|Things to See: 6/27/11 Roundup|
|Written by Mike Baehr | Filed under Tim Lane, Things to see, Steven Weissman, Steve Brodner, Sergio Ponchione, Richard Sala, Renee French, Noah Van Sciver, Mome, Mark Newgarden, Lorenzo Mattotti, Lilli Carré, Leslie Stein, Jason, Eleanor Davis, Drew Friedman, animation, Anders Nilsen, Al Floogleman||27 Jun 2011 10:53 PM|
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Category >> Lorenzo Mattotti
Today's Online Commentary & Diversions:
• Review: "Gender-bending is nothing new in manga, but it's rare to see the transgender sexual identity issues depicted in a realistic way, rather just as a plot gimmick. With her spare, elegant art and slice-of-life storytelling, Shimura resists the urge to use sensationalism, to tell her sweet and sensitive, albeit unusual, coming-of-age tale.... Just as Shimura treats her two tween characters with respect, so does Fantagraphics' hardcover edition of this story. By presenting Shimura's simple, yet elegant artwork in a larger page format and reproducing her lovely color pages on thick, creamy paper, Fantagraphics has showcased this story in a very special way. The translation is also worth noting, for finding a happy medium between conversational English and maintaining the Japanese setting of this story. Wandering Son is a refreshing example of a graphic novel that gives readers a glimpse of a life rarely seen and a story rarely told. Worth a read, and worth sharing." – Deb Aoki, About.com — Manga
• Review: "In Like a Sniper Lining Up His Shot Jean-Patrick Manchette and Jacques Tardi present an unrelenting and unforgiving French noir graphic novel by two masters of the genre. As straight as a shotgun’s barrel and as tight as a bullet, the story bulldozes over people and ethics to an ending that is as merciless as the protagonists themselves. Highly recommended." – Bart Croonenborghs, Broken Frontier
• Review: "If you’re not familiar with Trondheim’s cartooning (and hoo-boy, you should be), he blends funny-animal body-types with breezily convincing cityscapes to create an imminently readable and visually gorgeous narrative. Trondheim is one of the easiest cartoonists to read, and one of the most satisfying to experience. Approximate Continuum Comics wanders far and wide among topics and settings, but the whole book also tells one long tale about a period in its creator’s life, and by the time you’re done with it you feel you’ve spent some very worthwhile time with a great storyteller. Because you have." – Alan David Doane, Trouble with Comics
• Review: "In their graphic novel Stigmata, Lorenzo Mattotti and Claudio Piersanti have created an exceptional example of a successful collaboration of art and text. Stigmata, which tells the story of a man suddenly afflicted with the eponymous phenomenon, is rendered entirely in astonishingly frenetic, swirling line work. Mattotti has hidden a world of grotesqueries under a smokescreen of pen and ink, and through his perfectly restrained, gritty parable, Piersanti shapes that world into a contemplative and captivating read." – Jeff Alford, About.com
• Review: "For a reader who knows little or nothing about religious tradition outside the caricatures created through self-promoters of the strident and extreme, by those who abuse their faith and others under the cloak of religion, or by the media this story [Stigmata] may very well intrigue, horrify, and maybe even move. It is not a doctrinaire work; it is a human one." – Grant Barber, Three Percent (University of Rochester)
• Interview: At The Comics Journal, Nicole Rudick talks to Jim Woodring: "I had the story before I knew I was going to do it as a hundred-page comic, and those Frank stories kind of write themselves. I set out to gather material for them and when I have enough of it, and it’s the right kind of stuff that fits together in such a way, it makes a whole that works. So I didn’t really set out to write Congress of the Animals as a personal story, but once I had the story in hand and I realized that it was that personal — I had that in mind all the time I was drawing it and that influenced some of the visuals, the factory, for example, and the faceless men."
Seriously, New York. You'd be a fool to miss this rare appearance from the legendary Lou Reed, this coming Monday, June 27th at The Strand.
Lou will be reading from his book The Raven, a collaboration with Italian artist Lorenzo Mattotti -- and if you ask me, it's a far more thrilling collaboration than that other one making the news right now!
Ticket holders will receive a signed copy of The Raven, your choice of a famous standard-size Strand tote bag, and the opportunity to meet Lou Reed.
Price of the ticket? $35 bucks. Getting to meet Lou F'ing Reed? Priceless.
The event starts at 7:00 PM in the Rare Book Room at The Strand [828 Broadway].
166-page full-color 9" x 9" hardcover • $22.99
Ships in: June 2011 (subject to change) — Pre-Order Now
In 2000, veteran rock 'n' roller Lou Reed, legendary director Robert Wilson, and a cast of singers and actors premiered Reed's musical POEtry in Hamburg's Thalia Theater.
An ambitious combination of Edgar Allen Poe's poems and stories and Reeds reinterpretations of same (with a few classic Reed songs such as "Perfect Day" and "The Bed" integrated for good measure, POEtry bridged the centuries to provide a unique vision of beauty and horror for the dawning 21st century.In 2003, Reed released (under the title The Raven) a double CD reprising the musical, featuring an all-star cast of singers and actors including Steve Buscemi, David Bowie, Laurie Anderson. Willem Dafoe, and the Blind Boys of Alabama, as well as an edited single-CD version focusing on the songs.
Now, for the definitive book version compiling the songs, verses and narratives that comprise POEtry/The Raven, Reed has personally commissioned legendary Italian illustrator and cartoonist Lorenzo Mattotti (Dr. Jekyll and Mr. Hyde, Stigmata) to visualize this extraordinary collaboration. Mattotti's vivid, abstracted and enigmatic artwork brings out all the terror and beauty of this centuries-spanning masterwork.
This beautiful hardcover volume boasts a jacket design by Grammy-nominated designer Jesse LeDoux.
Download a 16-page PDF excerpt (2.2 MB) which includes the Table of Contents and Reed's foreword.
Video & Photo Slideshow Preview (view in new window):
Today's Online Commentary & Diversions:
• Review: "This book [Eye of the Majestic Creature] isn't easy to describe, and that's exactly why I love it. Leslie's surreal, funny style is a welcome addition to comics; her world includes a talking guitar and thrift-shop treasures. Though sometimes it's a compliment for me to say I read a book in one sitting, I'll be honest and say this one took me weeks — and that's because my eyes lingered over the detailed panels for perhaps much longer than the author intended. I envy her worldview, though I'm thrilled to have 128 pages of it." – Whitney Matheson, USA Today Pop CandyThe Daily Cross Hatch continues serializing Brian Heater's MoCCA panel conversation with Gahan Wilson: "I fit right in [at the National Lampoon]. The minute I walked in and we started talking, I knew 'this is wonderful!' They would egg you on. You would do something that was distasteful or you would attack something, and they’d say, 'oh, you can do worse than that, can’t you?' That sort of thing."
• Plug: "After decades of continually breaking new ground and pushing the boundaries of music, Lou Reed is still as much of a sonic innovator as he ever was. But in the coming months, the Velvet Underground legend is setting aside that aspect of his career in favor of revisiting a couple points in his illustrious career in some rather interesting ways. ...Reed is... readying a collection of drawings that re-interprets his 2003 concept album, The Raven. The 188-page hardcover book, done as a collaboration with Italian illustrator Lorenzo Mattotti, will add another layer to Reed’s reworking of Edgar Allan Poe’s words by giving the songs 'vivid, abstracted and enigmatic paintings.'" – Chris Coplan, Consequence of Sound
On Monday, June 27 at 7pm, join Lou Reed for a very special reading and question and answer session for his book with Lorenzo Mattotti, The Raven, in the Rare Book Room at the Strand bookstore in New York City. This is a reserve seating event with advance tickets costing $35, which includes a copy of the book, a Strand tote bag, and the chance to meet Lou. Tickets are limited so get yours NOW!
I can say, without a doubt, that was the Best TCAF Ever!
...Okay, fine, so Fantagraphics has only done the Toronto Comics Art Festival twice, but it truly was an amazing year! Thank you so much to Christopher, Peter, Miles, Andrew, Gina, and all the fantastic volunteers of TCAF!
And, of course, one of my favorite things about TCAF?
Canadian donuts. Oh yeah.
Mike and I woke up bright and early to set-up our table. There was a momentary panic when I realized one of our display racks didn't arrive from Seattle, but the stellar staff at the Toronto Reference Library loaned us one of their carts for the weekend so we could get all of our shipment out! Thanks Ab!!
This photo serves as proof that we DID bring copies of Walt Disney's Mickey Mouse Vol. 1 (see? on the front corner there) and Wandering Son Book 1 (front and center). They both sold out so quickly, some people thought their debut was a myth, but nope! It's also true that Wandering Son sold out in the first two hours of the show!
Not too surprisingly, The Raven was another sell-out, along with Lorenzo's Ignatz title Chimera. (Stigmata was also insanely close to selling out.) And how gracious and kind was Lorenzo Mattotti? I'm envious of everyone who got to attend his panels! He kept modestly insisting his English wasn't very good (it was good!), but his intelligence and great humor shine through in any language! Thank you so much to TCAF and the Italian Cultural Institute for bringing Lorenzo to Toronto!
Lorenzo may have been a "Guest of Honor" at the con, but really, all of our artists were "guests of honor" at the Fantagraphics table! We feel so lucky to work with some of the nicest people in all of comics, like Zak Sally here (seen with fellow Ignatz artist Mattotti). Not only did Zak do beautiful signings, but "Professor Zak" came out, engaging customers (and us!) with his insane depth of knowledge on comic history! [Note to Zak: I totally wanna see that Osamu Tezuka DVD!]
And, of course, it's everyone favorite: T Edward Bak, seen here modeling his sweet new Popeye shirt. Covey, I know you're jealous. Bak split his time between signing with us and signing with Koyama Press, ran by Anne Koyama, aka The Nicest Woman in Comics™.
On Saturday night, Mike, Lorenzo and I attended our first ever Doug Wright Awards, where this adorable picture was shown during the induction of David Boswell (far left in the photo) into the "Giants of the North." Yes, that is Daniel Clowes with The Hernandez Brothers and a grunged-out Chester Brown. Awesome.
Without a doubt, the most romantic moment of TCAF was when Drawn & Quarterly's Tom Devlin surprised Peggy Burns with the prettiest bouquet on Mother's Day! They were the Prom King and Queen of TCAF!
Another favorite moment was watching T Edward Bak and Lorenzo Mattotti at the TCAF After-Party on Sunday night. The two artists bonded over a crazy book T Edward found featuring Heavy Metal-style artwork. We got on the subject of "First Concerts." Mike and Todd both saw U2 on the Joshua Tree tour, albeit in separate cities. (High fives ensued.) And Lorenzo's first concert? Canned Heat. Just when you thought the guy couldn't get any cooler.
So, as you can see, it was a wonderful time at TCAF! (And there are lots more photos over at the Fantagraphics Flickr page.) Thank you so much to everyone who stopped by the Fantagraphics table to browse or purchase books — we're so grateful for your support and your enthusiasm, and we can't wait to see you again next year!
The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:
• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."
(The following links are via the Largehearted Boy link above:)
• Review: "The graphic novel  is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets
• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You
• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!
• Plug: "21: The Story of Roberto Clemente by Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News
• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal
• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot
• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel
• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read
• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."The Daily Cross Hatch wraps up their serialization of the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I used to worry about what my peers thought. That’s a big mistake. Never worry about what your peers think, because then you always find out that they would have done it in a heartbeat. [Laughter] If you take anything away from this conversation, it should be 'fuck Dan Clowes.'"
• Feature: The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."
• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special
• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat
• Plug: "The 63-page conversation between mad geniuses Al Jaffee and Michael Kupperman in the new issue of The Comics Journal" lands on the "Lowbrow/Brilliant" quadrant of New York magazine's "Approval Matrix"
• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca
Fantagraphics is thrilled to be heading across the border for the Toronto Comic Arts Festival, this weekend, Saturday, May 7th and Sunday, May 8th! Mike Baehr and I will be on hand, and, yes, it's true... we're bringing The Mouse to Canada! In fact, just look at all the new titles we're bringing with us:
• Approximate Continuum Comics by Lewis Trondheim
Indeed, we will have The Raven after all, just in time for you to get your copy signed by artist Lorenzo Mattotti, making the trip all the way from Italy for a very rare international appearance! And he's just one of the many amazing artists signing this weekend!
SATURDAY, MAY 7th
Where can you find all this awesome-ness? Swing on by tables #162-163.
[ click the map to open a larger version ]
And don't forget to take in some of the great panels organized by TCAF! Listed below are the panels involving Fantagraphics artists, but, really, check out the entire schedule, 'cause there are tons of really interesting talks going on! (Mike, for instance, is especially excited about that "Adventure Time" panel!)
Saturday, May 7th
10:15 – 11:15 am // A15: Root Rot Release
11:30 – 12:15 pm // A16: Spotlight: Lorenzo Mattotti
1:00 – 2:00 pm // A4: Creator Roundtable
Sunday, May 8th
12:30 – 1:30 pm // U2: Illustration
1:15 – 2:00 pm // U13: Print Culture
Oh Canada! We'll see you this weekend!
Today's Online Commentary & Diversions:
• Interview: At Torontoist, Courtney Clinton talks to Lorenzo Mattotti about The Raven and other topics in advance of his visit to the city for TCAF: "For me, it comes naturally to portray solitary characters. In the end we are all alone and at a certain point we have to confront this idea. Solitude can also be an inability to communicate with others. It’s probably something I as an artist feel more than most, even if I try to fight these feelings. On a positive note, in a moment of concentration solitude can help us see our own inner depth."
• Reviews/Commentary: At her lisaloves2read blog, Lisa Pollifroni continues delving into Gilbert Hernandez's Love and Rockets mythology, with an examination of "Poison River" in Beyond Palomar and first impressions of the Luba hardcover, plus some additional related thoughts