|Love & Rockets - the strip club??|
|Written by Mike Baehr | Filed under Love and Rockets, Los Bros Hernandez||5 Aug 2011 4:17 PM|
Search / Login
Sign up for our email newsletters for updates on new releases, events, special deals and more.
Category >> Los Bros Hernandez
Today's Online Commentary & Diversions:
• Review: "The harmony of words and illustration strengthen Kelso’s voice as a narrator of stories that appeal to women of all ages.... This collection of short stories is a fantastic starting point for those of you who still view comics as Marvel/DC, or as ‘kiddie’ entertainment. (Shame!!) While playing with fantasy elements we all loved reading as little kids, Kelso incorporates today’s real life issues — STDs, pregnancy, being broke, infidelity — into her comics. Raw, yet refined, Queen of the Black Black is an enjoyable, meaty read that left me pumped to experiment with my own comics style." – Erina Davidson, Bust
• Review: "The book itself is stunning.... Fantagraphics is well-known for their quality book projects and this may be one of their best yet.... The Mickey Mouse strip itself is a hoot — especially in these early days. Mickey’s a feisty little guy in the strips, more so than in most of his animated appearances. He frequently packs heat (gasp!), knows all kinds of dirty tricks, and isn’t afraid to get into some real fisticuffs.... Even if you don’t care much for Mickey or the whole Disney mouse machine, this book should be on your bookshelf just for the slice of 1930s Depression-era Americana and the amazing joy of Mickey’s flinty 'can-do' attitude.... Watch for this wonderful series to do very well in various comics awards next year. This is important stuff." – K.C. Carlson, Comics Worth Reading
• Review: "There's still an agreeable edge to the series at this point [The Complete Peanuts 1979-1980] — Peppermint Patty's resigned acceptance to a life of D-minuses is really kind of savage — but Charles Schulz was relaxed enough to enjoy a few in-jokes and celebrity shout-outs to the likes of Bill Mauldin and various tennis stars.... Each time that Schulz started one of his longer, weirder stories..., readers will find themselves wondering how in the world he resolved it. He succeeded every single time." – Grant Goggans, The Hipster Dad's Bookshelf (via Spurge)
• Review: "Like crisps, chocolate and bad puns; once you get the taste of Robert Crumb on your palate, it’s almost impossible to shift the craving for more. Here’s another re-released edition [Vol. 13] from the superb and multi-award winning Complete Crumb Comics series that will tickle the bad-taste-buds of discerning comics cognoscenti and is bound to make a whole new generation of fans among the cool kids..." – Win Wiacek, Now Read This!
• Scene/Plug: Comic Book Resources' Sonia Harris shares a charming Hernandez Bros. anecdote from Comic-Con and plugs the new Love and Rockets: "I won’t spoil it for you, but I can tell you that it is even better than the 3 that have come before it (and they were fantastic.) Seriously, Love and Rockets is just getting better and better."
• Plug: At The Truth About Cars, Murilee Martin pauses during an epic story about a 1965 Chevy Impala to note, "It was about this time that I became completely addicted to Peter Bagge’s brilliant Hate Comics, which seemed to capture the sense of diminished expectations and ironically-waiting-for-the-apocalypse mindset of my alleged generation a lot better than did Douglas Coupland with his much-hyped-by-mainstream-media novel Generation X: Tales for an Accelerated Culture (note: not that I have anything against Coupland; I’ve since become a serious fan of his work and recommend his novels without reservation). I suggest that you head over to Fantagraphics and buy everything published by Mr. Bagge immediately, pausing only to read his excellent editorial cartoons at Reason." (All links from the original article.)
Today's Online Commentary & Diversions:
• List: The Hooded Utilitarian, continuing to roll out the top 10 results in their International Best Comics Poll, reveals the Locas stories of Jaime Hernandez at #7, with an appreciation by Derik Badman
• Review: "I am seriously finding it difficult, if not impossible, to review [Love and Rockets: New Stories #4] without simply hitting the bullets-and-numbering button and whipping up a list of everything in it that amazed me. It would be a long list, too.... The fact of the matter is that while reading this book I discovered that I’m at least as attached to Ray Dominguez and Fritz Martinez, the protagonists of Jaime and Gilbert’s contributions respectively, as I am to a decent number of real people in my life. ...[I]n the end, how it looks pales in insignificance next to what happens, because making it look that good is a means to the end of imparting just how much what happens matters. Ray’s shirt and Fritz’s legs, the shadow of the vampire and the structure of the montage — they’re just landmarks to remind you where you were when you found out if Ray and Fritz and Maggie were going to get happy endings, or not. It’s the easiest thing in the world to understand, and it’s the hardest thing in the world to do, and it’s magic, pure magic, to do it this well." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "Maybe it seems as if I’ve told you the whole story [of Congress of the Animals] already. Not to worry, as I am only giving a basic outline of what Jim Woodring has rendered (without a single word!) in inspirationally meticulous ink drawings. You’ll really have no idea of this book’s content until you pick it up and view sights that are organically bizarre, beautifully horrific, cryptically disturbing, and genuinely heartwarming." – Chris Gray, San Mateo County Library blog
• Review: "Crumb’s subtle mastery of his art-form and obsessive need to reveal his most hidden depths and every perceived defect — in himself and the world around him — has always been a unquenchable wellspring of challenging comedy and riotous rumination. This superb series [The Complete Crumb Comics] charting the perplexing pen-and-ink pilgrim’s progress is the perfect vehicle to introduce any (definitively over 18) newcomers of your acquaintance to the world of grown up comics. And if you need a way in yourself, snatch up this book [Vol. 15] and the other sixteen as soon as conceivably possible." – Win Wiacek, Now Read This!
Okay, we can't offer you the ninety-minute wait in ninety-degree weather outside the convention center, the greasy ten-dollar pizzas, the terrifying crush of Saturday afternoon attendees here to get an autograph from a Battlestar: Galactica co-star, or the sight of costumed attendees who apparently only chose the Flash costume because their more appropriate pick, Jabba the Hutt, was out. But what we can do is this!
SORRY YOU WON'T GET THE EARLY BOOKS?
The following books will have their world premiere in San Diego. If you order them directly from us we will have them sent to you directly from our main U.S. distributor's warehouse where they land on their journey from overseas in August, which means you will be getting your copy a few days before even the first of our distributors get them. (Note: U.S. orders only. Rush shipping not available — choose Media Mail from the shipping options to avoid being overcharged.) To this list we will even add The Armed Garden, The Cabbie, and Walt Disney's Mickey Mouse by Floyd Gottfredson Volume 2, three books that for various reasons will miss San Diego and thus you will really be the first customers to get!
The Armed Garden by David B.
SORRY YOU CAN'T FLIP THROUGH THOSE EARLY BOOKS?
You can preview many of those books right now here on our website, and the rest of them shortly after our web guy comes back from San Diego! Just hit those links above and you'll see links to download PDF excerpts, and stay tuned for our usual photo and video previews.
SORRY YOU WON'T GET SKETCHES?
Some of the cartoonists who will be attending the convention — Joyce Farmer, Gilbert Hernandez, Paul Hornschemeier, Mark Kalesniko, Johnny Ryan, Frank Stack and Esther Pearl Watson — have agreed to provide anyone not attending the convention who buys one or more of their books off our website this week with a personalized sketch which will be mailed to him or her! (Note that sketches will be mailed separately from the books and at a later date.)
SORRY YOU CAN'T SHMOOZE WITH THE OWNERS?
Part of everyone's San Diego experience is to ask the Fantagraphics moguls penetrating questions such as "Where the hell is Pogo?" and "Why don't you publish XXXX??" and "Which Jacques Tardi album should I buy first?" For this weekend only, if you have a question for Gary Groth, Kim Thompson, or Eric Reynolds, add your question to your order and whoever you're addressing will personally answer it!
SORRY YOU CAN'T TAKE ADVANTAGE OF DESPERATION SALES?
On the last day of the convention, as Gary, Kim, and Eric survey the piles of unsold books and "God, do we have to lug all these back home?" panic sets in, suddenly fantastic sales deals begin to materialize faster than you can say "HOW MUCH for that Box Set?" Therefore we are not only offering 20% OFF EVERYTHING on our website — use coupon code FANTACON11 at checkout — but a whopping 50% OFF ALL our biggest and heaviest books (see them all here — note that items are discounted 40%, which works out to 50% when the coupon discount is applied) during the convention and beyond, from Thursday, July 21 (that's today!) through Monday, July 25 — and you won't even have to lug them home or pay all those extra baggage fees! We'll send them to you!
See? THIS IS BETTER THAN ATTENDING COMIC-CON!
Fantagraphics is puttin' the "comics" back in Comic-Con as we head to San Diego this week with a slew of scintillating signings, almost two-dozen dynamite debuts, and a collection of comics sure to please any comics fan... and fill those enormous free tote bags they give away at the door.
First up, DEBUTS!
• Love & Rockets New Stories 4 by Los Bros Hernandez
Next up, SIGNINGS!
Thursday, July 21st:
Friday, July 22nd:
12:00 - 1:00 PM Wilfred Santiago / Bill Schelly
1:00 - 2:00 PM Joyce Farmer / Frank Stack
2:00 - 4:00 PM Paul Hornschemeier / Johnny Ryan
3:00 - 4:00 PM Esther Pearl Watson
4:00 - 5:00 PM Mark Kalesniko
4:00 - 6:00 PM Gilbert Hernandez / Jaime Hernandez / Mario Hernandez
6:00 - 7:00 PM Robert Goodin / Jon Vermilyea / Malachi Ward
Sunday, July 24th:
All the action awaits you at our usual spot, Booth #1718!
And don't miss our amazing PANELS! I won't get into all the details, because Mike did so earlier here on the FLOG, so click on the date to see our previously posted full rundown on each panel!
Thursday, July 21st:
Friday, July 22nd:
Saturday, July 23rd:
Sunday, July 24th:
Comic-Con has announced their programming for Thursday July 21, the first full day of the convention, and here are the panels to circle in your program or plug into your smartphone app or scribble on the back of your hand (we will, of course, give a complete run-down along with our signing schedule and more info in the near future):
12:30-1:30 Spotlight on Bill Schelly— Comic-Con special guest Bill Schelly (The Golden Age of Comic Fandom, The DC Archives) is a leading fandom and comics historian. Moderator Gary Brown interviews Bill about his work, with special emphasis on his latest books The Art of Joe Kubert (debuting at Comic-Con 2011) and Founders of Comic Fandom, followed by a Q&A session. Room 8
1:00-2:00 CBLDF Master Session 2: Shannon Wheeler— From DIY zine making to the pages of the New Yorker and every flavor of independent press in between, Shannon Wheeler has distinguished himself for an ability to craft humor strips that are equal parts sardonic and existential. Take a close-up look at his approach to creating cartoons and gain insight into the nuts and bolts of making cartoons that connect with editors and readers at this CBLDF Master Session! The pieces created during this event will be available for bidding in Saturday's CBLDF Benefit Auction! Room 30CDE (Recommended by The Washington Post's Michael Cavna: "From zines to New Yorker magazine, Portland’s own has much knowledge to share with the aspiring.")
2:00-3:00 Love and Rockets — Gilbert, Jaime, and Mario Hernandez converse with Gary Groth about 30 years of creating their landmark comic book series, Love & Rockets. Since 1982, Love & Rockets has virtually defined alternative comics and culture, launching from the punk rock scene in Los Angeles and growing into one of the most mature bodies of work ever produced in the medium. Room 9 (Recommended by The Washington Post's Michael Cavna: "The Brothers Hernandez talk with Gary Groth about three glorious decades of L&R.")
2:30-3:30 Joyce Farmer: Special Exits, A Memoir — Can graphic work become serious literature through excellent artwork, writing ,and subject matter? Where does graphic work belong in bookstores and libraries? This Q&A with Comic-Con special guest Joyce Farmer examines her Eisner Award-nominated book Special Exits, A Memoir (Fantagraphics) in this spotlight panel. Room 4 (Recommended by The Washington Post's Michael Cavna: "Her Eisner-nominated Fantagraphics graphic-novel memoir is a must-read. Which makes Farmer a must-see.")
3:30-4:30 Spotlight on Frank Stack— Comic-Con special guest Frank Stack, pioneer of underground comix in the 1960s with such titles as New Adventures of Jesus, Feelgood Funnies, Amazons, and Dorman's Doggie, remains active as a fine artist and cartoonist. His Jesus stories were recently reprinted as The Second Coming by Fantagraphics. Frank will present a visual presentation and Q&A. Room 4
6:00-7:00 Comics for Social Justice: The Making of Oil and Water — Oil and Water is a book-length comic (Fantagraphics, Summer 2011) that is a partly fictionalized account of a 10-day trip that 22 Oregonians (activists, teachers, business owners, scientists, and artists) took last summer to "bear witness" to the BP oil spill on the Gulf Coast. Shannon Wheeler will briefly present the historic impact of comics on issues of contemporary social relevance and give a quick overview of why this project was conceived and what it hopes to accomplish. He'll then present his sketches from the Gulf Coast and show how he and collaborator Steve Duin transformed them into a compelling portrait of what hope and challenges remain along a ravaged coastline, one awash in both seafood and oil, that will be changed as irrevocably as those Oregonians that chose to bear witness to the tragedy. Q&A session to follow. Room 9
Whew! Get ready for a lot of running from room to room. Why, you'll barely have time to hit our booth and buy books!
Today's Online Commentary & Diversions:
• Review: "...Artichoke Tales and The Squirrel Mother have established Kelso as one of the most original talents in comics. The dozen stories in Queen of the Black Black show an emerging talent, but not a fully-formed one; Kelso tries out a variety of styles here, from primitivist to expressionistic, and tries out a variety of genres too, from slice-of-life to historical fantasy. This book isn’t the best introduction to Kelso — that would be The Squirrel Mother — but it’s essential for fans..." – Noel Murray, The A.V. Club
• Review: "Now collected and translated into English, Approximate Continuum Comics is almost more valuable now than it was at the time, serving as a historical document of one of some of the most significant cartoonists in Eurocomics. The book also exemplifies Trondheim’s distinctive autobiographical style, which allows plenty of room for dream sequences, slapstick, digressions, and all the virtues that make his fiction work such a delight." – Noel Murray, The A.V. Club
• Review: "For Isle of 100,000 Graves, Norwegian cartoonist Jason works his animal-headed characters into a rip-roaring pirate tale written by Fabien Vehlmann. The result is a little more dialogue-heavy and a little less existential than Jason’s usual books, but it’s still funny and imaginative, telling the story of a young girl who joins a band of buccaneers to look for her father and ends up meeting a hapless lad who’s enrolled in school for executioners. The action barrels straight ahead to a sweet finish, but the highlights of Isle of 100,000 Graves come in that school, where kids dispassionately learn to maim and torture in ways that perfectly suit Jason’s deadpan style." – Noel Murray, The A.V. Club
• Review: "Isle of 100,000 Graves is the first work of Jason's to be written by someone other than himself. Boy, did he choose a good one!... Visually it is much the same as Jason's other works, which in my opinion are stunning in their simplicity. The sparse composition of the panels, the 'ligne claire' art style (yeah, I just got pretentious on yo' ass) and the fantastic use of negative space all add to the understated, dead pan wit of the tale. A fun and entertaining adventure that just goes towards further proving the talent of these men." – 2 Bad Guys from an 80s Movie
• Review: "...Woodring returns with Congress of the Animals, a 100-page book focused on Frank. The style and format will be familiar to Woodring devotees — wordless and surreal, with each panel packed with thick, squiggly lines — but the story’s more clearly allegorical than usual, following the buck-toothed, easygoing Frank as he moves into a new home and learns what it means to work a soul-crushing job to maintain a standard of living. The theme is heavy, but there’s a strong slapstick comedy element too, which endures right up to the point where things take a turn from the merely weird to the mind-meltingly weird." – Noel Murray, The A.V. Club
• Review: "If Mauldin’s World War II strips were a needed corrective to the public’s glorification of war, then his post WWII work fulfilled the same function for those who thought of post-war America as some kind of euphoric utopia.... The production values for this volume, like the hardcover edition for The WWII Years, are impeccable.... DePastino’s introduction is jammed with illustrative biographical details and is livened up with promotional materials.... Back Home is a study of an artist in transition, both in terms of his art and his life. At the same time, it’s a study of a nation in transition, where the political and cultural ground was shifting and a battle over the nature of that national discourse was being waged." – Rob Clough, The Comics Journal
• Plug: "I re-read both the Hernanadez brothers collected works about once a year and there’s not a lot between them. But somehow the subject matter and sheer storytelling verve of Locas tips the balance for me. I’m constantly in awe of how they both can chronicle the lives of huge casts of characters. The hardback collections of Locas and Palomar are absolutely essential." – Oli Barratt, Lost At E Minor
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread with our releases scheduled to arrive in your local comic shop in August 2011 (give or take — some release dates have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions. (And we'll continue and hopefully improve this feature every month!)
You'll find hotly-anticipated titles like the next Love and Rockets, Oil & Water (both "Certified Cool"!), the new Ganges, Kupperman's Twain book, our long-awaited Toth book, new editions of The Frank Book, and a new classic pin-up collection. See them all here!
The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:
• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."
(The following links are via the Largehearted Boy link above:)
• Review: "The graphic novel  is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets
• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You
• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!
• Plug: "21: The Story of Roberto Clemente by Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News
• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal
• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot
• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel
• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read
• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."The Daily Cross Hatch wraps up their serialization of the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I used to worry about what my peers thought. That’s a big mistake. Never worry about what your peers think, because then you always find out that they would have done it in a heartbeat. [Laughter] If you take anything away from this conversation, it should be 'fuck Dan Clowes.'"
• Feature: The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."
• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special
• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat
• Plug: "The 63-page conversation between mad geniuses Al Jaffee and Michael Kupperman in the new issue of The Comics Journal" lands on the "Lowbrow/Brilliant" quadrant of New York magazine's "Approval Matrix"
• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca