As readers of Lewis Trondheim's APPROXIMATE CONTINUUM COMICS know, Lewis allowed the subjects/victims of his autobiographical graphic novel (which included many sequences about his days sharing a studio in Paris with several cartoonists) the right of rebuttal... but only in writing. He declined to print Émile Bravo's illustrated comment, which appears here instead. ACC poked fun at Bravo's tendency to sing jingles and tell bad jokes.
HE JUST DOESN'T REALIZE!
Bravo: Funny how some readers are so fascinated with Lewis. Fan #1: Hey! I've got every Trondheim and I bought the deluxe print run of McCONEY. Fan #2: When's the next comic? Fan #3: And how is Brigitte doing? Fan #4: And... And...
Bravo: Wow... They really want to be part of his family... Bravo: ...But Lewis is merciless... Lewis: That's all well and good, but I think what you really need to buy is a brain!
Bravo: So they come and take revenge on innocent supporting characters. Fan #1: Oh, are you the Émile that sings that "Casto" jingle? Bravo: Ha! Ha! Yes indeed... (etc.) Fan #2: Ha! Ha! Do you know the one for Mousseline Purée, too? Fan #3: What about the joke? What's the punchline?
Bravo: Oh jeez! Entering into the public arena carries with it responsibility, and a hell of a lot of power!
Anyway... Lewis completed his move to the South of France today... We are no longer part of his immediate entourage. I can say whatever I want at the studio and not worry about ending up playing the fool in a comic book.
Free at last! YAAAHOOOOOO... I don't give a shit about anything!
Bravo: Anyway... Aside from these little disputes, it of course goes without saying that I'm proud as all get-out to be part of this brilliant cartoonist's most profound opus...
• List:Flavorwire's Emily Temple names Daniel Clowes's Ghost World one of "10 Disturbingly Brilliant Graphic Novels" (a list which includes many of the usual suspects along with some off-the-beaten-path selections): "This novel is a cult classic for a reason (and no, the reason is not Scarlett Johansson): its frank depiction of teenage life, especially in boring, suburban towns, and the awkwardness of growing up garnered an instant following, along with its cynical, hilarious protagonists. It is intensely strange, and yet somehow universal in its strangeness — because who doesn’t think their teen years were completely weird? We know ours were."
• Review: "Trondheim (as depicted by Trondheim) is a mass of neuroses and tics. He's full of self-doubt and more than a little bit of anger. But what sets him apart from oh-so-many other autographical cartoonists is that he's also devoted to his life and his art. You might say that [Approximate Continuum Comics] is a book about beating yourself up in service of self-exploration, which itself is in service of creating great stories." – John R. Platt, Graphic Novel Reporter
• Review: "[Congress of the Animals] is wordless and flows from scene to scene with dream logic, so it’s a quick read. Woodring’s inking is so fabulous that I’ve already reread it, and opened it to specific pages to stare at the varying weights he gives his lines. I particularly liked the textures of the wood walls in the background of the factory where Frank works and how they make the machines stand out from the background." – Gene Ambaum, The Unshelved Book Club
Our weekly strips from Kupperman & Weissman, plus links to other strips from around the web. Running a bit late this week; apologies if you've been hunched over your browser clicking "refresh" since last night.
• Review: "Fantagraphics, always a publisher you can count on to rescue classic comic material from oblivion, has published a gorgeous 288 page hardcover archive edition of Mickey [Mouse]'s earliest serialized comic strip adventures and he's quite a different character than we know today...a little rambunctious, a little mischievous, and a whole lot of fun. This book takes readers on a glorious ride through depression-era adventures as Mickey battles villains, becomes a fireman, visits a circus, and meets his faithful pup Pluto for the first time. Besides the many great comic strips, Fantagraphics has filled the book with a ton of supplemental material... This is an absolute must-have for any Mickey Mouse fan. Grade A" – Tim Janson, Mania
Burgas: "McKean’s art is astounding, as it always is. He moves from his very rough pencil work that he used on Cages and moves quickly into a multimedia extravaganza, with photographs interspersed with film reels (more photographs, of course, but used in a different way) and paintings and more detailed pencil work. The colors are magnificent, too... It’s an astonishing work of art, to be sure..."
Thompson: "I agree that the success of this book is in that it is beautiful from cover to cover. As a rule I tend to prefer McKean’s very rough pencil work, though I very much appreciate the layering mixed media styles he uses, and I found all of it very beautiful and successful in that way. I was impressed with the color choices and the really wonderful cubist look he achieved for some of the work, and some of the mixed media he used toward the end was some of my favorite in the book period.... After discussing it, I feel more pleased with the book as a whole because I’ve been forced to admit that I don’t recall seeing many more effective executions of erotic subject matter as a legitimate work of art in this way..."
Burgas: "What is compelling about Celluloid is that McKean tackles a difficult subject and elevates it beyond a simple porn comic. I think the very fact that Celluloid makes you wonder about sex in many of its iterations is impressive. As you can see, both Kelly and I had our issues with it, but it’s a gorgeous comic nevertheless. It’s definitely something that you don’t see every day!"
• Review: "I have the impression that Lewis Trondheim is the most important European artist of his generation. Such is the creativity and productivity and so the breadth of his work that, for me at least, wins the title deservedly. Approximate Continuum Comics... is the first part of Trondheim's autobiographical adventures.... The brilliant humour of Trondheim, his sharp-tongued reason, the way with which it shows the mix of imagination with reality. Equally impressive is the effortless way in which the most espressive artwork works serving the story." – Aristides Kotsis, Comicdom (translated from Greek)
• Review: "Bell does the best job of any attempt I've ever seen to bring together everything we know about Ditko's life and work. The result [Strange and Stranger: The World of Steve Ditko] is fascinating, frustrating and eventually presents a sad portrait of an immense talent that withdrew from the world and denied it of his work and himself of the audience, acclaim and success that was easily within his grasp." – Tom McLean, Bags and Boards
• Preview: At Flavorwire, Emily Temple shares some glimpses of the cartoons to be included in Flannery O'Connor: The Cartoons, saying "Her style is distinctive — the charmingly brusque drawings are cut from linoleum and then essentially stamped when she applied ink to the ridges, and while the content is largely related to her experience as a student, you can still feel the slightly skewed, individualistic perspective that appears in O’Connor’s short stories.... Lovers of her work will doubtless find joy and meaning in her cartoons, and other people will probably like them too."
• Preview: Jamie Frevele of The Mary Sue picks up on the preview of Flannery O'Connor: The Cartoons, saying "...while not as demented as some of her writing, the dark humor is still there, even in the short span of a single panel."
• Plug: "Flannery O'Connor: The Cartoons is the first compilation of her graphic work in pen-and-ink and linoleum cuts. Before her writing career the young student aspired to be a cartoonist, and she developed a visually bold and eye-catching style. The results are witty and acid comments on campus life and American culture that show O'Connor developing her own acerbic point-of-view." – M. Bromberg, BellemeadeBooks
• Interview (Audio): Kevin Avery, author/editor of Everything Is an Afterthought: The Life and Writings of Paul Nelson, is a guest on the Rockcritics Podcast. Host Scott Woods says "I’ve mentioned a few times here already Kevin Avery’s wonderful book, Everything is an Afterthought: The Life and Writings of Paul Nelson. Half a personal biography of Nelson, half a compilation of select Nelson reviews and essays, it’s one of the finest books I’ve ever read about a writer — and, needless to say, about rock criticism."
• Profile: "[Basil] Wolverton was one of the pioneers who made today’s highbrow comics scene what it is; his twisted abstract portraiture, all sweatbeads and pleading eyes, floated like a buoy in a sea of banal comic art, influencing kindred spirits like Robert Williams and Big Daddy Roth. Though best known for his nightmare caricatures in the vein of Lena Hyena, his sf and horror work — jewels like the 'Brain Bats of Venus' — is equally disturbing (or invigorating). God knows what brain bat attached itself to Wolverton’s fertile grey matter, but it certainly wasn’t of this atmosphere." – Joe Alterio, HighLobrow
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