Today's Online Commentary & Diversions from Publishers Weekly, John Porcellino and other sources:
• List:Publishers Weekly Comics Week posts the results of their Fifth Annual Critics Poll, with 5 of our titles placing with 2 votes each (and a bunch of honorable mentions):
"Castle Waiting Volume 2by Linda Medley... The simplest actions — moving into another room, raising a child — are enlivened by being placed in an exceptionally illustrated fantasy environment, full of unusual outcasts who've formed a family. The cast is immensely appealing, both visually and through well-written dialogue. [...] Always a pleasurable read underlined by a genius level of artistic skill." – Johanna Draper Carlson
"A Drunken Dream, Moto Hagio [...] Beautiful, gripping and delightfully weird, reading this book you can see her fingerprints all over shojo manga as we know it. At the same time it works as a solid refutation of the old canard that shojo is nothing but sparkly 14 year-olds with love-angst and magical powers." – Kate Fitzsimons
"High Soft Lisp, Gilbert Hernandez... Rosalba 'Fritz' Martinez is one of the loopier characters from Hernandez's expansive Love and Rockets universe, but her ditzy, oversexed antics are peppered with poignant moments of loneliness and longing. As always, Hernandez sticks a beating heart at the center of his raunchy pulp adventures." – Jason Persse
"Love and Rockets: New Stories #3, The Hernandez Brothers... Los Bros. Hernandez show they are still at the peak of their cartooning form. In 'Browntown' Jaime mines family history, cruelty and the hinted-at pasts of his well known cast for an unforgettable story of innocence lost." – Heidi MacDonald
"Weathercraft, Jim Woodring... Jim Woodring first hit his bullseye so long ago, and has been splitting his own arrow right down the middle so many times, that he's easy to take for granted. Don't. Weathercraft is a magnificent and slightly wicked little book: a whimsical farce about some of the nastiest, darkest metaphysical stuff there is, a banquet for the eyes that starts growing tendrils once it's inside you." – Douglas Wolk
• List: Also at Publishers Weekly, Moto Hagio's A Drunken Dream and Other Stories is selected by Kai-Ming Cha for Critic's Picks: Manga in 2010: "Most of shojo manga today are derivative of Hagio and her contemporaries — and pale in comparison. This collection of stories takes from the oeuvre of Hagio, one of the first in a pioneering generation of manga to be created by women."
• List:John Porcellino's Favorite Comics of 2010 include some of our older books:
"Supermen!: The First Wave of Comic Book Heroes 1939-41 ... What happens when you throw a bunch of sometimes-talented, always-desperate cartoonists in a room and force them to churn out page after page after page of comics at a deviously inhuman rate? [...] Oh my Lord. This sooper-fun and enjoyably bizarre collection of early 'Pre-Code' superhero comics features work by Jack Kirby, Basil Wolverton, Will Eisner, Fletcher Hanks, and Jack Cole, among many more lesser-known artists..."
"Abandoned Cars by Tim Lane... [Lane's] excellent, down and out, Beat-inspired tales of post-war/modern day America are unique to the form, and his grappling with what he calls the 'Great American Mythological Drama' yields some of the most literate, stark, and surreal comics I've ever read. [...] Great book."
"Where Demented Wented: the Art and Comics of Rory Hayes... The comics themselves, though undeniably crude in the early years, have a rock solid EC-inspired prose style, which when combined with the brutal/cute drawings makes for some compelling reading. As time goes on, Hayes' imagery becomes more and more refined, and there are pages in here that are just simply beautiful. A real surprise, and a book that kept me thinking for days afterward."
"Caricature by Dan Clowes... Reading [these stories], I was immediately taken back to the good old glory days of Alternative American Comics. I remember reading stories like 'Immortal, Invisible' and 'Blue Italian Shit' with my jaw hanging open... you could feel the boundaries of comics expanding with each panel. These particular comics remain some of my favorites of all time."
• Review: "The story itself is absolutely insane. [...] There's no real rhyme or reason to the proceedings, and that's a big part of the fun. You don't know what outrageous scenario will greet you at the end of the next page. [...] Millionaire keeps his foot on the gas and writes with the spirit of Chuck Jones and the rest of Termite Terrace lurking in his pen. [...] If you're looking for madcap action, Billy Hazelnuts and the Crazy Bird should be right up your alley. It certainly was for me." – Rob McMonigal, Panel Patter
• Plug: Illustrator Eric Orchard shares his love for the work of Jaime Hernandez: "There's an unbelievable charm to his characters and an intoxicating rhythm to his panels. They are some of the best, most enjoyable comics to come out in the last thirty years."
• Anecdote: At Gapers Block, Ruthie Kott presents a funny story told to her by Paul Hornschemeier: "On two separate occasions I've had people argue with me that I am not me. There is apparently some existential comedian writing the script of my life for moments like these..." (Via Robot 6)
• Survey:The Beat's year-end/looking-forward survey of comics pros (part two) includes input from Megan Kelso and Shaenon Garrity calling our publication of Moto Hagio "the biggest story in comics in 2010"
• Coming Attractions: More reporting & commentary on our Carl Barks news from ICv2, Augie De Blieck Jr. at Comic Book Resources, and Graeme McMillan at Robot 6
Today's Online Commentary & Diversions gets crazy with the Best-Of lists:
• List: At comiXology, Tucker Stone counts down the top 20 Best Comics of 2010:
#19: Wally Gropius by Tim Hensley: "In a more unstable world, Wally Gropius would end up shelved alongside the Harvey/Dell comics it's so visually reminiscent of, working like a diabolical physical delivery device for absurdism: Dick and Jane couldn't ask for better."
#8: Prison Pit Book 2 by Johnny Ryan: "...Ryan's nasty tech-mammal beatdown looked like baby's first cyberpunk Kamandi, and it ably maintained the promise of this comic's initial volume. This, as they should say, is what we all should be getting down with: pure comics."
#5: It Was the War of the Trenches by Jacques Tardi: "Trenches was the angriest comic released this year, and while the specifics of its subject matter may be historical, its philosophy hasn't aged a day. War is a brutal, ugly thing, and while some may excel at depicting its horrors with excited doses of adrenaline, Tardi's tale never allows for a moment of escape. For him, political extermination destroys us all, and there's no reason why the bystander should be permitted to participate merely as casual audience."
#3: Weathercraft by Jim Woodring: "It's a comic that stays behind when it's closed, twisting in memory until you're not sure you caught what it said, a demanding experience that's unusual and unique. There's no other medium that could tell the kinds of stories that Woodring prefers; luckily, he's come back to stay."
#2: Love and Rockets: New Stories #3 by the Hernandez Bros.: "An incomparable installment in their storied career, New Stories 3 saw Gilbert attacking his oldest obsessions with more humor than ever before, while Jaimie shocked a legion of fans with the most refined (and masterful) chapter in his Locas saga to date..."
• List:NPR's Glen Weldon lists "The Most Memorable Comics and Graphic Novels of 2010," including (with links to his past reviews):
Werewolves of Montpelier by Jason: "The deadest of deadpan cartoonists returns with a meditation on relationships, burglary and lycanthropy. In France."
It Was the War of the Trenches by Jacques Tardi: "Tardi constructs a series of vignettes around World War I, inspired by battlefield photographs. Finally available in English, the work is harrowing and ruthlessly affecting."
#36: Weathercraft by Jim Woodring: "It's a twisting, twisted, often bizarre, often disturbing but always gripping tale of one creature's self-redemption and ultimate sacrifice told without words and often as enigmatically as possible. If you had any doubt that Woodring could still deliver after laying low for so long, consider them erased." – Chris Mautner
#29: Special Exits byJoyce Farmer: "This is a magnum opus no one expected to read, a brutally frank depiction of what it's like for full lives you love to end, and it has the most painfully happy ending of the year. It made me cry. Don't do what I almost did and ignore one of the year's most moving comics." – Sean T. Collins
#28: Set to Sea by Drew Weing: "Weing strapped the heart-rending quest of a simple poet onto a book sporting the energy of a Popeye cartoon and the beastly human proportions of an R. Crumb comic. It's a book that manages to read with the lightness of a feather while simultaneously keeping its audience keenly aware of mortality and the fickle nature of fate on the high seas." – Brian Warmoth
#26: Wally Gropius by Tim Hensley: "The first great comic of the Great Recession. Tim Hensley's breakout graphic novel, previously serialized in the Mome anthology, seems like a send-up of silly '60s teen-comedy and kid-millionaire comics on the surface, but beneath lies as odd and accurate a cri de coeur about capitalism and consumerism as I've ever read. It also does things with body language I've never seen in comics, and is funny as hell to boot. There's nothing else out there like it." – Sean T. Collins
• Review: "The Littlest Pirate King is easily one of the best comics of 2010. [...] What sells it — what sells the whole tale, really — is David B’s superb art. These are overwhelmingly colorful pages, with scenes from strange angles in compressed perspective." – Joshua Malbin
• List/Review: "A brutal guts-and-all look at the short life of the average French soldier in the trenches, with gritty artwork that straddles the fence between cartooning and illustration perfectly, It Was the War of the Trenches ranks up there with All Quiet on the Western Front in the ranks of WWI literature." – ranked #3 on The Best Comics of 2010 by Brad Manfully at Memories Fade
• List:Love and Rockets: New Stories #3 tops The Institute of Idle Time's Top 5 Comics of 2010 list: "Thank god for the Hernandez brothers. Anytime I need to convert someone to the medium, I pull out a volume from the longest-running and most successful alternative comic series of all time. [...] These two cartoonists embody everything comics fans love about the medium. They are master storytellers first and foremost, and the language of comics is never more beautiful." – Mike DiGino
• List: Alicia K. of Wordnerdy includes Castle Waiting Vol. 2 by Linda Medley ("...Castle Waiting is a great look at... I don't know, the lighter side of fairy tales? It's very character based...") and Love and Rockets: New Stories #3 ("Jaime Hernandez's stories in this are his best work ever, and since he's one of my top-two all-time-favorite comics dudes, that is saying a lot") on her Best Comics of 2010 list
• Review: "The chief reason to recommend [The Extraordinary Adventures of Adèle Blanc-Sec] is Tardi’s art. ...[H]is photorealistic vistas of early 20th Century Paris are lovely, especially in the pastels and autumnual hues used here, and his cartoonish characters with their bulbous noses and waxed moustaches are a treat. Best yet is the design of Adele, with her period pulled-up hair, slit eyes and only top lip visible, which makes her appear more business-like and asexual, yet somehow more alluring because of the barriers presented." – Christopher Allen, Trouble with Comics
• Review: "Created as a light-hearted and wittily arch tribute to Jack Kirby’s majestic pantheon of cosmic comic deities Young GODS and Friends... slowly builds and spreads into a mythico-graphic Waiting for Godot... On a purely artistic level this collection and extrapolation is a sheer delight; with superb art, splendid writing and all sorts of added extras, but the story-consumer in me can’t help but yearn for what might have been and how much has been lost. Beautiful wry, witty and completely enchanting — and tragically disappointing because of that." – Win Wiacek, Now Read This!
• Interview: In the intro to Alex Dueben's talk with Joyce Farmer about Special Exits at Comic Book Resources, he says of the book "It’s a story told without the fake, heartwarming nonsense that colors so many stories about this topic. The book is both funny and heartbreaking, sometimes on the same page, dealing with the quiet hopeful moments and the nerve-wracking agony that come from a situation that is all too common and spoken of far too little." Joyce goes in depth about the process of the book: "I had wanted to do a big project for a long time. A few months before, I had realized that maybe my parents’ story was a worthwhile project. I was on vacation and I decided to write out the various stories that I remembered. This was three years after they died, so I’d had some time for some stories to die away and other stories to stick in my mind. I had one hundred stories, approximately, and I thought well, this is a book."
• List: "For giving us context, for showing us beautiful stories, and for delving into the work of a woman that changed girls comics forever, A Drunken Dream reaches #2 on my list." – Alexander Hoffman, Manga Widget "Top 10 of 2010"
• Plug: "The Prettiest, Shiniest Thing You Can Buy For That Special Someone Who Likes Pretty, Shiny Things: [...] It makes a fantastic read and an excellent coffee table book for someone who loves manga." – Daniella Orihuela-Gruber, All About Manga
• Plug: "This collection of short stories spanning the career of shoujo pioneer Moto Hagio offers a poignant look into the author’s mind, both as a young artist and an established creator, focusing especially on themes of family and personal identity." – Melinda Beasi, Manga Bookshelf
#87:Prison Pit Book 2 by Johnny Ryan: "Absurd, crude, lewd, funny, entertaining, twelve kinds of wrong, one of the most effed-up books I've ever read. It's burned into my brain and I can't get it out. And I love it." – Chad Nevett
#99:A Drunken Dream and Other Stories by Moto Hagio: "I'd never heard of Moto Hagio until Fantagraphics published this best-of collection of her stories, and it's easy to see why Hagio is one of the queens of shojo manga in Japan. The short story 'Iguana Girl' (about a girl who grows up with her mother treating her like she is an iguana) is strong enough to make you feel like you've gotten your money's worth, but the remaining nine stories are also all excellent to boot." – Greg McElhatton
• List: Dave Ferraro of Comics-and-More ranks Moto Hagio's A Drunken Dream and Other Stories at #6 on his 10 Best Manga of 2010: "Moto Hagio's artwork is stunning. Her storytelling is fluid, her characters expressive, and her drawings in general are beautifully arranged and look effortless. Each and every one of the ten stories in this 'best of' collection of short stories... are enchanting, full of warmth and wonderful characters, and brimming with emotion. [...] A very necessary project, done right."
• Review: "Uptight #4 is an example of that increasingly-rare animal: a satisfying alt-comic book. [...] It speaks to Crane’s versatility that he can pull off a slice-of-life relationship story and a fable in the same comic book." – Rob Clough, The Comics Journal
• Review: "...[J]ust about the sweetest graphic novel imaginable... it's a lovely, positive collection, with fine drawing and characters that are well worth spending some time with. ...[T]his is a story about people and how they live together and support each other. That kind of story is so vanishingly rare in comics that it should be treasured when we do find it — particularly when it's as lovely and engaging as Castle Waiting." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Deitch's mad brew of semi-psychedelic farce and skewed reality takes the actual (and factual) short-lived tenure of an obscure 1950s-era kiddie-show host as source material and extrapolates a fantastical set of circumstances with humans, demons, not-so-funny animals and other characters — including Deitch himself. Reading this book [The Search for Smilin' Ed] is a wild ride; Deitch's prodigious storytelling talents and graphic craftsmanship keep things moving — and compelling." – Richard Pachter, The Miami Herald
• Plugs: At Comics Comics, Jeet Heer singles out The Artist Himself: A Rand Holmes Retrospective and The Search for Smilin' Ed by Kim Deitch as two recent books deserving of more attention from critics and readers, calling the latter book "a delight not just because it gives us one of Deitch’s most deranged meandering tall tales but also because the whole handsome package was designed to highlight the cohesiveness of Deitch’s world-making project, the way his fictional universe and its large cast make up a single unfolding story."
• Opinion: At TIME.com – Techland, Douglas Wolk's "What I'm Grateful For in Comics, 2010" includes "Lots of long-gone creators have been returning to the new-comics trenches, and many of them are as limber and powerful as ever. [...] I... wouldn't have imagined that Joyce Farmer would be doing the best work of her career in 2010, but Special Exits knocked me flat," and "The fact that Jason puts out a book every nine months or so and has a substantical, enthusiastic readership makes me proud of the entire economic structure that makes that possible."
• Coming Attractions: More Douglas Wolk at TIME.com – Techland, this time listing "What We're Looking Forward To in 2011," including Love from the Shadows by Gilbert Hernandez ("the most twisted, perverse book he's ever created, which is saying something. It's lurid, hypersexual, violent, incredibly disturbing, and totally fun") and The Armed Garden and Other Stories by David B. ("gorgeous work, and unlike anything else in contemporary comics")
Today's Online Commentary & Diversions from NPR, Techland–TIME.com, HTMLGIANT, Woot!, and elsewhere:
• List: At Techland–TIME.com, Douglas Wolk names his top 10 Best Graphic Novels of 2010:
#6: Weathercraft: "The first standalone Frank book from Jim Woodring is as gloriously mind-expanding as anything he's drawn. It's a wordless Hieronymous Bosch-via-Chuck Jones parable about cartoon animals in a cruel, psychedelic landscape, in which the wicked Manhog attains enlightenment, then sacrifices it again."
#5: Artichoke Tales: "Megan Kelso's magnum opus is technically a fantasy — her characters live in an imaginary country, riven by a civil war between foragers and canners, and have artichoke leaves instead of hair on their heads. It's also a set of meditations on the way cultures establish their identities through stories, and how both political violence and personal connections can damage or repair those identities."
#3: You'll Never Know, Book 2: Collateral Damage: "The second volume of C. Tyler's trilogy of family stories that crystallized around the revelation of her father's experiences in World War II turns personal tragedy into universal art. Everyone's stories deepen; everything is more complicated and sadder than it seems at first. And Tyler's incredible sense of design and color makes even her quietest images linger."
• List:Comics Alliance also ranks Weathercraft on their Top 10 Best Comics of 2010. Jason Michelitch writes: "Woodring is a cartoonist of frightening power, and Weathercraft is him performing at full strength, a high note sustained for every panel on 100 pages. His work is of a caliber where it's hard to know what to say about it, so struck dumb are you by the immensity of the rendering and storytelling skill on the page. [...] There is no other comic this year that so successfully creates such a viscerally compelling and hermetically individual fictional world, or which displays such a thorough mastery of visual storytelling, provoking complex thoughts and feelings with simple, beautiful strokes. Weathercraft is essential."
• List: Oh mercy, it's The Daily Cross Hatch's epic and essential end-of-year top-five survey The Best Damn Comics of 2010 Chosen by the Artists. Below, in order of appearance, the books chosen, who chose them and how/if they ranked them; click over for any commentary:
Artichoke Tales by Megan Kelso: Ellen Abramowitz (MoCCA Executive Director), #3; Darryl Ayo Brathwaite (Little Garden Comics), unranked;
Weathercraftby Jim Woodring: Brian Heater (The Daily Cross Hatch), #4; Gabby Schulz/Ken Dahl (Monsters), #4
• List: At Four Colours and the Truth, Tim Reinert names Drew Weing's Set to Sea one of his Favourite Comics of 2010: Best Original Graphic Novels: "A unique adventure story that skirts the line between high concept art book and ribald adventure tale quite well. Weing’s patient pacing, and unerring knack for maximizing panel space make him an interesting talent to watch out for."
• List: At The SF Site: Nexus Graphica, Mark London Williams and Rick Klaw each count down their Ten Best Comics of 2010 in tandem, in two parts covering #10-6 and #5-1 (with additional commentary from Mark at Guys Lit Wire):
• List: At Comikaze, Mauricio Matamores names Love and Rockets: New Stories #3 one of Los Mejores Cómics de 2010: "Published by Fantagraphics, this title presented top-notch storytelling by the Hernándezes and perfection with Xaime, specifically." (Translated from Spanish.)
• List: Also at Comikaze, Santiago Fernández names Yo maté a Adolf Hitler (I Killed Adolf Hitler) one of Los Mejores Cómics de 2010: "This [Norwegian] author seems to tell his story of time travel, Nazis and romance as though he were a 10 year old child, proof that this is a fun story even though it really is rather complex, complete with a message that provides sweetness. Great gift for the girlfriend." (Translated from Spanish.)
• Interview (Audio): Mark Herz of Connecticut NPR affilliate WSHU visits with Bill Griffith in his studio to talk all things Zippy
• Interview: Jason Toon of Woot! talks to Zack Carlson & Bryan Connolly about Destroy All Movies!!! The Complete Guide to Punks on Film: "We can't stop even now. It's become a depressing compulsion. We can't enjoy a movie the way you would. Actually, it went beyond watching movies. We got so immersed in what we were doing, when we'd take a break to go get a pizza and see a kid riding by on a skateboard with blue hair, we'd try to pause reality."
• List: "King of the Flies: 1. Hallorave manages to combine dystopia and partying in one particularly morose suburban nabe. Artist Pascal 'Mezzo' Mesenburg’s crisp scenes of druggy costume soirées and bowling-alley liaisons deftly complement writer Michel Pirus’s slyly interlocking tales of depraved jollies in suburbia." – R.C. Baker, Village Voice "2010's Best Comics and Graphic Novels"
• List: Kelly Thompson of Comic Book Resources names Linda Medley one of her Favorite Female Comic Creators of 2010, saying "...Castle Waiting Volume 2 is easily one of the best fiction books I've read this year and that's thanks to years of hard work by Medley carefully crafting these stories and characters and flat out making me fall in love with them. Her illustration work remains truly exceptional."
• Review: "So, the writing and conception are impressive, and Tardi’s art is typically glorious and surreal. [You Are There] looks like a Jean-Pierre Jeunet film, and would be of interest to anyone who grew up with Asterix and Tintin and prefers the atmospheric and character-driven style of adult European albums to the cinematic and genre-driven style of American comic books." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "I was a huge Jason fan before this year, but after this year's excellent Werewolves of Montpellier and now this hardcover collection of the artist's most early works, he has officially become my favorite creator making comics today. [...] Reading through this collected edition, you can actually see Jason developing his trademark style. His anthropomorphic figures wearing apathetic faces are ever present, but as one turns the pages, you see a young artist become an expert storyteller. ...I guarantee if you take a chance on Jason's work, you will never forget it. What I Did is beautifully bound and could be a perfect gift for someone who needs to get in touch with their independent spirit this holiday season." – Mark L. Miller, Ain't It Cool News
#10: A Drunken Dream and Other Stories by Moto Hagio: "Ten spooky, perceptive stories of girls and ghosts in trouble from one of the masters of shojo manga, who has her work translated into English for the first time."
#5: Set to Sea by Drew Weing: "He may look like a big lug, but he’s got dreams of the ocean and the heart of a poet. The hero of Weing’s salty debut sails off to adventure in this pocket-size sea-shanty of a graphic novel."
#1: Wally Gropius by Tim Hensley: "A candy-colored absurdist comedy about a teen so wealthy he barfs $100 bills, this ridiculously enjoyable book reads like Richie Rich on LSD."
• List:NPR's Glen Weldon names Cathy Malkasian's Temperance one of "The Year's Most Transporting Books": "Amnesia also plays a role in Cathy Malkasian's huge, haunting — and hauntingly beautiful — graphic novel Temperance. [...] Malkasian's plot is loose and elliptical, and she pokes at many of the same salty psychological truths that made the Brothers Grimm so grim; lies, guilt and violence buffet her characters about like gale-force winds. You won't know where the story's going, but Malkasian's pages are gorgeous, sweetly melancholic things, and you'll enjoy the trip."
• Review: "...[One of the] Books of the Year... An expansive allegorical fable, ...Temperance speaks to our times with prophetic pointedness. [...] A uniquely imaginative book, Temperance is an example of how a sepia-toned pencil can sing." – Neel Mukherjee, The Times
• List: At Attentiondeficitdisorderly, Sean T. Collins names Prison Pit Book 2 by Johnny Ryan one of his Comics of the Year of the Day, saying "take how you felt during the baseball-bat scene in Casino, then make a book out of it."
• List: British cartoonist Matt Brooker offers up his Best of the Year at the Forbidden Planet International Blog Log, including 2009's You Are There by Jacques Tardi & Jean-Claude Forest: "Alongside Mœbius’ The Airtight Garage of Jerry Cornelius, this is the defining classic of 1970’s Bande Dessinee, but unlike The Airtight Garage you really need to be able to read the dialogue to make it worth owning… this first English translation has been much too long coming, so I was delighted to be able to read You Are There at last. It was originally conceived as a screenplay, and reads like one of those particularly mad Sixties films (like Peter Sellers’ Casino Royale or The Magic Christian) of which I’m so unreasonably fond."
• Review: "The always-superb Jason too has a book out this year: Werewolves of Montpellier. Droll, laconic as always, dry as drought, and hilarious and sympathetic in equal measures... A mad, lovely and bright book." – Neel Mukherjee, The Times
• Review: "While we’re on the subject of Jason, it wouldn’t do to leave out a mention of Almost Silent, a deluxe collection of four of his earlier books... The book is worth searching out for [You Can’t Get There From Here] alone. It’s the longest story in the book and is a retelling of the Frankenstein story as a love triangle without words, set off by a Greek chorus-type duet between two hunchbacks." – Neel Mukherjee, The Times
• Review: "Destroy All Movies is a product of the tireless DIY work ethic: It is one of the most painstaking books ever written on punk rock. As such, it stands in the rarified league of Banned in DC, Fucked Up & Photocopied, and the long out-of-print masterpiece Loud 3D. Carlson and Connolly have managed to make a volume with both intellectual relevance and deep entertainment value. And if you don't have time to actually read through all 1,000 entries, it's still a blast just to look at." – Sam McPheeters, Bookforum
• Plug: On the Matablog, Matador Records co-founder Gerard Cosloy says "If I celebrated Xmas and/or hadn’t already purchased a copy, I’d be asking Satan Santa for the newly published Destroy All Movies!!!..." and calls it an "amazing tome" (link via our own Janice Headley)
• Plug: "This book is out of control. [...] The research that went into [Destroy All Movies!!!] is unfathomable. They even tracked down every instance of a punk in a made-for-TV movie. The mind boggles. And then the mind puts on a Crass album and head butts some prep in the face." – Kyle Olson, The Hipster Book Club "2010 Holiday Gift Guide"
• Review: "Castle Waiting’s a pleasant, upbeat series, a great way to spend a quiet afternoon. If you’re looking for high adventure and action, it’s not here. This series is exploring the quiet places and the emotional beats that exist just beyond the screaming and bloodshed, and it’s doing so with style and wit. Castle Waiting comes highly recommended." – Michael C. Lorah, Newsarama
• Review: "EC was not the only company putting out good horror comics in the 1950s. Fantagraphics’ Four Color Fear: Forgotten Horror Comics of the 1950s shines the spotlight on some of the other comic publishers who were putting out great horror comics back then. [...] As great as the stories are perhaps the best feature is the 20 page note section that provides details behind each of the 40 stories in the book with fantastic anecdotes. There is also an index to all the companies publishing horror comics with a listing of titles and issue numbers making this a fantastic resource. Grade A+" – Tim Janson, Mania
• Review: "Since continuity usually plays second fiddle to the avalanche of inventive ideas, the strips can be read in almost any order and the debauched drunkenness, manic ultra-violence in the manner of the best Tom & Jerry or Itchy & Scratchy cartoons, acerbic view of sexuality and deep core of existentialist angst (like Sartre ghostwriting The Office or perhaps The Simpsons) still finds a welcome with Slackers, Laggards, the un-Christian and all those scurrilous, lost Generations after X. [...] If you’re the kind of fan who thrives on gorge-rousing gags and mind-bending rumination this is a fantastic and rewarding strip, one of the most constantly creative and entertaining on the market today and this latest collection [Little Maakies on the Prairie] is one of the very best yet. If you’re not a fan of Maakies this is the ideal chance to become one and if you’re already converted it’s the perfect gift for someone what ain’t…" – Win Wiaceck, Now Read This!
• Review: "This series is a non-stop rollercoaster of action and romance, blending realistic fantasy with sardonic wit and broad humour with unbelievably stirring violence, all rendered in an incomprehensibly lovely panorama of glowing art. Beautiful, captivating and utterly awe-inspiring Prince Valiant is a World Classic of storytelling, and this magnificent deluxe [Volume 2] is something no fan can afford to be without. If you have never experienced the majesty and grandeur of the strip this astounding and enchanting premium collection is the best way possible to start and will be your gateway to a life-changing world of wonder and imagination." – Win Wiacek, Now Read This!
• Review: "One could easily spend hours thinking of the hard concepts Kelso brings into the book without ever hitting the reader over the head with any of them. It's a sign of her storytelling ability that we get all of this without it ever feeling like she's preaching to me. [...] Artichoke Tales, at its heart, is about how complex the world is, with no one quite able to figure things out. ...I thought this was a well-crafted book that shows the human side of a conflict. It's a sad tale, but one worth reading." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Chris Mautner has a very informative chat with our own Kim Thompson about our new line of all-ages Eurocomics books: "Well, to be honest, I’m not sure how many kids will actually be reading this. It’s hard to get kids interested in comics, and foreign comics are even tougher. I’d welcome kids reading it but I’m assuming 98% of the audience will be grown-ups who dig this particular material. That said, I’m always a little baffled by how sensitive grown-ups are about kids’ material."
• Interview: At AfterEllen, Ariel Schrag talks to Gabrielle Bell: "I definitely prefer reading fiction to reading comics, except for a very small percentage of comics. And when I was a teenager I wanted to be a fiction writer. I’m much more interested in films, too. I feel like I’m more interested in the potential of comics, rather than what they’ve already accomplished, whereas with films and novels I’m interested in what they’ve already accomplished."
• List:East Bay Express's Anneli Rufus names Jim Woodring's Weathercraft one of the Best Books of 2010: "It's a wordless masterpiece from a Harvey Award-winning autodidact who executes his rhapsodically weird yet somehow relatable surrealistic visions with a lush, lifelike, retro-tinged precision that recalls Edward Lear and Winsor McCay. In an age when too many cartoonists draw with a lazy, defiantly fuckoffish lack of skill, Woodring's museum-quality mastery puts most of his colleagues to shame."
• Review: "Comic book historians Greg Sadowski and John Benson edited this fun time capsule [Four Color Fear], compiling over three dozen spine-tingling tales from the likes of Frank Frazetta, Al Williamson, Iger Studio, Joe Kubert, Basil Wolverton and others. Also included is a beautiful cover section, plus background commentary on each entry and an introduction by John Benson. Grade: A-" – Mike Sebastian, Campus Circle Newspaper
• Plug: "Bent... is more beautiful red and black ink drawings and hazy, lush, desaturated oil paintings of mostly pillowy girls." – Matt Forsythe, Drawn
• Plug: "Castle Waiting Vols. 1 and 2 HCs (Fantagraphics) — These two huge hardcovers can currently be had for less than 50 bucks, and offer up a whole new world of wonder. Perfect for anyone who loves to be transported to another place and time." – Alan David Doane's Holiday Gift Guide, Trouble with Comics
• Plug: "Some reference books will tell you all about movies that won Oscars or about movies that come from certain countries. Who needs that? Destroy All Movies is the only book in the world that will tell you all about every single movie that contains a punk. And I mean every single movie. Editors Zack Carlson and Bryan Connolly have done exhaustive years of research, and they’ve located every liberty spike wearing extra, every mohawked background actor and every safety pinned day player in cinema history. And then they wrote a whole bunch of funny, interesting stuff about those movies, and did some interviews with filmmakers and punks for good measure." – Dennis Faraci, Badass Digest "Badass Gift Guide"
• Profile: "Joyce Farmer is a surprise. The gentle, white-haired 71-year-old, whom you’d half expect to greet you at the door with a pan of steaming muffins, recently has emerged as one of the most provocative voices in the comics and graphic-literature landscape. Her debut book, the 208-page illustrated memoir Special Exits, chronicling the slow, freaky decline and ultimate death of her elderly parents, comes out next week from Fantagraphicscarrying the enthusiastic endorsement of no less than R. Crumb. 'It’s a completely unique work,' he says. 'Nobody else will ever do anything like that again.' [...] The book... is an almost uncomfortably honest memoir that’s dense with details. It’s also layered with meaning and sub-themes. [...] Like many memoirists, Farmer wrestled with guilt over airing her family’s stories; she even changed all the names in the book, including her own. 'I felt like I was really invading their privacy.' But she’s since come to terms with it. 'I just worked through it. I know what I did, and I take responsibility for it.'" – Deborah Vankin, The Los Angeles Times
• Review: "Destroy All Movies!!!is that very rare thing in publishing, a book you didn’t know you needed until someone wrote it. I certainly didn’t, and now I’m finding it indispensable. It’s an absolute must-have for cult-movie fans, movie trivia buffs, aspiring filmmakers and everyone who feels that punk never got its fair due for revolutionizing music and shaking up the status quo." – John G. Nettles, Flagpole
• Plug: "Destroy All Movies is a book on cult cinema... that is kind of the end all be all of ridiculous B-movies involving punks in any way, shape or form. It's at once a collection of titles, a love letter and a historical document. [...] It's a hell of an off beat and quite brilliant gift for the movie nerd or punk in your family!" – Quint, Ain't It Cool News
• Review: "...[Fire & Water,] Blake Bell's biography of Bill Everett (among other things the father of the Sub-Mariner but also the co-creator of Daredevil) helps to rectify an injustice by shining a spotlight on a cartoonist those importance and personality have never been properly recognized. A book which, without going into excessive detail, begins to clear the ground and, in particular, focuses heavily on the human element..." – Xavier Fournier, Comic Box (this is an improved translation by Kim Thompson of a previously-posted link)
• Review: "So, does it all mean anything? Who knows? But [Weathercraft] is certainly a fascinating read, full of arresting images that seem like they are triggering some deep impulse in our lizard brains, and that’s a pretty significant achievement in itself. If nothing else, it’s often quite funny... If you can accept that as something entertaining and play along with its dreamlike logic, you should be able to enjoy the book at the very least, and maybe you’ll even feel like you get something out of it. I know I did, and even if it was just confusion, it was worth it." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "The absence of words is matched by the most crazy drawings that depict surreal, unbelievable moments that make us stop to look again — and again. It's all so wacky and unusual that not infrequently we find ourselves laughing, reflecting on the silliness that we keep inside us all. For large and small, Weathercraft is sure to [bring] multiple pleasures." – Gilberto Custódio Junior, Soma (translated from Portuguese)
• Review: "Peanuts wasn't in its first flowering in the mid-70s... but it was still a smart, perceptive, deeply funny and humanistic strip. [...] The Complete Peanuts: 1975-1976 is the lucky thirteenth volume in Fantagraphics' reprinting of the entirely of Schulz's great strip; it's also the halfway point between 1950 and 2000. And the more interesting question about Peanuts circa 1975 isn't 'How come it wasn't as good then as in 1952 or 1967,' but instead 'How come Peanuts was still this good after twenty-five years?'" – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Gilbert and Jaime Hernandez are not just two of the best and most consistent comics creators of their generation, they're so far out in front that the only question is which of the two is preeminent. [...] Year after year, they keep expanding and deepening their worlds, telling new stories as powerful as they've ever done — they're our Balzacs, our Trollopes. Besides their various sidebar projects... they're still providing a yearly dose of the mothership, in the annual Love and Rockets: New Stories trade paperback." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "I originally posted this review on January 18, 2008. This was before I’d read much, if any, of Gilbert’s Fritz material from Love and Rockets. I think the review holds up, which is why I’m re-running it; but with all of Beto’s post-Palomar Palomar-verse work under my belt now, if anything I find Chance in Hell, both its content and its very existence, even more disturbing." – Sean T. Collins, Attentiondeficitdisorderly
• Interview:Robot 6's Tim O'Shea talks to Nate Neal: "Even in the conceptual stage, I knew The Sanctuary didn’t need any words to get the story across. With a made up language the words would take on a symbolic stance that they otherwise wouldn’t have. That helps get across one of the important ideas of the book: how things get fucked up when a society thinks too symbolically. Or at least thinks too symbolically without being aware that that’s what they’re doing. As far as I’m concerned, that’s the world we live in now!"
• Plug: "I finally cracked What Is All This?, Stephen Dixon’s mammoth collection of previously unpublished stories — and it’s terrific stuff. The book itself is also quite pleasing. Dixon still composes his stories on a typewriter (a Hermes Standard, the same brand Douglas Adams used), and Fantagraphics’ whiz art director, Jacob Covey, has mimicked the unevenness and smudges of typewritten text on the cover and section pages. It’s great design porn." – Nicole Rudick, The Paris Review
• Plug: "Thanks to the arrival this week of Castle Waiting 2, Linda Medley's second subversive collection of fairy tales, I'm on yet another kick of traditional fairy tales retold." – Nathalie Atkinson, National Post
• Plug: "...Mark Kalesniko’s Freeway is still a book I’m really, really looking forward to. It’s the continuing adventures of Kalesniko’s semi-autobiographical character Alex. I loved that book, I reckon I’m going to love Freeway just as much." – Richard Cowdry, The Forbidden Planet International Blog Log
• Review: "The second volume of Linda Medley's quirky Eisner-winning modern classic has finally arrived. [...] Castle Waiting is a warm yet bittersweet ramble through the margins of the fairy tale world. [...] Medley's distinctive black and white art is full of life, while her writing is as engaging if leisurely as ever." – Publishers Weekly
• Review: "...[O]ne of the best and most under-covered of many under-covered comics of 2010 [is] Fantagraphics’ English-language edition of Jacques Tardi’s It Was the War of the Trenches. [...] Fascinatingly structured as a 20-page overture leading into an illustrated prose account of wartime experiences by the artist’s grandfather, and only then starting the work proper, a non-chronological barrage of soldiers’ experiences told in wide panels, three per page, unwavering, in contrast to the overture’s more dynamic usage of the page – everything in this book’s makeup draws attention to itself as a comic." – Joe McCulloch, Comics Comics
• Review/Profile: "One day, the gods of all ART great and marvelous, finally will decide to roll out their lengthy gilded achievement banner listing cartoonists, illustrators and caricaturists... who have been creatively talented beyond the skills of mere mortal men and women. Without a doubt, near the top of this list of illustrious souls... will be the name... Drew Friedman. [...] With Too Soon? Drew Friedman has not only once again solidifies his stature as one the of the planet's funniest, most observant and skilled artists, I can add the often used, but in this case it's actually true, label of that of a living legend. [...] If I could give this book ten stars I would. If I could give this book whatever letter should come before the letter 'A' because it is better than an 'A' then I would give it not only that mysterious letter, but add around five or six pluses. Buy this book as a gift for yourself, your friends, loved ones, siblings, children, parents and grandparents." – Robert Jaz, Forces of Geek
• Profile: At the CCS Visiting Faulty blog recounts Carol Tyler's visit to the school last week: "When the fun was over, Tyler put on her Lois Lane Reporting Hat to deliver her scoop on herself. She started with a photo of her home, which boasts a bountiful garden out front. 'That isn’t yard work,' she said, 'What you’re looking at are scripts. If I can’t figure out a punchline, I’ll just rip up part of my lawn.'" (See photos on the CCS Flickr page.)
• Interview: It's the final installment of The Daily Cross Hatch's conversation with Jaime Hernandez: "I remember hoping — I remember that, when Gilbert and I were doing fanzine work for small publishers, some guy in his bedroom, he would say, 'we would like people to send their art,' and things like that. We just wanted to be published. We knew it wasn’t the big time, but it was just kind of fun to be out there, even on a small scale. Yet, at the same time, we did have stories to tell, and we were hoping that one day they would be published."
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators are saying about our releases this week, and contact your local shop to confirm availability.
384-page black & white 5.75" x 8.25" hardcover • $29.99 ISBN: 978-1-60699-405-4
"...[A] second thick (384-page) hardcover compilation of Linda Medley’s well-regarded folkloric/fairy story exploration, now as pertinent a bridge between ’90s comic book self-publishing and current YA comics interest as its former publishing cousin Bone. I presume this includes all of the Fantagraphics-published Vol. II material thus far, totaling 15 issues... [Yes. – Ed.]" – Joe McCulloch, Comics Comics
"You know how some comics seem to be collective community efforts, in that they traffic in styles and ideas that are on the minds and coming out of the fingertips of the art form's chattering class? Linda Medley's quiet, humane fantasy is the opposite of that, a creation wholly her own." – Tom Spurgeon, The Comics Reporter
"...[M]y book of this week [is] Castle Waiting Volume 2. The first Castle Waiting book was one of my Best of 2006, and I anticipate similarly great things from the followup. Linda Medley puts out a wonderfully fresh and modern take on fantasy conventions, including the title castle with its exotic and magical inhabitants." – Johanna Draper Carlson, Comics Worth Reading
"The other highlight of the week has to be the second collection of Linda Medley’s Castle Waiting. The publisher describes the comics as 'witty and sublimely drawn fantasy [that] eases into a relaxed comedy of manners,' which is perfectly true. It’s really a treat of a series, one that I bought in pamphlet form and will buy in its collected state, which almost never happens." – David Welsh, The Manga Curmudgeon
"If I had $30… I’d give it all to Fantagraphics in exchange for the second volume of Castle Waiting, the long-awaited continuation of Linda Medley’s story. I’ll confess I haven’t read the first volume yet—maybe that should be my splurge—but my librarian friends strongly recommend it, and their description of an updated fairy tale with a modern sensibility makes me want to give it a try." – Brigid Alverson, Robot 6
"I believe this concludes the parts of this very sweet, very good-natured, apparently open-ended fantasy series that writer/artist Linda Medley has serialized thus far. As with the otherwise entirely different A Hard Day's Night, I started enjoying the series much more when I realized that nothing much was actually going to happen at any point." – Douglas Wolk, Comics Alliance
"FACT: I can't stand fantasy. Except for this. This is the real deal. Likable characters, exotic setting that doesn't spend hours wanking the reader for being a nerd that knows their Dungeons and Dragons, and a real story about people." – "Lydia Park," The Rack
120-page black & white 12" x 5" hardcover • $19.99 ISBN: 978-1-60699-392-7
"This is neither French nor a comics version of an old children’s book, and yet it seems so of a kind! Maybe it’s the 'Little,' or Tony Millionaire’s affinity for vintage cartooning and illustration, or perhaps Maakies simply goes with everything." – Joe McCulloch, Comics Comics (see below for context)
"I think Tony Millionaire may be in that slightly-taken-for-granted phase of his career right now, and that's not fair. Sometimes it is, just not with Tony. I can't imagine not owning all of these, even if the rest of my collection is barbarian comics." – Tom Spurgeon, The Comics Reporter
"The newest collection of Tony Millionaire’s comic strip. It’s two years worth of drunk comics." – Benn Ray (Atomic Books), Largehearted Boy
48-page full-color 8.5" x 11.25" hardcover • $16.99 ISBN: 978-1-60699-403-0
"...[O]ne of the highlights of this week’s releases: Fantagraphics’ The Littlest Pirate King, an English edition of the 2009 album Roi Rose by the redoubtable David B., himself working from a Pierre Mac Orlan prose story (from 1921, I believe). It ‘s a lovely presentation..." – Joe McCulloch, Comics Comics (it's a full review, do go give it a read)
"David B., one of comics' mightiest visual talents, with an adaptation of an all-ages tale full of dream logic and creepy things. How could you walk by and not at the very least hold it in your hands for a time?" – Tom Spurgeon, The Comics Reporter
"I’m a sucker for anything French artist David B does, so I’ll be sure to snatch and grab a copy of The Littlest Pirate King, his latest entry on American shores, an all-ages titles about a young boy who leads a group of undead pirates." – Chris Mautner, Robot 6
"I’m very tempted by the new volume of Batman: The Brave and the Bold and Castle Waiting, but they’re both trumped by David B and his ghost pirates in The Littlest Pirate King. Still, since I’m splurging, let’s just get all three." – Michael May, Robot 6
"A children's graphic novel — well, older children, anyway — by the great French cartoonist David B., based on a short story by Pierre Mac Orlan about a child commanding a ship of undead pirates. All the best things in one place, basically." – Douglas Wolk, Comics Alliance
272-page black & white/duotone 6.5" x 8.75" hardcover • $24.99 ISBN: 978-1-60699-414-6
"Being another of the week’s Fanta hardcover collections, an omnibus edition of the publisher’s first three translated books by Jason. Hey, Wait… almost certainly requires no introduction... Sshhhh! took the form of wordless seriocomic vignettes relating to one of Jason’s silent clown-type wanderer characters, while The Iron Wagon spun around for a dialogue-heavy adaptation of a formative Scandinavian mystery novel… oh wow, maybe that should be on the cover these days." – Joe McCulloch, Comics Comics
"The comics here are pretty great, although I greatly prefer the individual books to these omnibus collections. They're first class and everything, but I think those individual Jason book are about as perfect as they come production-wise. Still: Jason, and the comics that put him on the North American alt-comics map." – Tom Spurgeon, The Comics Reporter (Please note that, even if you agree with Tom, several of the original books are out of print.)
"Fantagraphics collects another trio of Jason stories in the trilogy format they’ve been re-releasing some of his work in. This $25, 270-page hardcover includes Hey, Wait, Sshhhh! and the long out-of-print The Iron Wagon." – J. Caleb Mozzocco, Newsarama
"Reprints of three of the Norwegian cartoonist Jason's early books: 'Hey, Wait...,' 'Sshhhh!' and 'The Iron Wagon.' The first of those is particularly terrific, and maybe the first instance of Jason's habit of creating books that midway through abruptly turn into very different sorts of stories." – Douglas Wolk, Comics Alliance
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