Our final limited-edition deluxe Krazy hardcover (it's Volume 1, but the third to be published) collects the three Krazy & Ignatz softcover books which comprehensively compile the first nine years (1916 through 1924) of Krazy Kat Sunday strips, under hard covers. It's not a slipcase, it's a single hardcover book. The covers to the original three softcover books are NOT included, but literally everything else is, including nine years' worth of black-and-white masterpieces (and 10 color strips), plus all the bonuses (other rare strips, the entire Us Husbands). This is the one collectors have been waiting for, enabling you to complete your Krazy Sundays collection in three enormous, deluxe hardcover books designed by Chris Ware.
"The Krazy & Ignatz books have been a godsend to comics fans... Each book is bizarre, sweetly amusing, and blissfully continuity-free." – "The Best Comics of the '00s: The Archives," The A.V. Club
Krazy Kat, with its eternally beguiling love triangle of kat/dog/mouse, its fantastically inventive language, and its haunting, minimalist desert décor, has consistently been rated the best comic strip ever created, and Fantagraphics’ award-winning series one of the best classic comic-strip reprint series ever published.
With our 13th volume, Krazy & Ignatz 1922-1924, the decades-in-the- making project of publishing every single Krazy Kat Sunday created by Herriman comes to a close. (Next: The dailies!)
While the Krazy Kat Sundays were created and published in black and white until 1935 (and therefore the majority of strips in this book are black and white), Herriman’s publisher did briefly experiment with running the strip in color in 1924, and all 10 of these rare full-color strips are presented here. The book also includes more rare photographs of Herriman, a “DeBaffling” section explaining period references and in-jokes, and the usual surprise “goodies” each of these volumes springs on their readers.
Krazy & Ignatz 1922-1924 includes the entire runs of Herriman’s early strip “Little Tommy Tattles” and his very first daily strip “Mrs. Waitaminnit,” which haven’t been printed in over a century. Also featured is the entire run of Herriman’s hilarious mid-20’s domestic comedy Sunday strip Us Husbands. And for the 13th and final time, the cover is by Chris Ware.
Today's Online Commentary & Diversions — now up to date!
• Review: "The Locas grow up. Collecting material from Love and Rockets‘ second volume (previously found in Ghost of Hoppers and The Education of Hopey Glass), the latest in Fantagraphics’ perfectly executed series of L&R digests [Esperanza] finds Maggie, Hopey, Izzy, and Ray D. coming to terms with no longer being the life of the party and the heart of their scene — at least not without exhausting effort.... But if there’s one thing Jaime’s Locas stories in general, and this volume in particular, tell us, it’s that sometimes you have to be a grown-up for a long time before you grow up. It’s worth the work, and the wait." – Sean T. Collins, The Comics Journal
• Review: "In the pages of Palestine, Sacco relates his experiences in the first person, with breathtaking honesty and haunting detail. With a narrative style that’s a little bit stream of consciousness, and a lot of oral tradition, he depicts not only his own experiences, but those of the many Palestinians he meets in his travels.... A comic book, no matter how poignant and groundbreaking, is not going to resolve a decades old stalemate. What Palestine does do is shed some light on a near forgotten people, lost behind the name of a broken nation." – Mike Re, Asbury Park Press
• Review: "Where have you gone Ernie Bushmiller, a nation turns its lonely eyes to you. All kidding aside, you sure as shootin' can bet Nancy is happy, and so am I that the crucial years of this strip (or at least the dailies) are FINALLY being reprinted, and in chronological order to boot, by the fine folk at Fantagraphics. ...Nancycontinues to deliver on the fun puns 'n great art for us real-life comic strip fans while all of that extraneous junk that's been hitting the comic pages o'er the past few decades does little but mirror the rest of the contents of yer modern day newspaper industry that deserves to die a quick and inglorious death! ...[A] project like this is but one that really brings out that never-suppressed slobbo suburban kid feeling in me, and with more books to look forward to all I can say is...what the hell do we need Gary Trudeau for anyway?" – Chris Stigliano, Blog to Comm (via The Comics Journal)
• Plug: "Panther power has a way of roaring back to life when you least expect it: Years ago, Mushroom drummer and music archivist Pat Thomas told me he was working on an epic multimedia compilation on the Black Panthers. Now, hot on the heels of The Black Power Mixtape 1967-1975, comes Thomas' equally inspired lyrical documents of the Oakland-bred group: a hefty Fantagraphics tome, Listen, Whitey!... and a CD of spoken word, music and comedy." – Kimberly Chun, San Francisco Chronicle
• List: YALSA's blog The Hub spotlights their previously-announced Great Graphic Novels for Teens Top Ten 2012: "Shimura Takako’s Wandering Son Volume 1 rounds out the Top Ten list for 2012 with a sensitive look at two fifth grade students struggling with gender identity: Shuichi Natori is a boy who wants to be a girl, and Yoshino Takatsuki is a girl who wants to be a boy. This is a complex and sensitive subject, but Takako handles it very gently, allowing the story to unfold in a way that is not only natural but sympathetic. Takako’s artwork is spare and evocative, supporting the story but never getting in the way of its telling. This one is for teens who like contemporary stories about real world problems."
• List: At LitReactor, Kelly Thompson runs down 10 Graphic Novels for the Literary Minded, with Castle Waiting Vol. 1 by Linda Medley recommended "for fans of fantasy": "Castle Waiting, a brutally funny book with a giant heart, has a new spin on fairy tales with a feminist bent that will draw you in and keep you reading from page one.... Medley’s world is expertly crafted and completely believable, while her black and white artwork is clean and highly detailed with an emphasis on character design and acting."
• Interview: At SF Weekly, J Poet talks to Pat Thomas about Listen, Whitey! The Sights and Sounds of Black Power 1965-1975: "As you can see from the scope of the book, there were hundreds of recordings connected to the Black Power movement. At Fred Hampton's funeral, they blasted The Supremes' 'Someday We'll Be Together' from loudspeakers. Huey Newton loved Bob Dylan's line, 'Something's happening and you don't know what it is, do you Mr. Jones?' The movement was inspired by music and the movement inspired many people, especially jazz musicians, to refocus their sound and energy."
• Review: "Buddy Does Seattle collects the first 15 issues of Hate, in which the protagonist has relocated to the Pacific Northwest and become the consummate slacker.... First published when Seattle was exploding in popularity due to the rise of Nirvana, Pearl Jam, and various grunge bands, Hate offered a decidedly un-romanticized take on a particular time and place. ...Bagge's artwork took the public's perception of '90s youth as angry and volatile and pushed it to hysterical levels. Heavily influenced by late-'60s counterculture cartoonists like Crumb, Bagge's drawings are fluid and grimy-looking, with frequent use of exaggerated facial expressions helping to cultivate an atmosphere of chaos. As a work of cultural commentary it's brash and invigorating, and remains so years later." – Phil Guie, Critical Mob
• Interview:Nick Thorburn's tour with his band Islands brings him to Seattle next week and the Seattle Weekly's Dave Lake asks him about his connections to the city: "...I had a comic strip in the last couple issues of Mome, which is a Fantagraphics anthology, which is a Seattle-based comics publisher. I love Fantagraphics. I got a check from them recently for being in those comics and it would have made the 13-year-old me die with joy, seeing a check with my name on it from Fantagraphics. That's beyond my wildest teenage fantasy."
• Review/Interview: Marc Campbell of Dangerous Minds calls Everything Is an Afterthought: The Life and Writings of Paul Nelson "music book of the year," saying "the thing I really appreciate in reading Paul’s writings is you get to a place where even if you disagree with him you want to really explore why. He challenges you, not outrightly, but through the sheer force of his own enthusiasm and the particulars of why he digs what he digs. That’s what great rock writers do - they send you to the music. Of all the books I’ve read this year, Everything Is an Afterthought is the one that has meant the most to me." Campbell also talks to the book's author/editor, Kevin Avery: "You could tell it was important for him to accurately convey how he heard the work he was writing about; how it made him feel. At the same time, there was often the suggestion that whatever he wrote about was in some way part of his own story. Though it was never overt. There was an ongoing mystery to it."
• Review: "It's fascinating to see the great intentions of good people of liberal Oregon run aground on the slick and complicated story on the ground... Duin and Wheeler spend much of [Oil and Water] showing the kind of cultural imperialism or Liberal Guilt that the Oregonians feel when trying to help their brethren from the South, and the resentment that the Southerners feel back at them. ...Shannon Wheeler's calm, quiet and almost abstract images capture the story in a way that allows the story to stray from straight reportage to a quieter meditation on the events that happen.... The story lives in the present and the past, both itself and something more." – Jason Sacks, Comics Bulletin
• Review: "The Extraordinary Adventures of Adele Blanc-Sec are extraordinary indeed.... The amazing Jacques Tardi creates a fully realized world in the two stories contained in this book, stories in which strange, almost mythological, creatures live right next to the Eiffel Tower, famous French cemeteries and the Louvre.... Tardi delivers an ending to the second half of this book that is thoroughly shocking. Adele and her friends aren't Doctor Who and his companions, gallivanting across space and time and always emerging unscathed. The adventures that occur in this book are real and terrible in their consequences. They may seem a bit outlandish... but they are real in a way that feels oddly intense for American readers." – Jason Sacks, Comics Bulletin
• Review: "This isn't your father's Mickey Mouse (it's more likely your great-grandfather's), and it's a shame we don't see him this way as much anymore. Floyd Gottfredson is one of the most talented artist/gag writers in comics history and it is wonderful to see his talent recognized in a medium and a manner so deserving of preservation. This giant-sized book is only mildly unwieldy, but it is the perfect size to replicate and do justice to every single panel of such a singularly perfect work.... Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit." – Rafael Gaitan, Comics Bulletin
• Review: "The Hidden is ridiculously good, silly fun... A great big orgy of schlocky gore and cartoon deaths, the plot is every old horror film rolled into one glorious genre cliché... and Richard Sala’s absurd humour bleeds through the lot like red ink on a crisp white collar.... As ever, the true joy here is seeing Sala in brilliant colour. Layer upon layer of masterfully applied paint creates every shadow, shade and unlikely bright pajama in the cartoon horror. Undead eyes stare from blue and green sunken sockets, blood splashes across the page in spurts of dark crimson. It is, to hammer it home with a bloody mallet, an absolute demented joy." – Hayley Campbell, The Comics Journal
• Interview (Translated): Gerardo Vilches of The Watcher and the Tower says of Joyce Farmer's Special Exits, which was just published in Spain by Astiberri, "I read this comic a few months ago and I think it is not only one of the comics of the year but the last decade" translates Alex Dueben's December 2010 Comic Book Resources interview with Farmer into Spanish, adding "I also wanted to do my bit to raise awareness of an awesome comic I hope has the impact it deserves."
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread with our releases scheduled to arrive in your local comic shop in November 2011 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• List:The Hooded Utilitarian, nearing the top of their results in their International Best Comics Poll, reveals George Herriman's Krazy Kat at #2, with a brief essay by Jeet Heer
• Review: "...The Comics Journal #301... is crammed with fantastic content. The volume's texture, heft, and text make it the readers' equivalent of a dense slab of chocolate cake.... In short, Gary Groth and his editorial team have produced a stellar contribution to comics history and scholarship. It is a feast for comics aficionados and neophytes alike. " – Casey Burchby, SF Weekly
• Plug: "I second Tom Spurgeon’s recommendation of Bill Mauldin’s Willie and Joe Back Home. I was amazed by how brutally frank the comics are, and how affecting. I actually prefer it to his WWII work — it’s even more impassioned, and the cartooning loosens enough to show off a really expressive, cutting line." – Dan Nadel, The Comics Journal
• Plug: "Alex Chun has a new volume available from Fantagraphics Books in his series which profiles the 'few dollars a drawing' gag writers who sold work to the Humorama line of digest publications during the 1950s and into the early 1970s. As I have been writing on the lesser known artists who contributed, with the scant information available...I eagerly await the book!" – Jim Linderman, Dull Tool Dim Bulb
• Analysis: At Entrecomics, Alberto Garcia examines the Steve Ditko influence/homages in some of Gilbert Hernandez's early work — even if you don't read Spanish, the images will have you going "ah-haaaa..."
• Lore:Kim Deitch's "Mad About Music: My Life in Records" column returns over at TCJ.com, with more on Elvis Presley and the early days of rock 'n' roll