This month's Diamond Previews catalog is out and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in April 2012 (give or take — some release dates may have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
• List: The Austin American-Statesman's Joe Gross names Love and Rockets: New Stories #4 the best comic of 2011: "One of the wonderful things about seeing a masterpiece in the making is the mysterious feeling, the racing of the soul that takes place when it hits you that you are, in fact, seeing a masterpiece in the making.... Symphonic, tragic, revelatory, exciting and devastating as only great art can be, 'The Love Bunglers' is one of the best comics ever made."
• List:Paste ranks Dave McKean's Celluloid at #5 on The 10 Best New Comics of 2011: "The visionary art director behind The Sandman’s covers creates a coital masterwork that elicits beauty and excitement in equal measure.... Celluloid is a treasure of technical finesse and sensual mystique that transcends its potential controversy."
• List:Paste's list of The Ten Best Reissues/Collections of 2011 includes Walt Disney's Mickey Mouse Vol. 1: Race to Death Valley by Floyd Gottfredson at #9 ("Gottfredson had an animator’s knack for storytelling, and his layouts remain clear no matter how busy they get. Much of the humor is stilted by modern standards, but you’ll be too enthralled by the exciting plots and likable characters to care"), Jack Davis: Drawing American Pop Culture – A Career Retrospective at #7 ("Fantagraphics has finally given him the grand and serious treatment he deserves, without minimizing his goofy sense of humor"), and Walt Disney’s Donald Duck: Lost in the Andes in the #1 spot ("Barks’ strips combine high adventure with humor and subtle cultural commentaries, but they remain grounded in character... Lost in the Andes is a gorgeously packaged collection of some of the finest comics ever made.")
• List: At Poopsheet Foundation, Justin Giampaoli names Kevin Huizenga's Ganges #4 one of the "Best Mini-Comics & Small Press Titles of 2011": "It’s the continuing adventures of Glenn Ganges and his latest nocturnal outing, as he navigates his sleepless existence on a seemingly endless night. With the degree of interactivity occurring between the page and the readers, there’s as much technique on display here as there is original storytelling."
• List: Leeds, UK comic shop OK Comics posts their Top Ten Graphic Novels of 2011: "9. Like a Sniper Lining Up His Shot by Jaques Tardi published by @fantagraphics. A hitman's reluctance to perform one last job leads to an emotional breakdown. Legendary French comics artist Jacques Tardi on fine form."
• List:The Globe and Mail includes Pogo - The Complete Syndicated Comic Strips Volume 1: Through the Wild Blue Wonder by Walt Kelly in their "2011 gift book guide": "Fans of what for many is the greatest of all comic strips have waited a long time for this, the first of a projected 12 volumes (1949-1950) from the brilliant Walt Kelly. The congenial Pogo Possum and his swampland friends... spring to life in this collection of daily and Sunday comics, filled with Kelly’s characteristic wordplay. One hopes this will introduce a new generation to this comic, satiric masterwork."
• Review: "Pogo: The Complete Syndicated Comic Strips: Volume 1—Through the Wild Blue Wonder proves to be worth the wait.... Overall, the package serves Pogo well.... The biggest revelation of reading the first two years of Pogo is how polished and funny the strip was right from the start, and also how nearly every Pogo panel is a delight unto itself. Kelly didn’t necessarily build to big punchlines; he’d slip funny sight gags and memorable lines everywhere there was room. ...[T]here’s a classic Pogo moment on just about every page of this book." – Noel Murray, The A.V. Club
• Review: "Even now, Barks’ stories are clever and funny, as he leads the ducks into impossible situations and then gives them unexpected ways out. And they’re poignant in their own way, too.... What’s impressive about Fantagraphics’ Lost in the Andes is that it encourages both a fannish and an intellectual approach to the material. For those who want to skew highbrow, the book includes an appendix with scholarly analysis of each story.... And for those who just want to curl up with more than 200 pages of some of the best-written comics ever published, Lost in the Andes has all the square eggs, rubber bricks, golden Christmas trees, and races around the world that any kid or grown-up could ever want." – Noel Murray, The A.V. Club
• Review: "Fantagraphics’ initial release of its new series of Carl Barks books is titled, Walt Disney’s Donald Duck: Lost in the Andes and reprints one of the most famous, and most BELOVED, comic book stories which Carl ever wrote and drew! ...I’m impressed with the quality of the publication. In my estimation, the coloring is excellent and the format engaging…. The critical essays composed by a number of Barks scholars are also insightful and well written.... In my opinion, as a Carl Barks fan, this initial volume is well worth acquiring!" – Carl Barks Fan Club Newsletter
• Reviews: "Two... giants of American illustration get the handsome coffee-table-book treatment with Jack Davis: Drawing American Pop Culture and The Art of Joe Kubert... The Kubert book — edited by Bill Schelly — is more text-heavy, covering Kubert’s early years as a journeyman penciler and inker on a slew of indistinct superhero and adventure comics, then exploring how Kubert developed the fine shading and gritty realism he’d become famed for starting in the late ’50s. The Davis book saves most of its biographical detail and critical analysis for the intro and appendix, filling the intervening 200 pages with full-sized examples of the half-cartoony/half-photographic approach that Davis brought to Mad magazine and countless movie posters. Both offer ample visual evidence of how two men found the 'art' in commercial art, turning work-for-hire assignments into opportunities to express their particular visions of the world." – Noel Murray, The A.V. Club
• Review: "To (re-)discover a first-rate critic, and read about a life that went wrong in a harrowing way, you must read Everything Is an Afterthought: The Life and Writings of Paul Nelson, by Kevin Avery.... This volume is exhilarating. Avery tells with great energy Nelson’s tale, with copious details about the active period of his subject’s life, and in so doing limns a portrait of a certain kind of pop-culture/bohemian existence in the late-70s. And Avery’s generous selection of Nelson’s writings are certainly among Paul’s best..." – Ken Tucker (Entertainment Weekly), The Best American Poetry
• Review: "What makes Wandering Son work is its slow-burn pace and calm atmosphere. It takes a delicate subject – transgender children- and explores it slowly and carefully. Much like its characters, it moves at its own pace, easing the reader into the characters’ lives.... I am really eager to read volume two of Wandering Son, though a little hesitant as well. I know that the road in front of Shu and Yoshino isn’t going to be an easy one and I don’t want to see them get hurt. But the fact that I’m talking about the characters as though they’re real people just shows how deep this manga has gotten under my skin." – Shannon Fay, Kuriousity
• Review: "Richard Sala is one of those creators that holds a fairly unique voice in comics. Many people have tried to replicate his off-beat brand of horror, but ultimately nothing out there quite like his. So with a new graphic novel called The Hidden out, the question for most people won’t be, 'Should I read it?' but 'When should I read it?'... The Hidden isn’t perfect... but what Sala does well, he does very well indeed. There’s quite a lot to love in The Hidden, with some scenes in particular that will stick with the reader for a long time." – Greg McElhatton, Read About Comics
• Plug: "Have you ever wondered what happened after 'Happily Ever After'? This graphic novel [Castle Waiting] is a modern tale that incorporates fairytale characters and settings. Funny, thoughtful and not at all what you'd expect." – The Victoria Times Colonist
• Interview:Wall Street Journal subscribers can read a Q&A with Jack Davis conducted last week in NYC by Bruce Bennett here: "Every time you went in to see Bill Gaines, he would write you a check when you brought in a story. You didn't have to put in a bill or anything. I was very, very hungry and I was thinking about getting married. So I kept the road pretty hot between home and Canal Street. I would go in for that almighty check, go home and do the work, bring it in and get another check and pick up another story." [Update: A clever reader has pointed out that non-subscribers can read the article in Google's cache]
• Profile:CNN's Todd Leopold profiles the great Al Jaffee: "After a bumpy several years in which he bounced like a pinball between his parents -- moving from Savannah, Georgia, to Lithuania, to one borough and then another of New York City, back to Lithuania and back again to New York -- art was something to hold on to, a way to establish an identity. He had no idea it would lead anywhere."
Three more great Linda Medley pages from the never-published "Galactic Girl Guides" series have gone up for sale on eBay. Page five is a lovely title page, and page six is action-packed, but every one of them is a thing of beauty. Click through each image to go straight to the auction.
The Starstruck spin-off series Galactic Girl Guides is one of the most legendary of the "lost" comics orphaned by the collapse of Tundra/Kitchen Sink in the 1990s. When the plug was pulled, artist Linda (Castle Waiting) Medley was about halfway through the projected four-issue series, written by Starstruck co-creator Elaine Lee.
There are few cartoonists who could go toe-to-toe with Starstruck artist and co-creator Michael Kaluta for sheer illustrative gorgeousness and maintain the exquisite graphic quality of that world, but as the pages below show, Medley was one of them.
Why are we showing you these (aside from the fact that they're pretty)? Well, because after over a decade of having them sit on her shelves, Linda has decided to let them go.
In the wake of IDW's successful reprinting of the original Starstruck series, Lee and Kaluta are adamant that GGG will one day be completed and published, and Medley has kept reproduction-quality scans of these pages for when that happens. But in the meantime... Any page of original art is by definition unique, but there are almost invariably thousands, or tens of thousands (or hundreds, or in the case of syndicated strips, tens of millions), of reproductions out in the world. In the case of these pages, however, lucky buyers will have the ONE AND ONLY copy — at least until that GGG edition happens.
Each image clicks directly through to eBay. Bidding has started. May the best Starstruck fan or Medley fan, or just fan of great-looking comics pages, win!
• List:School Library Journal names Linda Medley's Castle Waiting Vol. 2 one of "39 Graphic Novels That Kids Can't Resist": "Both volumes of Castle Waiting are vivid and enchanting, as any good fairy tale should be. Handsomely bound and printed on rich, creamy paper, the most important element — the story — is charming, filled with slowly building plots and compelling characters, and the slow pace means readers can spend the summer hours with some good company.... With clean black-and-white art and impeccable pacing, Castle Waiting remains a favorite for older kids and younger teens."
• List: Rick Klaw's "Top Ten of the Half Year '11" at The Geek Curmudgeon includes Joe Daly's Dungeon Quest at #9 ("Littered with violence, inappropriate sexual innuendos, misguided bravado and infused with hilarity, Dungeon Quest... promises a uniquely entertaining graphic novel experience.") and 21: The Story of Roberto Clemente by Wilfred Santiago at #3 ("In this emotionally moving biography, the Puerto Rican Wilfred Santiago magnificently chronicles the often tragic life of this icon.... Santiago expertly traverses Clemente's tribulations, losses, and success with ease and skill. His portrayal of the baseball games rank among the finest ever attempted in this medium. Under the masterful hands of Santiago, 21 evolves into far more than just a biography of a sports figure. It showcases a life worth emulating.")
• Profile: "...21: The Story of Roberto Clemente... is drawn with a jagged whimsy that gets at the sudden sharpness of a baseball game's action, the frenzy that comes from out of nowhere to temporarily replace the long, slow stretches of waiting, scratching, spitting and eyeballing opponents that are endemic to the sport. The result is a captivating work that reflects the complexity of Clemente (1934-1972), a dedicated humanitarian as well as an uncommonly gifted athlete.... 'I knew the culture he came from, because I came from the same place,' [Wilfred] Santiago says. 'And there was a mythic aspect to him that was part of the story I wanted to tell. Comic books bring a different kind of narrative that's not possible in any other medium — not books, not movies.'" – Julia Keller, Chicago Tribune
• Review: "A little boy is mistaken for his older sister and is bewildered by the feeling that this stirs in him. Thus begins the story of the Wandering Son, a daring fairy-tale about two unusual children in the time before the riot of puberty and their struggles with who they are and who they want to be.... The artwork in Wandering Son is appealing and sensitive.... Wandering Son mercifully isn’t a political screed and its characters, equally mercifully, are not pressured into making political points out of their inner lives.... They are allowed under that protective charm 'kawaii' to explore their feelings and identity and are treated with the utmost compassion and dignity by their author. That makes Wandering Son a most compelling fantasy... Wandering Son chooses for the most part to dwell on the possibility of choice, of self-knowledge and the love of a friend who knows your secret." – Michael Arthur, The Hooded Utilitarian
• Review: At his High-Low blog, Rob Clough re-posts his Sequart review of the first 5 volumes of Mome: "I can't help thinking of Mome as the comics equivalent of a baseball farm league club. You know you're good if you're invited by the major league club to come on, but there's an expectation of getting better, of being productive, of working hard in order to become great. And the creators in this book seem to range across a wide variety of ages and levels of experience, much like a minor league baseball team. Some are raw rookies, others have been laboring in obscurity for years and are just now getting an opportunity at the big time."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Mome editor Eric Reynolds: "I don’t know if there’s an official reason. I just felt like the time had come. It had been over five years. I’m really happy with it. I’m proud of what we did. But at the same time, there are always compromises you make along the way. I felt I’d already run my course with it. I could have kept it going. I sort of set myself up with a template that was fairly easy to do, three or four times a year."
• Review: "Excellent quality reproduction of the cartoons, interesting texts...; a supreme book treatment by a 'bibliophile publisher': something that convinces even the most recalcitrant Disney collectors to buy something that they might already have seen and have read the contents of the first volume in multiple dressings and in multiple languages, and possess it in different forms." – Luca Boschi, Il Sole 24 Ore (translated from Italian)
• Plug: "Mickey Mouse 'Race to Death Valley' has the first MM strips from 1930-32 by Floyd Gottfredson, considered the finest of all the MM artists and much collected. Several complete episodes and a wonderful 68-page section devoted to essays, early Mickey artwork and special features. I'm eager to sit down and digest it all myself." – Bud Plant
• Review: "Schulz's jokes are fine; his characters are likable and instantly recognizable; and Peanuts is never dull. But, in these years, it settled for being a consistently entertaining standard comic strip rather than digging any more deeply than that into the sources of human sadness and discomfort." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plugs: The latest "Comics College" reader's guide from Chris Mautner at Robot 6 delves into George Herriman and Krazy Kat: "If you... want to dig deeper, the next logical choice is Fantagraphics’ lovely collection of Sunday strips, dubbed Krazy & Ignatz.... If all those books seem like too much shopping for you, Fantagraphics has collected much of the same material in two hardcovervolumes, with a presumed third one coming along the way sometime in the near future.... Fantagraphics has announced their intention to collect the daily Krazy Kat strips as well, but that’s down the line a bit. In the meantime, there are really only two ways to get a solid sampling of the daily strip, one of which is The Kat Who Walked in Beauty, an oversize tome that pairs together strips from the 1910s and 1920s, as well as some other Krazy-related ephemera."
• Plug: "Fantagraphics Books publishes one of my all-time favorites; Jason, short for John Arne Saerterøy. Jason’s animal people inhabit satirical but celebratory genre pieces. In about 50 pages, Jason’s The Last Musketeer tells the story of Athos, the last depressed musketeer in the 21st century. A meteor hits Paris, and Martians start invading. Before too long, Athos stows away to Mars to save the Martian princess in order to save Earth from total annihilation." – Victoria Elliott, The Daily Texan
• List:Castle Waiting Vols. 1 & 2 take two spots on Nancy Pearl's "10 Terrific Summer Reads" list at NPR.org: "The black-and-white drawings are precisely crafted, with small, endearing touches that render each character entirely unique. The dialogue is clever and filled with subtle grace notes of drollness and humor. The set will be especially appealing to readers of all ages who enjoy seeing and reading traditional fairy tale tropes teased and played with, all with a sense of good-humored fun."
• Review: "...Congress of the Animals finds twisted fabulist Woodring at the top of his darkly delightful game: Open the book at random and the odds are very good that your gaze will alight upon something that stings, bites, drips, oozes or squelches. Tentacled plant-beasts threaten the unwary, factories powered by crushed blackbirds produce who-knows-what, slimy amphibians enact bizarre rituals and a tribe of naked, faceless men whom the jacket copy refers to as "blind gut-worshippers" — easily the most potent nightmare fuel Woodring has ever produced — drug passersby for mysterious purposes of their own. You certainly won't want to live inside the covers of Congress of the Animals, but it's a fascinating and thrilling feat of imagination, and one hell of a place to visit." – Glen Weldon, NPR.org
• Review: "This book does something I love. It takes me inside a world I’ve never known.... Shimura’s writing does a good job of exposing the readers to the realities of being transgender. Wandering Son ignited my imagination and got me trying to relate to and understand these characters as deeply as possible.... Shimura has crafted an excellent opening volume.... The quiet pace and subject matter make this series a perfect read for the alternative comics crowd. Fans of shoujo and josei manga will enjoy it too. I’d love for everyone to at least give the first volume of Wandering Son a try. It’s a rare gem of emotional honesty and complexity that rewards those willing to take the risk and move outside their typical reading habits." – Ed Sizemore, Comics Worth Reading
• Review: "Monologues for Calculating the Density of Black Holes by Anders Nilsen... touched a special spot that I strive towards in my reading; it created atmosphere. There’s a weight to the unhinged timeline and nonsensical dialogue. It feels calculated, even as it touches on topics such as 'Godzilla vs. Richard Simmons.' The drawings are simple, yet they effortlessly convey time and feel appropriate for the content. It was a quick read, but one that I’ll be revisiting. Check it out." – Au Yeah!
• Interview:Newsarama's Michael Lorah talks to Wilfred Santiago about the creation of 21: The Story of Roberto Clemente: "A baseball sequence is all about interpretation; there are cold, unchangeable facts. If the batter hits a home run to left field in the second inning, etc., then those are unchangeable facts about that scene. So it’s about the reading of the particulars. I mean, if you are saying sad things while laughing maniacally, it’s different than if you are saying them while sobbing and in tears. Therefore, it’s all about what role that particular game sequence plays in the story as a whole. It’s not a book about baseball, even though there’s baseball in it."
• Interview (Audio):Inkstuds host Robin McConnell rang up Dave McKean (on Skype presumably) for a conversation about his latest book: "Celluloid, fresh out from Fantagraphics, is a remarkable work exploring pornography through a very particular lens. Needless to say, it is fantastic."
• Interview: The L.A. Times Hero Complex blog's Noelene Clark talks to Jim Woodring about his L.A. Times Book Prize-nominated Weathercraft: "Art is always so reductive, and what I have going on in my comics is so simple and relatively easy to understand compared to real life, which is infinitely complex. So it might relate to real life in the same way that a chessboard would relate to a chessboard with an infinite number of squares on it. It’s sort of similar in some ways, but it’s much, much, much, much, much simpler and reductive and easier to understand."
• Review: "The strips themselves are great. In fact, it’s a crime these aren’t more well known. These daily strips are part of why Mickey Mouse became a popular character and world famous icon. The serialized adventures are exciting and fun, establishing a real personality for Mickey beyond what was possible in the animated shorts. The book has lovingly restored these strips from the original negatives and proof sheets – each one crystal clear and absolutely beautiful. If that were all there was to this book, I’d recommend it highly. But that’s not all. Co-Editor David Gerstein has... loaded this book with over 60 pages of supplementary articles and features that are a MUST for all Disney history buffs. [...] I cannot praise this volume highly enough." – Jerry Beck, Cartoon Brew
• Review: "I had high expectations for Castle Waiting, given that the first volume was outstanding, and I wasn’t disappointed. I found Volume 2 so strong, in fact, that it was my best graphic novel of 2010. [...] I normally am not a big fan of fantasy, but here, the characters are so strong in personality, so interesting and likable, that I want to spend more time with them. [...] The true strength of Castle Waiting, though, is Medley’s gorgeous art. The characters are perfect, distinctive and expressive, and the storytelling so strong you don’t even notice it. Instead, you’re visiting with this self-created family for a while — and it’s never long enough. When I close the cover, it’s always a melancholy action, because I want more time with these people, more adventures, more humor and good-heartedness." – Johanna Draper Carlson, Comics Worth Reading
• Review: "Mome 21 bats a good average, with many stories hitting their mark and a few clearing the fences. [...] Mome plays a unique role in the world of North American alternative comics. It’s one of the only long-form, regularly published comics anthologies out there, providing a vision of novelty and variety for the future of literary comics. When the series concludes later this year, a chapter in comics history will have closed." – Ao Meng, The Daily Texan
• Review: "Tim Kreider is a great caricaturist, as his latest collection of cartoons, Twilight of the Assholes, attests. He has a real knack for portraying the unsightly physical traits of modern Americans– the rolls of fat, the paunchy stomachs, the jowls, flabby arms and chinless faces — that make up more of the current populace than we’d care to admit (myself included). Plus, he’s got a nice, razor-sharp wit that really cuts to the absurdity of a particular stance or issue, and he isn’t afraid to get nasty or break a taboo to make his point, which can be refreshing." – Chris Mautner, Robot 6
• Review: "Cleverly constructed, laconically laid out in the classic nine-panel-grid picture structure and rendered in comfortingly mundane style a la Charles Burns, King of the Flies is a landmark in metafictional mystery tales. [...R]eaders will have to wait for the concluding book to discover how this stunning, mesmerising amalgam of Twin Peaks, Desert Palms, Peyton Place, The Omen and Blue Velvet plays out. A stylish and magical portmanteau saga of a community cursed with an excess of human frailty – lust, rage, greed, despair and especially shallow selfishness – this is a story that will surprise, compel, distress and haunt anybody with even half an imagination. Darkly addictive, casually violent and graphically sexual, King of the Flies is 'adults only' and well worth waiting until you’re 18 for." – Win Wiacek, Now Read This!
• Review: "This is a story about purpose, inertia, the road blocks we throw up for ourselves and the ways in which we are forced to interact with a demanding and frequently demeaning world. This book feels intimate because unlike his past work, Sammy the Mouse has an immediacy to it that’s quite different in tone from his earlier, more distant (but no less visceral) comics. [...] Sally’s comics have an ugly physical quality to them that I’ve always liked, but the two-color process he uses here pushes the ugly/beautiful tension even further. [...] The care and thought that Sally put into adapting his comic into the Ignatz format shows on every page and makes the story resonate all the more." – Rob Clough, The Comics Journal
• Review: "It’s hard to decide which Ignatz book is the best-looking purely from an aesthetic standpoint, but Leila Marzocchi’s Niger has to be in consideration. It’s another series that’s dominated by two tones (in this case, rust red and a chalky blue) that’s remarkable to behold simply in terms of its mark-making. There’s a lushness to this series, in the way Marzocchi uses a scratchy technique that makes her figures and backgrounds look as though they were less drawn than constructed with dense webs of color. Her figures are fabulously exaggerated, all curves and bulbous noses. Everyone is larger than life, creating a sort of mysterious and slightly dark fairy tale atmosphere for this story. [...] It’s an easy comic to follow and probably the friendliest to non-comics readers in the Ignatz line. While its ideas are original, its familiar feel creates a certain immediate comfort level for the reader as they delve into a strange and beautiful world. It’s as though Niger is a favorite old fairy tale whose memory is just out of reach." – Rob Clough, The Comics Journal
• Review: "Instead of writing about the [Prince Valiant] series as a whole (or at least, those volumes I have read), I decided to do another one-page criticism. After much debate with myself I selected the page... dated December 1, 1940, appearing at the end of volume 2. In some respects this is a typical Hal Foster page, but in many ways it is not, which is partially why I chose it." – Derik Badman, The Panelists
• Plug: "ROY CRANE Mania! Just got my copy of Buz Sawyer: War in the Pacific, this and the Captain Easy volumes are long overdue. Thrilling stuff! Roy Crane is one of the unsung greats! Thrilling, charming, infectious masterful storytelling. Probably in my top five favorite cartoonists. Roy Crane drew some of the most subtly sexy women ever. ...[H]uzzah to Fantagraphics! Okay, I'm insane for Roy Crane. It may look old fashioned at first glance, but trust me, once you dive in you'll eat it up!" – Mike Allred
• Plug: "[Love and Rockets: New Stories #3] was as amazing as folks said it was. No knock against Gilbert, but Jaime murdered it this time around, absolutely killed, fired on all cylinders, drowned it in ink. Jeepers, someone give that man a cartooning medal." – Evan Dorkin
• Plug: "I forgot how much I enjoyed reading Carol Tyler's comics when I was tripping over them in various anthologies in the 80's/90's. I stumbled across this book [Late Bloomer] while cleaning up in the basement where all the comics that don't fit anywhere sleep, and was happy to revisit these pieces, as well as material I hadn't read before. The perils of buying a book and putting it aside for too long. Funny, warm, human, honest, occasionally beautiful/heartbreaking 'life' comics." – Evan Dorkin
• Plug: "I love Roy Crane and I'm super-happy [Captain Easy Vol. 1] is in print. Cartoonists and cartoonist-wonks, take heed, there is some beautiful work to be pored over here. ...Crane = Master." – Evan Dorkin
• Plug: "Regular readers of this blog will be aware of the release of Stigmata (Fantagraphics) just a few weeks ago. Featuring expressionist master Lorenzo Mattotti's swirling, cross-hatched pen line as if the story were recounting the fading memory of a dream about a drunk who one day wakes up marked with stigmata. It's an intense and perfectly balanced story, in hard cover with a wonderful Mattotti painting on the cover and it deserves to be a flagship title for any graphic novel collection." – Dave's Comics
• Interview: At The Comics Journal, Ian Burns talks to Shaun Partridge, writer of the Josh Simmons-drawn Mome serial "The White Rhinoceros" (part 1 of 3): "I think fun is the law. You should really enjoy life and laugh. That’s what comedy’s all about. Which is also alchemical, because you’re taking something that is unpleasant and making jokes about it. You know, Dave Chappelle’s a master alchemist. Larry David’s an alchemist."
• List:PLAYBACK:stl's Steve Higgins puts What I Did by Jason on his Top Graphic Novels of 2010: "In my recent review of What I Did, I stated, 'Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content.' And it’s still true."
"Love and Rockets: New Stories #3 — [...] While shocking scenes gave Gilbert's stories of cultural and commercial exploitation a fresh horror, the emotional aftershocks of Jamie's stories of personal loneliness, loss and violation haunted me all summer." – Suzette Chan
"The second hardcover volume in Linda Medley's Castle Waiting series is a fantasyish, girl power fairy tale — and so much more." – Rebecca Buchanan
• Review: "Each change, each mutation is the beginning of a thought without a defined path that will take the reader into the recesses of his mind. It can be simple aesthetic sensory enjoyment, perhaps of ravishing beauty, perhaps creepy horror; it can be a profound reflection on the significance of humanity or a simple gag in the purest tradition of slapstick. Either option is good: the silent Frank stories are surely a shock that spins the reader's neurons at high speed, a total reset of the system of established reality that leaves the mind in a renewed state of equilibrium. A masterpiece..." – Álvaro Pons, El País (translated from Spanish)
• Review: "[King of the] Flies is essentially about moments, one strange moment after the other. It brings to mind David Lynch but it should also bring to mind Alfred Hitchcock. Rigorously planned out ahead of time, his best work retains the freshness and kinetic energy of so many strange moments perfectly timed. Undoubtedly, Flies will be more than a string of moments and will have an ending as poetic as its best scenes." – Henry Chamberlain, Geekweek
• Review: "Prince Valiant comics are constantly being reissued around the world, but this collection began in 2009, published by Fantagraphics, is special for its concern with restoring Foster's work with the utmost fidelity. The original art was respected and carefully reconstructed from the original proofs and other sources of high quality. The publication in color, in hardcover and on luxurious opaque paper is just right. It is a definitive edition and a fitting tribute to the art of Hal Foster." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Review: "Jason’s tales of the distracted and listless existences of dog-faced Europeans are so consistently excellent that it’s almost predictable, but while [Werewolves of Montpellier] has his usual skilled construction and subdued colour palette, there’s also some rather good characterisation." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "These strips can be a comfort, an amusement, can provide a moment to stop and think. Here [in The Complete Peanuts 1950-1952] you see Charlie Brown before his shirt gets the zig-zaggy stripe; how Linus was introduced as a baby as was Schroeder. You see the small common things that set the groundwork for what would become a life’s work." – Jenny Spadafora, 12frogs
• Profile: Sean O'Toole of Johannesburg's The Times tracks down Joe Daly: "I'm partly curious to see if he looks like his character Steve, described by Millennium Boy as an 'old orangutan mama.' The thin, bearded, slightly awkward man I meet in Observatory isn't apish, nor does he wear a bathrobe à la Jeff Lebowski. He also doesn't have lactating boobs, which Steve briefly grew in a strip appearing in Scrublands, Daly's first US book from 2006." (The Comics Reporter has additional commentary on the article.)
• Profile:Mania's Niko Silvester puts Moto Hagio in the "Creator Spotlight" with a brief overview of her career
• Interview (Audio): Get ready for an epic Inkstuds interview as Al Columbia joins host Robin McConnell for a 2-hour chat
• Plug: "If you’ve not been checking out Fantagraphics’ Complete Peanuts series, I would highly recommend that you start doing so! They are archiving Peanuts every story that Shulz ever wrote, in gorgeous hardcover collections, that contain one to two years of the strip, starting from 1950. It’s one of the best archive projects out there, and I can’t recommend collecting them highly enough!" – Edward Kaye, Hypergeek