• Guide: At Time's Techland blog, Douglas Wolk tells you "Where to Start with Love and Rockets": "Fantagraphics actually has a guide to navigating the various overlapping reprints of the three Love and Rockets series (and assorted associated projects) to date, since everything's been repackaged and reformatted so many times. That's useful if you want to read everything in chronological order – but I'd actually suggest that you don't."
• Review: "The solid blacks and blocky grotesquerie of The Lagoon strongly recall Charles Burns’ Black Hole, a story in which adulthood is equated with monstrosity. In The Lagoon, too, sexual maturity and horror are linked. But that link is mediated by a third term — a metaphor, a song." – Noah Berlatsky, The Hooded Utilitarian (reprinted from the Chicago Reader)
• Review: "The mind of Tony Millionaire is a funny, wacky and kinda disturbing place, but man do I love it! ... Billy Hazelnuts and the Crazy Bird is an incredible book for all ages. There is nothing else like it being published today and I think that is why it’s so special! In a time when comic fans are counting every penny and scrutinizing every purchase, rest assured this book is worth every penny." – Secret Identity
160-page full-color 9" x 6.75" hardcover • $22.99 ISBN: 978-1-60699-308-8
Joe McCulloch at Comics Comics describes it aptly: "An interesting experiment in Golden Age of Reprints presentational engineering, this new 160-page landscape-format Fantagraphics hardcover collects all of the great Basil Wolverton’s crackpot daily advice strips as seen in the pages of Fawcett’s Whiz Comics, 1945-52, presented in comparison with Wolverton’s original pencil roughs for what looks like every installment." The Comics Reporter's Tom Spurgeon brings the basketball metaphor: "Who doesn't want to read as much Basil Wolverton as they can? He's not in the starting all-time five, but he gets a lot of playing time off the bench." At Comics Alliance Douglas Wolk declaims "Goofiness, history and process!"
128-page color/b&w 7" x 9" softcover • $14.99 ISBN: 978-1-60699-303-3
Joe McCulloch at Comics Comics opines "The centerpiece of this Spring 2010 edition of the Fantagraphics house anthology is, without question, the return of Dave Cooper to comics" and of the other contributors says "That really is a nice lineup"; Tom Spurgeon of The Comics Reporter agrees that it "offers a super-strong line-up of creators." We can't disagree — you can see the full table of contents and samples from each contributor as part of our PDF excerpt.
So head on down to your local comic shop, but not before checking out the bountiful information and sneak peeks at the links above, and it's always a good idea to confirm availability beforehand.
• Dan Clowes fans & Strand Bookstore tote bag collectors alike are sure to be thrilled with the Strand's latest tote release; those in the overlap area of the Venn diagram may explode from excitement. It's pretty damn cute! Peggy's got a close-up of the art.
• List: Adam McGovern of ComicCritique.Com declares Miss Lasko-Gross to be Writer/Artist of the Year ("Vividly imaginative in tricky layouts, intricate patterns and hallucinatory neverlands yet starkly perceptive of everyday details and personality, immune to art-star mythology while stockpiling stuff of legend, Lasko-Gross is capable of anything — but can’t help doing right") and her A Mess of Everything the #3 Graphic Novel of the Year ("Lasko-Gross creates the least wholesome and most healthy youth memoirs you’re likely to read. Tales of adolescent insight, creativity, trauma and folly for those who like to learn their lessons with minds of their own"); Gilbert Shelton's "Last Gig in Shnagrlig" from Mome Vols. 13-15 to be Strip of the Year ("With a style that seems strung from spider-webs, popping veins, worried brow-wrinkles and tangled vines and an eye for absurd posturing, both undiminished by five decades and whatever art-supplies he’s been sniffing, Shelton’s dystopian vaudeville is a vision you can never predict of species-wide misbehavior which remains, alas, just like you remembered it"); and Lilli Carré's "The Carnival" from Mome Vol. 14 to be Short Story of the Year ("A bittersweet, tragicfunny story of the luminous, enchanting worlds just beyond the outskirts of nowhere")
• Review: "I spent most of this week reading the new, paperback edition of Blazing Combat ... [T]he artistry on display is so mind-boggling, particularly in the case of Crandall, Heath and Severin, that it seems churlish of me to not recommend this book simply because of a few overly and obviously ironic twists. The creators clearly had a real love for this kind of material, so much so that [I] wish things had tipped slightly in their favor a bit more, and that the market had made at least a little more room for war comics when as the silver age gave way to the bronze." – Chris Mautner, Robot 6
• Review: "...I love the art, with great layouts, nice thick lines, and coloring that's somehow both rich and muted. Even when I don't like the characters or find their actions believable I still love the way everything looks. And the elliptical structure was a smart choice because it adds at least a little bit of mystery; instead of just reading to see what happens next you keep going to better understand what's already happened. I don't know if the stories were published individually anywhere, but Hallorave is basically the first book of King of the Flies, with two more on the way. I'm interested to see how closely they intersect with each other." – Garrett Martin, Shazhmmm...
• Review: "Based on a crime novel by Jean-Patrick Manchette, West Coast Blues is an existential comic by master cartoonist Jacques Tardi. It's colorless crime as only the French can do it, with despicable characters waxing philosophical on film and high-risk sex even while on the run from clumsy assassins. ... Plenty of crime stories revolve around the bizarre preoccupations of its characters and just as many are centered around the plight of the common man thrust into extraordinary circumstances. But Tardi really brings it home, offering a messed up story about messed up people who do some truly messed up things. While only 80 pages, it's a robust read. ... As compelling as this short yarn is in terms of the writing, the real draw here is Tardi. ... His style is comparable to Herge's, if not quite as clean. His characters are expressive and his architecture's pretty damn impressive. ... Big ups to Fantagraphics and editor/translator Kim Thompson for assembling a really lovely English language edition of this book." – Paul Montgomery, iFanboy
• Commentary: "You would think I'd have more to say about teaching 'Human Diastrophism,' one of my favorite comics in the classroom, but this was my fourth pass at the story and most of the classroom surprises have been played out. The greatest remaining challenge is just the problem of extracting one storyline from Gilbert Hernandez's long-running Palomar setting and fitting it into a single week of class discussion." – Marc Singer, I Am NOT the Beastmaster
• Interview:In this video, Vito Delsante talks to Jaime Hernandez at Jaime's appearance at Jim Hanley's Universe in NYC last Friday, April 9 (via ¡Journalista!)
• Interview: "'Digital vs. paper? That’s a totally bogus debate,' [Peter] Bagge told Wired.com in an e-mail interview. 'There will always be both. Whichever one you want, you got it!'" Well that solves that!
The multiple Harvey and Eisner Award nominee returns for its fifth year. With this issue, the series has now featured over 2000 pages of comics in its four and half years of existence (2109, to be exact), which may be a record for an English-language alternative comics anthology. This issue's cover is by Nate Neal, who delivers "The Neurotic Nexus of Creation," a 15-page explication of the creative process. MOME 18 also includes the first new comic in several years by Dave Cooper, as well as the MOME debuts of Tim Lane, Ivan Brun, Joe Daly, and Jon Adams. Also returning are MOME stalwarts Lilli Carré, Ben Jones, Frank Santoro, Jon Vermilyea, Nicolas Mahler, Ted Stearn, Renée French, Conor O'Keefe, Derek Van Gieson, and T. Edward Bak.
Download an EXCLUSIVE 15-page PDF excerpt (5.9 MB) with a page from every artist in the issue.