The strongest umbrella in the wind of Online Commentaries & Diversions:
• Review: Paul Constant of The Stranger looks at The Last Vispo: Visual Poetry 1998-2008, edited by Nico Vassilakis and Crag Hill. "As an art book, it demands hours of investigation. . . For those linguistic pioneers looking to find the future of fiction, this could be one of the most informative poetry anthologies to be published in the new millennium."
• Review:NPR's My Guilty Pleasure looks at the Jacques Tardi graphics novels of Adèle Blanc-Sec who is "young writer with the brains of Sherlock Holmes, the body of Angelina Jolie and the stoic fortitude of the Marlboro Man." Rosecrans Baldwin states, "The books are part adventure comic, part hardboiled fiction. They're terrific whodunits that conjure up all the precise atmospheric detail of, say, a Georges Simenon novel, but with twice the plot."
• Review:Blacklung by Chris Wright gets reviewed on Nerds of a Feather. Philippe Duhart says, "Wright’s genius is further evident in his ability to use these aberrant cartoonish characterizations to convey human emotion, particularly terror. Wright’s portrayal of violence is stark and chilling – despite or perhaps because of his singular style. . . Black Lung worked on all counts. Plus, pirates."
• Review (video):Kapow Comics down in Australia reviews Chris Wright's Blacklung. Al states "this is a complicated book with musings on philosophy, literature, mortality and especially, religion has a big focus." Sonya says, "Every single character changes in this story, their journey changes them . . . [Blacklung] prayed on my mind. It lingers with you."
• Review: Glen David Gold looks at Flannery O'Connor: The Cartoons edited by Kelly Gerald in the LA Review of Books. In an attempt to see how the bread is made, Gold, "Cartooning was O'Connor's first artistic passion. . . . An article in the local paper and a pile of rejection slips from The New Yorker indicate how serious she was. . . not an early blush of Flannery the fiction writer at work. But I'd still recommend it to the curious. Come at it without expecting same genius, but look at it because it's an extreme close up of biography."
• Review:Publishers Weekly looks at Jack Jackson's Los Tejanos and Lost Causes. "Comics’ current vogue for nonfiction was pioneered in these two works from the late underground comix founding father Jackson, who died in 2006. Jackson brought an R. Crumb–style crosshatching and love of facial grotesquery to these two densely researched historical graphic novels."
• Plug:Publishers Weekly and Ada Price show a sneak peak of The Heart of Thomas by Moto Hagio. Enjoy 14 pages of pure genius but don't forget to read each one right to left! We're talking manga here.
• Review: Rob Clough of The Comics Journal enjoys The Hypo by Noah Van Sciver."he’s made a fairly significant leap as both a draftsman and a storyteller in a relatively short period of time . . . Van Sciver’s greatest achievement in this book is his storytelling restraint. He lets his cross-hatching gets across the grime . . He wants to show the reader a different side of the Lincoln we grew up reading about in the history books, but also wants the reader to connect this younger man to the future president."
• Review:Fantasy Literature takes a peek at Castle Waiting Vol. 1 by Linda Medley and Ruth Arnell is in love. "the charming ink illustrations have a piquant charming quality that match the story wonderfully. . . Linda Medley has written a gentle feminist fairy tale comic book that truly deserves to have a wider audience."
• Review: Sonia Harris of Comics Book Resources reads Black Hole by Charles Burns all in one sitting, one evening. "Reading Black Hole all at once in a nice, tidy bundle, it is impossible to experience what Black Hole was for all those years while it was slowly seeping out, issue by issue. . . it is visceral poetry, a true expression of the medium with imagery and words working together to create the most intimate impact. Black Hole is beautiful and terrible, it is a treasure."
This is what our table looked like for most of the day. It was very busy, just like SPX so we barely left the table for pictures, let alone peeing or eating (one of those could solve the other, you decide the order).
WHOA, did you just catch a glimpse of an advance copy of Moto Hagio's The Heart of Thomas in that bottom right corner (pictured above)?! Cartoonist Jose-Luis Olivares and a calvacade of others flipped through the 500+ page masterpiece, ready to read it as soon as it was available for purchase.
The enigmatic and rarely-seen Josh Simmons appeared out of a subway mist much to his fans appreciation. Many fans stopped by to crack wise with the dark master while he signed The Furry Trap, including fellow cartoonists Dean Haspiel, Joe Infurnari and Nick Abadzis.
The intensity in this guy's face as he hands Gary Panter his copy ofDal Tokyo cannot be beat.
Intern Anna and I were watching said Panter fan to make sure he never put on THAT murder face, you know, that one Josh Simmons draws a lot:
Olivier Schrauwen stopped by as well to sign The Man Who Grew His Beard but left his pencil case full of pens so thank you for the gift (ha ha, don’t worry we’ll take care of them).
Writer and CBR reporter, Alex Dueben, grabs one of the last copies of Heads or Tails.
Art Spiegelman blew smoke quaintly into my face and Josh Simmons’ on the search for Lilli Carré, whom he couldn’t get enough of. That empty space on the wooden table between them is where her giant stack of Heads or Tails was before it sold out.
Chris Ware came to see how the show was going for Fantagraphics and to escape the hotbox upstairs. We gabbed about the printmaking department at the University of Texas, our shared alma mater, and Civil War reenactment. I think I spot a Nate Doyle to the left of him too.
We caught up with future Fantagraphics creator and Oily Comics entrepreneur Charles Forsman pictured here with brother Tobey and cartoonist Melissa Mendes hanging out at Bergen Street Comics.
As the hands of the humid clock ticked past 7, we thanked our lucky stars for being a part of Brooklyn Comics and Graphics Festival. Here is Josh Simmons, intern Anna Pederson and me ready for some yum-yums wrapped in bacon.
Brooklyn, Gabe, Dan and Bill: thank you all so much for your gorgeous hospitality and smiles. Thank you, Robin McConnell for providing some photos. See you all next year!
The blackest ink in the pot of Online Commentaries & Diversions:
• Review:AV Club shows presidential love for Barack Hussein Obama and The Hypo. Noel Murray on Steven Weissman's book: "For the most part Barack Hussein Obama is just wild fun, built around the notion that a president can be easily reduced to his public image—and that we, the people, have the right to manipulate that image for our own delight." And Murray on The Hypo: "[Noah Van Sciverrenders] an American icon as a lumpen everyman, fighting through the same fog that many people find themselves in—even if few of those ordinary folks wind up in the Oval Office."
• Review:Publishers Weekly picks The Hypo by Noah Van Sciver as one of the best new books of the month. "Van Sciver’s psychologically astute examination of what might be termed Abraham Lincoln’s “lost years” (1837–1842) is as gripping and persuasive as the best historical fiction. . . .A thoroughly engaging graphic novel that seamlessly balances investigation and imagination."
• Review:Paste Magazine reviews Steven Weissman's newest book and Hillary Brown gives it a 8.1 (outta 10). "With its gold foil stamp and red, white and blue partial jacket, Barack Hussein Obama could well be a semi-official graphic rendering of a presidency. . . If this book is a portrait of anything, it shows the grind and the way that hope and idealism erodes when faced with the everyday, and that is valuable"
•Review:La Tempestad on Barack Hussein Obamaby Steven Weissman. Rough translation states "Through these pages, Weissman satirizes and creates a parallel reality of based on the stewards of American power."
• Review:MetroPulse enjoys reading Ralph Azham Vol. 1 "Why Would You Do That To Someone You Love" by Lewis Trondheim. Matthew Everett states "There’s action, drama, pratfalls, bad-ass mercenaries, and a last-panel surprise that promises future volumes will head off in entirely unexpected directions. . . Ralph Azham is off to a near-perfect start. It’s a quietly marvelous addition to the English-language catalog of a working world master. Get it while you can."
• Review:The Quietus peeks at Dal Tokyo by Gary Panter. Mat Colegate can barely contain himself: "Panter is probably one of the single most influential underground American cartoonists of all time, a kind of Ramones to Robert Crumb’s Jefferson Airplane, which makes his relative unknown status a bit baffling. A cartoonists’ cartoonist, maybe?. . . The man’s inks are practically sentient, devouring white space like it was candy floss as his crude likenesses become imbued with a very deliberate purpose, that of guiding the reader through Panter’s personal inferno: the urban Twentieth Century."
• Review:The Quietus continues comic coverage on Joe Daly's Dungeon Quest: Book Three. Mat Colgate states,"Dear J.R.R. certainly never had one of his characters wank off a gnome, did he? Indeed Dungeon Quest’s good natured, silly humour gives it much of its character and combines with Daly’s beautiful Charles Burns-esque artwork to make the book much more than the sum of its parts. It feels like a real labour of love and when you read it you’ll see why. Nerdgasm guaranteed. I’m in love with this comic."
• Review:Unshelved looked at Dungeon Quest: Book Three by Joe Daly. Gene Ambaum writes "I never know where this weird, Dungeons & Dragons-ish adventure will take me next. . . Every dungeon should have a vending machine [a la Dungeon Quest]! Makes more sense than turning a corner and finding an elf with a fully-stocked shop where there’s little to no foot traffic."
• Review:The Quietus focuses New York Mon Amour by Jacques Tardi. Mat Colgate states"Using only black, white and red, Tardi illustrates a seedy, roach-infested New York that’s utterly plausible. You can practically smell the trash on the sidewalks as you follow the hapless narrator’s spiral into madness and murder. . . .if you know anyone looking to take the plunge into comics, someone who’s interested in what the medium can do and the fascinating ways it can do it, then point them in this books’ direction."
• Review:BUTT Magazine sinks its teeth into No Straight Lines, edited by Justin Hall. "Justin’s 328-page anthology is a very thorough introduction to the world of GLBT comics. His knowledge on the subject is pretty extensive, probably because he’s been a fan of the medium since he was a kid. Justin tells me that’s how he learned to read. . . In fact, the entire collection features a healthy dose of realism from a genre usually characterized by fantasy."
• Interview: Brandon Soderberg of The Comics Journal interviews the elusive Josh Simmons on The Furry Trap and his recent short film, The Leader, plus horror in all aspects: "Often, the best horror is about losing. And maybe struggling to keep a shred of dignity while you do. But often, you don’t even get that. Sometimes, you get your throat cut while a clown is pulling your pants down. It’s not enough that you’re getting murdered, you’re being humiliated at the same time!" Simmons eloquently states.
• Review: Los Angeles Review of Books ponders Listen, Whitey! The Sights and Sounds of Black Power by Pat Thomas. Rickey Vincent says,"The book is meticulously detailed, reflecting Thomas’s skills as a researcher (and record producer), yet conversational in tone, balancing the voice of a rock critic with the heft of a historian. . .The book remains consistent with its vision, and Thomas delivers black power with authority."
• Commentary:SFWeekly talks about Love and Rockets' art show at the Cartoon Art Museum, Chris Hall explains "If Love and Rockets brought one innovation to the comics field, it could be its lack of misogyny. . . Love and Rockets has, from the beginning, been praised for consistently depicting strong, complex women characters."
• Commentary:Jordan Hurder posted some APE coverage on the Hernandez Brothers and our company: "Fantagraphics crushed this show. It helps that they had Los Bros celebrating 30 years of Love and Rockets and Jim Woodring was already there as a special guest, but there was a consistent buzz around their table, and there were lines for pretty much every signing they had."
• Commentary:Jaime, Gilbert and Mario Hernandez appeared at APE much to JK Parkin of Robot 6 's delight. "All three Hernandez Brothers were at the show, and when they hit the Fantagraphics table the crowds surrounded them."
• Interview:The Comics Reporter links to some great vids from SPX interviews with Jaime Hernandez, Gilbert Hernandez and Daniel Clowes.
• Review:Simcoe looks at Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks. Glenn Perrett says, "The stories are entertaining and the illustrations are excellent with a wonderful use of colour. . . Walt Disney's Uncle Scrooge: Only a Poor Old Man will appeal to young and old."
• Review:Pat Afforo looks at Stigmata by Lorenzo Mattotti and Claudio Piersanti. "If anyone has not read it you are definitely in for a ride and it is not a smooth one at the very least. This book covers a lot of different topics: religion, redemption, reincarnation, sin, good vs. evil, and above all love."
• Review:AV Club has high hopes for Rich Tommaso and his future books starring The Cavalier Mr. Thompson. Noel Murray posits,"Tommaso’s talented enough that The Cavalier Mr. Thompson might one day be seen as the lurching beginning to something truly great. . ."
•Interview:The Guardian asks Chris Ware some questions. In answer to Rosanna Greenstreet's question 'Which living person do you most admire and why?' Ware answers,"For intellect: Art Spiegelman. For art: Robert Crumb. For poetry and vision: Gary Panter. For decency: Barack Obama. For genuine goodness: Charles Burns. For genius: Charlie Kaufman. For soulfulness and love: Lynda Barry. For words: Zadie Smith. For unique life's work and superhuman effort expended: Ira Glass, Dave Eggers."
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
As TCJ.com's Joe McCulloch notes in his "Conflict of Interest Reservoir," "Oh wait, we’ve still got $100+ of good-looking Fantagraphics books to cover."
112-page full-color 7.25" x 9.25" hardcover • $22.99 ISBN: 978-1-60699-623-2
"When it comes to splurging, I’m going to be topical: Steven Weissman’s surreal, alternate take on the life and times of our current president, Barack Hussein Obama (Fantagraphics, $22.99) just may contain an explanation for that sleepy debate performance last week, if nothing else." – Graeme McMillan, Robot 6
"I’ve heard a bunch about Steven Weissman’s Barack Hussein Obama, a cracked fantastic vision of the contemporary political scene, and now it’s time to witness its 112 pages on my own." – Joe McCulloch, The Comics Journal
"This book advertises on this site, but there's no talent in comics exactly like Steve Weissman and this book is bound to hit at a key moment in history: Obama's win of a second term or his defeat at the polls." – Tom Spurgeon, The Comics Reporter
"Set in a surreal, parallel universe, Barrack Hussein Obama's odd world is really no stranger than our own. In our world, politicians exist with the protective Beltway Bubble, but in BHO politicians are made to live in the world they create via their policies." – Benn Ray (Atomic Books), Largehearted Boy
228-page black & white/color 9.25" x 9.25" hardcover • $35.00 ISBN: 978-1-60699-499-3
"If I had $30, I’d... steal $5 from somebody — anybody — to get my hands on Vol. 2 of Buz Sawyer: Sultry’s Tiger. Buz doesn’t have quite the same pep as Roy Crane’s Captain Easy, but the art is much more professional and lush and beautiful. Besides it’s Roy Crane, and even middle grade Crane is miles and miles better than just about any other cartoonist around." – Chris Mautner, Robot 6
"Roy Crane proffers 228 pages of vintage derring-do with Buz Sawyer Vol. 2: Sultry’s Tiger." – Joe McCulloch, The Comics Journal
The weekend's newest Online Commentaries & Diversions:
• Plug: The best footnote IN THE WORLD? appeared on Grantland's excerpt of Marvel Comics: The Untold Story written by Sean Howe. It refers to Marvel's idea of hiring Gary Groth. . . Look for footnote 7.
•Review: Johnny Ryan'sPrison Pit: Book 4 is reviewed on Nick Gazin's Comic Book Love in #73 and Mr. Ryan himself is interviewed. . . via text. "There's no point in trying to explain Prison Pit. You can only experience it to understand it. Start buy buying all of them at once if you haven't yet. . . It wears its intentional stupidness and violence on its sleeve while also showing off Johnny Ryan's sophisticated sense of composition and black and white ink prettiness."
• Review: Comics Bulletin likes Rich Tommaso's The Cavalier Mr. Thompson. Nick Hanover says, "Tommaso's distinctly minimalist, animation-influenced style adds another seemingly disparate element that actually serves to enliven the material all the more, finding some sweet spot between the Coen Brothers and Popeye."
• Plug:Comics Alliance lists their favorite covers of the month and include Rich Tommaso's The Cavalier Mr. Thompson. Andrew Wheeler says,"I'm drawn to the graphic simplicity of this cover. It plays with scale, line and color in creative ways, and the composition pulls it all together."
• Review: Rick Klaw at RevolutionSF flips through Dungeon Quest 3 by Joe Daly ". . .rousing adventure and ass-kicking action — all staged in front of fantastic backdrops replete with strange vegetation, ancient ruins and steampunk imagery."
• Commentary:The Beat reports on an SPX panel with Daniel Clowes and his editors, Alvin Beaunaventura and Ken Parille, for The Daniel Clowes Reader. Hannah Means-Shannon states,"Clowes, who appeared energetic and amused by such a large crowd commented that working on the retrospective book with Buenaventura was a welcome thing because he’s 'lonely and working all the time'so it was 'fun to have someone to hang out with'. . . Little details provided by Buenaventura and Clowes about the research process set the scene for comedy, including Buenaventura rifling through Clowes’ closets constantly and 'measuring his art' while Clowes wondered what dirty laundry the writer might dig up that he had forgotten about."
• Review: Rob Clough of High-Low picks up The Squirrel Machine, which is being reprinted in soft cover next spring, by the creeptacular Hans Rickheit. "Rickheit's stories tend to take place in a more upscale, reserved and even Victorian setting, which befits his delicate, sensitive line. . . Rickheit strikes at the heart of what it means to be human: connecting with other emotionally and physically, seeking to express oneself through art, investigating the world around us--in other words, to be emotionally and intellectually curious."
• Review: Chad Parenteau reviews Hans Rickheit's newer Folly on We Got Issues. "Rickheit clearly wrestles with the meaning and purpose of his work with every page he creates, as other artists do. Hans might be consider rude for speaking so out loud about it if more people hung around long enough to listen. Me, I’m so ensconced in his Underbrain, I’m taking notes."
• Review:Comic Impact soaks up The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. John Mueller states, "Frost is a sharply written book that takes the reader deeper into a character’s psyche more than any other comic in recent memory. Still, as well-written as the book is, what will undoubtedly get people to pick it up is the sensational art by the acclaimed Mattotti. . . the styles of the art can jump from impressionism to expressionism, symbolism to Hopper-esque realism often within the space of just two panels."
• Review:Bookgasm reviews The Crackle of the Frost by Jorge Zentner and Lorenzo Mattotti. JT Lindroos thinks,"THE CRACKLE OF THE FROST is realistic in a manner very few graphic novels are, pinpointing a phantasmagorical and poetic vision of human relationship in its naturally nonlinear movement. It’s also a perfect example of a work that might appeal to someone not customarily interested in comics"
• Interview:The Chicago Tribune talks to Chris Ware about life, comics and Peanuts. "When he was a child, Ware connected deeply with Charlie Brown, he said. He remembers connecting so deeply that he sent Charlie Brown a valentine." Fitting that Fantagraphics has published work by both.
• Commentary: Hannah Means on The Beat comments on the SPX Ignatz Awards. "The presence of the Hernandez brothers at SPX this year brought a great deal of energy, and often hilarity, and the Ignatz awards were no exception."
• Commentary: Hannah Means covered the Brooklyn Book Festival on The Beat including the 'Sex and Comics' panel that included Gilbert Hernandez. She describes, "Hernandez was asked whether he has used sex in his works as a plot device, but countered this possibility rather precisely by explaining the undesirable tendency of depictions of sex to slow down plot movements rather than usher them along."
• Interview (audio): Sean T. Collins interviewed Gilbert Hernandezrecently at SPX. Check out the full interview today.
• Interview: Vince Brusio caught up with Jaime Hernandez on the Northeast Coast Tour and interviewed him for PREVIEWSworld.
• Plug: On Forbidden Planet's Desert Island series, Gary Northfield said he could not live without Buddy Does Seattle by Peter Bagge and I Shall Destroy All Civilized Planets by Fletcher Hanks, edited by Paul Karasik. "This guy knew exactly what he was doing; his panels are graphically stunning, boldly drawn in full manipulation of the crude 4 colour printing processes being used to churn out the pulpy monthly comics. Monthly adventure comic books were in their infancy and finding their feet and Hanks was ploughing his own crazy, psychopathic path" meanwhile "Peter Bagge’s deranged, yet no doubt closely auto-biographical soap opera is an expert lesson in slice of life story-telling and comic book narrative."
Lincoln’s forlorn early years as a struggling lawyer and neophyte politician are sympathetically depicted in this graphic novel. Arriving in Springfield in 1837, the 28-year-old Lincoln starts a law practice . . . and becomes engaged to Mary Todd against her wealthy family’s wishes. But following a series of setbacks—his legal practice collapses, his debts accumulate . . . the melancholia, insecurity, and loneliness that had long plagued Lincoln spiral into a life-threatening nervous breakdown. Lincoln’s struggles to overcome the crippling depression he calls “the hypo” and . . . his career back on track are no less heroic than the political courage he would display as president during the Civil War. Van Sciver’s heavily crosshatched drawing style, a bit reminiscent of early Crumb with a touch of Chester Brown, is well suited for the material, conveying a slight awkwardness that mirrors Lincoln’s personal discomfort and a rough-hewn, old-fashioned quality reflecting the story’s era. —Gordon Flagg
With his strong coloration and curvy figuration, Mattotti can galvanize less-than-extraordinary scripts. . . He works his magic again on fiction writer turned psychotherapist Zentner’s text, the case history of a psychological breakdown. When Alice tells him she wants to have a baby with him, Samuel starts hearing “the noise”—which Mattotti, without cue from Zentner, strikingly depicts as manta ray . . . and drives her away. A year passes; she sends a note; he leaves to find her. Injured in bizarre circumstances en route and vastly delayed by recuperation, he finally proceeds to find Alice. . . The legend-like tales Samuel tells amid his travails provide Oriental fodder for Mattotti’s imagination, but, visually alluding to Cezanne, Chagall, Munch, Picasso, Botero, and others, the artist already dazzles us by employing so much modern Western art to make Samuel’s story come alive. —Ray Olson
• Plug: This is Halloween, HALLOWEEN, Halloween Month. Check out your local comic bookstore and see if they have the stuff you want and need for Halloween Comicsfest: namely the Jack Davis' Tales From the Crypt and Basil Wolverton's Spacehawk.
• Plug:Unbored recently highlighed Gary Panter's drawing tips. Excellent suggestions from a master cartoonist, Dal Tokyo being his latest publication. "Make [a sketchbook] into your little painful pal. The pain goes away slowly page by page."
• Commentary (audio): Publishers Weekly More to Come Podcast, episode 34 talks about SPX! Heidi MacDonald touches on the three Ignatz Awards for The Hernandez Brothers as a bit of "justification or vendication after not even being nominated for the Eisner Award after doing some of the greatest work of their, you know, world-class career. So there were a lot of people very happily clapping for them."MacDonald also touches on the how long it had been since Clowes, Ware, Hernandez and Hernandez had all been together --- since 1999! And The Hypo by Noah Van Sciver was a great as expected.
• Review: On The Weekly Crisis , Taylor PithersdecidesNew York Mon Amourby Jacques Tardi is a MUST BUY! "The Cockroach Killer is the sort of yarn that David Lynch would go on to tell throughout the tail end of the eighties and culminating in the 'as frustrating as it is exciting' Mulholland Drive. . . For those who have yet to experience Tardi this is as good a place as any to start, but to be honest any of the books that Fantagraphics have published by the modern master are a good place to start, as there is a strong chance that you will be back for the rest once you have read one."
In 2000, veteran rock 'n' roller Lou Reed, legendary director Robert Wilson, and a cast of singers and actors premiered Reed's musical POEtry in Hamburg's Thalia Theater.
An ambitious combination of Edgar Allan Poe's poems and stories and Reed's reinterpretations of same (with a few classic Reed songs such as "Perfect Day" and "The Bed") integrated for good measure, POEtry bridged the centuries to provide a unique vision of beauty and horror for the dawning 21st century.
In 2003, Reed released (under the title The Raven) a double CD reprising the musical, featuring an all-star cast of singers and actors including Steve Buscemi, David Bowie, Laurie Anderson. Willem Dafoe, and the Blind Boys of Alabama, as well as an edited single-CD version focusing on the songs.
Now, for the definitive book version compiling the songs, verses and narratives that comprise POEtry/The Raven, Reed has personally commissioned legendary Italian illustrator and cartoonist Lorenzo Mattotti (Dr. Jekyll and Mr. Hyde, Stigmata) to visualize this extraordinary collaboration. Mattotti's vivid, abstracted and enigmatic artwork brings out all the terror and beauty of this centuries-spanning masterwork.
For our edition of this book, we enlisted Grammy Award-nominated designer Jesse LeDoux to create the striking jacket design.
The saltiest sounds of the ocean's Online Commentaries & Diversions:
• Interview: Dubbing them "The Four Horseman of AltComix" Sean T. Collins interviews Jaime and Gilbert Hernandez, Chris Ware and Dan Clowes all in one go onRolling Stone. What a beautiful meetup of minds. Ware says, "Well, there are better cartoonists now than there ever have been. I firmly believe that. There's some amazing work being done." While Gilbert laments the change in alt comics, "That's what was missing from alternative comics after us: The art got less and less good."
• Interview (video): George O'Connor with co-host Natalie Kim recap SPX on InkedTV, including an interview with Gilbert Hernandez, and George shows off his Love and Rockets shirt.
• Plug:Dan Clowes is interviewed on what inspires him by the NY Times : "I didn’t really listen to the Kinks growing up at all — I was just vaguely aware of them, like everybody else — so when I was in my mid-20s I bought a couple of their records, just on a whim, and got sort of obsessed with them."
• Review:Comics Alliance reviews Lorenzo Mattotti's newest collaboration The Crackle of the Frostwith Jorge Zentner. Sarah Horrocks points out,". . . what you're looking at in The Crackle of the Frost is a largely amazing new Mattotti release for North American audiences, with fantastic art that has to be seen to be believed. It is a work that is better than most of what you can get on the stands on any given Wednesday. But it's also a book that is hurt by how achingly close it gets to its own perfection."
• Review:InkedTV reviews Joe Daly's Dungeon Quest Volumes 1-3 on their new video reviews featuring Natalie Kim and George O'Connor. "You will never find a book or a series of books that is so genetalia-obssessed as this book." Take a gander at our back catalog and you might find more.
• Plug:The Comics Journal lets Philip Nel tell a bit of the tale before the legend of Crockett Johnson, from his biography on the man called Crockett Johnson and Ruth Krauss. Fans have their eyes on the horizon for Johnson's Barnaby, edited by Nel and Eric Reynolds. Nel writes, "But before Barnaby, there was Crockett Johnson. And before Crockett Johnson, there was David Johnson Leisk."
• Review:Broken Frontier covers King of the Flies by Mezzo and Pirus. "King Of The Flies by Mezzo & Pirus is one hell of a hardcore comic. It is noir on acid, dark and unrelenting. It is one of the most thorough examinations of the cimmerian darkness the human species can dwell on and it will hit you square in the chest." But what about Book 2? "King Of The Flies 2 : Origin Of The World is maybe even better than its original and though it bears the number 2 it can just as well be read on its own."
The furtherest-traveled Bethesda-sent postcard of Online Commentaries & Diversions:
• Review:NPR's Glen Weldon looks at The Hypo by Noah Van Sciver. "Although The Hypo is painstakingly researched, the book is no dry accretion of biographical detail. That's because Van Sciver approach's is so deeply, palpably personal, even idiosyncratic. . . Inspiring? No. But achingly familiar, relatably human and — most of all — profoundly real."
• Interview:Comic Book Resources and Ryan Ingram pulled Noah Van Sciver aside to talk about The Hypo. Van Sciver says, "My reason for spending so much time working on The Hypo was an honest to god interest in the subject of depression and the struggles Lincoln was going through at that time. Probably nobody else would have done this book."
• Review:We Got Reviews looks at Noah Van Sciver's The Hypo. Chad Parenteau closes it beautifully states," In The Hypo, Van Sciver proves in these pages that you can bring an almost mythic figure of the past to modern day terms while still making that figure heroic."
• Plug:Large-Hearted Boy got his mitts on The Hypo by Noah Van Sciver: "I've been looking forward to this book for what feels like two years now. . . It's a side of Lincoln rarely revealed, beautifully illustrated, and wonderfully told."
• Commentary: Rob Clough of the Comics Journal and High-Low made sure to organize some Noah Van Sciver within the Library of Congress mini-comic collection: "Everything's coming up Noah these days, with an Ignatz nomination for The Death of Elijah Lovejoy and the release of his Abraham Lincoln book The Hypo from Fantagraphics." Clough also comments on Jaime and Gilbert's Ignatz awards, "I dubbed Jaime Hernandez the King of SPX after he took home three extremely well-deserved Ignatz awards. After getting shafted by the other major comics awards shows, it was great to see him relishing this moment."
• Commentary: Tom Spurgeon says a bunch of nice stuff about the Hernandez Brothers, Noah Van Sciver on the Comics Reporter. "Los Bros had a steady line of admirers at the show, which was really encouraging to me. They had good solo panels, too -- Frank Santoro talked to Jaime and got him to choke up a bit, and Sean T. Collins talked to Gilbert and applied to that conversation the benefit of reading the holy shit out of all of Gilbert's work sometime in the last year. . . I enjoyed that Abraham Lincoln book of [Noah's]."
• Commentary:The Beat loves on all creators, great and small including the Hernandez Brothers
• Plug (video): Junot Diaz talks about the Hernandez Brothers in Vol. 1 Brooklyn.
• Commentary (audio): The podcasts Hideous Energy attends not only SPX but the Politics and Prose signing for the Hernandez Brothers . The hosts have a frighteningly good time at SPX despite the trials and tribulations of their hotel room at Red Roof Inn.
• Review: The School Library Journal dissects The Adventures of Venus by Gilbert Hernandez and includes some questions to ask when using it in an English or literature class: ". . . while certainly young readers should appreciate many aspects of the book, some of its content may land as so idiosyncratic (albeit playfully so) as to inaccessible. And that’s actually a good thing."
• Review:The Chicago Reader enjoys Lilli Carré's Heads or Tails. Noah Bertlasky compares,"Eschewing the autobiographical meaning-through-trauma tradition of Maus, the pop art goofiness of Fort Thunder, or the sex and drug spewing of underground artists like R. Crumb, Carré specializes in surreal narratives and exquisite design.. . . Reading this, it's easy to forget there was ever a time comics were viewed as separate from art."
• Plug: Alex Pardee of Juxtapoz picks Johnny Ryan as his dude du jour and demands you read Prison Pit #4 and all previous volumes."I'm pretty sure the words 'Johnny Ryan' mean 'Fuck You' in Elvish or Klingon. . . Lucky for us, Johnny Ryan doesn't give a Russell Brand about pissing anyone off. . . amassing a huge cult following based solely around brilliantly conveyed hemorrhoid jokes, hitler bashing, and 'shit-fucking-shit'. . ."
• Plug: Claire Donnor of comiXology focuses on No Straight Lines, edited by Justin Hall. "Besides offering an exciting array of new and rare talent, this volume presents a very refreshing change from the familiar straight male fantasizing that has traditionally dominated the indie and underground scenes."
• Review:The North Adams Transcript reviews Mattotti and Zentner's The Crackle of the Frost. John Seven writes, "What the words cannot portray, the images do, the real psychological landscape that Samuel's confused analysis grapples with, and a testament to the power that can be born of the collusion between the literary and the illustrative in the best examples of graphic storytelling."
• Review: Carter Scholz returns to The Comics Journal to pen a review of Dal Tokyoby Gary Panter, "So think of it as a comic strip, a periodic commitment. A blog before and after its time, a day book spanning three pitiless decades. Each strip of the first series is time-stamped, by hand, to the minute, testimony to Panter’s living and working and recording in the here-and-now of it."
• Interview: Max Robinson of City Paper interviews Dan Clowes and about the continuing success of Ghost World: "I’m heartened that it seems to live on. It’s about teenage girls from another world, really; [they] don’t text, don’t have cell phones, don’t have computers. It’s really about the olden days and yet it seems like the whole new readership of teenagers seems to take to it every year."
• Review:Pop Matters talks about Daniel Clowes. Features editor Josh Indar says, "This is why I love Dan Clowes. He’s the only comic artist I’ve read who can do this to me, to pull me so completely into his world that, just as the old lady said, I start seeing reality through the lens of his work."
• Review: Nick Gazin's Comic Book Love-In #72 on Vice includes Jacques Tardi's New York Mon Amour. "Many of the comics they're publishing have never been translated into English before so it is a big, big deal that they are providing this service to all American lovers of comics. . . The art's great and it captures what New York in the early 80s was."
• Interview:Print Mag interviews the indeliable Roger Langridge on comics, acting and life. It's worth reading yourself for the gorgeous panels full of exquisite details. Langridge says, "It's a fascinating world, theater."
• Interview: Chris Auman of Reglar Wiglar interviews Ed Piskor on his previous book and upcoming Hip Hop Family Tree. "I grew up surrounded by hip hop. I feel like the fact that I even learned to draw was shaped by a hip hop mentality."
Occasionally a finger on the camera slips and reporters or other publishers accidentally take a picture of the people working on publishing the books, rather than our wide array of talented artists and authors. Here are some nice things people said about us and some semi-nice photos of Gary, Kim, Eric, Jacq and Jen: Tom Spurgeon at Comics Reporter, Chris Mautner on Robot 6 and Comic Book Resources, artist Nick Abadzis, Charles Brownstein at CBLDF, Heidi MacDonald at The BEAT.