#4 - You'll Never Know, Book 2: Collateral Damage by C. Tyler: "The first volume of Tyler's planned trilogy appeared on this list last year, and she hasn't missed a step, fleshing out her father's time in World War II with fresh details about its long-term aftershocks on the home front."
#3 - It Was the War of the Trenches by Jacques Tardi: "...French cartoonist Tardi's pitch-black World War I masterpiece, available in English for the first time. This is war as hourly apocalypse, Expressionist and agonizing."
#1 - Love and Rockets: New Stories #3 by the Hernandez Brothers: "The first two [issues] were typically excellent, but the third was jaw-dropping, largely because of 'Browntown,' a story by Jaime Hernandez. Like his brother Gilbert, Jaime has been so good for so long that it's become very easy to take his obvious genius for granted. 'Browntown' brought that skill into brutal relief, a devastating story of a secret left to fester. Expertly paced, with not a line wasted, it was one of the year's best stories in any medium, a stunner from a guy who keeps finding new peaks."
• List:Popdose's Johnny Bacardi (né David Allen Jones) names Love and Rockets: New Stories #3 one of his Best of 2010: "Featuring Jaime Hernandez's remarkable 'Browntown,' perhaps the best thing he's ever done. Which makes this absolutely essential."
• Review: "...The Littlest Pirate King is gorgeously illustrated and quite intriguing. David B. has an unusual style which tempers the creepiness of undead pirates with an almost goofy look; but then those cartoony characters grin as they run swords through people. It’s a very odd juxtaposition that matches the story well..." – Jonathan Liu, Wired – GeekDad
• Review: "...[Usagi Yojimbo] is probably one of the best comic stories ever made. The epic scope expected from historical fiction is there as are some of the most finely drawn characters in the medium. [...] While even the stories that are not particularly noteworthy are highly readable, the good stories in this collection are amazing. [...] I give this book the highest possible praises for quality." – J.A. Crestmere, Renderwrx Productions
• Review: "Destroy All Movies!!!, edited by Zack Carlson and Bryan Connolly, not only gives an great anthology-like overview... but provides a strong focus on the talent and punk-brains behind the art. [...] It’s the perfect summation of a 1980s American society that didn’t know how to handle the punk uprising, and a film industry that capitalized on it." – Dave McKendry, Fangoria
• Review: "Fantagraphics has finally presented the work of one of comics' greatest mystery men in dignity with beautiful color reproduction and informative introductions. [... Unexplored Worlds] shows off Ditko's work after the Comics Code Authority came onto the scene and turned every lurid story of horror and 'the macabre' into some lame morality tale in which everyone has a nice time. Still there's some strong content in this book..." – Nick Gazin, Vice
• Review: "Johnny's new book [FUC_ __U, _SS __LE] is full of the yucky yuks, barfy larfs, and gags-that-make-you-gag that have made this shock comicker the Artie Lange of drawn funnies! [...] Do you like comics where dangling nutsacks are mistaken for pinatas and rich people shove DVDs into midgets' butt cleavage which causes them to act out the movies? A comic where summoning a Garfield Satan is possible by using the Lasagnanomicon? A comic where a little girl shoots the homelees in the brain, grinds them up, and feeds them to skunks for Thanksgiving? You don't? Neither does anybody else. Eat my balls, JR." – Nick Gazin, Vice
• Review: "As with Ryan’s more recent work... the jokes [in FUC_ __U, _SS __LE] become have become more outrageous, absurd, disturbing and just plain odd. Whether that’s a good thing or a bad thing depends upon your appreciation for Prison Pit, not to mention your appreciation for Johnny Ryan’s comics in general. Me, I thought it was swell." – Chris Mautner, Robot 6
• Review: "Here’s another best of 2010 comics entry for you. Cathy Malkasian’s Temperance is like Franz Kafka’s The Castle meets Little House on the Prairie and goes drinking. No, it’s like rewriting Pinocchio as several Flannery O’Connor short stories, including (but not limited to) 'A Good Man Is Hard To Find' and 'Good Country People.' No, that’s not it either. [...] Anyway, it’s weird as hell. This stuff." – John Holbo, Crooked Timber
• Review: "Dosed with dry, mordant wit and just the right tone of macabre Ghost Train suspense Toys in the Basement is a simply terrific goose-bumpy thriller rendered magical by the wildly eccentric, brilliantly imaginative and creepily fluid artwork of Blanquet. This dark delight also has the perfect moral message for loot-hungry, attention-deprived youngsters – and their kids and grandchildren too." – Win Wiacek, Now Read This!
• Interview:The Daily War Drum talks to Stephen DeStefano about his Disney comics work and other topics: "I'm currently working on storyboards for Disney TV Animation, on a show called Kick Buttowski. I'm also drawing Spongebob Squarepants comic books, as well as drawing the second volume of my graphic novel (Volume One was published this past September) called Lucky in Love."
As some people know, I divide my time between Fantagraphics and non-profit radio station, KEXP, and yesterday, my worlds collided when my boss (the other one) played this on the radio: “The Devil and Maggie Chascarillo” by Memphis whiskey-rock* band Lucero (off their most recent-release 1372 Overton Park).
I caught the chorus -- "Maggie the mechanic, punk rock girl, lonely saint" -- and immediately bolted up in my chair. It's not the first time Love & Rockets has inspired a band, and I'm certain it won't be the last.
[* Yeah, I don't know what that is either. ]
And while on the topic of comic book inspiration in music, I wanted to direct you to the latest release from Dew-Claw, a solo project from Stephen Hunking, former guitarist for the excellent band Hypnolovewheel. The first track on his new EP, Holiday Compression, was inspired by noneother than the book Weathercraft by Jim Woodring. Wanna check it out? You can download it FOR FREE!
• List/Review:Critical Mob names Jim Woodring's Weathercraft one of the Top 10 Books of 2010. As a reminder, their review called it "the kind of Pilgrim's Progress tale that David Lynch might have conjured up if he were a cartoonist" (Lynch was a cartoonist, in fact) and "Woodring's best work yet. And for an artist of his caliber, that's saying something."
• List: At Flavorwire, Desert Island's Gabe Fowler names Love and Rockets: New Stories #3 #9 of 10 of the Year's Most Buzzed About Comic Releases: "Lots of people were blown away by this — it’s a comic that epitomizes 20 years worth of work in 50 pages. Jamie Hernandez has just been doing it so long that he’s a natural. Comics just seem to flow out of this guy."
• List: Julien from Librairie Drawn & Quarterly names A Drunken Dream and Other Stories by Moto Hagio one of "Les 5 livres indispensables de l'année" (the 5 essential books of the year): "With coming of age stories that are sentimental, dramatic, poetic, offbeat and not mawkish..., A Drunken Dream and Other Stories showcases trailblazing manga has forged its own way since the '70s." (Translated from French.)
• Plug: "In typical Fantagraphics fashion, A Drunken Dream is presented in a gorgeous, golden-hued, and hardbound package. From the front to end papers, it is packed with stories, artwork — both black and white and in color — and an interview with the influential artist that’s just as engaging as her stories. For me, 'Iguana Girl' was the standout tale, full of emotional and psychological twists. It’s sophisticated and defies expectations." – Alex Carr, Omnivoracious "Graphic Novel Friday: Holiday Gift Guide"
• Review/Profile: A feature on Joyce Farmer and Special Exits by Paul Gallagher at The Huffington Post: "Farmer's beautiful, moving and truly exceptional book deals with the very real closing down age brings, and its problems. Rarely have I read such an honest, heart-breaking, yet darkly humorous tale."
• Review: "Carol Tyler has chosen a scrapbook format for her memoir series You'll Never Know, but the editing is the reverse of the usual—instead of airbrushing over her family's troubles, she focuses on them. [...] Tyler has a good ear; her conversations, whether it's the grownups kidding around when she was a child or the grown daughters trying to figure out how to negotiate their parents' illnesses, always ring true. Her art is sketchy and expressive, changing to fit the story, often deliberately breaking borders as she transitions from one setting to another." – Brigid Alverson, Graphic Novel Reporter
• Review: "...Rip M.D. is a bit silly, but it’s offbeat and funny too. It’s got the kind of gross-out humor that kids will love... While the book has its own somewhat silly logic, it also has a tremendously engaging look and feel that’s all its own." – John Hogan, Graphic Novel Reporter
• Review: "Stark and vivid, scary and heartbreakingly sad as only a children’s tale can be, this darkly swashbuckling romp [The Littlest Pirate King] is a classy act with echoes of Pirates of the Caribbean (which it predates by nearly a century) that will charm, inspire and probably cause a tear or two to well up." – Win Wiacek, Now Read This!
• Plug: "While I’ve yet to see a copy, Fantagraphics’ Usagi Yojimbo: The Special Edition finally released this December, and it clocks in at 1,200 pages. The 25th Anniversary of Stan Sakai’s rabbit ronin is celebrated across two hardcovers housed in a slipcase. The set promises plenty of extras, and its delayed publication has been lamented loudly enough to make this holiday publication cause for plenty of raised glasses of eggnog." – Alex Carr, Omnivoracious "Graphic Novel Friday: Holiday Gift Guide"
• Awards:ActuaBD reports on the nominees for the Prix Artémisia, including Gabriella Giandelli's Interiorae (in its French edition). "This is an award directed towards female creators from an association bearing the same name as the prize," reports The Comics Reporter.
• Interview (Audio): Host Robin McConnell chats with Nate Neal about Nate's new graphic novel The Sanctuary and other topics on the Inkstuds radio programme; in his blog post Robin says "Sanctuary has a really great language all to itself, and his work in Mome utilizes a while different skill set. Good comics."
• Review: "First off: a round of applause to Kim Thompson for his translation of The Extraordinary Adventures of Adele Blanc-Sec. The French title of the first volume translates literally as 'Adele and the Beast,' and that was the title of the previous American version (20 years or so ago) — but 'Pterror over Paris' is way funnier, and in line with the overheated, not entirely serious style of this book. ...[T]his is really charming stuff... and it's super-fun." – Douglas Wolk, TIME/Techland
• Review: "This is a powerful tale about creativity, morality, verity and above all, responsibility which demands that the reader work for his reward. As an exploration of imagination it is subtly enticing, but as an examination of Mankind’s unchanging primal nature The Sanctuary is pitilessly honest. Abstract, symbolic, metaphorical yet gloriously approachable, this devastatingly clever saga is a 'must-see' for any serious fan of comics and every student of the human condition." – Win Wiacek, Now Read This!
• Review: "In collecting all the (mostly) non-Locas, non-Palomar odds’n'ends from the initial run of Love and Rockets from both Gilbert and Jaime — and Mario too, the 'sometimes Y' to Beto and Xaime’s AEIOU —Amor y Cohetes reinforces [a particular] conception of the brothers’ working relationship. It’s not one-upsmanship, it’s not trading eights, it’s more a matter of pulling from a collective pool of ideas about comics." – Sean T. Collins, Attentiondeficitdisorderly
• Interview: For the L.A. Times Hero Complex blog, Deborah Vankin talks to Robert Crumb (actually an outtake from a slightly longer Crumb interview done for a feature on Joyce Farmer running in the print version of the Times soon): "Maybe I’m less angry. I don’t know. Actually, I’m not less angry. When I go back to America, after a few days I am once again filled with this kind of angry alienation and disgust with this thing there that America has got — you have no idea how pervasive it is there. The public relations and propaganda put out by the corporate mono-culture there is so pervasive."
• Review: "This week I read Unexplored Worlds, the second collection of pre-Spider-Man comics drawn by Steve Ditko. This handsomely designed volume mainly collects work Ditko did for Charlton, a mix of sci-fi, western and post-code horror stories. Ditko is in fine form here...; he seems more sure of himself here, full of verve, dramatic angles and odd hand gestures. In some stories, you can see the groundwork being laid down for what was to come in a few years — there’s a sequence where a guy travels to another dimension where you can see the beginnings of Dr. Strange." – Chris Mautner, Robot 6
• Review: "Each story is weird and wonderful in its own way, even when the writers and artists aren’t as skilled as others. Even better is a 32-page cover gallery in the middle, printed on glossy paper, each suitable for framing. I could stare at such covers all day. [Four Color Fear is an] excellent book..., expertly designed and popping with flaws-and-all color. At more than 300 pages..., [its] heft is welcome. For serious comics scholars or just those seeking a nostalgic kick, [it comes] highly recommended as [a] strong year’s-best contender..." – Rod Lott, Bookgasm
• Interview: At The Faster Times, Ryan Joe goes behind the scenes of Four Color Fear with the book's co-editor Greg Sadowski: "The quality of the writing was [the] number one [consideration] — each story had to be a compelling read. The art came second, though I think every story we chose has interesting art."
• Review: "Consider this a warning. If you fail to immediately purchase a copy of Destroy All Movies a swarm of post-apocalyptic punk rock bikers will kick your door down and ram their fists down your throat. [...] This is an exhaustive reference work that is every bit as brash and entertaining as its subject matter. It's well written, exhaustively researched and laid out in a gorgeous, colorful package that'll make it a coffee table discussion piece in geek homes around the globe." – Todd Brown, Twitch
• Interview: Joe Gross of the Austin American-Statesman, who says "Packed with stills from movies both cult and mainstream, filled with reviews of 1,100 films, and featuring interviews with crucial actors and directors, Destroy All Movies is everything one could hope for from a project this esoteric," talks to the book's editors, Zack Carlson and Bryan Connolly, who says: "It's not like a Leonard Maltin guide where you can just go down to the store and be like, 'Oh, I want this movie.' You're gonna really have to fight to find a lot of the stuff in there. Like some of it isn't even available in this country."
• Review: "I just sat down and re-read thru the new Love and Rockets issue. Shame on you, True Believer, if you haven’t already dog-eared this one. Please, please order this one today and thank me for urging you to do so. ... Jaime Hernandez has outdone himself. I mean, I’m a cynical super fan at times who often believes he’s 'seen it all' and then something like L ‘n R New Stories #3 comes out and just slays me." – Frank Santoro (who goes on to examine Jaime's panel layouts and compare L&R to Rocky and Bullwinkle), Comics Comics
• Interview: At The Daily Cross Hatch, Brian Heater's chat with Jaime Hernandez continues: "Maggie’s just got so much more going on than the other characters, for me. I like doing the other characters, but I’ll always go back to Maggie and the joy of creating her life. There’s just something about the character that I enjoy playing with and finding out where she’s going and who she is."
• Review: Did you think Sean T. Collins was going to omit Birdland in his "Love and Rocktober" series at Attentiondeficitdisorderly? "Doing a straight-up porn comic that borrows the Palomar-verse characters Fritz and Petra gives Beto the freedom to be as silly and utopian as he wants, something he couldn’t get away with in the naturalist, politically aware world of Palomar and Love and Rockets proper."
• Review: "Lucky in Love is an oddly charming book. It takes the tradition of immigrant fiction and wartime stories and channels them through archetypal cartooning styles, crafting a book that looks lighthearted but is actually darker in tone and theme than it might appear on the face of it. [...] My rating: 4 of 5 stars." – Jamie S. Rich, Confessions of a Pop Fan
• Review: "In stunning black ink on gloriously evocative sepia pages... comes a light-hearted, heavy-hitting barbed-edged faux autobiography that is a moving testament to the life of the average Joe. [...] Drawn in a wild and captivating pastiche of Zoot-Suit era animated styles and frenetically Jitterbugging teen movies; marrying Milt Gross’ He Done Her Wrong and Count Screwloose to Milton Knight’s Hugo and Midnight the Rebel Skunk the bold, broadly Bigfoot cartooning style used imparts a seductive gaiety to the folksy monologue and completely disguises the subtle landmines this tale conceals in the narrative. [...] Lucky in Love is utterly absorbing, purely cartoon entertainment, strictly for adults and immensely enjoyable." – Win Wiacek, Now Read This!
• Review: "It was hard to resist when I looked at Chieffet (script) and DeStefano's (artwork) comic book Lucky in Love which came out the other day. DeStefano's drawing is damn inviting in its retro style, and Fantagraphics has succeeded exceptionally well with the design of the book... The only real problem is that DeStefano is such a lively artist, while the story is more dramatic." – Simon Wigzell,Serienytt.se (translated from Swedish)
• Review: "Lucky in Love is both a humorous and often naïve look at our past as a country and as sex-obsessed teenagers. It is a deadly serious story about the fantasy and the reality of war and heroism. It’s drawn in a unique style that it reminiscent of classic Disney or Golden Age comic strips and is filled with hopes, dreams, fantasies and often unfortunate realities. It’s a great coming-of-age story and history lesson that shouldn’t be missed. Grade: A-" – Chad Derdowski, Mania
• Review: "There's already a lot of reviews out about how amazing Jaime's stories are in this issue [of Love and Rockets: New Stories]. I don't really have anything to add. It's all true. It's very touching, truly a masterpiece. But let me also say how much I love the cover illustration. I keep looking at it — the perfect composition, the colours, the weird, blue sun, the small details (like the baby held by the woman in the background), the boy being separated from the others, not looking at the viewer the way the girls do. It means even more when you've read the story. Jaime has already created a lot of iconic covers, but this might be the best one." – Jason (the cartoonist), Cats Without Dogs
• Review: "That Greg Sadowski has gathered up 40 or so mostly forgotten non-EC Comics is cause for celebration... Sadowski does an excellent job of providing historical information for the talent and studios producing each story here... The book ends up being just about right. Good scholarship to put the stories into context, a glossy gallery in the middle of covers of the horror comics magazines of the day, and a highly entertaining selection of material from some of the better talents of the era. ...[Four Color Fear] is a solid primer and should be an entertaining one for years to come..." – Christopher Allen, Trouble With Comics
• Review: "I enjoyed Tardi’s art, which made me feel as though I was visiting 1911 Paris. [...] The stories are dense and packed with outrageous events, providing a sense of adventure. The recaps, as characters explain what’s going on to each other, were both a help... and a satire, reinforcing just how much Tardi is playing with the conventions of the genre and layering event upon event, a kitchen-sink approach to plotting that keeps the reader interested in a world that seems so sedate but where anything can happen. [... The Extraordinary Adventures of Adele Blanc-Sec Vol. 1] is fun, but with the knowing remove of self-awareness and satire." – Johanna Draper Carlson, Comics Worth Reading
• Review: "Some of the conversations are amusing and the awkward silences of real life relationships are nicely portrayed by silent panels and the characters body language. The eight panel grids are the same on every page but that's not a bad thing. [Werewolves of Montpellier] is not the kind of tale that calls for spectacular graphics." – Eamonn Murphy, SF Crowsnest
• Review: "Set to Sea by Drew Weing... is about 150 pages long, but only has one illustration per page. It is always a good illustration, and this story of a would-be writer who’s shanghaied into being a pirate is great fun. Weing’s art is cartoony, but that helps lessen the violence of ship to ship battles with boarding parties hacking at each other with cutlasses. Weing is a young cartoonist to watch." – Mike Rhode, Washington City Paper
• Review: "...[T]he most recent installment in the annual [Love and Rockets] series features a couple of moments that are as technically brilliant and as profoundly moving as anything the series has seen in the past. It’s not easy to get to that level of emotion without collapsing under the weight of your own portentousness, but the Hernandez brothers have managed it." – Bob Temuka, The Tearoom of Despair [Spoiler warning!]
• Review: "As soon as I finished reading the new Love and Rockets, I could only think about how much I want to read further. Definitely it will be some time before the next issue and possibly when it is released I'll admit that it is worth waiting every day, but fortunately for the moment I can always go back to previous work by the brothers Hernandez, and read their latest project again and again." – Aristedes Kotsis, Comicdom (translated from Greek)
• Review: "I know I just got finished explaining that biology is destiny in the Palomar stories. But what struck me upon rereading the material collected in this volume, dominated by the titular story of a serial killer’s stay in the town, is the power of ideas. Not emotional or sexual drives, even, like the web of lust and unrequited love surround Luba’s mother Maria in the suite of stories that forms the second half of the collection, but actual honest-to-god ideas. [...] If Heartbreak Soup showed us Gilbert the literary comics stylist, Human Diastrophism shows us Gilbert the mindfucker — the Gilbert who’s still with us today." – Sean T. Collins, Attentiondeficitdisorderly (a continuation of the "Love and Rocktober" series)
• Interview (audio): Guest co-host Dan Zettwoch gets in on the Carol Tyler interview action in the new episode of The Comix Claptrap podcast — two of my faves together!
• Commentary: "'Frank in the Ruse Garden,' like all the Frank stories, like most of Jim Woodring’s work, is one hundred percent unadulterated Uncanny. Like Jim Woodring saw fever dreams we’d forgotten ages ago, and put them down on paper to remind us. [...] The Unifactor is an animistic world of spirits and strange forces. Time and again, Frank comes in contact with numinous wonders, and fail to rise to the occasion. Frank comes upon a field of floating souls, and grabs one to use as a flying horse. Frank dives into a well ringed with eyes, and emerges mutated and warped. Frank wanders into the House of the Dead wearing a party hat, and it’s, like, awkward." – Wesley Osam, Super Doomed Planet
• Plug: "How could it be Halloween without some horror comics? I’ve been enjoying Four Color Fear, ed. Greg Sadowski, an anthology of ‘50s horror comics from publishers other than EC. I’m only a couple of stories in and, while none have actually scared me, the oversized, full-color book looks to be a wonderful primer on horror-comics history." – guest columnist Sam Costello, Robot 6
• Review: "...[T]he third annual volume proves to be the best yet, combining eccentric drama, bright fantasy, captivating whimsy and appalling human frailty into a package of stunning graphic intensity. [...] Stark, challenging, charming and irresistibly seductive, Love and Rockets: New Stories is a grown up comics fan’s dream come true and remains as valid and groundbreaking as its earlier incarnations — the cutting edge of American graphic narrative." – Win Wiacek, Now Read This!
• Review: "What to say that others haven’t? I’m not steeped enough in Jaime’s work to say that his contribution to this volume [of Love and Rockets: New Stories] was his best ever, but it was very, very strong work, and the reveal at the end so surprised me that I immediately reread the story. [...] I’ve been enjoying the way that Gilbert’s stories and stories-within-stories have interacted, though without being entirely sure why. This volume also led me to wonder to what degree the brothers are aware of what the other is up to, since the stories seemed to strangely reflect each other in ways that previous volumes haven’t." – Brendan Wright, The Wright Opinion
• Commentary: Chris Limb of Catmachine pens a heartfelt ode to las locas: "My old friends are two women who live in a Latina neighborhood in California; I've known them since we were all teenagers. Their names are Maggie Chascarillo and Hopey Glass."
• Plug: At Techland, Douglas Wolk spotlights Jason in a slideshow of "70 Years of Frankenstein Comics": "The brief, wordless 2004 graphic novel You Can't Get There from Here, by the Norwegian cartoonist Jason, concerns a love triangle involving Frankenstein (the Doctor), the Monster, and the beehive-hairdo'ed Bride. It's since been collected in Jason's anthology Almost Silent."
• Commentary: At Comics Comics, Joe McCulloch discusses panel layouts and other matters pertaining to the work of Carol Swain
Online Commentary & Diversions, back from a short vacation:
• Review: "In the first volume of Tyler's planned trilogy of graphic memoirs [You'll Never Know], she dug into the eruptive, violent memories of her father's WWII experiences while simultaneously dealing with a husband who decided to go find himself and leave her with a daughter to raise. This second volume is no less rich and overwhelming. [...] While the language of Chicago-raised and Cincinnati-based Tyler has a winningly self-deprecating Midwestern spareness to it, her art is a lavishly prepared kaleidoscope of watercolors and finely etched drawings, all composed to look like the greatest family photo album of all time. The story's honest self-revelations and humane evocations of family dramas are tremendously moving." – Publishers Weekly (Starred Review)
• Review: "Friedman's hyper-realistic pen-and-ink and water-color portraits of show business and political luminaries have made their way into the likes of Entertainment Weekly, The New Yorker and Rolling Stone over the years, and a stunning new collection has just been published by Fantagraphics Books — Too Soon?: Famous/Infamous Faces 1995-2010. [...] To say that Friedman's drawings are unsentimental or unsparing is just to scratch the surface. Known for depicting every last liver spot, burst capillary and wrinkle, his work is truly a Warts and All procedure. [...] You might say the super-realistic portraits are loving ones, but only in the sense that you love your own family members, whose soft spots and selfishness one is forced to forgive. Drew Friedman's heart is as big as his capacious eye for the telling detail. Seek him out or forever hold your peace." – David Weiss, Life Goes Strong
• Review: "...Four Color Fear offers some of the finest pre-code comic book horror tales ever produced. Extensively researched, complete with story notes, editor Sadowski compiled a superior collection of non-EC tales, many of which rarely reprinted in color. A 30-page cover art section and a fascinating article by historian John Benson, who also supplied the book's intro, about the little remembered, but prolific Ruth Roche, round out this sensational historical tour of the Golden Age of Horror Comics. Highly recommended!" – Rick Klaw, The SF Site: Nexus Graphica
• Review: "The wait [for Love and Rockets: New Stories #3] has been long, no doubt, but I dare say that it was not only worthwhile, but it has proved an inspiration to continue to have faith in mankind, because with artists like these, it is worth living. For the third annual issue..., Beto gets really wild and Xaime creates a stunning tapestry of memories and narrative levels." – Mauricio Matamoros, Iconoctlán (translated from Spanish)
• Interview: As part of his ongoing "Love and Rocktoberfest," Sean T. Collins posts his 2007 Wizard interview with Gilbert & Jaime Hernandez at Attentiondeficitdisorderly: "I liked drawing rockets and robots, as well as girls. [Laughs] It really was no big game plan. It was almost like, 'Okay, I'll give you rockets and robots, but I'll show you how it's done. I'm gonna do it, and this is how it's supposed to be done!' I went in with that kind of attitude." (Jaime)
• Review: "Like much of Hernandez’s work, there’s light amongst all this darkness, particularly later in this section of Fritz’s story. But [High Soft Lisp] remains a bleak book, with Fritz’s own cheerful optimism one of the few beacons of hope amongst a cast of incidental characters whose main purpose seems only to exploit her. Hernandez rarely performs below his best and this is no exception..." – Andy Shaw, Grovel
• Review: "Vast swaths of Wally Gropius appear — at least to my eye — to be visual homages to images that Hensley particularly loves. (The alternative is that he lays his panels out in his static, staccato rhythm just for that feeling, which is close to the same impulse.) It's all very loud and manic and bright and bizarre, veering towards and away from coherence often within the same panel. [...] The end result has that go-go energy and restless heat of the authentic products of the era Hensley sets his story in..." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Interview:Illustration Friday talks to Jim Woodring: "Names and labels don’t matter much. Besides, there are things that cannot be said in words. So if you say them in pictures, are they not things being said? If I draw a hill that looks like a woman, it works differently that if i write 'there’s a hill that looks like a woman.' Also there are clues that one doesn’t want discovered too quickly, or not at all. Because one wants the emanations to proceed from an unknown source."
• Plug: "Nate Neal's first graphic novel [The Sanctuary] is dumbfoundingly ambitious: it takes as its subject nothing less than the invention of comics, in the sense of narrative-in-pictures, meaning that its cast is a bunch of cave-people. Cave-people who speak a cave-person language that Neal has invented himself (he offers the translation of a few key words on its jacket copy, but that's it). The working title of the book was a drawing of a bison. A man's reach should exceed his grasp, or what's a heaven for?" – Douglas Wolk, Comics Alliance