This issue features several of our favorite alternative comic artists of the last 15 years, bringing us great joy. Archer Prewitt is the first, with an all-new “Funny Bunny” strip created in between his active musical career. “The Moolah Tree” is the new Fuzz & Pluck graphic novel from Ted Stearn, following Fuzz & Pluck and Fuzz & Pluck: Splitsville, beginning serialization here. We are equally proud to debut new work from Renée French, whose work is also featured on the front and back cover of this issue. And Nicholas Mahler debuts to ask "What Is Art?" (translated by secret weapon Kim Thompson).
Also: the second chapter of T. Edward Bak's "Wild Man - The Strange Journey - and Fantastic Accounts - of the Naturalist Georg Wilhelm Steller, from Bavaria to Bolshaya Zemlya (and Beyond)"; a new "Cold Heat" story by the team of Ben Jones, Frank Santoro & Jon Vermilyea; Dash Shaw interprets an episode of "Blind Date" into comics form; and new stories from Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, and Sara Edward-Corbett, with incidental drawings by Kaela Graham.
Hey you guys, it's Online Commentary & Diversions:
• Lists: Comic Book Galaxy's "Comics 666" group list-making roundup of top 6 graphic novels, collections or comics of 2009 includes several Fantagraphics selections from contributors Rocco Nigro and Geoff Grogan
• Review: "It's nice to see some Tardi, and it's especially nice to see the kind of Tardi present in West Coast Blues: nasty but just, chaotically controlled, hopeful yet hopeless. This graphic novel is a turbo-charged pace car for the likes of Vertigo Noir (which I like, as you'll recall), telling the boys to keep up if they can.... [Is] West Coast Blues an existential crime graphic novel? Maybe, but it's a very good one." – Timothy Callahan, Comic Book Resources
• Preview: Our Art Director Jacob Covey's design for Portable Grindhouse: The Lost Art of the VHS Box is a featured portfolio at design:related
• Review: "...[T]he velvety ease of the narrative and the facile blend of sexual, familial and natural intimacies on display suggest one of those steps forward with which the comics medium has been blessed over and over again this past decade. One falls through The Squirrel Machine as much as reads it, and the collection of feelings it imparts is as much due to the clarity of its narrative as it is the horror show that occasionally surges toward the reader from some deep place in Rickheit's mind, righteous and angry and wet." - Tom Spurgeon, The Comics Reporter
• Review: "Throughout all 179 pages of The Squirrel Machine [Hans] Rickheit tells a rich, fluid tale, all the while approaching, but not quite revealing any implicit meaning the story itself might have. The result, a daring, surreal, often grotesque work, is more visceral than it is cognitive." - Paul DeBenedetto, Wednesday's Child
• Review: "Though far from savage, at its heart, [Tales Designed to] Thrizzle has some rather pointed things to say about the crap we consume on a daily basis. Plus, it's really, really, really funny.... [The Red Monkey Double Happiness Book] is basically Herge by way of the Big Lebowski with a little bit of Repo Man thrown in for good measure.... very funny..." - Chris Mautner, Robot 6
• Plugs: The gang at Robot 6 (really just Chris Mautner) looks at some of the titles coming out in our New Comics Day bonanza today (along with the week's other notable releases)
• List: An old link that just popped up in my search feed: ComicCritique.com's Adam McGovern gives out some best-of-2008 awards, with The Lagoon by Lilli Carré tied for Graphic Novel of the Year ("Carré’s artisanal eccentricity carves intricate patterns and masklike faces into pages that stand like the folk-art furnishings of vanished but vivid earlier societies") and Carré tied with Grant Morrison for the M.C. Escher Prize for Non-Sequential Art ("Morrison and Carré are two creators at the cutting edge of both storytelling craft and conversational physics who make us uncommonly aware of the presence of time.")
• Review: "Love and Rockets: New Stories #2. The Hernandez Brothers have been producing such consistently good comics for such a long time that I often feel they get taken for granted. But their recent comics [don't] just maintain their high level of previous achievement, they also have a freshness and liveliness that any young artist would envy." - Jeet Heer, Robot 6
• Review: "More than anything, [Peter] Bagge's work does what it always does with perfection, which is capture people doing exactly what people really do, and how they often think when they think that nobody else thinks that they are thinking it (sorry). His art is constantly moving, perpetually fluid, and instantly recognizable to a 21st century American culture raised on Tex Avery and Bob Clampett cartoons. Whether you agree with his politics or not, Everybody Is Stupid [Except for Me] is thought-provoking and, most importantly, hilarious." - Monster on a Rope
• Interview: The Daily Cross Hatch posts the second of three parts of Brian Heater's interview with Jordan Crane: "The art—those are the tools I use to transfer the story. Pictures, words—those are the conveyance of the story. The important thing is the story, so once I get my tools there, I convey the story in a way I want to."
• Profile: Amy Stewart visited Ellen Forney in her studio: "There are only certain kinds of comics that interest me: I prefer the true-to-life ones that are well-drawn, have stories I can relate to, and make me laugh, cry, or think. Ellen does all three, in spades."
The proceeds will go to Democracy for America Now, a national advocacy group running television ads to push the Public Option in democratic swing districts and offering support to congressional members who take a stand for the policy.
We received the list of our nominees for this year's Ignatz Awards. It's a good lookin' list, and we're especially proud to have staffer Jason T. Miles nominated for Outstanding Comic! As is traditional, we've put all of our nominated titles on sale -- 15% off for a limited time! Click here to browse & buy. Recipients of the brick will be announced at SPX on September 26. For all the nominees, head to the SPX website for the official announcement.
Tim Hensley, Mome (Fantagraphics), Kramer's Ergot #7 (Buenaventura)
Congratulations to everybody, including T. Edward Bak, nominated for Outstanding New Talent even before his amazing Mome story was eligible, and Dash Shaw, nominated for Outstanding Online Comic for Bodyworld.
• Review: "As slim, smooth, and hard as its attractive, Adam Grano-designed album-style hardcover format, West Coast Blues is as strong a crime comic as you're likely to see this year (or until whenever the next Gipi Wish You Were Here Ignatz book comes out)... Tardi's art [is] a master class in spotted blacks and lines like garrote wire... This sucker's good." - Sean T. Collins
It brings us great joy to welcome four of our favorite comic artists to the Mome fold in this Fall's Volume 16: Renée French (who graces the cover), Nicholas Mahler, Archer Prewitt and Ted Stearn. Of course, our returning artists are also nothing to sneeze at: T. Edward Bak, Dash Shaw, Lilli Carré, Conor O'Keefe, Laura Park, Nate Neal, Sara Edward-Corbett, and the "Cold Heat" crew of Ben Jones, Frank Santoro and Jon Vermilyea. This issue is now available for pre-order in our online shop. Download our free 12-page PDF excerpt for a sample page from each contributing artist. This book is scheduled be in stock and shipping in mid-September, and in stores approximately 4 weeks later (subject to change).
A nice batch of reviews in today's Online Commentary & Diversions:
• Review: "Starstudded. The comics medium merges with pictorial art into a groundbreaking narrative form in a new gorgeous anthology [From Wonderland with Love] with the Danish highlights of the last ten years.… jam-packed with cherry-picked quality material which is guaranteed to find happy readers far beyond the circle who consider themselves comics fans." - Nikolaj M. Lassen, Weekendavisen (translated from Danish)
• Review: "..[T]his brilliant, anarchic collection of errant dips into the cultural gestalt is laugh-out-loud hilarious. Like stuff that's fearless, brilliant and non-linear? Thrizzle is for shizzle." - Richard Pachter, The Miami Herald
• Review: "Fantagraphics continues on its quest to reprint and repackage history’s greatest and most influential comics in glorious, high-quality collections. This first collection of Hal Foster’s Prince Valiant strips has to be seen to be believed – it’s a lovingly crafted, tabloid-sized book with the highest production values. The artwork has been recreated from Foster’s own engraver’s proofs, providing better quality than even the original newspaper run would have got. Prince Valiant is widely regarded as one of the best adventure comics ever created, and there’s two years worth of material here – a real treat for fans of the original or new readers looking for some classic medieval adventure." - Grovel
• Review: "I certainly prefer Norwegian cartoonist Jason to Hemingway. For one thing, Jason doesn't hate women, as far as I can tell. And for another, his new book of short graphic stories, Low Moon, has a bunch of clever touches that made me chuckle out loud." - Noah Berlatsky, comiXology
• Review: "...[E]ven if the very mention of the word 'abstract' makes you poke your fingers in your ears and go 'La la la la,' I’d strongly recommend the book, as it contains a number of strikingly beautiful images and sequences... I found Abstract Comics to be a revealing, thought-provoking and genuinely lovely book that I’ll be sure to be rereading in the months to come." - Chris Mautner, Robot 6
• Review: "MILFs on Mars, by the artist known as Rebecca... is a collection of black and white pin-up drawings of naked (or mostly naked) women posing in spacey science fiction Martian environments... The drawings are well done and almost tame enough to not be called hard core. However, that cannot be said (or written) because some of the poses consist of inquisitive homosexual women physically probing other people. Need I say more?" - Bernard C. Cormier, Brunswick News
• Things to see: Not enough artists exploit the animated GIF as a medium; Lilli Carré has done it twice recently, to wondeful effect