At 1:00 PM, Larry will host the panel “Pop Goes Seattle,” featuring some of the principals of the early Sub Pop period including founder Bruce Pavitt, cartoonist Peter Bagge, photographer Charles Peterson, and author and musician Danny Bland. At 2:00 PM, Bland will read passages from his debut novel In Case We Die, a fictional account of the grunge era in Seattle. Danny will be joined by guest reader Greg Dulli, who will later perform music outside the store. A limited number of advance copies of the book will be available at the reading. (more details)
To get everyone excited about Volume 2 coming out soon, Fantagraphics and comiXology releasedEye of the Majestic Creature Vol. 1 to add to your digital comics library. Leslie Stein's book is a collection of semi-autobiographical and fantasy-based comics that combine dry humor, psychedelia, and emotion to show the viewpoint of one person's world internally and externally.
The story follows a young girl, Larrybear, and her talking acoustic guitar Marshmallow on their adventures through the countryside, Chicago, San Francisco and New York. While Larrybear struggles to connect with strangers, her friends, and her family to various degrees of success, her growing population of anthropomorphic friends have adventures of their own.
Enjoy this 122-page unique work for only $14.99 over at comiXology today. And start practicing on your own Marshmallow guitar for Volume 2!
"Stein's cartooning is broad and trippy, and if she occasionally becomes intoxicated with her own gimlet-eyed sensibility, she's never afraid to turn that dark wit on herself. Eye of the Majestic Creature... is ultimately the tale of a young woman rejecting the things that shaped her and attempting to figure out what comes next for her. Thanks to Stein's loose, amiable approach, you'll want to know that, too." –Glen Weldon, NPR
"Underground-influenced comics fall into certain patterns - idiosyncratic art, rambling tales of daily life, copious use of mood-altering substances - but [Leslie] Stein makes hers [Eye of the Majestic Creature] fresh with the addition of a talking guitar.... Stein's style is very readable, with sparse linework and a lead character that resembles a more tripped-out Little Orphan Annie, with huge blank buttons for eyes. Stein's settings and other characters show more detail, especially in the complex stippling, demonstrating her outward focus.... Her world is full, even if it's one that's a bit off-kilter..." –Publishers Weekly
"Leslie Stein's comics give readers privileged access to a complete and wholly original world of gently skewed wonders." – Jim Woodring
"It's a seemingly casual tour of a very rocky emotional landscape, drawn with a care and devotion I hardly ever see anymore. Leslie's pointillist panels reveal a ton but never impede the story — and instead kind of float along as the weight of the characters accumulates." – Dan Nadel
"Part cute, part kind of creepy art-wise. The writing is serious and smart, slightly contradicting what the art is saying but this makes the work good. And real. And slightly creepy." – Gilbert Hernandez
Eye of the Majestic Creature Vol. 2 is the second book collecting Leslie Stein's loose, funny and charming autobiographical narratives that combine idiosyncratic fantasy and stark reality. Larrybear, our hero, has moved from the countryside to the city, where she finds work as a shop girl. Quotes from Theodore Dreiser's Sister Carrie are sprinkled throughout the story to add humor and poignancy. Stein then takes us back to a childhood in the '80s filled with odd experiences including joining a rock band with older people, sitting in on her mother's AA groups, and the mystery of the disappearing gumballs. Finally, a fun story in which Larrybear and her new friend Poppin the Flower go on a strange trip to see his father. Let us not forget that Marshmallow, Ping-Ping and Mimolette, Larry's walking and talking instruments, have adventures all their own.
Stein's gorgeous cartooning, highlighted by incredibly detailed stippling, and her dry sense of humor combine to make one of the most unique and immersive narrative experiences in comics.
The last thing you'll read before the San Diego PR Storm 2013:
• Review: The AV Club looks at Ulli Lust's Today is the Last Day of the Rest of Your Life. Noel Murray writes, "Today Is The Last Day Of The Rest Of Your Life takes the form of a post-apocalyptic horror story, wherein the heroine ekes out a meager existence by day and then fights off monsters by night.…Lust takes readers inside her experiences, letting them feel how high hopes can devolve into raw survival."
• Review: Ulli Lust's Today is the Last Day of the Rest of Your Life is reviewed in the New York Times by Douglas Wolk. "the book ripples with exuberance:…Lust’s pen-and-ink work (augmented by the pale green tint of European paperbacks) depicts the stretched and crimped features of the people from whom she bummed change, the architecture of St. Peter’s Basilica and the chaos of a Clash concert with equally manic panache, and her line is as seemingly unkempt but as deliberately molded as her younger self’s punk-rock shock of hair."
• Review:Booklist Online spends the day with Donald Duck: The Old Castle's Secret by Carl Barks. "The applause-worthy effort… Oodles of shorter pieces provide more evidence yet that this series is an essential addition to any serious (or just plain fun) comics collection" writes Ian Chipman.
• Review: The New York Journal of Books reads Donald Duck: The Old Castle's Secret by Carl Barks. "There is no tantrum like a Donald Duck tantrum…Every single page of this new collection of classic Donald Duck stories is filled with silliness and slapstick and adventure…Try not smiling at Carl Barks’ work. It’s impossible," says Mark Squirek.
• Interview: Zak Sally on The Comics Journal interviews on Peter Bagge and The Beat follows up. Bagge states, "I like the way [a pamphlet or floppy comic] feel. To me it's an ideal format, the traditional comic book format. It's the perfect amount of material to read in one sitting."
• Commentary:The Beatand Hannah Means-Shannon discuss the humor panel from HeroesCon 2013 featuringPeter Bagge(there promoting his new book, Other Stuff). When asked advice from a younger cartoonist Bagge replied, “If you’re goal is to be a starving artist, it’s an easy road ahead."
• Review:Dead Canary Comics look at Prison Pit series by Johnny Ryan. "It's so extremely excessive in its hilarity it draws stifled belly laughs from your gut on packed trains as parents and politicians glance witheringly at images of monsters shitting themselves, ghouls eviscerating ghouls... in an age when we've got more X Men titles than people on the planet it's refreshing to just have a comic book that's all about entertainment!"
• Plug: Speaking of Johnny Ryan, show off how you don't fucking mess around with a PRISON PIT patch! Only $5 (plus shipping).
• Review: Brian Heater of BoingBoing looks at Leslie Stein's Eye of the Majestic Creature Vol. 2."It’s a sort of childlike forgiveness of life’s darker corners, which carries on into grown up stories…Stein's is a welcomingly unique take on the well-trod world of autobiographical comics, and once you've excepted her rhythms as your own, it can be a hard world to step away from."
• Review (audio): NPR's Pop Culture Happy Hour enjoy Dash Shaw's New School. Glen Weldon states, "Instead of a tidy narrative, [New School] is about art, about the art that's in the book itself…There's stuff going on at other levels, the intuitive, the leve of the unconscious, the subconscious I guess you could say.…This book is just fascinating."
• Review:Booklist Online reviews Goddamn This War by Jacques Tardi and Jean-Pierre Verney. "…six years of hopelessly indistinguishable trenches, explosions, corpses, mud, and maggots, all of it depicted via three panoramic panels per page rendered in smoky grays and foggy blues—with blood accents… The pages are strewn with images of dead bodies and midexplosion terrors, but the unforgettable centerpiece is two wordless pages of disfigured postwar faces"
• Review:About.com looks at Anders Nilsen's The End. Jeff Alford writes "these pages come from such a raw emotional place that they'll reverberate like an echo from a well....It's a message we've heard before, but its majestic delivery and the difficult path that led to this revelation make The End all the more exceptional."
• Review:Comic Pusher looks at Anders Nilsen's The End. "This isn't a non-fictional description of grief written after the fact, this is grief, unfiltered and complete…The best sequences are where Nilsen breaks away from the heartbreaking emotional literalism and opens out into almost abstract expressions of the nature of grief."
• Review: Johanna Draper Carlson of Comics Worth Readingunpacks Walt Disney's Mickey Mouse Color Sundaysby Floyd Gottfredson. "The lighter approach makes this book a better choice to share with your young ones. They should love the timeless highjinks of the mouse and his friends. And anyone can appreciate the skilled cartooning and astounding art, so well-done it almost seems to move on paper."
• Commentary: Heidi MacDonald of The Beat talks about Lorenzo Mattotti at BEA. "In Italy Mattotti is pretty much an all around art and design god, and he's known here for his New Yorker covers, and Fantagraphics has been putting out his recent work in Englias."
• Review:Wandering Son Vol. 4 by Shimura Takako gets reviewed by Read Comic Books. "…what continues to make Wandering Son a fantastic read is the frankness it presents developmental sexual identity…Few comics will challenge you like Wandering Son. It covers a topic not widely written about or discussed, and does so in a tactful, warm, embracing manner," concludes Nick Rowe.
• Review: The Smithsonian Asian Pacific American Center gives Wandering Son Vol. 4 a whirl. Terry Hong comments," ‘Fresh' is exactly the right word to describe this gentle gender-bender series…Creator Shimura Takako is a compassionate, empathetic storyteller without judgment or guile. Her young characters face their inescapable maturity as best as they can in a brave new world of ‘gender-fluid'."
• Review (audio):It Has Come to My Attention recorded a short 7-minute review of Barnaby Vol. 1 by Crockett Johnson. "Fantagraphics deserves a Nobel Prize in Literature for their efforts to reprint complete runs of classic American comic strips… There is rarely an attempt at more than 2-dimensions but that flatness provides a late art deco elegance to [Barnaby].…This strip is fun, funny, I'm so glad its back and Fantagraphics is giving it their usual top-notch presentation,"
• Review: Letterer Todd Klein looks at Pogo Vol. 2Through the Wild Blue Yonder by Walt Kelly. "…this strip is perhaps the opposite of 'Peanuts,' which went with a minimalist approach. 'Pogo' is maximalist! Both are great fun and often quite funny.…There’s really not a single thing to fault in this fine book"
• Review: Jack Davis' new collection 'Tain't the Meat reviewed on Sound on Sight. "It's entertaining in the juvenile delight it takes in grossing out readers. You also get to witness Davis' style as it improves with every story: his lines get sharper, there's more detail and contrast in the panels… It might also provide a good trip down memory lane for some, reminding them of late nights spent with smuggled comics contraband and a flashlight under the sheets. It's a good introduction as well to a genre that may today seem corny and hackneyed, but I'll be damned if it still ain't pretty creepy, bad puns an all," writes Chris Auman.
• Review: Broad Street Review gazes upon 50 Girls 50 by Al Williamson with love. Bob Levin pens, "Williamson's art could infuse aliens and monsters, no matter how hideous, with sympathetic personalities that reinforced Feldstein's feelings about brotherhood and tolerance.…His delicate line, intricately constructed panels and gossamer-like space-station cities and landscapes are fully on display in this book."
• Review:Comics Bulletin on Came the Dawn by Wallace Wood. "…the true delight and fascination of Came the Dawn will be seeing again Wood's sublime understanding, indeed his enrichment of, the comics language, from panel and page composition to the pacing, direction, of capturing and conveying of mood…Let's face it: No one draws an emaciated corpse - especially in zombie form - better than Wood," pens Eric Hoffman.
Join us this weekend at CAKE at Center on Halsted in Chicago from Saturday, June 15 through Sunday, June 16th! Table 13-14 is the place to be. We're pumped to announce our special guests, Kim Deitch, Ben Catmull, Charles Forsman, Leslie Stein, Josh Simmons, Tom Kaczynski, Lilli Carré, and Noah Van Sciver! Check out our lush signing schedule:
Our artists will be partaking in programming throughout the weekend, so check out their panels! - See more at: http://www.fantagraphics.com/index.php?option=com_myblog&show=Fantagraphics-at-Stumptown-Comics-Fest-2013-in-Portland.html&Itemid=113#sthash.R89fGTf6.dpuf
We have some lip-bustin' new books to debut at CAKE.
Our cartoonists will be partaking in programming throughout the weekend, so check out their panels!
On Friday, June 14th Kim Deitch has a signing from 6pm-8pm at Chicago Comics. (3244 N Clark)
Saturday, June 15th
Noon-1:00pm // Chris Ware: Special Guest Chris Ware is the author of Jimmy Corrigan - the Smartest Kid on Earth, which received the Guardian First Book Award and was included in the 2002 Whitney Biennial of American Art. His most recent book, Building Stories, was voted a 2012 Top Ten Book of the Year by the New York Times, Time Magazine and Publishers Weekly. Jake Austen, editor of the vital and influential Chicago cultural magazine Roctober, will host Mr. Ware in conversation, speaking on Ware's career and his connection to Chicago and its living comics history.
3:00 - 4:30pm // Eyeworks: Parallel Lines: The Eyeworks Festival of Experimental Animation is a film festival with a focus on abstract animation and unconventional character animation. The festival programs showcase outstanding experimental animation of all sorts: classic films, new works, and rare masterpieces. Founded in 2010 byAlexander Stewart (Library Book, Sideral) and Lilli Carré (Heads or Tails, The Lagoon), Eyeworks is held annually in Chicago, with additional curated programs presented in Chicago and other cities throughout the year. The Eyeworks program showing at CAKE this year, Parallel Lines, features animated work that highlights an overlap between alternative comics and experimental animation. The screening will include both classic and contemporary works on this theme, showcasing narrative and graphic parallels between the two forms. Immediately following the screening there will be a Q&A, with presented animators Kim Deitch, Kevin Eskew, and Leif Goldberg.
Sunday, June 16th
12:30 - 1:30pm // Mega-Solutions to Micro-Publishing: Oily Comics: In the current expansion of the micro-publishing field, Special Guests Oily Comics is a premiere imprint. Operated by Chuck Forsman (The End of the Fucking World, Snake Oil) and Melissa Mendes (Lou, Freddy), Oily Comics features some of the best talent in alternative comics. Joining them on stage will be fellow Special Guest Michael DeForge (Adventure Time, Elizabeth of Canada, Lose), and German cartoonist, Anna Haifisch (The Buddies, Future Tense). CAKE co-organizer Max Morris will moderate this exciting discussion.
2:00 - 3:00pm // Kim Deitch: Special Guest Kim Deitch came from a legacy in the animation field and continues to form a legacy of his own. From the hey-day of the undergrounds, through the breakthrough of Raw, Kim Deitch remains a seminal force in alternative comics. Deitch will be speaking about his new book, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, out this year from Fantagraphics. He will be joined by Caitlin McGurk (Good Morning You), librarian at the Billy Ireland Cartoon Library and Museum.
3:30 - 4:30pm // Intimate Anxiety: Beyond the shock tactics of portraying "inappropriate" subject matter in comics, we find the medium is exquisitely suited for grappling with explicit content, unchained from the trappings of taboo. Intimate Anxiety focuses on three artists' ferocious visions of sex and death, made all the more visceral through gorgeous and painstaking details. Special Guest Phoebe Gloeckner sets the standard for work that probes these realms. From her experimental memoir, Diary of a Teenage Girl, to her iconic illustrations for RE/Search to her current work dealing with the ongoing femicide in Cuidad, Juárez, Gloeckner continues to confront difficult realities with groundbreaking graphic integrity. Julia Gfrörer's art vibrates off of the page while crafting oblique erotic worlds laced with terror. Through sparse text and a perfect sense of visual timing, Gfrörer's comics, such as Too Dark to See, Flesh and Bone and Black Is the Color bring language to the unspeakable. Joining them will be Special Guest Heather Benjamin, whose obsessively rendered drawings aim straight for the jugular vein. Author of the cult art zine Sad Sex and contributor to the prolific output of Collective Stench, Benjamin's art delves headfirst into complicated scenarios that are emotionally fraught and sexually feral. Moderated by Caroline Paquita, author of Womanimalistic and founder of Pegacorn Press, Intimate Anxiety is a conversation about the power and truth that lies within impropriety.
So come visit Jacq and all our cartoonists at tables 13-14 this weekend at CAKE! 3656 N Halsted, Chicago, IL 60613
Leslie Stein, cartoonist from Eye of the Majestic Creature Vol. 2 (and Volume 1) recently took this picture stating her new book's cover was "inspired by the bass I never use but love and sabbath VOL 4, which I use all the time." You can pick up a copy of Stein's new book at the Fantagraphics table this weekend at CAKE, signing schedule and details coming soon.
And for the record, Stein DOES use guitars though. Her band, Prince Rupert's Drops, pretty muchs rips shit on the daily.
Behold these glimpses of an early advance copy of the bigger, even better second volume of Leslie Stein's Eye of the Majestic Creature. The continuing story of our hero Larrybear fleshes out her backstory and gives her a potential new love interest. Depth of character and keenness of observation elevate these warm, offbeat stories far above your average slacker comedy and create a world you'll want to hang out in. Imagine if Buddy Bradley were a gentle, artsy, laid-back girl instead of a grouchy, cynical, rage-prone guy. Add a dash of magical realism and psychedelia. Spin around in circles a few times. You're getting the feel.
We expect the book to be available toward the end of next month. You can read a 15-page excerpt and pre-order a copy here; we also have a nice discount offer on Volumes 1 and 2 together so you can get the whole story at once.
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."