Love and Rockets: New Stories was named Best Continuing or Limited Series at the 2011 Harvey Awards earlier tonight! Congrats to the Hernandez Brothers for this well-deserved win! And in further good news for Jaime, The Art of Jaime Hernandez was recognized as Best Biographical, Journalistic or Historical Presentation — kudos to author Todd Hignite. (Looks like The Beat was the first to report the full list of winners.)
After nearly 30 years, Love and Rockets just keeps getting better, and this issue of the annual 3rd incarnation finds the Brothers Hernandez at the peak of their storytelling powers.
Jaime Hernandez's emotionally powerful stories in the last issue of Love and Rockets: New Stories ("The Love Bunglers" and "Browntown") were among the most critically-acclaimed comics of the year. In this new issue, Jaime ups the ante even more. The final chapters of "The Love Bunglers" continue tracking Maggie's romantic travails in the here and now, with an escalating series of entanglements and a shocking event which sends things hurtling to a stunning conclusion over the breathtaking and heartrending final ten pages. Nestled in the midst of this is the masterful "Return for Me," a sequel of sorts to "Browntown" in which teenage Maggie returns to Hoppers and a new life.
Meanwhile, on the Gilbert side, things lead off with the 35-page cover story "King Vampire": Two lovable teens, Cecil and Trini, want to join a local vampire club, but real vampires show up and things get deadly serious. Cecil loves it but Trini has her doubts about going all the way. It's another starring role for budding starlet "Killer" — and one of those vampires looks an awful lot like a certain Z-movie actress from Gilbert's post-Palomar world… Then High Soft Lisp's Fritz returns in "And Then Reality Kicks In," a 15-page walk-and-talk in which Fritz reunites with an old beau. This complex and layered dialogue may be Gilbert's finest piece of writing yet.
Plus an all-star all-cartoonists letters column!
Download and read a 10-page PDF excerpt (672 KB) with 5 pages from each brother.
• Review: "The harmony of words and illustration strengthen Kelso’s voice as a narrator of stories that appeal to women of all ages.... This collection of short stories is a fantastic starting point for those of you who still view comics as Marvel/DC, or as ‘kiddie’ entertainment. (Shame!!) While playing with fantasy elements we all loved reading as little kids, Kelso incorporates today’s real life issues — STDs, pregnancy, being broke, infidelity — into her comics. Raw, yet refined, Queen of the Black Black is an enjoyable, meaty read that left me pumped to experiment with my own comics style." – Erina Davidson, Bust
• Review: "The book itself is stunning.... Fantagraphics is well-known for their quality book projects and this may be one of their best yet.... The Mickey Mouse strip itself is a hoot — especially in these early days. Mickey’s a feisty little guy in the strips, more so than in most of his animated appearances. He frequently packs heat (gasp!), knows all kinds of dirty tricks, and isn’t afraid to get into some real fisticuffs.... Even if you don’t care much for Mickey or the whole Disney mouse machine, this book should be on your bookshelf just for the slice of 1930s Depression-era Americana and the amazing joy of Mickey’s flinty 'can-do' attitude.... Watch for this wonderful series to do very well in various comics awards next year. This is important stuff." – K.C. Carlson, Comics Worth Reading
• Review: "There's still an agreeable edge to the series at this point [The Complete Peanuts 1979-1980] — Peppermint Patty's resigned acceptance to a life of D-minuses is really kind of savage — but Charles Schulz was relaxed enough to enjoy a few in-jokes and celebrity shout-outs to the likes of Bill Mauldin and various tennis stars.... Each time that Schulz started one of his longer, weirder stories..., readers will find themselves wondering how in the world he resolved it. He succeeded every single time." – Grant Goggans, The Hipster Dad's Bookshelf (via Spurge)
• Review: "Like crisps, chocolate and bad puns; once you get the taste of Robert Crumb on your palate, it’s almost impossible to shift the craving for more. Here’s another re-released edition [Vol. 13] from the superb and multi-award winning Complete Crumb Comics series that will tickle the bad-taste-buds of discerning comics cognoscenti and is bound to make a whole new generation of fans among the cool kids..." – Win Wiacek, Now Read This!
• Scene/Plug:Comic Book Resources' Sonia Harris shares a charming Hernandez Bros. anecdote from Comic-Con and plugs the new Love and Rockets: "I won’t spoil it for you, but I can tell you that it is even better than the 3 that have come before it (and they were fantastic.) Seriously, Love and Rockets is just getting better and better."
• List:The Hooded Utilitarian, continuing to roll out the top 10 results in their International Best Comics Poll, reveals the Locas stories of Jaime Hernandez at #7, with an appreciation by Derik Badman
• Review: "I am seriously finding it difficult, if not impossible, to review [Love and Rockets: New Stories #4] without simply hitting the bullets-and-numbering button and whipping up a list of everything in it that amazed me. It would be a long list, too.... The fact of the matter is that while reading this book I discovered that I’m at least as attached to Ray Dominguez and Fritz Martinez, the protagonists of Jaime and Gilbert’s contributions respectively, as I am to a decent number of real people in my life. ...[I]n the end, how it looks pales in insignificance next to what happens, because making it look that good is a means to the end of imparting just how much what happens matters. Ray’s shirt and Fritz’s legs, the shadow of the vampire and the structure of the montage — they’re just landmarks to remind you where you were when you found out if Ray and Fritz and Maggie were going to get happy endings, or not. It’s the easiest thing in the world to understand, and it’s the hardest thing in the world to do, and it’s magic, pure magic, to do it this well." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Maybe it seems as if I’ve told you the whole story [of Congress of the Animals] already. Not to worry, as I am only giving a basic outline of what Jim Woodring has rendered (without a single word!) in inspirationally meticulous ink drawings. You’ll really have no idea of this book’s content until you pick it up and view sights that are organically bizarre, beautifully horrific, cryptically disturbing, and genuinely heartwarming." – Chris Gray, San Mateo County Library blog
• Review: "Crumb’s subtle mastery of his art-form and obsessive need to reveal his most hidden depths and every perceived defect — in himself and the world around him — has always been a unquenchable wellspring of challenging comedy and riotous rumination. This superb series [The Complete Crumb Comics] charting the perplexing pen-and-ink pilgrim’s progress is the perfect vehicle to introduce any (definitively over 18) newcomers of your acquaintance to the world of grown up comics. And if you need a way in yourself, snatch up this book [Vol. 15] and the other sixteen as soon as conceivably possible." – Win Wiacek, Now Read This!
Okay, we can't offer you the ninety-minute wait in ninety-degree weather outside the convention center, the greasy ten-dollar pizzas, the terrifying crush of Saturday afternoon attendees here to get an autograph from a Battlestar: Galactica co-star, or the sight of costumed attendees who apparently only chose the Flash costume because their more appropriate pick, Jabba the Hutt, was out. But what we can do is this!
SORRY YOU WON'T GET THE EARLY BOOKS?
The following books will have their world premiere in San Diego. If you order them directly from us we will have them sent to you directly from our main U.S. distributor's warehouse where they land on their journey from overseas in August, which means you will be getting your copy a few days before even the first of our distributors get them. (Note: U.S. orders only. Rush shipping not available — choose Media Mail from the shipping options to avoid being overcharged.) To this list we will even add The Armed Garden, The Cabbie, and Walt Disney's Mickey Mouse by Floyd Gottfredson Volume 2, three books that for various reasons will miss San Diego and thus you will really be the first customers to get!
You can preview many of those books right now here on our website, and the rest of them shortly after our web guy comes back from San Diego! Just hit those links above and you'll see links to download PDF excerpts, and stay tuned for our usual photo and video previews.
Part of everyone's San Diego experience is to ask the Fantagraphics moguls penetrating questions such as "Where the hell is Pogo?" and "Why don't you publish XXXX??" and "Which Jacques Tardi album should I buy first?" For this weekend only, if you have a question for Gary Groth, Kim Thompson, or Eric Reynolds, add your question to your order and whoever you're addressing will personally answer it!
SORRY YOU CAN'T TAKE ADVANTAGE OF DESPERATION SALES?
On the last day of the convention, as Gary, Kim, and Eric survey the piles of unsold books and "God, do we have to lug all these back home?" panic sets in, suddenly fantastic sales deals begin to materialize faster than you can say "HOW MUCH for that Box Set?" Therefore we are not only offering 20% OFF EVERYTHING on our website — use coupon code FANTACON11 at checkout — but a whopping 50% OFF ALL our biggest and heaviest books (see them all here — note that items are discounted 40%, which works out to 50% when the coupon discount is applied) during the convention and beyond, from Thursday, July 21 (that's today!) through Monday, July 25 — and you won't even have to lug them home or pay all those extra baggage fees! We'll send them to you!
Fantagraphics is puttin' the "comics" back in Comic-Con as we head to San Diego this week with a slew of scintillating signings, almost two-dozen dynamite debuts, and a collection of comics sure to please any comics fan... and fill those enormous free tote bags they give away at the door.
Friday, July 22nd: • 10:30-11:30 Comics Arts Conference Session #5: Critical Approaches to Comics: An Introduction to Theories and Methods— Matthew J. Smith and Randy Duncan with panelist, Andrei Molotiu. [Room 26AB] • 1:00-2:00 Comics Arts Conference Session #6: Wordless Comicswith Andrei Molotiu. [Room 26AB] • 12:00-1:00 CBLDF Master Session 3: Jaime Hernandez [Room 30CDE] • 1:00-2:00 Publishing Queer: Producing LGBT Comics and Graphic Novels with moderator Justin Hall [Room 9] • 1:00-2:30 The Golden Age of the Fanzine moderated by Bill Schelly. [Room 24ABC] • 10:30-11:30 Cartoon Network Comedy: Regular Show/The Problem Solverz and More! The Problem Solverz talent includes Ben Jones, John Pham, and Jon Vermilyea. [Room 6A]
Comic-Con has announced their programming for Thursday July 21, the first full day of the convention, and here are the panels to circle in your program or plug into your smartphone app or scribble on the back of your hand (we will, of course, give a complete run-down along with our signing schedule and more info in the near future):
12:30-1:30 Spotlight on Bill Schelly— Comic-Con special guest Bill Schelly (The Golden Age of Comic Fandom, The DC Archives) is a leading fandom and comics historian. Moderator Gary Brown interviews Bill about his work, with special emphasis on his latest books The Art of Joe Kubert (debuting at Comic-Con 2011) and Founders of Comic Fandom, followed by a Q&A session. Room 8
1:00-2:00 CBLDF Master Session 2: Shannon Wheeler— From DIY zine making to the pages of the New Yorker and every flavor of independent press in between, Shannon Wheeler has distinguished himself for an ability to craft humor strips that are equal parts sardonic and existential. Take a close-up look at his approach to creating cartoons and gain insight into the nuts and bolts of making cartoons that connect with editors and readers at this CBLDF Master Session! The pieces created during this event will be available for bidding in Saturday's CBLDF Benefit Auction! Room 30CDE (Recommended by The Washington Post's Michael Cavna: "From zines to New Yorker magazine, Portland’s own has much knowledge to share with the aspiring.")
2:00-3:00 Love and Rockets —Gilbert, Jaime, and Mario Hernandez converse with Gary Groth about 30 years of creating their landmark comic book series, Love & Rockets. Since 1982, Love & Rockets has virtually defined alternative comics and culture, launching from the punk rock scene in Los Angeles and growing into one of the most mature bodies of work ever produced in the medium. Room 9 (Recommended by The Washington Post's Michael Cavna: "The Brothers Hernandez talk with Gary Groth about three glorious decades of L&R.")
2:30-3:30 Joyce Farmer: Special Exits, A Memoir — Can graphic work become serious literature through excellent artwork, writing ,and subject matter? Where does graphic work belong in bookstores and libraries? This Q&A with Comic-Con special guest Joyce Farmer examines her Eisner Award-nominated book Special Exits, A Memoir (Fantagraphics) in this spotlight panel. Room 4 (Recommended by The Washington Post's Michael Cavna: "Her Eisner-nominated Fantagraphics graphic-novel memoir is a must-read. Which makes Farmer a must-see.")
3:30-4:30 Spotlight on Frank Stack— Comic-Con special guest Frank Stack, pioneer of underground comix in the 1960s with such titles as New Adventures of Jesus, Feelgood Funnies, Amazons, and Dorman's Doggie, remains active as a fine artist and cartoonist. His Jesus stories were recently reprinted as The Second Coming by Fantagraphics. Frank will present a visual presentation and Q&A. Room 4
6:00-7:00 Comics for Social Justice: The Making of Oil and Water —Oil and Water is a book-length comic (Fantagraphics, Summer 2011) that is a partly fictionalized account of a 10-day trip that 22 Oregonians (activists, teachers, business owners, scientists, and artists) took last summer to "bear witness" to the BP oil spill on the Gulf Coast. Shannon Wheeler will briefly present the historic impact of comics on issues of contemporary social relevance and give a quick overview of why this project was conceived and what it hopes to accomplish. He'll then present his sketches from the Gulf Coast and show how he and collaborator Steve Duin transformed them into a compelling portrait of what hope and challenges remain along a ravaged coastline, one awash in both seafood and oil, that will be changed as irrevocably as those Oregonians that chose to bear witness to the tragedy. Q&A session to follow. Room 9
Whew! Get ready for a lot of running from room to room. Why, you'll barely have time to hit our booth and buy books!
• Review: "...Artichoke Tales and The Squirrel Mother have established Kelso as one of the most original talents in comics. The dozen stories in Queen of the Black Black show an emerging talent, but not a fully-formed one; Kelso tries out a variety of styles here, from primitivist to expressionistic, and tries out a variety of genres too, from slice-of-life to historical fantasy. This book isn’t the best introduction to Kelso — that would be The Squirrel Mother — but it’s essential for fans..." – Noel Murray, The A.V. Club
• Review: "Now collected and translated into English, Approximate Continuum Comics is almost more valuable now than it was at the time, serving as a historical document of one of some of the most significant cartoonists in Eurocomics. The book also exemplifies Trondheim’s distinctive autobiographical style, which allows plenty of room for dream sequences, slapstick, digressions, and all the virtues that make his fiction work such a delight." – Noel Murray, The A.V. Club
• Review: "For Isle of 100,000 Graves, Norwegian cartoonist Jason works his animal-headed characters into a rip-roaring pirate tale written by Fabien Vehlmann. The result is a little more dialogue-heavy and a little less existential than Jason’s usual books, but it’s still funny and imaginative, telling the story of a young girl who joins a band of buccaneers to look for her father and ends up meeting a hapless lad who’s enrolled in school for executioners. The action barrels straight ahead to a sweet finish, but the highlights of Isle of 100,000 Graves come in that school, where kids dispassionately learn to maim and torture in ways that perfectly suit Jason’s deadpan style." – Noel Murray, The A.V. Club
• Review: "Isle of 100,000 Graves is the first work of Jason's to be written by someone other than himself. Boy, did he choose a good one!... Visually it is much the same as Jason's other works, which in my opinion are stunning in their simplicity. The sparse composition of the panels, the 'ligne claire' art style (yeah, I just got pretentious on yo' ass) and the fantastic use of negative space all add to the understated, dead pan wit of the tale. A fun and entertaining adventure that just goes towards further proving the talent of these men." – 2 Bad Guys from an 80s Movie
• Review: "...Woodring returns with Congress of the Animals, a 100-page book focused on Frank. The style and format will be familiar to Woodring devotees — wordless and surreal, with each panel packed with thick, squiggly lines — but the story’s more clearly allegorical than usual, following the buck-toothed, easygoing Frank as he moves into a new home and learns what it means to work a soul-crushing job to maintain a standard of living. The theme is heavy, but there’s a strong slapstick comedy element too, which endures right up to the point where things take a turn from the merely weird to the mind-meltingly weird." – Noel Murray, The A.V. Club
• Review: "If Mauldin’s World War II strips were a needed corrective to the public’s glorification of war, then his post WWII work fulfilled the same function for those who thought of post-war America as some kind of euphoric utopia.... The production values for this volume, like the hardcover edition for The WWII Years, are impeccable.... DePastino’s introduction is jammed with illustrative biographical details and is livened up with promotional materials.... Back Home is a study of an artist in transition, both in terms of his art and his life. At the same time, it’s a study of a nation in transition, where the political and cultural ground was shifting and a battle over the nature of that national discourse was being waged." – Rob Clough, The Comics Journal
• Plug: "I re-read both the Hernanadez brothers collected works about once a year and there’s not a lot between them. But somehow the subject matter and sheer storytelling verve of Locas tips the balance for me. I’m constantly in awe of how they both can chronicle the lives of huge casts of characters. The hardback collections of Locas and Palomar are absolutely essential." – Oli Barratt, Lost At E Minor
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