Oh no, I had this Online Commentary & Diversions update all set to go and then I forgot to post it... Earth to Mike!
• List: At Bully Says: Comics Oughta Be Fun!, our favorite little stuffed bull continues the annual Fun Fifty countown. At #36, Strange Suspense: The Steve Ditko Archives Vol. 1: "Ditko expert Blake Bell collects several dozen of Steve's 1950s work from Charlton and other publishers, plus plenty of amazing covers, in a thick, hardy collection with glorious gory and ghoulish Ditko comics from front to back. This thing's a gold mine!"
• Review: "...T. Edward Bak's almost comically named 'Wild Man, Chapter 2 -- A Bavarian Botanist in St. Petersburg, Part One'... is the story to which I kept returning long after the publication entire [Mome Vol. 17] should have been swapped off of my end table for something less worked over. ... I hope there's more." – Tom Spurgeon, The Comics Reporter
• Review: "Next to Scott Pilgrim [Prison Pit: Book 1] felt to me like the western comic that’s got closest to properly understanding the energy of manga, rather than simply aping the surface elements. ... It’s the best art I’ve seen Ryan do in his career, more focused and while it mainly maintains a four-panel-a-page rhythm, when he breaks from that to do a splash page or change the panel rhythm, he does to great effect. If you’re going to do a splash page, it might as well be of a monster made of sperm or a barbed penis." – Brian Smith, Awesome Engine
• Coming Attractions:ICv2 previews our upcoming August release of Buz Sawyer Vol. 1: The War in the Pacific by Roy Crane
• Interview:Inkstuds host Robin McConnell says "I really enjoyed this chat with Zak Sally. If you are not already reading his work, you will want to after listening to this."
• Events: For Comics Comics, Dash Shaw reports from Angoulême: "At festivals like this you find yourself jetlagged in a taxi with José Muñoz and you’re thinking 'holy shit, what do I ask José Muñoz? What do I ask José Muñoz?!' and you end up just bugging him about random things. Try to milk those ten minutes for as much as you can."
A bit late with the Online Commentary & Diversions today due to being a touch under the weather:
• Review: "OK, [Gahan Wilson: Fifty Years of Playboy Cartoons] is very expensive, but Wilson's a lot cheaper than Zoloft. Some people fly their inner freak flags as a sign of liberation. This strange dude isn't sure there's another type of flag out there. In his world, there's always something over the horizon ready to eat you, blow you up or turn you into a homicidal maniac. Sounds a lot like life." – Laurel Maury, San Francisco Chronicle
• Review: "...[An] exemplary republishing of Wilson’s Playboy cartoons... One of the many nice features of the new Fantagraphics book is that it is chronological and dated, so we can see Wilson responding to the changing social and political landscapes. ... As a physical object Gahan Wilson: Fifty Years of Playboy Cartoons cannot be praised highly enough. ...[L]ooking at Wilson’s work at length, eating it up with my eyes, I came to love his work. He is, in fact, a master. ...[F]or all their morbidity and ghoulishness, Wilson’s cartoons affirm the value of cherishing life. As inhuman as his characters often are, Wilson is a deeply humane cartoonist." – Jeet Heer, Comics Comics
• Review: "Published soon after the conflict that it documents, Safe Area Goradze is an intense reading experience and an active call for the condemnation of tribal and international leaders who put politics ahead of humanity." – Suzette Chan, Sequential Tart
• Review: "There’s a remarkably spare and lean quality to the plot and characterization cooked up by Jean-Patrick Manchette’s West Coast Blues. ... It’s a story that’s both grim and strangely detached (or at least restrained), eschewing the sort of cliches that an American might expect from a crime story. ... If the text felt a bit detached, then Jacques Tardi added muscle, bone and fat to it with his delightfully chunky line. ... It’s the first quotidian crime story that I’ve ever read, and Tardi’s commitment to the depiction of the everyday and the way nightmares crashed into daily life are what made this book work so well." – Rob Clough, The Comics Journal (warning: spoilers)
• Feature:Comic Book Resources' Brian Cronin spotlights Michael Kupperman's Tales Designed to Thrizzle as part of "A Year of Cool Comics": "Tales Designed to Thrizzle is one of those books where you might really need to see it to believe it. Michael Kupperman delivers thirty-odd pages of the most delightfully absurd ideas that you can imagine, to the point where I don't know if simply describing the comic would do it justice... I, for one, think it's one of the very best comics currently made."
• Interview:Graphic Novel Reporter's John Hogan has a Q&A about Sublife with John Pham: "I hope to have established a sort of model for the upcoming issues with Volumes 1 and 2. So basically, continuing serializations of either Sycamore St. or Deep Space, accompanied by various, shorter strips where I can experiment and joke around."
• Review: "Imagine then what yesterday — or today's — right wingers would say about The Great Anti-War Cartoons... Sadly... what these cartoons have made us 'see' is how little things have changed 'round the planet, or within our species. ... And while being the spark for various brilliant cartoons over the decades doesn't justify the institutional addiction to war (or its always-looming threat), these cartoons can at least provide some solace. Or good fallout shelter reading." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "Jaime Hernandez’s side of the Love and Rockets anthology may have started in a world of futuristic fantasy, but [The Girl from H.O.P.P.E.R.S.] is the volume where he finds his feet and hits a groove. ... Jaime’s illustration is beautiful and effortless. His characters mix a near perfect clear-line style with cartoonish expression, used with particular aplomb when emotions are running high. It’s a masterclass in comic illustration." – Grovel
• Plug:Library Journal features May 2010's Artichoke Tales by Megan Kelso in their inaugural Graphic Novels Prepub Alert: "A coming-of-age story about a young girl from a family caught between sides in a civil war, set in a world similar to ours but where people have artichoke leaves instead of hair. ... Its delicate, rather impish black-and-white line work comes from the creator of the subtle and poignant Squirrel Mother."
• List: On her Pop Candy blog, USA Today's Whitney Matheson gives The Brinkley Girls the #10 spot on her Top 10 comics/graphic novels of 2009, saying "this beautiful book introduced me to a new heroine: Nell Brinkley, an early 20th century newspaper cartoonist. Her drawings of flappers and glamour gals are sexy, strong and ahead of their time. I can't believe I hadn't seen her work before, but I'm so thrilled to know it now." Matheson also lavishes praise on Lilli Carré, who "continued making must-see work" and lands at #69 on Matheson's Top 100 People list, and whose book from Little Otsu lands at the #2 spot on the comics Top 10.
• Review: "The Wolverton Bible... is -- no pun intended -- a revelation. Though his serious work is a bit stiffer and more restrained than the Wolverton art you might be used to, it's more powerful. ... What sets [the drawings in] The Wolveton Bible apart from Crumb's Genesis... is that they come from a true believer. ...Wolverton's drawings have an intensity and sincerity that reveal something connecting him to those stories in a way Crumb just can't duplicate." – Will Pfeifer, "Books of the Year"
• Review: "...[Supermen! is] magical, memorable [and] just plain wonky... The stories range from action-packed to barely-sensible, but they all have a crazed energy you just can't fake. ... They read like the sort of stories imaginative kids would think up -- which might be why they appealed so much to kids in the first place." – Will Pfeifer, "Books of the Year"
• Review:The Hooded Utilitarian's critical roundtable on Ghost World continues with Richard Cook: "The most appealing aspect of Ghost World was the main characters, Enid and Rebecca. And much of their appeal is due to how effectively Daniel Clowes panders to a specific demographic that I belong to: geeks."
• Plug:The Beat's Heidi MacDonald, picking up on Tony Millionaire's Billy Hazelnuts and the Crazy Birdsneak peek, comments "In all the talk about comics for kids recently, we’re probably very bad for not mentioning Millionaire’s non-child-averse work more prominently. His work is not for the faint-hearted, but children generally prefer tales that are not faint-hearted." Right on.
• Plug: "Portable Grindhouse: The Lost Art of the VHS Box... is a fetishized art object/coffee table-style compendium of great VHS jackets, ranging from the campy to the sleazy to the so-bad-it's-good. Highly recommended as a gift idea for the B-movie lover on your holiday shopping list." – Audrey Hendrickson, The SunBreak
• Interview:Walrus Comix, who say "Not only is [The Pain — When Will It End?] the funniest comic strip ever, but, well, that’s it: it’s the funniest comic strip ever," talk to the strip's creator, Tim Kreider, who says, among many things, "I don’t know why you’d want to be a cartoonist if you didn’t enjoy drawing funny, cool things. If I had to draw an entire graphic novel of people sitting around talking I think I’d hang myself." (Via Journalista)
• Things to buy: Folks in Portland this weekend can purchase handmade arts-n-crafts from Andrice Arp and a bunch of other Portland artists at the Creative Creatures Bazaar at Cosmic Monkey Comics, reports Andrice on her blog
• List:Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."
• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama
• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters
• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal
• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."
"The blandly didactic sobriety of old educational comics and earnest advertisements... is Michael Kupperman’s default tone for the deranged, gaspingly funny work collected in Tales Designed to Thrizzle: Volume One. Kupperman has a stiff, deadpan drawing style that suggests the textures of woodcuts, clip-art and old 'Mary Worth' strips; his writing, on the other hand, jumps the rails at every opportunity."
"The artists assembled by Andrei Molotiu for his anthology Abstract Comics push 'cartooning' to its limits: the selections have few if any words, no characters or plot, and very few clearly identifiable representations — just abstract images in sequence. ... It’s a fascinating book to stare at, and as with other kinds of abstract art, half the fun is observing your own reactions..."
Online Commentary & Diversions, first of the week, last of the month:
• Coming Attractions: Chris Mautner of Robot 6 got his hands on our Spring/Summer 2010 catalog and runs it all down for you
• Review: "Of all the comics published in 2009, none has deserved more acclaim... than You Are There. ... Tardi's art, which combines the liveliness and simplicity of the best cartooning with a well-observed realism is perfect for this kind of surreal tale. ... His work deserves to be read and will endlessly reward readers who seek it out." – Robert Boyd
• Review: "[Like a Dog] is a gloriously rough-hewn and hands-on collection from a compulsive cartoonist and storyteller packaged with the flair and imagination that has become a trademark of the world’s leading publisher of fascinating comics. ...Sally’s dedication to innovation, exploration and imagination will astound and entrance anyone who knows capital A Art when they see it." – Win Wiacek, Now Read This!
• Review: "[Strange Suspense: The Steve Ditko Archives Vol. 1] is a cracking collection in its own right but as an examination of one of the art-form’s greatest stylists it is also an invaluable insight into the very nature of comics. This is a book true fans would happily kill or die for." – Win Wiacek, Now Read This!
• Review: "Columbia's book [Pim & Francie] is positively festooned with frightening moments and tableaux... Any single upsetting image is a rosette on a much more ambitious and awesome-to-behold cake. Al Columbia has progressed to the point where he can haunt my nightmares for three days as an aside." – Tom Spurgeon, The Comics Reporter
• Review: "...The Complete Iron Devil is a humorous adult fantasy book with great art. However, it wouldn't be nearly as good if it weren't for the excellent Devil's Angel story, which points out the craziness of 'morality police.'" – Bernard C. Cormier, [here] (CanadaEast)
• Plug: Polish blog kg looks forward to our next two CompleteCrumb reprints (perfectly broken English courtesy Google): "And you need to know that to find and collect all the works of Crumb is as hard as winning for best player of the world, being Polish football player."
• Plug: "It’s like a bomb went off in the subconscious of Max Fleischer and Columbia was around to collect the pieces years later when they fell to earth. In this time of safe substitution power fantasies, Columbia’s work is truly provocative stuff. Funny, dark, and impeccably executed." – The Synesthetic Fugue Incident
• List: Graphic Novel Reporter begins their Best of 2009 survey of educators and comics pros; so far A Mess of Everything by Miss Lasko-Gross ("Lasko-Gross’ words and pictures felt incredibly authentic") and Luba by Gilbert Hernandez have been named
• Review: "Rolling in like a slow, fuzzed-out guitar line from an Orange-brand amp, The Red Monkey Double Happiness Booklives up to the good vibes promised in its title. ... Having recently finished Thomas Pynchon's Inherent Vice and Jonathan Lethem's Chronic City, I couldn't help but consider The Red Monkey Double Happiness Book as a distant third-cousin to those titles. ...The Red Monkey Double Happiness Book is a weekend read, best consumed with your feet propped up, opposable digits or not." – Alex Carr, Omnivoracious (Amazon.com)
• Review: "Paul Hornschemeier excels at a sort of cryptic-cute comic that is better read than described. It's a blend of darkness and sharply delineated perfectionism that, whether he likes it or not, sometimes brings to mind his Chicago contemporary Chris Ware What he knows, though, is that he can go places Ware can't — Hornschemeier's style is every style. ... His diversity of styles is most apparent in All and Sundry: Uncollected Work 2004-2009... It's just a stew of stuff that, like the best sketchbooks, offers an intimate invitation to spy on the ramblings of a formidable creative." – Byron Kerman, PLAYBACK:stl
• Review: "For being a company that puts out the reprints of one of the safest comics of all time, Peanuts, Fantagraphics sure lives on the edge of the comics medium, particularly in the realm of anthologies. Blab! is just such an anthology, featuring a variety of visual quirks that hover closer to straight up art pieces than comics work, but still do not seem out of place with the more narrative pieces that slide between the pictorial pages. ...[T]here's probably someone for everyone in Blab!, if you take the time to look." – Panel Patter
• Review: "Richard Sala’s reinvention of Snow White is a sparkling macabre gem. The 2-color art glows in handsome sepia that is pitch perfect for this delightfully demented tale of a strange land. Sala populates Delphine with cast of horror carnival rejects that is diverse enough to both excite and confound the imagination. This issue [#3]’s creepy locales: dark tunnels, a creepy house, and a gloomy castle are the true stars of this chapter. They make this scary tale an absolute winner. ...[Grade] A" – Leroy Douresseaux, Comic Book Bin
• Reviewer: A new book review from Laura Warholic author Alexander Theroux for The Wall Street Journal, this time of an interesting-sounding collection of "literary invective" called Poison Pens
• Plug: "I grew up in the video age and I’m still in awe of the technology that first allowed me to watch thousands of movies in the privacy of my own home. Call me sentimental and nostalgic, but when I first got wind of Jacques Boyreau’s upcoming book Portable Grindhouse: The Lost Art of the VHS Box it made me giddy with excitement." – Kimberly Lindbergs, Cinebeats