|Things to See: Leslie Stein Cartoonist's Diary at The Comics Journal|
|Written by Mike Baehr | Filed under Things to see, The Comics Journal, Leslie Stein||16 Jan 2012 2:06 PM|
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Category >> Leslie Stein
Today's Online Commentary & Diversions:
"It takes a bit of daring to be willing to alter the status quo in a respected body of work and considerable talent to be able to do so in as assured manner as Woodring does here." – Chris Mautner
...Mark Twain's Autobiography 1910-2010 by Michael Kupperman at #87...
"Through war, animal make-out sessions and film writing, Kupperman takes Twain through the ringer in a hilariously catastrophic epic that the real-life 'Adventures of Huckleberry Finn' author would surely have appreciated. Although reading it won't score you any points on a history-class term paper, the book will certainly open your eyes to one of the funniest writers working in comics right now." – Brian Warmoth
...and Johnny Ryan's Prison Pit Book 3 at #86...
"The excessive violence is still here, more refined, more imaginative, more disturbing. Ryan pushes himself artistically in the second half of the book, delivering a stunning sequence that still haunts me." – Chad Nevett
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'" – Sean T. Collins
...and Leslie Stein's Eye of the Majestic Creature at #61:
"Leslie Stein burst onto the comics scene this year when Fantagraphics published the collection of four of her self-published comics... The comic is both surreal and mundane, the story of a young woman who moves to a New York complete with humanoid animals and talking musical instruments. ...Stein [is] one of the best independent creators to emerge in recent years." – Alex Dueben
"Way back at the end of last year, I called this the best graphic novel of 2011, and if I’m now a little more reticent to make that claim, it has more to do with the high quality of a lot of other releases this year than anything else because this is still a masterpiece that, were I some kind of unlikely comics czar, I’d make compulsory reading for everyone interested in the medium. Just a breathtaking book."
...Ganges #4 by Kevin Huizenga...
"Another book that I raved about earlier this year, and another one that I’m still raving about as strongly months later. A tour-de-force of cartooning from a creator who just continually improves, and pushes at the medium in almost everything he does."
...and Celluloid by Dave McKean:
"It’s a disturbing book in many ways – questions about exploitation and power are very present in the text – but also a beautiful, seductive one. It’s a book that sticks with you for a long time afterwards, and for that alone, it’s one I’ve returned to many times since first reading it."
• List: Panel Patter's Rob McMonigal names his Best of 2011: Manga Edition, with Wandering Son Vol. 1 by Shimura Takako in the #5 spot: "This is one of the most serious manga series I've ever read, and I finished it unable to come to grips with the best way to review it. Dealing with two children who come to realize they are trapped in the wrong gender, it's a story of secrets, revelations, understandings, and occasional cruelty. The book handles the topic with care and respect, however, which is part of why it is so good."
"Isle of 100,000 Graves has Jason's trademark deadpan humor, resolute protagonist, and ending that leaves the reader thinking."
...The Hidden by Richard Sala...
"At first, The Hidden feels like a typical apocalyptic story, albeit one painted amazingly well by Sala. But as things progress, the tale morphs and twists into one of the best horror comics I've read, with a twist towards the end that I never saw coming. That's what makes a comic stand out, and puts it near the top of my best of list."
...and Mark Twain's Autobiography 1910-2010 by Michael Kupperman at #1:
"I laughed out loud so many times over this mixture of text and illustration. It's a pitch-perfect book with almost no mis-steps, and I hereby call it my Best Indie Comic of 2011."
• List: At the Forbidden Planet International blog, comics creator John Riordan names Love and Rockets: New Stories #4 as one of his 3 favorite comics of the year, commenting only "My… aching… heart…"
• Review: "I found myself turning back and re-examining the pages often, digging through the many details that the words and images delivered. The story unfolds in earth tone – sepia illustrations, not gaudy, in keeping with the artist’s respect for the story and the subject. Clemente’s early life is here and one gets a real feel for his family and friends, and not without humor.... [21: The Story of Roberto Clemente] should appeal to graphic novel fans, baseball fans, anyone who likes a great 'bigger then fiction' story, and many others." – Mark Hodgens, Skyscraper Magazine
• Review: "Fantagraphics is now giving Barks’ Duck comics a whirl, and based off this first volume alone if there’s any justice in the comics world, fame should finally (belatedly) be coming for the late, great Barks.... The reproduction on these strips are beautiful; Fantagraphics hired cartoonist Rich Tommaso to re-color the works, and Tommaso wisely uses gentle flat tones to keep with the overall feel of Barks’ crisp, classic art. I also appreciated the essays about the different stories in the back of the book.... Donald Duck: Lost in the Andes is a handsome looking book, and trust me when I say it’s just the first of many I plan on reading by Barks." – Greg McElhatton, Read About Comics
• Review: "So cue the squeals, and scan the racks at your friendly neighborhood comics retailer for writer/artist Michael Kupperman’s Tales Designed to Thrizzle #7. Beyond a cover whose hilarity strangely if successfully depends on its all-day-sucker coloring — tangerine, lemon, lime — this dadaistic offering opens with a six-page excerpt from Scary Bathtub Stories, a faux-Golden Age comic, and thereafter spirals further and further into neo-psychedelic weirdness." – Bryan Hollerbach, PLAYBACK:stl
• Review: "I like to imagine [Michael Kupperman] sitting in some tiny hellhole of a studio apartment packed deep into the bowels of New York -- these noble creatures lose their mystique when they own homes -- doing mutant Thrizzle pages until they stop paying him or until he gets a gig in the back pages of Vice. Some feminine if not female voice of reason hovers next to his desk, thumbing through the newest set as he leans back in his chair, wondering if Fantagraphics paid him enough to afford blowing the budget on a beer, wiping entirely imaginary sweat from his brow." – Patrick Tobin, Multiversity Comics
• Interview: The Comics Reporter's Tom Spurgeon talks to Oil and Water writer Steve Duin: "I'm too new to all of this to fully grasp how the perfect union of writer and artist is formed... and there were times when Shannon [Wheeler] and I struggled to find common ground. But a great deal of my understanding of what we were dealing with in the Gulf owes to Shannon's perceptions and his sketchbook. He was refreshingly aggressive in dealing with the BP clean-up teams disinclined to give us access. His original poster for the group -- a naked woman starring incredulously at the oil derrick in her bed, and saying 'What do you mean, it broke?' -- is brilliant."
• Interview: Bookforum's John Madeira, who says "...Alexander Theroux’s writing... is grandiloquently lyrical, dizzyingly erudite, and often acerbic," talks with Theroux about The Strange Case of Edward Gorey ("a smart, engaging, and insightful monograph asking as many questions about the quirky artist as attempts at answers") and other topics: "Edward Gorey was very ornate — Corinthian! — in his love of language, and when he was in a chatty mood his conversation, crackling with allusions, was rich and often rare, exaggerated, campy to a degree, invariably tinctured with lots of movie-love, sarcasm, irony. Mind you, it was not that the man was trying to be something, contriving, say, to appear a cavalcade of wit, merely that, rather like Dr. Samuel Johnson, he happened to have sharp, remarkable 'views' on all sorts of subjects, almost all worthy of note."
Today's Online Commentary & Diversions:
• List: USA Today's pop culture maven Whitney Matheson starts counting down her People of the Year at Pop Candy, with Jim Woodring kicking things off at #100 ("This year the artist constructed a seven-foot-long fountain pen that even Lloyd Dobler would be proud to own") and Leslie Stein coming in at #78 ("She had me at the talking guitar: The Brooklyn-based cartoonist's Eye of the Majestic Creature provided a joyous reading experience")
• List (Audio): Jim Woodring's Congress of the Animals and Johnny Ryan's Prison Pit Book 3 are among the books discussed by Inkstuds host Robin McConnell and his guests Tim Hodler, Joe McCulloch and Matt Seneca for his "Best of 2011 with the Critics" episode
• List: Librairie Drawn & Quarterly's Jade names her Top 5 Books of 2011 on the 211 Bernard blog: "Thirty years after the first Love and Rockets issue, the Hernandez Brothers continue to impress with some of their best work to date in Love and Rockets: New Stories #4. Both brothers produce storylines that are absolutely amazing... I can’t even begin to imagine what these guys will come up with next."
• Review: The Seattle Times' Mary Ann Gwinn looks at Pogo Vol. 1 and the "Playing Possum" exhibit at Fantagraphics Bookstore & Gallery: "Kelly had an uneasy relationship with the newspapers that ran the strip. Though Pogo was hilarious, it could also be extremely pointed. Fantagraphics curator Larry Reid says the Hoover strips, featuring a bulldog with an uncanny resemblance to the FBI director, aggravated Hoover no end. 'He was driven to distraction' by the notion that the strips had hidden messages embedded in them, says Reid. 'He had cryptographers trying to decipher swamp talk.'"
• Review: At Artdish, Gary Faigin also looks at "Playing Possum": "Kelly was both famous and honored in his lifetime (over 50 collections of Pogo were published, and the strip appeared in most major newspapers), but just enough time has passed since his demise in 1973 that many people, younger ones especially, are not familiar with his work. While that’s a good reason to celebrate the Pogo show and book launch at the Fantagraphics Gallery this month, an even better reason is the opportunity to be reminded how fresh, lively, and relevant his work is, decades after it first appeared."
• Review: "These are deeply strange short stories [in The Man Who Grew His Beard], centered on ideas and effects I’m not sure I’d have come up with even with the proverbial infinite number of monkeys at my disposal; even in this short-story-saturated alternative comics climate, there’s nothing else like his gestalt of finely calibrated nonsense. It’s good to see that comics can do things you’d never think to ask of them in the first place." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Although Barks didn’t create Donald Duck, it is his interpretation that probably resides in most people’s memories.... Donald in the animated shorts was a hot-headed buffoon. Barks’ Donald was an actor called upon to play whatever role Barks needed: from exasperated parent to worldly adventurer. It was Barks’ duck comics that spurred my early interest in sequential storytelling, and probably my love of reading in general." Norman Cook, Axolotlburg News
• Review: "Love & Rockets is the only series that I don't mind purchasing and repurchasing in multiple editions... I like the way that Jaime Hernandez's stories read in different configurations. Approaching his little slices of life through flashback or in different sequences lets little details, the sort of which most readers probably miss the first time around, take new shapes and new levels of importance. I really love these paperback editions... As ever, there's just a tiny hint of extra-normal fantasy at work in the stories [in Penny Century], just enough for readers to accept that there's something very strange over the horizon or in Izzy's psyche, but never enough to overwhelm the wonderful, human reality of these beloved characters. Highly recommended for older readers." – Grant Goggans, The Hipster Dad's Bookshelf (via The Comics Reporter)
Today's Online Commentary & Diversions:
• List: Moto Hagio's The Heart of Thomas tops Deb Aoki's list of the Most-Anticipated New Manga of 2012 at About.com Manga: "This 3-volume story from 1974 has been on many manga connoisseur's wish lists for years, so it's a real joy to see that Fantagraphics will be publishing the entire saga in English in one volume."
• List/Review: Manga Worth Reading's Johanna Draper Carlson ranks Wandering Son the #2 Best New Manga of 2011 and recommends Volume 2 in her review: "Shimura Takako’s young figures are adorable. They look unspoiled, with their future ahead of them, which puts their struggles into greater relief.... Translator Matt Thorn’s essay at the back of this volume addresses the issue of being 'Transgendered in Japan' directly, providing valuable information on cultural context, as well as warning us that the children’s lives may be very difficult in years (and stories) to come. There is no more handsome manga than Fantagraphics’ presentation of Wandering Son."
• List: Forbidden Planet International asks comics creator Martin Eden his 3 favorite comics of 2011: "My attention had been waning a bit with the Love and Rockets comics, and then 2010′s Love and Rockets [New Stories] 3 came out and it blew my mind – it was one of the most incredible things I’ve ever read. So much so, that I found myself re-reading the entire series and tracking down all the issues I’d missed. This year’s Love and Rockets [New Stories] 4... was still utterly mind-blowing, and Jaime Hernandez is producing the best work he’s ever done, in my opinion."
• Review: "One of comics revered masters gets a fresh new reprinting [Walt Disney's Donald Duck: Lost in the Andes ] worthy of his work and accessible to kids.... This volume finds [Barks] at a creative peak, combining the bold adventuring of Tintin with the wisely cynical view of human weakness of John Stanley.... Donald is an everyman of frustration whose life is one big Chinese finger trap—the harder he fights, the harder the world fights back.... Despite the dark undertones, the comic expressions and dialogue is still laugh-out-loud funny. A wonderful project that should put Barks’s name in front of new generations of admirers." – Publishers Weekly (Starred Review)
• Review: "This exceptional first volume of the collected adventures of Pogo Possum should remind readers of the substantial legacy left behind by Kelly.... The volume is beautifully put together, including excellent insights into Kelly and his work... One only needs to get a short way into the adventures of Pogo and his pals in Okefenokee Swamp to recognize the impact Pogo has had on so many cartoonists... With Pogo Possum and [his] supporting characters..., Kelly was able to blend hilarious humor, exceptional storytelling, keen political satire, and brilliant wordplay into a strip that could be appreciated both by children and adults. The more one reads this volume, the clearer picture one has of Kelly as comics’ answer to Lewis Carroll, with Alice having changed into a possum and left Wonderland behind for a swamp." – Publishers Weekly (Starred Review)
• Review: "The Art of Joe Kubert contains extensive commentary by Bill Schelly that contextualizes Kubert's work with the development of comics as a medium. ...[I]t's an informative and briskly engaging essay. In reviewing the vast panorama of Kubert's eight-decade career, The Art of Joe Kubert allows readers previously unfamiliar with the artist to share an appreciation of his abiding interest in human nature (as opposed to just superhero theatrics) through a surprising variety of storytelling styles and subject matter. Kubert's great influence on other cartoonists came from the way he embraced the comics medium as a whole, instead of just a particular niche or character type." – Casey Burchby, SF Weekly
• Interview: The A.V. Club's Sam Adams chats with Jack Davis: "I’ve said this many a time; I’ll tell it again. When I was going to kindergarten, and that’s a very young age, my mother used to walk me to school. I would go up past a chain gang — that was the old days when the prisoners wore stripes and everything — and I saw that. I would go to kindergarten, and they’d put a piece of construction paper in front of me, and crayons, and I did, probably, a stick figure, but I put stripes on him. And from that, they thought I had talent. My mother thought I was great. And from then, I’ve always drawn. Drawn pictures. I love to draw cartoons."
• Interview: Nerve gets sex advice from a trio of cartoonists including Rick Altergott — "If you want to talk about inking brushes or pens or what kind of paper or even something as broad as 'who's your favorite cartoonist?' 'Do you know Robert Crumb?' 'Do you know the Hernandez brothers?' Once you get the answer, you can fine-tune it from there. Before you know it, you're probably going to end up in bed." — and Anders Nilsen
• Plugs: The fine folks at L.A.'s Secret Headquarters are posting their staff gift suggestions: Julie recommends Leslie Stein's Eye of the Majestic Creature ("Good for: Anyone with an overactive imagination; fans of whimsy and good times") and Malachi suggests The Cabbie Vol. 1 by Martí ("A European (and comically sordid) take on the American crime genre") and Walt Kelly's Pogo Vol. 1 ("The essential collection of Pogo – A comic that expertly integrates social satire into the daily newspaper format")
• Craft: Kevin Huizenga spills his secrets for using templates to lay out his comics
For the first time ever, Fantagraphics will be exhibiting at the Brooklyn Comics & Graphics Festival! Come visit us this Saturday, December 3rd from 12:00 - 9:00 PM for a wealth of debuts, artist appearances, and the great Gary Groth manning the table!
Gary will be joined by a truly all-star cast of artists for our first BCGF:
And even more of our artists will be exhibiting at the show, including Gabrielle Bell, Ben Catmull, Charles Forsman, Drew Friedman, Sammy Harkham, Tom Kaczynski, John Kerschbaum, Victor Kerlow, Joseph Lambert, Mark Newgarden, Jesse Moynihan, Gary Panter, Zak Sally, Leslie Stein, and Jon Vermilyea... PHEW! Pick up their books from our table, and then seek these artists out at their own!
Bring a big bag, because you'll also wanna pick up our excellent debuts at the festival!
Where can you find all this awesome? Fantagraphics will be in the downstairs section at the Our Lady of Mt. Carmel Church [ 275 North 8th Street ], at tables 31 & 32:
And finally, make sure you don't miss our artists in these panels! These will all take place at Union Pool [ 484 Union Avenue # A ], and the panels are free and open to the public:
1:30 PM // JACK DAVIS Q+A
Legendary cartoonist Jack Davis made his mark producing horror and war stories for EC Comics, before finding his métier in satire as one of the original (and longest running) artists for MAD Magazine. As a prolific illustrator, Davis defined the caricatural style of the 1960s and 1970s—and beyond. In this rare public appearance, Davis will discuss his career with Fantagraphics co-publisher Gary Groth and illustrator Drew Friedman.
[ Jack Davis fans, please note: he will also be appearing on Friday, December 2nd at the opening of his exhibit at the Scott Eder Gallery! Don't miss it! ]
2:30 PM // GESTURAL AESTHETICSAs comics have evolved beyond their commercial roots toward more individualistic modes of expression, they have been infused with new influences from other fields of art including printmaking, collage and painting. Additionally, new printing technologies have permitted the reproduction of artwork that more closely shows the work of an artist’s hand. Austin English, Dunja Jankovic and Frank Santoro will discuss new aesthetics in comics with moderator Bill Kartalopoulos.
6:00 PM // THE LANGUAGE IN COMICS
The recent embrace of graphic novels by the publishing industry has led to misguided attempts to evaluate comics according to the standards and conventions of literary fiction. The writing in comics occupies a more peculiar place, with its own constraints and opportunities. John Porcellino, Gabrielle Bell, and David Sandlin will discuss the particular demands of writing within a visually-driven form in this conversation moderated by novelist Myla Goldberg.
So, get ready! And we'll see you in Brooklyn this Saturday!
It's all part of the "Cousin Corinne's Live Comix Block" series, as MC'ed by Dean Haspiel. Jennifer Hayden and George O'Connor are also on the bill this week.
Today's Online Commentary & Diversions:
• Review/Interview: "Leslie Stein is a pretty lady who made a comic [Eye of the Majestic Creature] in which she is a cute/gross little humanoid with eyes that are like coins and a best friend who is a guitar. Her comical alter ego is named Larry Bear and her guitar's name is Marshy. They live in a house in a field, but it's pretty clear that almost everything they experience is some joked-up fantasized autobiographical story. It's hard to know what's based on reality and what isn't, and which characters are based on real folks and which are just supposed to be Leslie's internal feelings personified.... Leslie's work communicates an urban loneliness that I relate to a lot, seeing as we live in the same place. It's cute and sad and familiar, especially if you're 30 or under." – Nick Gazin, who also talks to Leslie at Vice: "I think for the most part she represents the lighter side of my personality. I'm happy when I'm drawing and I hope that comes across through her on the page, in whatever situation she is in. She dresses a bit weirder than I do, so that's fun. I'm not really a shy person, but I feel like I'm constantly embarrassing myself. She doesn't have that self-consciousness."
• Review: "Post-apocalyptic stories tend to be grim, but The Hidden is very dark indeed.... The book feels like a modern-day gothic horror. The survivors are metaphors for humanity, with a heroic few battling an onslaught of monsters, human or otherwise. Humanity is on the brink of extinction, and still people bring out the worst in one another.... Sala’s illustration is compelling... ★★★★ [out of 5]" – Grovel
• Review: "[Kevin] Avery’s book, Everything Is an Afterthought: The Life and Writings of Paul Nelson, is an admirably unorthodox construction that starts with a bracing 180-page biography of Paul followed by a 265 page collection of Nelson’s music writing, primarily that from the seventies focusing on the artists he was particularly drawn to.... What’s impressive about Avery’s biographic half of the book is that he’s produced both an intimate personal bio and a comprehensive professional bio as well. He’s talked to virtually everyone who Nelson inspired or mentored in rock criticism starting in the latter half of the sixties and into the Rolling Stone years. These knuckleheads are a who’s who of American rock criticism, God help us." – Joe Carducci (SST Records, Rock and the Pop Narcotic), The New Vulgate
• Review: "I was looking forward to this new book [Setting the Standard] a/ because it's Alex Toth and b/ because it reprints 60 stories, Toth's entire contribution to the catalogue of a long defunct publisher whose material we rarely see reprinted.... Toth's work has long been admired for its distilled simplicity of black and white design, but these early pages fizz and bubble with life.... The book under discussion is from Fantagraphics, with the original printed pages restored in all their colours by Greg Sadowski, who put the whole package together with extensive notes..." – Eddie Campbell (via The Comics Reporter)
• Plugs: Brian Ralph's choices for his guest contribution to Robot 6's weekly "What Are You Reading?" column include Captain Easy Vol. 2 by Roy Crane ("It’s a fun combination of action and laughs. Sometimes very serious and other times very cartoony, in both story and art style. I just love the way Roy Crane draws these goons. And the colors! The palettes are unusual and beautiful.") and Setting the Standard: Comics by Alex Toth 1952-1954 ("I’ll read one of these [stories] before I go to bed. I like that in a short page count he quickly develops a rich story and twilight zoney twist. Sometimes it’s a bizarre romance or horror story with a stunning conclusion. They’re a fun read.")
• Review: "Brief but witty dialogue and black humor come together in a brutal satire of deception, torture and the death penalty. This comic is a good comedy that combines the sense of adventure and intrigue of Jason's comics, his 'tempo' and narrative tone, with a trio of protagonists who I came to appreciate in very few pages. Emotion, gags, surprises, and an ending that you do not expect. Isle of 100,000 Graves is an original and very enjoyable read that keeps Jason as a safe bet in the shopping cart. Between tenderness and cruelty, of course the contribution of writer Fabien Vehlmann to the Norwegian cartoonist's particular universe could not have been more successful." – Alita News (translated from Spanish)
• Review: "Warm-hearted, deceptively heart-wrenching, challenging, charming and irresistibly addictive, Love and Rockets: New Stories is a grown up comics fan’s dream come true and remains as valid and groundbreaking as its earlier incarnations — the diamond point of the cutting edge of American graphic narrative." – Win Wiacek, Now Read This!
• Reviews (Video): Hosts Patrick Markfort and Dave Ferraro discuss Love and Rockets: New Stories #4 by the Hernandez Brothers and Gilbert's Love from the Shadows on the latest Comics-and-More podcast (4-part video at the link)
• Discussion (Audio): Hosts Tim Young and Kumar Sivasubramanian, along with special guest Tom Spurgeon, discuss the Love and Rockets work of Jaime Hernandez on the latest episode of the Deconstructing Comics Podcast
• Interview: The Comics Reporter 's Tom Spurgeon talks to backbone Mome contributor T. Edward Bak about his experience at Boomfest in St. Petersburg, Russia: "There were so many things going on. There were people interested in all of the presentations. They took place over four or five hours, in three or four different centers. A lot of artists were there. For these kinds of presentations, it was other artists attending. It was like APE: you have people that are making comics or are interested in making comics."
• Interview: At The Comics Journal, Matt Seneca enjoys a studio visit and thoughtful discussion with Gary Panter: "That’s one of the games that modern art plays: where does it go, and what does it affect by trying to go? And so, usually in fine art, you’re making a kind of pregnant or puzzling object, or some object that has presence and which calls to people, hopefully. It arrests them for a second and various things happen, whereas in a comic, I want people lying in bed reading it. I want people lying in bed and reading it, and you forget you’re reading it, and you go in the story, and you’re like, 'Whoa! What happened?' And you either remember it or you don’t."
Today's Online Commentary & Diversions:
• List: Jeff Newelt names Leslie Stein's Eye of the Majestic Creature to Heeb Magazine's "Best of 5771: Comics" list, saying "What a treat discovering a new 'voice' that speaks to you as much as longtime favorites."
• Interview: Shannon Wheeler talks about Oil and Water in a Q&A with Portland Monthly: "Fishermen couldn’t fish, plants were dying, scientists didn’t know what the effects were, and tourism was crippled. In addition to the environmental damage, there was damage to people’s lives that is profound. We very much wanted to tell the human story."
We've got a gorilla-sized weekend coming up at APE: the Alternative Press Expo in beautiful San Francisco, CA! Come see us on Saturday, October 1st and Sunday, October 2nd at the Concourse Exhibition Center, and be among the first to get your mitts on these hot numbers:
• Walt Disney's Donald Duck: Lost in the Andes by Carl Barks
Oh, you want a comic signed by an awesome artist, do you?
Saturday, October 1st
You can find us in our usual spot at tables 112-115. (Right by our good friends Jim Blanchard and J.R. Williams at table 116!)
[ Please note: this is a chopped-up map, just to give you an idea where you can find us! The Concourse Exhibition Center is too wide to fit on the FLOG, so check out a PDF map here. ]
And panels! Boy, do we have panels!
Saturday, October 1st
2:00 PM // The Comix Claptrap . . . LIVE!
3:00 PM // A Discussion with Daniel Clowes and Adrian Tomine
4:00 PM // Spotlight on Shannon Wheeler
6:00 PM // Drawing Inspiration: The Secrets of Comics Creativity
Sunday, October 2nd
12:00 PM // Indie Cartoonist Survival Guide: Part 3
The great Eric Reynolds will be manning the table, so come by and come buy! We'll see you at APE!
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The Fantagraphics Bookstore & Gallery is located at 1201 S. Vale St., Seattle WA 98108. Tel: 206-658-0110.