• Review: "Sala’s new book, The Hidden, does not wholly depart from the campy fascination with the morbid that marks his previous work, but is even darker in tone, despite the vibrant watercolor work. The visual markers of Sala’s humor are present — the affected font, the twisted faces — but there is arguably something more serious and disturbing at play here." – Jenna Brager, Los Angeles Review of Books
• Reviews (Video): "This week on the Comics-and-More Podcast, Patrick Markfort and I discuss Richard Sala's work, including his Peculia books and his new graphic novel The Hidden, perfect books to read for Halloween." So says co-host Dave Ferraro — watch the multi-part video at the link
• Review: "EC is often at the center of the story [of Pre-Code horror comics]... Four Color Fear strives to provide an accessible sampler of everything else. Editor Greg Sadowski is adept at such missions.... Sadowski keeps endnotes, often heavy with hard publication facts and extensive quotes from artists and observers, in the back of the book in order to structurally foreground the sensual, aesthetic experience of reading old comics." – Joe McCulloch, Los Angeles Review of Books
• Review: "Thirty years after the debut of their Love and Rockets series, the Hernandez Brothers continue to impress readers with their incredible Love and Rockets: New Stories #4.... More than ever, Jaime demonstrates a mastery of line and pacing, making for emotional realism that is rarely matched in the world of comics.... As for Gilbert, he presents readers with the captivating 'King Vampire,' a story which revolves around killer vampires.... The result is a gripping tale filled with plot twists, violence, and absolutely gorgeous art.... With Love and Rockets: New Stories #4, the Hernandez Brothers establish once more their immeasurable contribution to the world of comics. Instead of producing works that are stale and predictable, the duo is creating comics that are as imaginative and fresh as ever." – Jason Grimmer, 211 Bernard (Librairie Drawn & Quarterly)
• Review: "David B. is one of the most important cartoonists in France. A member of L'Association, his most important work is Epileptic... But I will confess that I like the stories in The Armed Garden more. These are stories about heretics. Heresy is a subject of particular interest for certain storytellers -- for example, Jorge Luis Borges.... These bizarre fable-like tales may seem far from us, but they show want can happen when societies are stressed." – Robert Boyd, The Great God Pan Is Dead
• Review: "The stories [in The Man Who Grew His Beard] are funny, ironic and absurd. In that, he reminds me of his fellow Belgian cartoonists, Kamagurka and Herr Seele. But he also reminds one of the avant garde Belgian cartoonists of Freon (later Fremok). These are more 'art comics,' where the visual aspect is paramount. This is not to say the narratives are unimportant, mere hangers onto which to hang the art. They are amusing, weird and compelling -- the visual aspect makes them all the more so." – Robert Boyd, The Great God Pan Is Dead
• Review: "Told with great confidence and uncomfortable frankness across a sprawling 450 pages, [Today Is the Last Day of the Rest of Your Life] is a coming-of-age narrative that inevitably places itself in the tradition of German travel literature, perhaps unwittingly joining the company of such august figures as Goethe and Hesse.... Despite its trauma, the journey ends up being one of liberation. Though its description of the risks inherent to the only semi-aware need for independence characteristic of youth is sobering, the book is never judgmental. There is a distinct undertone of empowerment to this story of one woman’s instinctive search for enlightenment. It is a grand tour." – Matthias Wivel, The Metabunker (Look for our edition of this book in Summer/Fall 2012.)
• Commentary: "Long gone publisher St. John's line of romance comics has a chronicler in the person of John Benson. He edited [Romance Without Tears] from Fantagraphics in 2003. He argues that this line was superior to just about everybody else's line of romance comics and he is good at peopling his argument, particularly in a second book [Confessions, Romances, Secrets and Temptations] he put together in 2007." – Eddie Campbell
• Plug: "Two — count ’em — two books fold into one in Everything Is an Afterthought. First, we get a heartbreaking biography of the late, great rock critic Paul Nelson. Then, to prove the greatness part, the author of the first section (Kevin Avery) compiles Nelson’s most incisive hits." – Jim Farber, New York Daily News
• Plug: On Librairie Drawn & Quarterly's 211 Bernard blog, Jason Grimmer runs down some highlights from Mark Twain's Autobiography 1910-2010 by Michael Kupperman, saying "Come on, that's a helluva CV know matter how you slice it. The least you could do is read about it."
• Review/Interview: "Leslie Stein is a pretty lady who made a comic [Eye of the Majestic Creature] in which she is a cute/gross little humanoid with eyes that are like coins and a best friend who is a guitar. Her comical alter ego is named Larry Bear and her guitar's name is Marshy. They live in a house in a field, but it's pretty clear that almost everything they experience is some joked-up fantasized autobiographical story. It's hard to know what's based on reality and what isn't, and which characters are based on real folks and which are just supposed to be Leslie's internal feelings personified.... Leslie's work communicates an urban loneliness that I relate to a lot, seeing as we live in the same place. It's cute and sad and familiar, especially if you're 30 or under." – Nick Gazin, who also talks to Leslie at Vice: "I think for the most part she represents the lighter side of my personality. I'm happy when I'm drawing and I hope that comes across through her on the page, in whatever situation she is in. She dresses a bit weirder than I do, so that's fun. I'm not really a shy person, but I feel like I'm constantly embarrassing myself. She doesn't have that self-consciousness."
• Review: "Post-apocalyptic stories tend to be grim, but The Hidden is very dark indeed.... The book feels like a modern-day gothic horror. The survivors are metaphors for humanity, with a heroic few battling an onslaught of monsters, human or otherwise. Humanity is on the brink of extinction, and still people bring out the worst in one another.... Sala’s illustration is compelling... ★★★★ [out of 5]" – Grovel
• Review: "[Kevin] Avery’s book, Everything Is an Afterthought: The Life and Writings of Paul Nelson, is an admirably unorthodox construction that starts with a bracing 180-page biography of Paul followed by a 265 page collection of Nelson’s music writing, primarily that from the seventies focusing on the artists he was particularly drawn to.... What’s impressive about Avery’s biographic half of the book is that he’s produced both an intimate personal bio and a comprehensive professional bio as well. He’s talked to virtually everyone who Nelson inspired or mentored in rock criticism starting in the latter half of the sixties and into the Rolling Stone years. These knuckleheads are a who’s who of American rock criticism, God help us." – Joe Carducci (SST Records, Rock and the Pop Narcotic), The New Vulgate
• Review: "I was looking forward to this new book [Setting the Standard] a/ because it's Alex Toth and b/ because it reprints 60 stories, Toth's entire contribution to the catalogue of a long defunct publisher whose material we rarely see reprinted.... Toth's work has long been admired for its distilled simplicity of black and white design, but these early pages fizz and bubble with life.... The book under discussion is from Fantagraphics, with the original printed pages restored in all their colours by Greg Sadowski, who put the whole package together with extensive notes..." – Eddie Campbell (via The Comics Reporter)
• Plugs: Brian Ralph's choices for his guest contribution to Robot 6's weekly "What Are You Reading?" column include Captain Easy Vol. 2 by Roy Crane ("It’s a fun combination of action and laughs. Sometimes very serious and other times very cartoony, in both story and art style. I just love the way Roy Crane draws these goons. And the colors! The palettes are unusual and beautiful.") and Setting the Standard: Comics by Alex Toth 1952-1954 ("I’ll read one of these [stories] before I go to bed. I like that in a short page count he quickly develops a rich story and twilight zoney twist. Sometimes it’s a bizarre romance or horror story with a stunning conclusion. They’re a fun read.")
• Review: "Brief but witty dialogue and black humor come together in a brutal satire of deception, torture and the death penalty. This comic is a good comedy that combines the sense of adventure and intrigue of Jason's comics, his 'tempo' and narrative tone, with a trio of protagonists who I came to appreciate in very few pages. Emotion, gags, surprises, and an ending that you do not expect. Isle of 100,000 Graves is an original and very enjoyable read that keeps Jason as a safe bet in the shopping cart. Between tenderness and cruelty, of course the contribution of writer Fabien Vehlmann to the Norwegian cartoonist's particular universe could not have been more successful." – Alita News (translated from Spanish)
• Review: "Warm-hearted, deceptively heart-wrenching, challenging, charming and irresistibly addictive, Love and Rockets: New Stories is a grown up comics fan’s dream come true and remains as valid and groundbreaking as its earlier incarnations — the diamond point of the cutting edge of American graphic narrative." – Win Wiacek, Now Read This!
• Interview:The Comics Reporter 's Tom Spurgeon talks to backbone Mome contributor T. Edward Bak about his experience at Boomfest in St. Petersburg, Russia: "There were so many things going on. There were people interested in all of the presentations. They took place over four or five hours, in three or four different centers. A lot of artists were there. For these kinds of presentations, it was other artists attending. It was like APE: you have people that are making comics or are interested in making comics."
• Interview: At The Comics Journal, Matt Seneca enjoys a studio visit and thoughtful discussion with Gary Panter: "That’s one of the games that modern art plays: where does it go, and what does it affect by trying to go? And so, usually in fine art, you’re making a kind of pregnant or puzzling object, or some object that has presence and which calls to people, hopefully. It arrests them for a second and various things happen, whereas in a comic, I want people lying in bed reading it. I want people lying in bed and reading it, and you forget you’re reading it, and you go in the story, and you’re like, 'Whoa! What happened?' And you either remember it or you don’t."
• Review: "Ganges #4 is the Godfather Part II of comics about insomnia: the rare sequel that tops the already excellent original.... Here he returns to the sleeplessness well, but this time around Glenn’s mental avatar remains relatively stationary (though Glenn himself does plenty of wandering around the Ganges family manse), allowing Huizenga to instead burrow down deep into some of the most unpleasant sensations a bored and overtired brain is able to conjure. Folks, he does this so well.... The... comic maintains [a] dizzying blend of writing and drawing power, with alarmingly familiar sensations reproduced, and stop-and-marvel visual effects created, on nearly every page." – Sean T. Collins, The Comics Journal
• Review: "When did The Comics Journal get so freakin' fat? Weighing in at one and a half pounds, this 624 page sucker features more of what you love (or hate) about comics criticism: long, detailed interviews and reviews that will take you days to read." – Chris Auman, Reglar Wiglar
• Review: "Dave McKean’s art never fails to amaze me... At one point, as she goes deeper and deeper into the film, the woman encounters a fourteen-breasted being, and they have sex. McKean mixes images of real fruit with his drawings and color to create sexual images that are as fresh as they are startling. I’ll never look at a fig, a pear, or a red tomatillo the same way again. ...I think [Celluloid] would make a good paper anniversary gift." – Gene Ambaum, The Unshelved Book Club
• Review: "In Ghost World, Daniel Clowes doesn’t romanticize the teenage experience or show teenage girls as sweet and idealistic. His portrayal is raw, cynical, and honest, often hitting the nail on the head.... It’s an excellent portrayal of alienation, especially teenage alienation. Even when Enid and Rebecca aren’t being nice, they’re still understandable. This graphic novel is very funny, but it’s also very sad, and sometimes it’s both at the same time.... Though it’s only 80 pages long, this graphic novel still manages to leave a deep impression." – Danica Davidson, Graphic Novel Reporter
• Review: "One of the greatest comic strips of all time and a peak in visual splendor and breath-taking adventure, the story of Prince Valiant's 30+ year odyssey is getting a marvelous presentation in Fantagraphics' series of books, which just reached Volume 4.... What might surprise modern readers is the relative complexity of Valiant, who grows and matures subtly over the years. The strip is violent, sexy, serious, droll and above all eye-catching.... The pleasure of how solidly and carefully [these volumes] are made is part of the pleasure of reading them. You feel like a little kid as you prop the giant volume up and literally dive into the tale that fills your vision, much as kids and adults did more than 70 years ago. It's a worthy presentation for one of the most important and entertaining works in comic strip history." – Michael Giltz, The Huffington Post
• Interview:Vice's Liz Armstrong talks with Ron Regé Jr. about his upcoming book The Cartoon Utopia: "I'm not interested in making a bunch of storyboards or writing a script. Comics are the visual representation of language. So comics are the most ancient and the most vital and most important art form that humanity has ever known. It's also the oldest. Cave paintings, having the form of an image that represents an idea, is what comics are. I wrote an essay called, 'Fuck Other Forms of Art.'"
• Interview (Audio): Speaking of Mike Dawson-hosted podcasts, John Kerschbaum sits in on the new episode of The Ink Panthers with Dawson and co-host Alex Robinson
• Culture: Jeet Heer reports on the Iowa Comics Conference at The Comics Journal, featuring the Hernandez Brothers, Joe Sacco, Gary Groth and others. On the new issue of Love and Rockets: New Stories: "Everyone, of course, has been raving about Jaime’s story in this issue, which like the magnificent 'Browntown' in L&R #3 is one of best comics ever done. I’ll freely confess that at the end of the new issue when I saw how Jaime had tied together the fates of Hopey, Maggie, and Ray I started crying like a baby. ...Gilbert’s recent comics have the protean energy and relentless will to reinvention that rivals the Crumb of Weirdo and Hup."
• Commentary:Robot 6's Sean T. Collins spotlights Heer's article and adds his own thoughts: "The only thing more striking than the fact that Jaime set this career-defining hurdle for himself is that he freaking cleared it.... It's worth noting that in his contribution to New Stories #4, Gilbert takes Fritz to a place of potential finality not unlike the one that his brother Jaime's leading players occupy at the end of 'The Love Bunglers.' Yeah, it’s really quite a comic."
• Analysis: At Robot 6, Matt Seneca examines page 89, by Jaime Hernandez, from Love and Rockets: New Stories #4: "It’s a wonderful meeting of form and content: a completely unified page on the subject of unification, a single unit made up of eight perfectly chosen, gorgeously cartooned panels, each one complete in itself as a composed single drawings. This is comics at the highest level, with nothing wasted and everything on the page done as well as it possibly could be."
• Plug: Kim Thompson points out that ActuaBD "referred to our Gil Jordan edition as 'très beau,' which is nice."
• Review: "Every now and then, if I’m lucky, I might just bump into a stone cold masterpiece. The kind of art that makes you just want to shout and scream it is so good. So, in the interest of doing just that, let me say that this Jaime Hernandez’s 'The Love Bunglers' (Love and Rockets: New Stories no. 4) is such a work. I don’t even need to qualify it for myself (i.e. 'what’s coming later; what’s come before; shouldn’t there be a cooling period?') when I say: This is not just Jaime’s finest work, but one of the best (at this moment I’d rank it in my top five of all time) works ever created in the medium. You can hold that over me in twenty years and I’ll still be right..." – Dan Nadel, The Comics Journal [SPOILER WARNING]
• Review: "Jaime Hernandez is my favorite cartoonist. I think he is the greatest cartoonist of all time. My opinion.... No art moves me the way the work of Jaime Hernandez moves me. I am in awe of his eternal mystery." – Frank Santoro, The Comics Journal
• Review: "I picked up a copy of the new issue at a signing Jaime was doing here in Brooklyn a few weeks ago. It was a packed house, and there were a lot of people I was happy to talk to. Amidst all the socializing, I allowed myself a quick glimpse inside the comic, and when I randomly flipped to pages 92 and 93, I felt like I’d been blind-sided. I had to look closer to make sure I was seeing what I thought I was seeing." – Adrian Tomine, The Comics Journal
• Commentary:Robot 6's Sean T. Collins spotlights the above TCJ links, saying "Paying off thirty years of continuity and character development. Delivering shocks, gasps, cheers, and tears in equal measure, seemingly at the author’s whim. Offering a master class in everything from laying out a double-page spread to drawing clothes. Telling a story about beloved characters so emotionally engaging that even their most ardent fans wouldn’t mind if this were the last one ever told. Any way you slice it, Jaime Hernandez's 'The Love Bunglers' — his contribution to the recently released Love and Rockets: New Stories #4 and the conclusion to the already wildly acclaimed 'The Love Bunglers'/'Browntown' suite from last year’s issue — is a hell of a comic. But you don’t have to take my word for it."
• Review: "As I finished reading Love and Rockets: New Stories #4, I had to sit back and just take a moment to take it all in and collect myself, as I know that I had just completed reading one of the greatest works in comics for 2011. Love and Rockets has been a source of inspiration within the comics industry for years, so it’s not like I’m the first one to praise the Brothers Hernandez for their contribution. But it’s even more incredible to see that after nearly 30 years, both Jaime and Gilbert Hernandez are creating some of the best comics of their careers and making them completely accessible to new readers. Love and Rockets: New Stories #4 is an achievement for the Brothers Hernandez and has earned a permanent spot on my required reading list for anyone interested in reading the great works of modern comics creators." – Ron Richards, iFanboy "Book of the Month"
• Review (Audio): "The artwork [in Pogo] is fantastic because Kelly, coming from a Disney background, had really great technical chops and he was able to put a lot of detail into a small daily strip while at the same time giving it breathing room despite the fact that the characters are quite talkative…. He crowded an awful lot into each panel without making it feel crowded, which is a neat trick. He really pulled it off well. …It's just a joy to look at, and it's so much fun to read too because the characters all have really funny personalities that are… very dimensional… It is beautifully designed by Walt Kelly's daughter Carolyn Kelly, and she and Fantagraphics did a really good job of finding all these strips… lovingly scanned and restored so that you get to see the line art in all its detailed glory…. I highly recommend it -- it's going to be one of my prize books... that I'm going to hang onto for a long time." – Mark Frauenfelder, Boing Boing "Gweek" podcast
• Review: "When you read the first volume of Fantagraphics' complete reprint of Gottfredson's Mickey Mouse — the first of its kind anywhere — you understand quickly why Disney decided to keep him on the daily strip. He was simply a natural talent." – Matthias Wivel, Nummer 9 (translated from Danish)
• Commentary: "...Jim Woodring is not one to rest on his laurels where his funny-animal protagonist Frank is concerned. Lately he’s been posting breathtaking images... to his blog on a surprisingly regular basis. They appear to show Frank up to his old mischievous tricks, and to augur another Frank book on the horizon. Check them out here and here, and marvel that a cartoonist of Woodring’s caliber is tossing these things out there for free like it ain’t no thing." – Sean T. Collins, Robot 6
• Review: "It should go without saying by now that any new volume of Love and Rockets is a must for any serious comics fan... [and] New Stories 4 is... one of the major events of the comics year ... [A]nyone who loves brilliant cartooning technique should appreciate the way Jaime draws the casual sag of a post-coital naked body, or the way he illustrates a pre-schooler tugging at his mother, oblivious to any notion of 'personal space.' And anyone who’s alive in the world should be moved by this story’s depiction of life as a series of accidents, miscommunications, and embarrassments, which sometimes work out okay regardless." – Noel Murray, The A.V. Club
• Love: At The Tearoom of Despair, Bob Temuka offers some spoiler-filled thoughts on Love and Rockets: New Stories #4, saying "this is no review. This is love. The art is as beautiful as always, evocative of time and place, and Jaime still draws the best body language and facial expressions in the medium, telling entire stories in a frown or wink.... While it’s no surprise that Jaime Hernandez is still producing magnificent and beautiful comics, it is also still incredible to see how big his storytelling balls are, man."
• Review: "Though not strictly a comic book, Michael Kupperman’s Mark Twain’s Autobiography 1910-2010 is very much of a piece with the cartoonist’s gleefully absurdist Tales Designed To Thrizzle series. ...Kupperman picks up the story of an American icon beginning with what the newspapers reported as Mark Twain’s 'death.' Kupperman’s Twain quickly sets the record straight, then relates what he’s been up to for the past century: fighting in World War I, losing a fortune by investing in chocolate-covered olives, making gangster pictures inspired by The Wizard Of Oz… y’know, the usual. Kupperman’s working method seems to be just to let his mind wander, making stream-of-consciousness associations that fuse into comedy." – Noel Murray, The A.V. Club
• Review: "Initially published in the ’80s, [The Cabbie] mimics the basic comic strip format — even going as far as aping the way Chester Gould used thick black lines for basically everything with Dick Tracy — but is supremely screwed up. The protagonist, a cab driver is obsessed with money, has a tricked out cab, happens upon bizarre crimes, and even gets tortured by a family living in the slums. It is a really uncomfortable experience from cover to cover, and I am stoked it exists." – Sam Hockley-Smith, The Fader
• Review: "This is a harsh and uncompromising tale of escalating crime and uncaring punishments: blackly cynical, existentially scary and populated with a cast of battered, desolate characters of increasingly degenerate desperation. Even the monsters are victims. But for all that The Cabbie is an incredibly compelling drama with strong allegorical overtones and brutally mesmerizing visuals. Any adult follower of the art form should be conversant with this superb work and with a second volume forthcoming hopefully we soon all will be." – Win Wiacek, Now Read This!
• Interview: At The Comics Journal, Jay Ruttenberg sits down for brunch with Drew Friedman to kibbitz about the Old Jewish Comedians books: "Well, I found Jerry [Lewis] to be completely delightful. Just great. He’s very inquisitive about the process about what I do. He asks, 'Drew, how do you do what you do?' So I say, 'Jerry, how do you do what you do?' You gotta butter him up: 'I especially love drawing you, Jerry.' But a lot of them hate each other. It’s very funny. You bring up one comedian to another comedian, and there’s venom. It’s amusing to me. There’s nothing funnier than angry comedians. Nothing better!"
• Interview: Jason Diamond at Jewcy also gets a crack at Drew Friedman: "I kinda bounce around the [nerd] map. I don’t really fit into one category. I love comedians, comic books, and old movies. Really anything from the past. With these Old Jewish Comedian books, they have nothing really to do with comic books, but everything I’ve done in my career led to these books."
• Interview:Robot 6's Tim O'Shea has a quick chat with Mome contributor Eleanor Davis about her contribution to that Nursery Rhyme Comics anthology
• Feature: October means features on horror comics, and Casey Burchby's look at the history of the genre at SF Weekly says "A recent collection called Four Color Fear, edited by Greg Sadowski, collects terrific examples of horror comics from non-EC sources, including Eerie, Web of Evil, and Chamber of Chills. The work in this volume is much wider ranging in subject matter and style than Tales from the Crypt, which tended to follow a handful of formulas."
• Commentary:Robot 6's Chris Mautner lobbies us to put out a collection of Mack White's Villa of the Mysteries and other comics, saying "CIA conspiracies. Carny shows. Obscure pagan rituals. Snake handlers. Brainwashed assassins. Nudist nuns. Roman gods. Psychedelic western landscapes. Very short men with very, very large penises. Such are the essential elements found in the comics of Mack White, who, for the past couple of decades, has created some of the most bizarre, paranoid and succulently pulpish comics around. Born and raised in Texas, Mack's comics are infused with the Lone Star state's own unique blend of rugged individualism and suspicion of authority."
• Plug: At Comic Book Resources, Greg Burgas goes "Flippin' Through Previews and finds "Fantagraphics offers Flannery O’Connor: The Cartoons on page 294. Yes, you read that correctly. Apparently O’Connor was quite the cartoonist in the 1940s. This has to be awesome, right?"
• Review: "We cannot commend Love & Rockets to you highly enough... 'Return for Me' will not disappoint..., and I was left speechless for hours.... There’s far more of Maggie in parts three, four and five of 'The Love Bunglers,' and I could begin almost any review of a Jaime Hernandez story with my 'Poor Maggie' refrain. Still, poor Maggie… Then there’s the delightfully mannered dance and duel from Gilbert Hernandez of 'And Then Reality Kicks In.' No one does comics like Gilbert. Sometimes it’s as if he’s never read another comic in his life (other than maybe his brothers’) and so invents an unprecedented comicbook performance. Time and again Gilbert turns your expectations right on their heads, especially here in 'King Vampire,' the most unusual fang-fest you could ever imagine!" – Stephen L. Holland, Page 45
• Review: "About [Ganges #2] a lot can be said like 'our whole life is a game,' and this will be true, but more true to say will be that all good things must come to an end, you’ve played, and that's enough. And the moral is simple: not work joins people together, but fun." – Ray Garraty, Endless Falls Up
Today's Online Commentary & Diversions, good buddy:
• Review: "...Love and Rockets: New Stories #4 is one of the best comics I’ve ever had the pleasure to read.... The potential hinted at in ‘Browntown’ and the first parts of ‘The Love Bunglers’ (all from last year’s Love and Rockets: New Stories #3) is developed here to a genuinely emotional and satisfying climax that, despite coming out of nowhere, feels utterly in-character and appropriate for the world of Locas, and is delivered with such virtuosic storytelling that I’m kinda choking up a bit right now just flicking through it again! The cartooning on display is really some of the best ever committed to paper. It’s such a joy to see a a guy like Jaime, who’s been around since before I knew what comics were, doing some of his very best work this far into his career." – Berserker Magazine
• Review: "Gilbert and Jaime Hernandez have been writing and drawing Love and Rockets for so long now that their newest work has become like the ever-growing peak of a tremendous mountain that stretches back through all previous incarnations of the series and the iconic characters that they keep returning to. ...'And Then Reality Kicks In'... is the kind of elliptical, emotionally charged storytelling that Gilbert does best, where all of the substance lingers unspoken between the lines, slowly accumulating force through his whimsical, charming dialogue.... 'The Love Bunglers'... is just stunning, ...the work of an artist who really knows and loves his characters and their long, tangled histories. The final act of this story is jaw-dropping in its audacity, and the last ten pages whip by in a rollercoaster of conflicting emotions. Jaime's craft is absolutely assured." – Ed Howard, Thinking in Panels
• Lore: "A big personal step forward for me occurred in North Carolina... I joined Alcoholics Anonymous and quit drinking. That happened in 1983 and I haven’t had a drink since. This laid a solid foundation for me to otherwise improve myself, to learn how to be more generally focused, to work harder, and to finally grow up a little" – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com finally reaches its concluding chapter
This week's comic shop shipment is slated to include the following new title. Read on to see what comics-blog commentators and web-savvy comic shops are saying about it (more to be added as they appear), check out our previews at the link, and contact your local shop to confirm availability.
104-page black & white 7.5" x 9.25" softcover • $14.99 ISBN: 978-1-60699-490-0
"I have now had multiple friends contact me to tell me that they'd just finished the conclusion of Jaime Hernandez's story 'The Love Bunglers' in this issue and had been crying and needed to talk about it with someone. If you thought 'Browntown' in last year's volume was emotionally brutal, well — this one tops it." – Douglas Wolk, Comics Alliance
"There’s a lot of good, big-name books out this week, starting with the fourth volume of Love and Rockets ($14.99). Rumor has it that Xaime Hernandez’s contributions to this issue are even more exemplary and emotionally devastating than in Vol. 3, which seems almost impossible, but I’m eager to find out either way." – Chris Mautner, Robot 6
"CONFLICT OF INTEREST RESERVOIR: I can’t help but think of Jaime’s segments of Love and Rockets: New Stories #4 as something of a piece with Jim Woodring’s (wonderful) Congress of the Animals this year — both proffer potential book-format endings for long-lived alternative comics by suggesting the possibility of major, substantive change in their protagonists’ lives, which naturally might as well mark a fresh beginning as well — although Gilbert’s uninhibited vampire fiction is perhaps more in keeping with the thrust of this week’s column..." – Joe McCulloch, The Comics Journal
"...I can't imagine there being a better comic out this year than Jaime Hernandez's work in this latest volume. If there's anything that comes close, I'll be overjoyed." – Tom Spurgeon, The Comics Reporter
"Also picked up Love & Rockets #4 by those Jaime and Gilbert cats, which is, as usual, a masterpiece of comics storytelling despite its lack of Swamp Thing. L&R, always recommended." – Mike Sterling