We pulled a fun li'l prank on readers in the final issue of Mome, in which Kurt Wolfgang's "Nothing Eve" serial was hijacked by [spoiler redacted]. Well now you can see how the story really goes as Kurt has posted the next few pages of the story up at the New Bodega blog.
• Review: "One of the greatest comic strips of all time and a peak in visual splendor and breath-taking adventure, the story of Prince Valiant's 30+ year odyssey is getting a marvelous presentation in Fantagraphics' series of books, which just reached Volume 4.... What might surprise modern readers is the relative complexity of Valiant, who grows and matures subtly over the years. The strip is violent, sexy, serious, droll and above all eye-catching.... The pleasure of how solidly and carefully [these volumes] are made is part of the pleasure of reading them. You feel like a little kid as you prop the giant volume up and literally dive into the tale that fills your vision, much as kids and adults did more than 70 years ago. It's a worthy presentation for one of the most important and entertaining works in comic strip history." – Michael Giltz, The Huffington Post
• Interview:Vice's Liz Armstrong talks with Ron Regé Jr. about his upcoming book The Cartoon Utopia: "I'm not interested in making a bunch of storyboards or writing a script. Comics are the visual representation of language. So comics are the most ancient and the most vital and most important art form that humanity has ever known. It's also the oldest. Cave paintings, having the form of an image that represents an idea, is what comics are. I wrote an essay called, 'Fuck Other Forms of Art.'"
• Interview (Audio):Kurt Wolfgang is the subject and guest of host Mike Dawson's latest episode of the "TCJ Talkies" podcast at The Comics Journal
• Interview (Audio): Speaking of Mike Dawson-hosted podcasts, John Kerschbaum sits in on the new episode of The Ink Panthers with Dawson and co-host Alex Robinson
• Culture: Jeet Heer reports on the Iowa Comics Conference at The Comics Journal, featuring the Hernandez Brothers, Joe Sacco, Gary Groth and others. On the new issue of Love and Rockets: New Stories: "Everyone, of course, has been raving about Jaime’s story in this issue, which like the magnificent 'Browntown' in L&R #3 is one of best comics ever done. I’ll freely confess that at the end of the new issue when I saw how Jaime had tied together the fates of Hopey, Maggie, and Ray I started crying like a baby. ...Gilbert’s recent comics have the protean energy and relentless will to reinvention that rivals the Crumb of Weirdo and Hup."
• Commentary:Robot 6's Sean T. Collins spotlights Heer's article and adds his own thoughts: "The only thing more striking than the fact that Jaime set this career-defining hurdle for himself is that he freaking cleared it.... It's worth noting that in his contribution to New Stories #4, Gilbert takes Fritz to a place of potential finality not unlike the one that his brother Jaime's leading players occupy at the end of 'The Love Bunglers.' Yeah, it’s really quite a comic."
• Analysis: At Robot 6, Matt Seneca examines page 89, by Jaime Hernandez, from Love and Rockets: New Stories #4: "It’s a wonderful meeting of form and content: a completely unified page on the subject of unification, a single unit made up of eight perfectly chosen, gorgeously cartooned panels, each one complete in itself as a composed single drawings. This is comics at the highest level, with nothing wasted and everything on the page done as well as it possibly could be."
• Plug: Kim Thompson points out that ActuaBD "referred to our Gil Jordan edition as 'très beau,' which is nice."
Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, MOME heads into the sunset with an all-star, jam-packed farewell bonanza. Several past MOME favorites return for the swan song, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, and Zak Sally (those covers!). Meanwhile, several newcomers get in just under the wire: Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, and Ignatz Award-winners Jim Rugg and Chuck Forsman! Recent MOME favorites also return, such as Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons (plus collaborators The Partridge in the Pear Tree and Wendy Chin), Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Over 30 artists in all, including a surprise contributor we don't want to give away!
240-page full-color 7" x 9" softcover • $19.99 ISBN: 978-1-60699-395-8
Ships in: July 2011 (subject to change) — Pre-Order Now
Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, MOME heads into the sunset with an all-star, jam-packed farewell bonanza. Several past MOME favorites return for the swan song, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, and Zak Sally (those covers!). Meanwhile, several newcomers get in just under the wire: Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, and Ignatz Award-winners Jim Rugg and Chuck Forsman! Recent MOME favorites also return, such as Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons (plus collaborators The Partridge in the Pear Tree and Wendy Chin), Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Over 30 artists in all, including a surprise contributor we don't want to give away!
Download and read a 29-page PDF excerpt (13 MB) with a sample page from nearly every artist and story (barring some surprises).
At Comic-Con in July, we'll be debuting the 22nd and final volume of MOME (that's one-half of Zak Sally's beautifully elegant wraparound cover of the issue, above). It's a bittersweet thing for me, but I couldn't be happier about how the last issue -- at 240 pages, about twice as long as any previous issue -- turned out, so when Mike Baehr suggested I do something for Flog about it, it seemed like a no-brainer. And when I decided the best way to do so would be to post some teaser images from the issue, it took me about half a second to realize where to start: Kurt Wolfgang.
Kurt has been essentially the one constant in MOME from the very first issue (along with myself, I guess), and his main contribution, the ongoing "Nothing Eve," is pretty much the standard-bearer of the kind of work that MOME was specifically designed to midwife into the world, and one of the things I'm most proud to have published in its pages. The simple, dramatic idea behind it -- If you knew the world was ending tomorrow, how would you spend your last night? -- is really just a launching point for what is essentially a charmingly funny and character-driven piece about the way people relate to each other. Kurt resists melodrama every step of the way, and the work is so much better for it.
Also, more than just about any other serial I can ever remember reading in an anthology, "Nothing Eve" functioned perfectly as a serial. In addition to crafting a completely hilarious and compelling graphic novel, Kurt has an innate knack for breaking his story down into compelling chapters that function on their own. You could easily enjoy any chapter of "Nothing Eve" without ever having read another. That's not an easy feat, and regular MOME readers were given a better experience for it.
The bad news is that MOME is ending before "Nothing Eve" ends. The good news, however, is that when "Nothing Eve" is eventually published, it will be that much more satisfying a read.
The best news is that Kurt prepared an alternative, "final" chapter for MOME 22 that is just about my favorite thing I've ever published in MOME. So for those of you who've been following "Nothing Eve" since the beginning, you're going to be rewarded with something truly special that won't end up in the eventual collection.
I'm very reluctant to tip my hand any further, but let's just say, it's right about with this four-panel sequence that shit starts to get unreal:
You can't even begin to guess where things go from here, but trust me in that I promise you won't be disappointed.
• "The Strangest Story You Ever Heard in Your Life" wraps up at Splog!, the Sergio Ponchione Lost Objects Gallery blog, plus illustrations at Mondobliquo
The Comics Reporter broke the news that the next volume of Mome, number 22, will be the last. CR's Tom Spurgeon commented and spoke to Mome editor Eric Reynolds about ending the long-running anthology; Rob Clough talked to Eric at TCJ.com; and Sean T. Collins comments at Robot 6. We thank the three of them and everyone else who has been a proponent of the series. I for one will miss the publication and abhor the vacuum its departure will leave, but look forward to Eric's future editorial efforts and future work from Mome's long list of contributors.
• Renee French custom-painted this Dylan Sprouse vinyl figure; plus the usual drawings etc. at her blog; plus we like this photo on Sprouse's website for obvious reasons
• "The Strangest Story You Ever Heard in Your Life" continues at Splog!, the Sergio Ponchione Lost Objects Gallery blog, plus an illustration at Mondobliquo
Our acclaimed art-comics anthology forges into its 6th year with another diverse and wonderful volume full of returning favorites and a few surprises.
On the cover, a detail from Sara Edward-Corbett's haunting, Gorey-esque tale of nocturnally animate objects. Also in this issue: Steven "Ribs" Weissman's freewheeling, sometimes-satirical, sometimes-deeply-weird webcomic "Barack Hussein Obama" (starring the President of the United States and his associates) makes its print debut; Sergio Ponchione provides another full-color prequel story to his acclaimed series Grotesque (translated from its appearance in Italy's Linus magazine); Josh Simmons is back with more "White Rhinoceros" and one of his unparalleled standalone horror stories; Nate Neal takes us back to the world of his graphic novel The Sanctuary; and we welcome Nick Thorburn, cartoonist and frontman of the acclaimed indie bands Unicorns and Islands.
All this plus: a one-pager from Dash Shaw; a blackly comic fable from Jon Adams; a typically trenchant strip from Tom Kaczynski; new chapters of T. Edward Bak's "Wild Man," Derek Van Gieson's "Devil Doll," and Kurt Wolfgang's "Nothing Eve" serials; a dreamlike tale from Lilli Carré; and more autobiographical vignettes by Nicolas Mahler.
112-page full-color 7" x 9" softcover • $14.99 ISBN: 978-1-60699-394-1
Ships in: February 2011 (subject to change) — Pre-Order Now
Our acclaimed art-comics anthology forges into its 6th year with another diverse and wonderful volume full of returning favorites and a few surprises.
On the cover, a detail from Sara Edward-Corbett's haunting, Gorey-esque tale of nocturnally animate objects. Also in this issue: Steven "Ribs" Weissman's freewheeling, sometimes-satirical, sometimes-deeply-weird webcomic "Barack Hussein Obama" (starring the President of the United States and his associates) makes its print debut; Sergio Ponchione provides another full-color prequel story to his acclaimed series Grotesque (translated from its appearance in Italy's Linus magazine); Josh Simmons is back with more "White Rhinoceros" and one of his unparalleled standalone horror stories; Nate Neal takes us back to the world of his graphic novel The Sanctuary; and we welcome Nick Thorburn, cartoonist and frontman of the acclaimed indie bands Unicorns and Islands.
All this plus: a one-pager from Dash Shaw; a blackly comic fable from Jon Adams; a typically trenchant strip from Tom Kaczynski; new chapters of T. Edward Bak's "Wild Man," Derek Van Gieson's "Devil Doll," and Kurt Wolfgang's "Nothing Eve" serials; a dreamlike tale from Lilli Carré; and more autobiographical vignettes by Nicolas Mahler.
Download an EXCLUSIVE 15-page PDF excerpt (2.4 MB) with pages from every contributor.
The 2013 Fantagraphics Ultimate Catalog of Comics is available now! Contact us to get your free copy, or download the PDF version (9 MB).
Preview upcoming releases in the Fantagraphics Spring/Summer 2013 Distributors Catalog. Read it here or download the PDF (26.8 MB). Note that all contents are subject to change.
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