• Review: "...Freeway is often stunning. Kalesniko spent 10 years on the book, and the time and care is evident in the structural complexity. [...] One of the unique properties of comics — utilized well by artists like Chris Ware and Richard McGuire — is the ability to connect disparate pieces of information using the page like a chart. Kalesniko doesn’t draw any arrows or experiment with layouts, but he does convey the impression of a man dealing with his daily frustrations by letting every sight, sound, and sensation send him on a trip through his own head. And in Freeway, Alex Kalienka’s head is as vivid as the book’s depiction of key Los Angeles landmarks. Kalesniko renders both the exterior and interior spaces with a mix of loving care and impassioned disgust." – Noel Murray, The A.V. Club
• Review: "This mesmeric saga [Freeway] is deliciously multi-layered: blending compelling narrative with tantalising tidbits and secret snippets from the golden age of animation with rosy reveries of the meta-fictional post-war LA and the sheer tension of a paranoid thriller. Kalesniko opens Alex mind and soul to us but there’s no easy ride. Like Christopher Nolan’s Memento, there’s a brilliant tale here but you’re expected to pay attention and work for it. Illustrated with stunning virtuosity in captivating black line, Alex’s frustration, anger, despair, reminiscences and imaginings from idle ponderings to over-the-top near hallucinations are chillingly captured and shared in this wonderful book..." – Win Wiacek, Now Read This!
• Plug: "Freeway by Mark Kalesniko (published by @fantagraphics) is one of the best graphic novels I've read this year." – Ted Adams (founder/CEO, IDW Publishing)
• Plug:Grovel previews Freeway: "This 400-page epic looks set to be a stunning piece of work, as Kalesniko squeezes a lifetime of events into the mental wanderings of a single car journey."
• Review: "Dungeon Quest is unlike anything I have ever seen in the comic world. The closest comparison is some old comic strips in Dungeon Magazine from the mid-eighties but Dungeon Questtakes the level of insanity in those strips and adds +100 in delirium bonuses. If you know a manic dice roller, go out and purchase them both editions without thought. They will love you forever. [...] The story sounds a little like Bilbo Baggins' quest, right? Well, take Bilbo and drag him through a funhouse filled with drag queens and stand-up comedians from the eighties and you might end up with Dungeon Quest. The filth that spews from this book will make you blanch and make you laugh your lungs up." – Martin John, The Outhouse
• Review: "In short, The Arctic Marauder is pure fun, silly and dark camp. It’s a beautiful book, with an appealing cover and a sturdy hardcover binding. Tardi’s narrative voice keeps the proceedings puckishly light and pleasant, while the plot itself explores oceanic depths and throws out characters rife with madness and egocentrism. There aren’t many books quite like it; comics readers are better off for having Tardi available here in the States." – Michael C. Lorah, Newsarama
• Review: "The fun of getting caught up in a story that’s convoluted for its own sake, or the dazzle of pictures that preen the skill and effort that went into crafting them — they’re the hallmarks of a book that one reads to relax. Books that require an effort are ultimately more satisfying, but the smaller satisfactions are occasionally what one needs. The Arctic Marauder is fun, and it was nice to sit down with it after a long day." – Robert Stanley Martin, Pol Culture
• Review: "Screenwriter and novelist Claudio Piersanti's dark tale of a man driven to the depths of despair is beautifully captured in Mattotti's astonishing art [in Stigmata]. No artist is better suited to capturing all the intense violence, anger and despair this character suffers through." – John Anderson, The Beguiling blog
• Review: "Daddy's Girl is a comic book with a difference. Debbie Drechser uses mostly black and white illustrations to openly deal with the dark subject of abuse. [...] This is simply put, a masterpiece. The deeply disturbing subject matter of sexual abuse is brought to life with a startling brutality. It's impossible not to be impacted by the experiences within the pages. [...] It's a memorable, moving, bold, and — at times — emotionally challenging read that definitely rates a 5/5 from me." – Charlene Martel, The Literary Word
• Review: "Because Theroux knew Gorey personally — and remains a fervent fan — The Strange Case [of Edward Gorey] jumps from memories of the man to a more generalized biography, in between astute analyses of what makes Gorey books like The Hapless Child and The Gashlycrumb Tinies so haunting. The Strange Case isn’t organized like a conventional bio or critique; it’s more rambling and personal, working carefully past the psychic blockades of a man who once explained away the darkness of his work with the non-committal comment, 'I don’t know any children.'" – Noel Murray, The A.V. Club
• Review: "Rendered in an incomprehensibly lovely panorama of glowing artPrince Valiant is a non-stop rollercoaster of stirring action, exotic adventure and grand romance; blending realistic fantasy with sardonic wit and broad humour with unbelievably dark violence... Beautiful, captivating and utterly awe-inspiring the strip is a World Classic of storytelling and something no fan can afford to miss." – Win Wiacek, Now Read This!
• Review: "These superb oversized... hardback collections are the ideal way of discovering or rediscovering Segar’s magical tales. [...] There is more than one Popeye. If your first thought on hearing the name is an unintelligible, indomitable white-clad sailor always fighting a great big beardy-bloke and mainlining tinned spinach, that’s okay: the animated features have a brilliance and energy of their own... But they are really only the tip of an incredible iceberg of satire, slapstick, virtue, vice and mind-boggling adventure… [D]on’t you think it’s about time you sampled the original and very best?" – Win Wiacek, Now Read This!
• Interview: At Newsarama, Zack Smith talks to Hans Rickheit about Ectopiary ("one of those webcomics that has everyone talking"), future plans and coelocanths: "The story divides into three parts which do not resemble each other. I wanted to draw an exotic science fiction, although the first hundred pages will contain very little in that vein. These stories aren't written; they simply occur to me. I prefer it that way. Good science fiction writers write about strange and inexplicable things. My job is make the strange things they write about."
• Review: "...I can safely say that this graphic novel [Stigmata] offers a different experience (in a good way) from any I have read before. Lorenzo Mattotti's line-based art is a perfect expression of the mystical, sometimes demonic aspects of this tale. Instead of areas of solid black, he uses dense cross-hatching to create dark areas within frames full of swirling lines which suggest both Bruno's unsettled state of mind and also the very fluidity of experience. Scenes and characters appear and disappear out of these dense networks as if from a dense fog, and it all creates a sense that perhaps you don't entirely know what is going on at any time or even what constitutes reality." – Sarah Boslaugh, PLAYBACK:stl
• Profile: At The A.V. Club Chicago, Nicki Yowell profiles Lilli Carré: "Carré’s books and accompanying illustration are almost always from another world. They are a cross between a favorite storybook growing up as a child and the warped comedic sensibility of a favorite uncle. [...] She will table at the Chicago Zine Fest, and she views self-publishing as something that brings 'immediate gratification,' especially on 'a very inspired or caffeinated day.'"
• Plug: "I missed this series [Yeah!] the first time round, so I’m really looking forward to grabbing a copy of this collection. Peter Bagge and Gilbert Hernandez are two of my favourite comic creators, so the idea of the two of them creating something together just blows my mind!" – Edward Kaye, Hypergeek
Just announced: The Raven by Lou Reed and Lorenzo Mattotti will be making its debut at the Toronto Comics Art Festival in May! Mattotti, as previously announced, will be a Featured Guest at the festival. TCAF organizer Chris Butcher puts it best: "Look for further information on Fantagraphics’ TCAF 2011 plans, as well as feature events with Lorenzo Mattotti, as the Festival draws closer."
The issue also includes the reviews excerpted below:
The Arctic Marauder by Jacques Tardi: "A strong Jules Verne flavor dominates the story’s stew of mystery farce and sci-fi adventure, from the ship named the Jules Vernez to the assortment of just-plausibly-outlandish vehicles and deep-sea mechanical apparatuses. But the real fun comes from marveling at it all in Tardi’s expansive, ice-blasted scratchboard tableaus that feature one breath-stealing scene after another, all the way through to the cheerfully villainous finale. A devious bit of far-fetched fun." – Ian Chipman
Freeway by Mark Kalesniko: "Kalesniko reprises his alter ego, Alex Kalienka, for his most ambitious and accomplished graphic novel yet. [...] Although Kalesniko’s formal storytelling devices, particularly his deft panel arrangements and intelligent compositions, are largely responsible for Freeway’s impressive effectiveness, it’s his distinctive and delicate drawing style that supplies the emotional component, best displayed in the economical character design and in the painstakingly researched, lovingly depicted scenes of a bygone Los Angeles." – Gordon Flagg (Starred Review)
Stigmata by Lorenzo Mattotti & Claudio Piersanti: "Obviously but never verbally a parable of Christian redemption, Piersanti’s story becomes extremely compelling in Mattotti’s hands. ...[H]is swirling realization of atmosphere, the protagonist’s states of mind, and human figures conjures the raw power and compassion of such great Italian neorealist films as Bicycle Thieves and La Strada." – Ray Olson
• Review: "Tim Kreider is a great caricaturist, as his latest collection of cartoons, Twilight of the Assholes, attests. He has a real knack for portraying the unsightly physical traits of modern Americans– the rolls of fat, the paunchy stomachs, the jowls, flabby arms and chinless faces — that make up more of the current populace than we’d care to admit (myself included). Plus, he’s got a nice, razor-sharp wit that really cuts to the absurdity of a particular stance or issue, and he isn’t afraid to get nasty or break a taboo to make his point, which can be refreshing." – Chris Mautner, Robot 6
• Review: "Cleverly constructed, laconically laid out in the classic nine-panel-grid picture structure and rendered in comfortingly mundane style a la Charles Burns, King of the Flies is a landmark in metafictional mystery tales. [...R]eaders will have to wait for the concluding book to discover how this stunning, mesmerising amalgam of Twin Peaks, Desert Palms, Peyton Place, The Omen and Blue Velvet plays out. A stylish and magical portmanteau saga of a community cursed with an excess of human frailty – lust, rage, greed, despair and especially shallow selfishness – this is a story that will surprise, compel, distress and haunt anybody with even half an imagination. Darkly addictive, casually violent and graphically sexual, King of the Flies is 'adults only' and well worth waiting until you’re 18 for." – Win Wiacek, Now Read This!
• Review: "This is a story about purpose, inertia, the road blocks we throw up for ourselves and the ways in which we are forced to interact with a demanding and frequently demeaning world. This book feels intimate because unlike his past work, Sammy the Mouse has an immediacy to it that’s quite different in tone from his earlier, more distant (but no less visceral) comics. [...] Sally’s comics have an ugly physical quality to them that I’ve always liked, but the two-color process he uses here pushes the ugly/beautiful tension even further. [...] The care and thought that Sally put into adapting his comic into the Ignatz format shows on every page and makes the story resonate all the more." – Rob Clough, The Comics Journal
• Review: "It’s hard to decide which Ignatz book is the best-looking purely from an aesthetic standpoint, but Leila Marzocchi’s Niger has to be in consideration. It’s another series that’s dominated by two tones (in this case, rust red and a chalky blue) that’s remarkable to behold simply in terms of its mark-making. There’s a lushness to this series, in the way Marzocchi uses a scratchy technique that makes her figures and backgrounds look as though they were less drawn than constructed with dense webs of color. Her figures are fabulously exaggerated, all curves and bulbous noses. Everyone is larger than life, creating a sort of mysterious and slightly dark fairy tale atmosphere for this story. [...] It’s an easy comic to follow and probably the friendliest to non-comics readers in the Ignatz line. While its ideas are original, its familiar feel creates a certain immediate comfort level for the reader as they delve into a strange and beautiful world. It’s as though Niger is a favorite old fairy tale whose memory is just out of reach." – Rob Clough, The Comics Journal
• Review: "Instead of writing about the [Prince Valiant] series as a whole (or at least, those volumes I have read), I decided to do another one-page criticism. After much debate with myself I selected the page... dated December 1, 1940, appearing at the end of volume 2. In some respects this is a typical Hal Foster page, but in many ways it is not, which is partially why I chose it." – Derik Badman, The Panelists
• Plug: "ROY CRANE Mania! Just got my copy of Buz Sawyer: War in the Pacific, this and the Captain Easy volumes are long overdue. Thrilling stuff! Roy Crane is one of the unsung greats! Thrilling, charming, infectious masterful storytelling. Probably in my top five favorite cartoonists. Roy Crane drew some of the most subtly sexy women ever. ...[H]uzzah to Fantagraphics! Okay, I'm insane for Roy Crane. It may look old fashioned at first glance, but trust me, once you dive in you'll eat it up!" – Mike Allred
• Plug: "[Love and Rockets: New Stories #3] was as amazing as folks said it was. No knock against Gilbert, but Jaime murdered it this time around, absolutely killed, fired on all cylinders, drowned it in ink. Jeepers, someone give that man a cartooning medal." – Evan Dorkin
• Plug: "I forgot how much I enjoyed reading Carol Tyler's comics when I was tripping over them in various anthologies in the 80's/90's. I stumbled across this book [Late Bloomer] while cleaning up in the basement where all the comics that don't fit anywhere sleep, and was happy to revisit these pieces, as well as material I hadn't read before. The perils of buying a book and putting it aside for too long. Funny, warm, human, honest, occasionally beautiful/heartbreaking 'life' comics." – Evan Dorkin
• Plug: "I love Roy Crane and I'm super-happy [Captain Easy Vol. 1] is in print. Cartoonists and cartoonist-wonks, take heed, there is some beautiful work to be pored over here. ...Crane = Master." – Evan Dorkin
• Plug: "Regular readers of this blog will be aware of the release of Stigmata (Fantagraphics) just a few weeks ago. Featuring expressionist master Lorenzo Mattotti's swirling, cross-hatched pen line as if the story were recounting the fading memory of a dream about a drunk who one day wakes up marked with stigmata. It's an intense and perfectly balanced story, in hard cover with a wonderful Mattotti painting on the cover and it deserves to be a flagship title for any graphic novel collection." – Dave's Comics
• Interview: At The Comics Journal, Ian Burns talks to Shaun Partridge, writer of the Josh Simmons-drawn Mome serial "The White Rhinoceros" (part 1 of 3): "I think fun is the law. You should really enjoy life and laugh. That’s what comedy’s all about. Which is also alchemical, because you’re taking something that is unpleasant and making jokes about it. You know, Dave Chappelle’s a master alchemist. Larry David’s an alchemist."
The organizers of the Toronto Comic Arts Festival (TCAF) announced today that the great Lorenzo Mattotti will be a special guest at the festival and we couldn't be more excited about it. (Unfortunately, contrary to the announcement at the time of this posting, it's very unlikely that we will have The Raven in time for the festival. We will have plenty of copies of Stigmata, however!) It's going to be a thrill having Lorenzo appear at our booth! Stay tuned for updates.
• Review: "Working in frenetic black and white, Eisner-award-winning Italian cartoonist Lorenzo Mattotti illustrates screenwriter Claudio Piersanti’s Stigmata with powerful art that drives a timeless fable of existential dreams. [...] Thanks to Piersanti’s workable script, Stigmata comes across as naturalistic and modernist in an old-school Hemingway style. [...] It’s an old story, but the heart that Mattotti and Piersanti bring to their comic keeps the work interesting.Mattotti’s character designs are as incredibly idiosyncratic as they are intense — their bodies are hulking masses, with exaggerated proportions and faces that don’t feel drawn so much as sculpted." – Ao Meng, The Daily Texan
• Review: "Segar's Thimble Theater was a nearly perfect blend of humor and adventure, with a cast of interesting oddballs (led by Popeye himself, of course) and a tone that could veer from high drama to low comedy within a couple of panels. And this Fantagraphics series is even closer to perfection, presenting Segar's work gorgeously on great big pages — it would be a much better world if all our artistic treasures were treated this well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview (Audio): I haven't yet but you can bet I'll be listening to the entire 2 hours of the Inkstuds interview with the great Carol Tyler
• Interview:Robot 6's Brigid Alverson gets the behind-the-scenes scoop from Rich Tommaso about his work recoloring the Carl Barks ducks comics for our forthcoming collections
• Coming Attractions: The latest "Graphic Novels Prepub Alert" from Library Journal's Martha Cornog spotlights Murder by High Tide: "Belgian artist Tillieux (1921-78) is well known in Europe for tightly plotted mystery-comedies, churning with action and spectacular roadway mayhem. Never before translated for Americans, his work suggests Hergé's Tintin but in moodier, Will Eisner-grimy settings."
Comica, the London International Comics Festival, announces:
"On Saturday March 12th, mesmerising Italian maestro Lorenzo Mattotti makes a rare visit to London to discuss his career in comics and beyond, including his latest graphic novel Stigmata, translated by Fantagraphics, and his collaborations, from his animated terrors in the movie Fear(s) of the Dark to illustrating Lou Reed’s concept album The Raven. Joining Mattotti in conversation will be his friend and fellow artist Dave McKean, famed for his multi-media solo projects, most recently the erotic graphic novel Celluloid, and his works with Neil Gaiman notably on The Sandman. Introduced and hosted by Comica Director, Paul Gravett, don’t miss this opportunity to witness a unique encounter between two of the world’s greatest contemporary visionaries from 6 to 7.30pm followed by book signings at Goldsmiths University in South-East London."
Purchase advance tickets and get more information here.
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