatta deal!
Your daily roundup of art bits from 'round the web:
• Is this a glimpse inside Tales Designed to Thrizzle #6 from Michael Kupperman? (Update: Nope) (Update update: Our own Adam Grano IDs it as a colorized page from Snake 'n' Bacon's Cartoon Cabaret — what's goin' on here?)
Neverending Online Commentary & Diversions:
• List: Only the Cinema's Ed Howard concludes counting down The Best Comics of the Decade: the top 20 includes "The Lute String" (available in Mome Vols. 9 & 10) by Jim Woodring at #16 ("It's moving, funny, and as with all of Woodring's work it demands a close reading"), Alias the Cat (originally The Stuff of Dreams) by Kim Deitch at #14 ("It's funny, goofy, exciting and far-ranging in its imaginative nonsense accumulations, and throughout it all Deitch's fond sense of nostalgia for a world that never quite was lends emotional heft to the story's elaborate twists and turns"), Dash Shaw's Bottomless Belly Button and Mome stories (collected in The Unclothed Man in the 35th Century A.D.) at #13 ("Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization"), Safe Area Gorazde by Joe Sacco at #7 ("Joe Sacco is a unique figure in modern comics: there is no one else who combines sheer cartooning chops with a newspaper reporter's sensibility and instincts in quite the same way. ... Safe Area Gorazde [is] an especially powerful document of the effects of war"), the comics of Kevin Huizenga at #4 ("Kevin Huizenga is the best young artist in comics. It's as simple as that. With his recent Fantagraphics series Ganges (part of the Ignatz line of high-quality pamphlets) Huizenga has matured into one of comics' finest formalists"), Jimbo in Purgatory by Gary Panter at #2 ("The denseness of Panter's references and cross-references makes the experience of reading this book a truly overwhelming experience; every line, every image, spirals into multiple other references and ideas, pulling in the whole wide expanse of world culture as a stomping ground for Jimbo's wanderings through the Purgatory of modern existence towards enlightenment"), and the Love and Rockets Vol. II work of Jaime Hernandez (as collected in Ghost of Hoppers and The Education of Hopey Glass) in the #1 slot ("There is no greater all-around artist in modern comics than Jaime Hernandez, and his recent work builds on his past successes so that his oeuvre as a whole is shaping up to be one of literature's best sustained stories about aging and the shifting of relationships over the course of a life").
• Review: "The best argument that the underground tradition is still alive is Hotwire Comics, edited by Glen Head (one of the most underrated cartoonists around, incidentally). Hotwire Comics is a visual assault, abrasive, confrontational, willing to poke and prod the audience: a real live wire that can shock. Everything a good underground comic book should be." – Jeet Heer, Comics Comics
• Review: "Strange Suspense is a handsome book generally, with a fun front cover and a nice, sturdy, feel. As far as my eye can tell the work is reproduced well; admittedly, I have one of the worst eyes in comics for that sort of thing. It's nice to have a bunch of comics from this time period, particularly the grittier pre-Code or Fear of Code-Like Crackdown work. There are some truly repulsive pieces of throwaway pulp in this book's pages, and Ditko was more than up to the task of illustrating them." – Tom Spurgeon, The Comics Reporter
• Review: "Mother, Come Home is a subtle, dark story about death and madness and fantasy, tied together by symbols and the voice of an older Thomas looking back on his childhood. It's not bleak, though; Thomas survives his traumatic childhood, and perhaps Hornschmeier's lesson is that we all can, if we try — if we step outside our rituals and fantasies and reach out to each other, we can make it through." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent. (via ¡Journalista!)