There's no sophomore slump for the Eyeworks Festival of Experimental Animation, co-organized by our own Lilli Carré! Although only in its second year, it's got another impressive line-up of experimental animation of all sorts: classic films, new works, and rare masterpieces, including a piece by another Fantagraphics artist, Nicolas Mahler.
Chicagoans can SEE the Eyeworks Festival for themselves this Saturday, November 5th and Sunday November 6th, at the DePaul University [ CDM Theater, 247 S. State Street, lower level ].
We received the following message from Small Press Expo executive director Warren Bernard, with permission to share it with our readers:
"Yesterday I went up and presented the graphic novels to the Montgomery County Public Library (MCPL) as the final act of the SPX Graphic Novel Gift Program. Attached are 2 photos. The first is the Director of the MCPL, Parker Hamilton holding a copy of one of your Love and Rockets books. The second is a picture of the books we donated as well as the people involved. On the far left is your A Mess of Everything and third from the right is your Love and Rockets."
After a few delays (hence the past date on the poster above, which was gorgeously designed by Marc Bell), CartoonInk! runs this Saturday, September 10th through October 15th at the Betty Rymer Gallery at SAIC. And on Friday, September 9th, there will be an opening reception from 4:30 – 7:00 PM!
Anders reports he'll have a full wall painting there (see pics up on his blog), and Lilli says she'll have some original pages and animation frames on display!
The Betty Rymer Gallery is located at 280 South Columbus Drive, between Jackson Dr & Monroe St. in Chicago.
Special double-sized FINAL issue! After 6 years and over 2500 pages of comics, MOME heads into the sunset with an all-star, jam-packed farewell bonanza. Several past MOME favorites return for the swan song, including Kurt Wolfgang, Tom Kaczynski, Joe Kimball, Eleanor Davis, Anders Nilsen, Tim Hensley, Paul Hornschemeier, Gabrielle Bell, and Zak Sally (those covers!). Meanwhile, several newcomers get in just under the wire: Jesse Moynihan, Malachi Ward, James Romberger, Nick Drnaso, Joseph Lambert, Nick Thorburn, Victor Kerlow, and Ignatz Award-winners Jim Rugg and Chuck Forsman! Recent MOME favorites also return, such as Sergio Ponchione, Steven Weissman, Sara Edward-Corbett, Laura Park, Josh Simmons (plus collaborators The Partridge in the Pear Tree and Wendy Chin), Derek Van Gieson (with collaborator Michael Jada), Tim Lane, Nate Neal, Lilli Carré, T. Edward Bak, Dash Shaw, Ted Stearn and Noah Van Sciver. Over 30 artists in all, including a surprise contributor we don't want to give away!
If I were up on skate lingo I would be spouting the equivalent of "holy crap" here... Penguin has produced a series of limited edition skate decks featuring artwork from their Penguin Classics Deluxe line, including covers by Jason for Kerouac's Dharma Bums, Lilli Carré for Twain's The Adventures of Huckleberry Finn, and Thomas Ott for We Have Always Lived in the Castle by Shirley Jackson. At Lilli's blog you can see a photo of her hoisting hers over her head. There was a Facebook contest where you could win one (which we learned of too late) and USA Today's report on the decks lists some promotional events on college campuses — no word on if/when you'll actually be able to buy these, though.
• Review/Interview:Vice's Nick Gazin looks at The Complete Peanuts 1981-1982 — "I expected that the quality of the Peanuts comics would be waning by now, but I’m still laughing at the jokes and recognizing the personalities of characters I know in the gang.... It’s a beautifully designed, thick, brickish volume with lots of memorable storylines.... All in all it’s a beautiful two years worth of Charles Schulz’s creative output. It’ll make you laugh, it’ll make you think." — and talks to Monte Schulz about his dad's work on the strip — "The early 80s were a strange time for us. In 1981, Dad underwent quadruple bypass surgery after feeling in poor health for most of the previous year. The idea of surgery terrified him, but the medications he’d been taking had left him so debilitated that surgery became the option he was forced to consider. So he had the procedure and survived, and found a wealth of material from the experience, which he poured into his strip." — and his own career as a writer
• Review: "Jaques Tardi has already proven with West Coast Bluesthat he is just the man for the job when it comes to illustrating the particular brand of noir crime Jean-Patrick Manchette so deftly dished out. There’s a palpable feeling of safeness when you open [Like a Sniper Lining Up His Shot] — nothing to do with the subject matter, of course, but with such certifiable masters captaining the ship you’re quite willing to... [trust] that it will lead somewhere totally unexpected, which it does.... Remember that feeling you got in your guts just before the end of Kiss Me Deadly? It feels a bit like that. The first page grabs you roughly by the hair and the book happens in those split seconds before the last page punches your lights out." – Hayley Campbell, The Comics Journal
• Review: "Fantagraphics Books has done an excellent job putting the comic strips of Mickey Mouse in this impressive volume.... Also included in this book is a section on 'The Gottfredson Archives: Essays and Archival Features.' Fans of Mickey Mouse or cartoon strips will enjoy the wonderful stories and illustrations of Floyd Gottfredson created approximately 80 years ago and beautifully presented by the publisher." – Glenn Perrett, Simcoe.com
• Interview: At art:21 Thea Liberty Nichols talks to Lilli Carré: "I frequently switch back and forth between working on comics and animation. Sometimes it’s nice to be able to work with pages, where I can really focus on the details and nuances from one panel to the next, and an overall page composition. After I’ve been working on something like that for a while, it feels very freeing to switch to working on an animation, and draw 12 drawings for every second of film. It becomes much looser in terms of each individual drawing, and is more about the overall feel and movement." (Via The Comics Reporter)