The 2013 Harvey Award Nominations list more than a few Fantagraphics' titles! Here's a peak at their covers and click on any to find out more information if for some reason they aren't already on your bookshelves!
Final ballots are due to the Harvey Awards by Monday, August 19, 2013. Full submission instructions can be found on the final ballot. Voting is open to anyone professionally involved in a creative capacity within the comics field. Final ballots are available at www.harveyawards.org. Those who prefer paper ballots may e-mail
• San Francisco, CA: The California College of the Arts concludes their summer "Comics in the City" series with special guest Dash Shaw! Dash's discussions on his work and his latest book, New School, are not to be missed. (more info)
• Los Angeles, CA:Johnny Ryan's solo art show, Johnny Ryan's Chicks With Dicks, opens at Мишка! Johnny will also be debuting two exclusive new t-shirt designs, available only at this art show. (more info)
In conjunction with the exhibit Modern Cartoonist: The Art of Daniel Clowes, the Museum of Contemporary Art Chicago is hosting the all-day event Saturday Strip on Saturday, July 27th, showcasing all that is amazing in the world of independent comics, cartoons, and animation in their town!
Paul Hornschemeier will discuss the Chicago comics scene, and Lilli Carré will give tips on how to make your own mini-comics and animated films, alongside many other awesomely talented artists during panels and workshops.
You can also buy rare books and original artwork at a pop-up comic fair co-presented by the MCA Store and Chicago’s renowned Quimby’s Bookstore; enjoy screenings of animated short films programmed by the Eyeworks Festival of Experimental Animation; and take part in a large-scale, collaborative comic jam with local comic collective Trubble Club.
Phew! And all this awesome comics madness is FREE with museum admission, and you know you were gonna go see that Daniel Clowes exhibit for the second time anyway.
The Museum of Contemporary Art Chicago is located at 220 E Chicago Avenue, just one block east of Michigan Avenue, in the heart of the Magnificent Mile in downtown Chicago.
Join us this weekend at CAKE at Center on Halsted in Chicago from Saturday, June 15 through Sunday, June 16th! Table 13-14 is the place to be. We're pumped to announce our special guests, Kim Deitch, Ben Catmull, Charles Forsman, Leslie Stein, Josh Simmons, Tom Kaczynski, Lilli Carré, and Noah Van Sciver! Check out our lush signing schedule:
Our artists will be partaking in programming throughout the weekend, so check out their panels! - See more at: http://www.fantagraphics.com/index.php?option=com_myblog&show=Fantagraphics-at-Stumptown-Comics-Fest-2013-in-Portland.html&Itemid=113#sthash.R89fGTf6.dpuf
We have some lip-bustin' new books to debut at CAKE.
Our cartoonists will be partaking in programming throughout the weekend, so check out their panels!
On Friday, June 14th Kim Deitch has a signing from 6pm-8pm at Chicago Comics. (3244 N Clark)
Saturday, June 15th
Noon-1:00pm // Chris Ware: Special Guest Chris Ware is the author of Jimmy Corrigan - the Smartest Kid on Earth, which received the Guardian First Book Award and was included in the 2002 Whitney Biennial of American Art. His most recent book, Building Stories, was voted a 2012 Top Ten Book of the Year by the New York Times, Time Magazine and Publishers Weekly. Jake Austen, editor of the vital and influential Chicago cultural magazine Roctober, will host Mr. Ware in conversation, speaking on Ware's career and his connection to Chicago and its living comics history.
3:00 - 4:30pm // Eyeworks: Parallel Lines: The Eyeworks Festival of Experimental Animation is a film festival with a focus on abstract animation and unconventional character animation. The festival programs showcase outstanding experimental animation of all sorts: classic films, new works, and rare masterpieces. Founded in 2010 byAlexander Stewart (Library Book, Sideral) and Lilli Carré (Heads or Tails, The Lagoon), Eyeworks is held annually in Chicago, with additional curated programs presented in Chicago and other cities throughout the year. The Eyeworks program showing at CAKE this year, Parallel Lines, features animated work that highlights an overlap between alternative comics and experimental animation. The screening will include both classic and contemporary works on this theme, showcasing narrative and graphic parallels between the two forms. Immediately following the screening there will be a Q&A, with presented animators Kim Deitch, Kevin Eskew, and Leif Goldberg.
Sunday, June 16th
12:30 - 1:30pm // Mega-Solutions to Micro-Publishing: Oily Comics: In the current expansion of the micro-publishing field, Special Guests Oily Comics is a premiere imprint. Operated by Chuck Forsman (The End of the Fucking World, Snake Oil) and Melissa Mendes (Lou, Freddy), Oily Comics features some of the best talent in alternative comics. Joining them on stage will be fellow Special Guest Michael DeForge (Adventure Time, Elizabeth of Canada, Lose), and German cartoonist, Anna Haifisch (The Buddies, Future Tense). CAKE co-organizer Max Morris will moderate this exciting discussion.
2:00 - 3:00pm // Kim Deitch: Special Guest Kim Deitch came from a legacy in the animation field and continues to form a legacy of his own. From the hey-day of the undergrounds, through the breakthrough of Raw, Kim Deitch remains a seminal force in alternative comics. Deitch will be speaking about his new book, The Amazing, Enlightening and Absolutely True Adventures of Katherine Whaley, out this year from Fantagraphics. He will be joined by Caitlin McGurk (Good Morning You), librarian at the Billy Ireland Cartoon Library and Museum.
3:30 - 4:30pm // Intimate Anxiety: Beyond the shock tactics of portraying "inappropriate" subject matter in comics, we find the medium is exquisitely suited for grappling with explicit content, unchained from the trappings of taboo. Intimate Anxiety focuses on three artists' ferocious visions of sex and death, made all the more visceral through gorgeous and painstaking details. Special Guest Phoebe Gloeckner sets the standard for work that probes these realms. From her experimental memoir, Diary of a Teenage Girl, to her iconic illustrations for RE/Search to her current work dealing with the ongoing femicide in Cuidad, Juárez, Gloeckner continues to confront difficult realities with groundbreaking graphic integrity. Julia Gfrörer's art vibrates off of the page while crafting oblique erotic worlds laced with terror. Through sparse text and a perfect sense of visual timing, Gfrörer's comics, such as Too Dark to See, Flesh and Bone and Black Is the Color bring language to the unspeakable. Joining them will be Special Guest Heather Benjamin, whose obsessively rendered drawings aim straight for the jugular vein. Author of the cult art zine Sad Sex and contributor to the prolific output of Collective Stench, Benjamin's art delves headfirst into complicated scenarios that are emotionally fraught and sexually feral. Moderated by Caroline Paquita, author of Womanimalistic and founder of Pegacorn Press, Intimate Anxiety is a conversation about the power and truth that lies within impropriety.
So come visit Jacq and all our cartoonists at tables 13-14 this weekend at CAKE! 3656 N Halsted, Chicago, IL 60613
12:15 – 1:15pm // Spotlight: Ulli Lust A talented Austrian cartoonist who makes her home in Berlin, Germany, Ulli Lust is well known across Europe for her cartooning. Her debut full-length graphic novel Today Is the Last Day of the Rest of Your Lifewon huge acclaim in 2011, including taking the prestigious Angouleme “Revelation” prize. Now this important work of memoir and reportage has made its way to English audiences, and Ulli Lust and Verlag Der Tagesspiegel journalist Lars von Torne as they explore this important and highly-anticipated TCAF debut. (Reference Library)
12:15 – 1:15pm // Spotlight: Gilbert Hernandez’s Marble Season Gilbert Hernandez is the co-creator of the acclaimed series Love & Rockets, which just celebrated its 30th anniversary. Gilbert is attending TCAF in support of his highly-anticipated, semiautobiographical new graphic novel, Marble Season. Marble Season tells the untold stories from the American comics legends’ youth, but also portrays the reality of life in a large family in suburban 1960s California. Pop-culture references—TV shows, comic books, and music—saturate this evocative story of a young family navigating cultural and neighborhood norms set against the golden age of the American dream and the silver age of comics. Gilbert will present from this new work, and participate in a moderated Q&A. (Forest Hill Ballroom)
1:30 – 2:30pm // Moebius, Past and Future Jean Giraud, also known as Moebius, was a legend in the comics industry – his lush, whimsical art and creative storytelling inspired a generation of cartoonists around the world to take the comics medium to new directions and new heights. Four cartoonists discuss Moebius’ life, work, and his role in inspiring the industry today – as well as their own books. With Frederik Peeters, Paul Pope, David B., Glyn Dillon. Moderated by Xavier Guilbert. (Forest Hill Ballroom)
2:45 – 3:45pm // Writing Life These four cartoonists tell the most personal kind of stories – stories from their own lives. This program explores what’s involved in memoir. How accurately can memory and representative artwork depict real life? And are there kinds of stories that cannot be told? Featuring Raina Telgemeier (Smile, Drama), Derf (My Friend Dahmer), Ulli Lust (Today Is the Last Day of the Rest of Your Life), and Lucy Knisley (Relish). Moderated by Robin Brenner. (Pilot Tavern)
4:00 – 5:00pm // Spotlight: Michael Kupperman Acclaimed American comics artist and humourist Michael Kupperman (Tales Designed to Thrizzle) discusses his life, work, and upcoming projects in this special TCAF Spotlight program. Perhaps certain special guests will drop by? (Pilot Tavern)
Sunday, May 12th
12:15 – 1:15pm // What’s Funny in the Funnies? Comics & Humour What makes a comic funny? We couldn’t tell you exactly, but what we do know is that these five panelists have made some damn funny comics, so they’ve likely got some insight. We’ll refund show admission if they don’t. Featuring Bill Amend (Foxtrot), Ivan Brunetti (HAW!), Danielle Corsetto (Girls with Slingshots), Lisa Hanawalt (My Dirty Dumb Eyes), and Michael Kupperman (Tales Designed to Thrizzle). (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
12:15 – 1:15pm // Queer Comics 2013 You don’t have to be queer to make or read queer comics. Social, civil, and sexual issues, serious or satirical, make queer comics works that deal with the joys and problems of life that affect all of us. The creators on this panel make books that transcend gender identities to appeal to everyone. Featuring Justin Hall, Erika Moen, Gilbert Hernandez, Jaime Hernandez, Chip Kidd, and moderator Zan Christiensen (Northwest Press). (Pilot Tavern)
2:45 – 3:45pm // Spotlight: Dash Shaw Acclaimed cartoonist and animator Dash Shaw discusses his new and upcoming graphic novels, New School and 3 New Stories, in this multimedia presentation. (Reference Library)
2:45 – 3:45pm // Spotlight: David B. TCAF presents a conversation with acclaimed French cartoonist David B. (Best of Enemies) on his life, work, and the French comics industry. Moderated by Sean Rogers. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
4:00 – 5:00pm // Spotlight: Ivan Brunetti Renowned cartoonist Ivan Brunetti (HAW!) is also Assistant Professor in the Art and Design Department of Columbia College Chicago, teaching courses on drawing, design, illustration, cartooning, and graphic novels. On this special TCAF Spotlight panel, Brunetti will talk about his own cartooning career, and the importance of comics in education, as outlined in his new book Aesthetics from Yale University Press. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
4:00 – 5:00pm // Live Drawing… 2! Four creators enter, one creator leaves! Come watch four artists draw for their lives – and for your entertainment. Winners will feast on the souls of the losers (vegetarian option available). Featuring Phil McAndrew, Lucy Knisley, Jim Rugg, and Scott C.! (Pilot Tavern)
So, stop by Tables 142 & 143 and give all your money to our PR/Marketing duo of Jacq & Jen! We're on the first floor by the stairs, so you can't escape us.
The Toronto Reference Library is located at 789 Yonge Street. The closest major intersection is Yonge & Bloor. The closest subway station is Yonge/Bloor Station. See you at TCAF!
We love all of our books but are especially happy for the creators of the Eisner-nominated books. You can vote until June 12 online. If you haven't read all of them, check 'em out individually or via our list!
Still no sure which to read? Heidi MacDonald, Cal Reid and company discuss the nominations on the Publishers Weekly podcast. Meanwhile, Chris Sims, Matt D. Wilson and more of War Rocket Ajax discuss the nominations, although I'm not sure how long the podcast will be up at this link.
Some of the nominations gather in our mail room. See you in JULY!
The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
The annual Stumptown Comics Awards nominees have been announced. Here on out, it's a down-and-dirty voting contest so we have a few recommendation on who you should vote for (Spoiler: our books) and the fact you should ask your mom and her intense network of friends.
Noah Van Sciver is up for Best Cartoonist for The Hypo. His emotionally charged drawing style added depth and charimsa to the beleaguered story of Abraham Lincoln long before he was a president.
Lilli Carré is up for two awards for Best Colorist and Publication Design for Heads or Tails. Carré recently was a Lynd Ward Prize honoree for 2013 for the same book. Filled to the brim with sweet, whimsical short stories that leave you shivering, this one-woman book of tales delivers for either side of the coin.
It was announced last week by Penn State University Libraries and the Pennsylvania Center for the Book that Chris Ware won the Lynd Ward Prize for Best Graphic Novel 2013, Lilli Carré with Heads or Tails was one of the two Honorable Mentions (along with Theo Ellsworth's The Understanding Monster)
"Each story is exquisitely crafted, demonstrating both a compelling literary style and a rich, engaging design sense that can seem deceptively naïve or childlike on first glance but in context reveals striking sophistication and complexity." You're damn right, it was and is! Lilli Carré's book,Heads or Tails is available in its beautiful simplicity and accumulating complexity at our online store or a bookstore near you.
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