• Review/Interview: "Leslie Stein is a pretty lady who made a comic [Eye of the Majestic Creature] in which she is a cute/gross little humanoid with eyes that are like coins and a best friend who is a guitar. Her comical alter ego is named Larry Bear and her guitar's name is Marshy. They live in a house in a field, but it's pretty clear that almost everything they experience is some joked-up fantasized autobiographical story. It's hard to know what's based on reality and what isn't, and which characters are based on real folks and which are just supposed to be Leslie's internal feelings personified.... Leslie's work communicates an urban loneliness that I relate to a lot, seeing as we live in the same place. It's cute and sad and familiar, especially if you're 30 or under." – Nick Gazin, who also talks to Leslie at Vice: "I think for the most part she represents the lighter side of my personality. I'm happy when I'm drawing and I hope that comes across through her on the page, in whatever situation she is in. She dresses a bit weirder than I do, so that's fun. I'm not really a shy person, but I feel like I'm constantly embarrassing myself. She doesn't have that self-consciousness."
• Review: "Post-apocalyptic stories tend to be grim, but The Hidden is very dark indeed.... The book feels like a modern-day gothic horror. The survivors are metaphors for humanity, with a heroic few battling an onslaught of monsters, human or otherwise. Humanity is on the brink of extinction, and still people bring out the worst in one another.... Sala’s illustration is compelling... ★★★★ [out of 5]" – Grovel
• Review: "[Kevin] Avery’s book, Everything Is an Afterthought: The Life and Writings of Paul Nelson, is an admirably unorthodox construction that starts with a bracing 180-page biography of Paul followed by a 265 page collection of Nelson’s music writing, primarily that from the seventies focusing on the artists he was particularly drawn to.... What’s impressive about Avery’s biographic half of the book is that he’s produced both an intimate personal bio and a comprehensive professional bio as well. He’s talked to virtually everyone who Nelson inspired or mentored in rock criticism starting in the latter half of the sixties and into the Rolling Stone years. These knuckleheads are a who’s who of American rock criticism, God help us." – Joe Carducci (SST Records, Rock and the Pop Narcotic), The New Vulgate
• Review: "I was looking forward to this new book [Setting the Standard] a/ because it's Alex Toth and b/ because it reprints 60 stories, Toth's entire contribution to the catalogue of a long defunct publisher whose material we rarely see reprinted.... Toth's work has long been admired for its distilled simplicity of black and white design, but these early pages fizz and bubble with life.... The book under discussion is from Fantagraphics, with the original printed pages restored in all their colours by Greg Sadowski, who put the whole package together with extensive notes..." – Eddie Campbell (via The Comics Reporter)
• Plugs: Brian Ralph's choices for his guest contribution to Robot 6's weekly "What Are You Reading?" column include Captain Easy Vol. 2 by Roy Crane ("It’s a fun combination of action and laughs. Sometimes very serious and other times very cartoony, in both story and art style. I just love the way Roy Crane draws these goons. And the colors! The palettes are unusual and beautiful.") and Setting the Standard: Comics by Alex Toth 1952-1954 ("I’ll read one of these [stories] before I go to bed. I like that in a short page count he quickly develops a rich story and twilight zoney twist. Sometimes it’s a bizarre romance or horror story with a stunning conclusion. They’re a fun read.")
• Review: "Brief but witty dialogue and black humor come together in a brutal satire of deception, torture and the death penalty. This comic is a good comedy that combines the sense of adventure and intrigue of Jason's comics, his 'tempo' and narrative tone, with a trio of protagonists who I came to appreciate in very few pages. Emotion, gags, surprises, and an ending that you do not expect. Isle of 100,000 Graves is an original and very enjoyable read that keeps Jason as a safe bet in the shopping cart. Between tenderness and cruelty, of course the contribution of writer Fabien Vehlmann to the Norwegian cartoonist's particular universe could not have been more successful." – Alita News (translated from Spanish)
• Review: "Warm-hearted, deceptively heart-wrenching, challenging, charming and irresistibly addictive, Love and Rockets: New Stories is a grown up comics fan’s dream come true and remains as valid and groundbreaking as its earlier incarnations — the diamond point of the cutting edge of American graphic narrative." – Win Wiacek, Now Read This!
• Interview:The Comics Reporter 's Tom Spurgeon talks to backbone Mome contributor T. Edward Bak about his experience at Boomfest in St. Petersburg, Russia: "There were so many things going on. There were people interested in all of the presentations. They took place over four or five hours, in three or four different centers. A lot of artists were there. For these kinds of presentations, it was other artists attending. It was like APE: you have people that are making comics or are interested in making comics."
• Interview: At The Comics Journal, Matt Seneca enjoys a studio visit and thoughtful discussion with Gary Panter: "That’s one of the games that modern art plays: where does it go, and what does it affect by trying to go? And so, usually in fine art, you’re making a kind of pregnant or puzzling object, or some object that has presence and which calls to people, hopefully. It arrests them for a second and various things happen, whereas in a comic, I want people lying in bed reading it. I want people lying in bed and reading it, and you forget you’re reading it, and you go in the story, and you’re like, 'Whoa! What happened?' And you either remember it or you don’t."
• List: Jeff Newelt names Leslie Stein's Eye of the Majestic Creature to Heeb Magazine's "Best of 5771: Comics" list, saying "What a treat discovering a new 'voice' that speaks to you as much as longtime favorites."
• Interview:Shannon Wheeler talks about Oil and Water in a Q&A with Portland Monthly: "Fishermen couldn’t fish, plants were dying, scientists didn’t know what the effects were, and tourism was crippled. In addition to the environmental damage, there was damage to people’s lives that is profound. We very much wanted to tell the human story."
We've got a gorilla-sized weekend coming up at APE: the Alternative Press Expo in beautiful San Francisco, CA! Come see us on Saturday, October 1st and Sunday, October 2nd at the Concourse Exhibition Center, and be among the first to get your mitts on these hot numbers:
You can find us in our usual spot at tables 112-115. (Right by our good friends Jim Blanchard and J.R. Williams at table 116!)
[ Please note: this is a chopped-up map, just to give you an idea where you can find us! The Concourse Exhibition Center is too wide to fit on the FLOG, so check out a PDF map here. ]
And panels! Boy, do we have panels!
Saturday, October 1st
2:00 PM // The Comix Claptrap . . . LIVE! Co-hosts Rina Ayuyang and Thien Pham record an episode of their enlightening, riotous, and controversial podcast, The Comix Claptrap LIVE at APE! For four seasons, Rina and Thien have interviewed comics artists in the indie comics scene about their work, creative processes, and experiences in the industry. Each show has included New Comics Wednesday beat reportage from fellow cartoonist Josh Frankel, and new favorite segment, The Comix Cranktrap, where they crank-call a well-known cartoonist listed in their Rolodex. Also featured on the panel: Mike Dawson, Scott Campbell, Levon Jihanian, and Esther Pearl Watson. This panel promises to be total mayhem!
3:00 PM // A Discussion with Daniel Clowes and Adrian Tomine Critically acclaimed, award-winning, bestselling cartoonists -- and APE special guests -- Daniel Clowes (The Death-Ray, Ghost World, Wilson) and Adrian Tomine (Optic Nerve, Shortcomings) are both professional peers and friends, having met over a decade ago when both lived in the East Bay. TheComicsJournal.com editor and PictureBox publisher Dan Nadel talks to the two artists about their work, their friendship, and the comics medium.
4:00 PM // Spotlight on Shannon Wheeler From stapling 21,000 minicomics, to shooting comic books with a .22, to creating operas, to publishing cartoons with The New Yorker, APE special guest Shannon Wheeler must be drinking too much coffee, man. Recently, his collection of rejected cartoons I Thought You Would Be Funnier won the Eisner Award for Best Humor Publication. Wheeler and his trusty sidekick BOOM! Studios marketing director Chip Mosher talk about the best ammunition to use on a comic, Japanese bootleg shirts, and drawing dead granddads in fishnet stockings with swastika panties. Shannon Wheeler once also created Too Much Coffee Man, so they'll probably talk about that, too.
6:00 PM // Drawing Inspiration: The Secrets of Comics Creativity Ever wonder where your favorite author or artist gets his or her inspiration? Now you can find out as moderator Charles Brownstein (executive director, CBLDF) joins APE special guests Kate Beaton (Hark! A Vagrant!), Craig Thompson (Habibi), Matthew Thurber (1-800 MICE), and Shannon Wheeler (Oil and Water), plus Tom Neely (The Wolf) for an in-depth discussion of what gets their creative juices flowing and the secrets of what inspires them.
Sunday, October 2nd
12:00 PM // Indie Cartoonist Survival Guide: Part 3 Cartoonist Keith Knight moderates this panel (in its third appearance at APE), featuring a lineup of successful independent creators who share their stories, methods, techniques, trials, and tribulations concerning making a living as a so-called Indie Cartoonist. Shannon Wheeler (I Thought You Would Be Funnier), Dan Cooney (Dan Cooney Art), Andy Ristaino (Adventure Time), and Rebecca Sugar (Pug Davis) all chime in.
The great Eric Reynolds will be manning the table, so come by and come buy! We'll see you at APE!
We've got our eye set on this majestic event: Leslie Stein will be signing this Friday, September 30th at The Escapist in Berkeley, CA!
We're teaming up with our friends at PictureBox to present this pre-party for APE: the Alternative Press Expo. Leslie will be signing copies of her latest Eye of the Majestic Creature, and she'll be joined by Matthew Thurber, signing the collected 1-800-MICE!
Meet them both, starting at 7:00 PM at The Escapist Comic Bookstore [ 3090 Claremont Ave. in Berkeley ], and say hi to our old intern, Sophie!
Hair fresh from my shower, I walk into the Fantagraphics office, still in my robe. Gary has convened a meeting and is complaining vociferously about misuse of an intern, who was apparently given a job to perform above normal intern capabilities — or who had screwed up a job as a result, I'm not quite sure which. He starts quizzing me about it, and in fact I suspect it was me who gave this intern (note to current and past interns: it was none of you) a huge interview-transcribing job that is the issue, but I deflect the interrogation by pointing out that I just got up and need a moment to settle in. He subsides, at which point Leslie Stein (of Eye of the Majestic Creature fame), who is standing next to him, picks up a microphone and begins signing a pop hit, with full musical accompaniment. (Fantagraphics has a karaoke machine? I don't question it.) Her singing is excellent. I decide I need to find a specific Tintin album for some reason, and as I'm looking for it on the office bookshelves — I keep finding clusters of Tintin books, but the one I need is always missing — I realize that Leslie is singing a Britney Spears song. (I don't remember which one. It's not one of the big hits, like "Oops! I Did it Again" or "Womanizer," and not that awful new Autotuned one either.) I smugly think to myself, "I bet Gary has no idea that's a Britney Spears song." (That Gary, he's so out of it.) Leslie finishes the song to deserved applause from the staff. She starts into a second one. In the meantime my search has shifted over to a search for a Love and Rockets collection, with similar lack of success. I hear a dog barking in the distance. It is my dog Ludvig. I wake up; he's downstairs barking to be let out.
Dream guaranteed 100% accurate. For earlier dreams go here and here.
The last time I walked into the Fantagraphics office in a robe with wet hair was 1984. I am not (at all) a Britney Spears fan, although I do think this is pretty awesome.
• Review: "...Mark Twain’s Autobiography 1910-2010 is both hilarious and very strange. The book exudes a unique mood of giddy amazement... Credit for both the mirth and oddness belong to cartoonist Michael Kupperman, who illustrated the book based on a manuscript he says was given to him by Twain. Given the fact that the off-kilter humour of the book is very similar to the sensibility displayed in Kupperman’s earlier work, notably his dada-esque comic book Tales Designed to Trizzle, the cynical might assume that Mark Twain is only the nominal author of this book. Yet it’s fair to say that the spirit of Twain hovers near the volume.... Aside from his debt to Twain, Kupperman belongs to the tradition of erudite humor that runs from Robert Benchley to Monty Python." – Jeet Heer, The National Post
• Review: "...[Eye of the Majestic Creature] is phenomenal.... The character, Larry, who is leagues more animatic and expressive than some of the characters around her (no doubt on purpose, as the character leaps out of each panel) is responsible for carrying the entire weight of the narrative through dialog. She does so fluidly, and through nuanced avenues.... I really enjoyed this collection, and I want to see more from this creator.... There is significant depth to this fantastic story about a girl, her guitar, and the quirks associated with staying alive." – Alex Jarvis, Spandexless
• Review: "Set to Sea is the kind of comic that you give to people you love with a knowing look that says 'read this, you'll thank me later.' The kind of book that is not exclusively reserved for aficionados of the comics art form. The kind of work that, by virtue of its poetry, leaves the reader in an emotional state once he's read the final page, and that simply demands to be flipped through again immediately so that the reader might breathe in this adventure's perfume for a little longer." – Thierry Lemaire, Actua BD (translated from French)
• Review: "Paul Hornschemeier uses the medium of cartooning [in The Three Paradoxes] as the message he is sending, as each new chapter in the book references different cartoon styles and axioms.... The skill of Hornschemeier is abundant on these pages, as he effortlessly transitions from style to style. Despite that, each style fits within the story; none is so strange that it breaks the reader out of the story.... The book gets a lot of information packed into its relatively smaller frame. The book’s presentation is similarly phenomenal...; it’s really solid and uniform.... I loved it. Well done, Paul." – Alex Jarvis, Spandexless
• Plug: "Fantagraphics has prepared a nice preview video for the fourth and final [Final??? Not at all — I don't know where they got that idea. – Ed.] issue of Love and Rockets: New Stories in stores soon. It features a 35-page story called ‘King Vampire’. Oh boy, if even the Hernandez bros succumb to the vampire craze, this really is the end of the world now, isn’t it?" – Frederik Hautain, Broken Frontier