• Review: "...Artichoke Tales and The Squirrel Mother have established Kelso as one of the most original talents in comics. The dozen stories in Queen of the Black Black show an emerging talent, but not a fully-formed one; Kelso tries out a variety of styles here, from primitivist to expressionistic, and tries out a variety of genres too, from slice-of-life to historical fantasy. This book isn’t the best introduction to Kelso — that would be The Squirrel Mother — but it’s essential for fans..." – Noel Murray, The A.V. Club
• Review: "Now collected and translated into English, Approximate Continuum Comics is almost more valuable now than it was at the time, serving as a historical document of one of some of the most significant cartoonists in Eurocomics. The book also exemplifies Trondheim’s distinctive autobiographical style, which allows plenty of room for dream sequences, slapstick, digressions, and all the virtues that make his fiction work such a delight." – Noel Murray, The A.V. Club
• Review: "For Isle of 100,000 Graves, Norwegian cartoonist Jason works his animal-headed characters into a rip-roaring pirate tale written by Fabien Vehlmann. The result is a little more dialogue-heavy and a little less existential than Jason’s usual books, but it’s still funny and imaginative, telling the story of a young girl who joins a band of buccaneers to look for her father and ends up meeting a hapless lad who’s enrolled in school for executioners. The action barrels straight ahead to a sweet finish, but the highlights of Isle of 100,000 Graves come in that school, where kids dispassionately learn to maim and torture in ways that perfectly suit Jason’s deadpan style." – Noel Murray, The A.V. Club
• Review: "Isle of 100,000 Graves is the first work of Jason's to be written by someone other than himself. Boy, did he choose a good one!... Visually it is much the same as Jason's other works, which in my opinion are stunning in their simplicity. The sparse composition of the panels, the 'ligne claire' art style (yeah, I just got pretentious on yo' ass) and the fantastic use of negative space all add to the understated, dead pan wit of the tale. A fun and entertaining adventure that just goes towards further proving the talent of these men." – 2 Bad Guys from an 80s Movie
• Review: "...Woodring returns with Congress of the Animals, a 100-page book focused on Frank. The style and format will be familiar to Woodring devotees — wordless and surreal, with each panel packed with thick, squiggly lines — but the story’s more clearly allegorical than usual, following the buck-toothed, easygoing Frank as he moves into a new home and learns what it means to work a soul-crushing job to maintain a standard of living. The theme is heavy, but there’s a strong slapstick comedy element too, which endures right up to the point where things take a turn from the merely weird to the mind-meltingly weird." – Noel Murray, The A.V. Club
• Review: "If Mauldin’s World War II strips were a needed corrective to the public’s glorification of war, then his post WWII work fulfilled the same function for those who thought of post-war America as some kind of euphoric utopia.... The production values for this volume, like the hardcover edition for The WWII Years, are impeccable.... DePastino’s introduction is jammed with illustrative biographical details and is livened up with promotional materials.... Back Home is a study of an artist in transition, both in terms of his art and his life. At the same time, it’s a study of a nation in transition, where the political and cultural ground was shifting and a battle over the nature of that national discourse was being waged." – Rob Clough, The Comics Journal
• Plug: "I re-read both the Hernanadez brothers collected works about once a year and there’s not a lot between them. But somehow the subject matter and sheer storytelling verve of Locas tips the balance for me. I’m constantly in awe of how they both can chronicle the lives of huge casts of characters. The hardback collections of Locas and Palomar are absolutely essential." – Oli Barratt, Lost At E Minor
The new Diamond Previews catalog is out today and in it you'll find our usual 2-page spread with our releases scheduled to arrive in your local comic shop in August 2011 (give or take — some release dates have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions. (And we'll continue and hopefully improve this feature every month!)
You'll find hotly-anticipated titles like the next Love and Rockets, Oil & Water (both "Certified Cool"!), the new Ganges, Kupperman's Twain book, our long-awaited Toth book, new editions of The Frank Book, and a new classic pin-up collection. See them all here!
The Online Commentary & Diversions hamster wheel started spinning a little too fast, but I think I've got it back under control now:
• Feature: For Largehearted Boy's "Book Notes" feature, Wilfred Santiago creates a musical playlist for 21: The Story of Roberto Clemente: "Golden age animation has been a big influence on my work and the graphic novel itself is very musical. It would be interesting to see the shape that it would take as a feature film. So here is what the 21 soundtrack would sound like."
(The following links are via the Largehearted Boy link above:)
• Review: "The graphic novel  is a beautifully wrought Clemente collage, following the hitter from the impactful events of childhood through his career as a Pirate and up to his untimely death. While there were several poignant dramatic through lines, the book’s strength lies in its brilliant visuals, which far outweigh its strictly biographical content. In addition to his many other notable qualities, like his humanitarianism and his greatness as a player, Clemente was a beautiful man, with a striking physicality. Drawing on this aesthetic truth, Santiago stuns and heightens it, with an imaginative and dramatic illustrative style, with its palette of Pirates yellow, and orange and black. The oral tradition of myth-making is put into visual form here." – Ted Walker, Pitchers & Poets
• Review: "The comic book biography is alive and well in 21: The Story of Roberto Clemente... In 21, Wilfred Santiago, who was also born in Puerto Rico, uses the language of comic books to tell the story of Clemente’s life as something like the arc of the hero’s journey or as a heroic epic.... 21 captures what made Clemente unique. However, Santiago uses the medium of the comic book in a unique way to tell the story of man who represents the best of us. [Grade] A-" – Leroy Douresseaux, I Reads You
• Review: "...I love a good graphic novel biography. Well as those of you who are familiar with the great baseball player and humanitarian that Roberto Clemente was already know, it would be hard to tell his story in any media and for that story not to be powerful. ...21 ... is a handsome production... [and] an... EXCELLENT graphic novel." – Ralph Mathieu, Ich Liebe Comics!
• Plug: "21: The Story of Roberto Clementeby Wilfred Santiago, a graphic novel by an illustrator and writer from Puerto Rico, received a nice write up in a recent issue of Sports Illustrated (linked here)... If we could only have found it at the book store. Sports shelves? Graphic novels? You give it a shot." – Tom Hoffarth, Los Angeles Daily News
• Review: "...Mattotti is an artist who is equally concerned with complex imagery and sharp storytelling — attention to that combination leads us to what makes Mattotti so great. Claudio Piersanti wrote a very crisp script for Stigmata, and Mattotti illuminates the story deftly, probably because he has a real appreciation for well told stories.... If one’s standard for great cartooning is drawing that tells a story without a shred of vagueness, Mattotti’s work on the events described above is thrilling in its virtuosity. But this is a work of art far more potent than a simple story well-told. Mattotti’s two extremes — that of high level storytelling and drawing that suggests unique emotions — exist side by side without any fuss." – Austin English, The Comics Journal
• Review: "While the core timeline of Freeway is only a few hours of frustration spent in traffic, Alex’s mind wanders through past fiction and reality, present fact, and fantasy. Kalesniko, who himself worked at Disney as an animator, designed his main character as an anthropomorphic dog. The result is a wistful, innocent, and somewhat naive protagonist who is coming to the realization that his childhood dreams aren’t quite turning out as he planned.... It is definitely worth the challenge of meandering through the crammed vehicles to reach those poignant moments of Alex’s life, moments many of us share in our own versions of our adult selves." – Ashley Cook, Giant Fire Breathing Robot
• Review: "Less able graphic novelists might scare themselves silly with the scope of this book, but Mark Kalesniko’s attention to detail in all aspects of his craft — the backgrounds, the emotional ranges of the characters and the slow but steady-paced urbane drama — blends the components together masterfully.... [Freeway] is deeply sophisticated and literary. It deals with humanity’s big questions – love, death, life, and what we do with our time. It’s funny, touching, heart-warming, tragic and very engaging." – Andy Shaw, Grovel
• Review: "Gilbert’s sketches actually give an insight into how he feels about his characters, and as a reader, I found myself understanding the characters a bit more, just by looking at his drawings.... The work in the ‘Jaime’ section is quite beautiful and well drawn, however, it does not give further insights into the ways in which Jaime sees his characters, or what he has planned for them... To sum up, Love and Rockets Sketchbook Volume 2 is pretty awesome." – Lisa Polifroni, lisaloves2read
• Interview: At Inkstuds, a 2008 conversation with Johnny Ryan conducted and with illustations by Josh Bayer: "It’s interesting that you bring it up because people always demand that artists deliver some sort of meaning and truth, and when that truth’s hideous they throw up their arms and get upset and have hurt feelings and it’s 'you’re ruining people’s lives.' There’s conflict; you want the art to be true, but don’t want to be shown stuff that makes you feel bad, you can’t make people feel good all the time, it's not true, the object is to make people feel something. There’s no rule that it has to be something good."
• Interview:The Daily Cross Hatch wraps up their serialization of the transcript of Brian Heater's MoCCA panel conversation with Peter Bagge: "I used to worry about what my peers thought. That’s a big mistake. Never worry about what your peers think, because then you always find out that they would have done it in a heartbeat. [Laughter] If you take anything away from this conversation, it should be 'fuck Dan Clowes.'"
• Feature:The Seattle Times' Marian Liu previews our Charles Peterson: Taking Punk to the Masses exhibit at Fantagraphics Bookstore & Gallery: "'I was wondering why this kid was bothering to take photos,' said Larry Reid, curator of the Fantagraphics show, of Peterson. Now, flipping through the photos, Reid remembers each scene as if it happened yesterday. Drawn to the energy of the music, Reid was a good decade older than many in the scene then. He shepherded the artists by promoting their shows and allowing them to play in his gallery's basement. 'I can recognize the artists by their shoes,' said Reid, looking through the photos."
• Plug: "For a reality check, I turned to a former Rolling Stone colleague and friend who always seemed to have a better line on all things cultural than anyone else around and a way of stating his position in a manner that set him apart, way apart, from other music writers — make that writers, period — of his time, and boy does he put today’s snarky music press to shame. This would be the late Paul Nelson... (Nelson’s life and work are getting their just due in September with the publication of a long-awaited, diligently researched biography by Kevin Avery, Everything Is An Afterthought: The Life and Writings of Paul Nelson. Full disclosure: Yours truly was among those Avery interviewed. But buy the book anyway.)" – David McGee, The Bluegrass Special
• Plug: "I’m in the process of reading an advance of Everything Is An Afterthought, Kevin Avery’s biography and selected works of the music critic Paul Nelson. Reading Nelson’s writing reminds me how of the role that he and other music critics of the time — our own John Swenson included — played in creating the myth of New York City for me." – Alex Rawls, OffBeat
• Plug: "Back in 2003, Lou Reed paid tribute to poet Edgar Allen Poe with his sprawling The Raven, which didn't exactly strike a positive chord with the many critics and fans at the time. Nevertheless, Reed will now be revisiting that album with a new illustrated book. The book, also titled The Raven, was made in collaboration with Italian illustrator Lorenzo Mattotti.... We originally called The Raven 'bizarre and thoroughly uneven.' We'll have to see if this new illustrated spin helps to make the entire album a bit more rewarding." – Alex Hudson, exclaim.ca
• List: Matthew J. Brady posts his picks for the best comics of 2010 on his Warren Peace Sings the Blues blog (where there are links to his past reviews), including:
"25. Temperance... is a confounding work, and a fascinating one, with some excellently moody art. I still don't know if I really understand it, but it's a strange, unforgettable book."
"23.Set to Sea... is lovely to look at, full of beautiful seascapes and cartoony movement. It may be a small and quick read, but it doesn't seem that way in subsequent memory."
"18. Wally Gropius... is a deeply weird comic, but one that is not easily forgettable, starting with an off-kilter take on old teen comics and throwing in a sort of dada energy, social commentary that isn't always easy to decipher, some startling sex and violence, and an angry attitude toward the idly manipulative rich and their disdain for the rest of humanity. It's also really funny, and what seems like random incidents eventually cohere into an actual story, but the crazy contortions of the characters, the financial imagery and sound effects, and the bizarre dialogue and actions from the characters are what will haunt the mind for some time to come."
"10. It Was the War of the Trenches... is one of the most incredible books of the year, an ugly, grimy, angry look at the devastation of war on everything it touches, an endless cascade of horrors that are all the more effective due to their reality. This is arresting work, something everyone should read, lest we forget how easy it is to get caught up in the killing once again."
"7. A Drunken Dream and Other Stories [...] From the beautiful artistic filigrees that fill panels throughout, to the firm grasp of character and complex emotional examinations, every page of this book is an essential bit of reading for manga fans."
"3. Love and Rockets: New Stories #3... is an amazing example of how great these creators are, and the way comics can be used for maximum effectiveness to tell emotional, realistic, beautifully real stories."
• Interview: Sean O'Toole of South African culture mag Mahala talks to Joe Daly: "Whatever other influences effect my comics worldview, I always end up coming back to Tintin. It’s an impeccable foundation text in terms of characters, story telling and artwork. I also appreciate the fact that it’s written and drawn by one person, George Remi aka Hergé (although I know he had studio assistance later in the series). It’s a complete creation, in that way, there’s a deep level of cohesion between the drawing and the narrative."
• Interview: At Comicdom, Thomas Papadimitropoulos talks to Jim Woodring (interview in English follows introduction in Greek): "I write all my stories out in words, describing the action. After a lot of rejecting of alternatives I end up with something that feels meaningful to me, even if I don't know why. In fact I prefer it if I don't know why. If I can tell there is some significant meaning respiring in the depths of the proposed action, I don't worry about what that meaning might be; I draw the story up and allow the meaning to occur to me and to readers whenever the time is right." (via The Comics Reporter)
• Review: "Tim Kreider is a great caricaturist, as his latest collection of cartoons, Twilight of the Assholes, attests. He has a real knack for portraying the unsightly physical traits of modern Americans– the rolls of fat, the paunchy stomachs, the jowls, flabby arms and chinless faces — that make up more of the current populace than we’d care to admit (myself included). Plus, he’s got a nice, razor-sharp wit that really cuts to the absurdity of a particular stance or issue, and he isn’t afraid to get nasty or break a taboo to make his point, which can be refreshing." – Chris Mautner, Robot 6
• Review: "Cleverly constructed, laconically laid out in the classic nine-panel-grid picture structure and rendered in comfortingly mundane style a la Charles Burns, King of the Flies is a landmark in metafictional mystery tales. [...R]eaders will have to wait for the concluding book to discover how this stunning, mesmerising amalgam of Twin Peaks, Desert Palms, Peyton Place, The Omen and Blue Velvet plays out. A stylish and magical portmanteau saga of a community cursed with an excess of human frailty – lust, rage, greed, despair and especially shallow selfishness – this is a story that will surprise, compel, distress and haunt anybody with even half an imagination. Darkly addictive, casually violent and graphically sexual, King of the Flies is 'adults only' and well worth waiting until you’re 18 for." – Win Wiacek, Now Read This!
• Review: "This is a story about purpose, inertia, the road blocks we throw up for ourselves and the ways in which we are forced to interact with a demanding and frequently demeaning world. This book feels intimate because unlike his past work, Sammy the Mouse has an immediacy to it that’s quite different in tone from his earlier, more distant (but no less visceral) comics. [...] Sally’s comics have an ugly physical quality to them that I’ve always liked, but the two-color process he uses here pushes the ugly/beautiful tension even further. [...] The care and thought that Sally put into adapting his comic into the Ignatz format shows on every page and makes the story resonate all the more." – Rob Clough, The Comics Journal
• Review: "It’s hard to decide which Ignatz book is the best-looking purely from an aesthetic standpoint, but Leila Marzocchi’s Niger has to be in consideration. It’s another series that’s dominated by two tones (in this case, rust red and a chalky blue) that’s remarkable to behold simply in terms of its mark-making. There’s a lushness to this series, in the way Marzocchi uses a scratchy technique that makes her figures and backgrounds look as though they were less drawn than constructed with dense webs of color. Her figures are fabulously exaggerated, all curves and bulbous noses. Everyone is larger than life, creating a sort of mysterious and slightly dark fairy tale atmosphere for this story. [...] It’s an easy comic to follow and probably the friendliest to non-comics readers in the Ignatz line. While its ideas are original, its familiar feel creates a certain immediate comfort level for the reader as they delve into a strange and beautiful world. It’s as though Niger is a favorite old fairy tale whose memory is just out of reach." – Rob Clough, The Comics Journal
• Review: "Instead of writing about the [Prince Valiant] series as a whole (or at least, those volumes I have read), I decided to do another one-page criticism. After much debate with myself I selected the page... dated December 1, 1940, appearing at the end of volume 2. In some respects this is a typical Hal Foster page, but in many ways it is not, which is partially why I chose it." – Derik Badman, The Panelists
• Plug: "ROY CRANE Mania! Just got my copy of Buz Sawyer: War in the Pacific, this and the Captain Easy volumes are long overdue. Thrilling stuff! Roy Crane is one of the unsung greats! Thrilling, charming, infectious masterful storytelling. Probably in my top five favorite cartoonists. Roy Crane drew some of the most subtly sexy women ever. ...[H]uzzah to Fantagraphics! Okay, I'm insane for Roy Crane. It may look old fashioned at first glance, but trust me, once you dive in you'll eat it up!" – Mike Allred
• Plug: "[Love and Rockets: New Stories #3] was as amazing as folks said it was. No knock against Gilbert, but Jaime murdered it this time around, absolutely killed, fired on all cylinders, drowned it in ink. Jeepers, someone give that man a cartooning medal." – Evan Dorkin
• Plug: "I forgot how much I enjoyed reading Carol Tyler's comics when I was tripping over them in various anthologies in the 80's/90's. I stumbled across this book [Late Bloomer] while cleaning up in the basement where all the comics that don't fit anywhere sleep, and was happy to revisit these pieces, as well as material I hadn't read before. The perils of buying a book and putting it aside for too long. Funny, warm, human, honest, occasionally beautiful/heartbreaking 'life' comics." – Evan Dorkin
• Plug: "I love Roy Crane and I'm super-happy [Captain Easy Vol. 1] is in print. Cartoonists and cartoonist-wonks, take heed, there is some beautiful work to be pored over here. ...Crane = Master." – Evan Dorkin
• Plug: "Regular readers of this blog will be aware of the release of Stigmata (Fantagraphics) just a few weeks ago. Featuring expressionist master Lorenzo Mattotti's swirling, cross-hatched pen line as if the story were recounting the fading memory of a dream about a drunk who one day wakes up marked with stigmata. It's an intense and perfectly balanced story, in hard cover with a wonderful Mattotti painting on the cover and it deserves to be a flagship title for any graphic novel collection." – Dave's Comics
• Interview: At The Comics Journal, Ian Burns talks to Shaun Partridge, writer of the Josh Simmons-drawn Mome serial "The White Rhinoceros" (part 1 of 3): "I think fun is the law. You should really enjoy life and laugh. That’s what comedy’s all about. Which is also alchemical, because you’re taking something that is unpleasant and making jokes about it. You know, Dave Chappelle’s a master alchemist. Larry David’s an alchemist."
• List:PLAYBACK:stl's Steve Higgins puts What I Did by Jason on his Top Graphic Novels of 2010: "In my recent review of What I Did, I stated, 'Each story on its own is unquestionably superb, and readers will delight in the moods Jason evokes and the artistic techniques he employs. Together the stories in What I Did are sterling examples of Jason’s fantastic skill as both an illustrator and a storyteller that are well worth the purchase in spite of their vast differences in tone, style, and content.' And it’s still true."
"Love and Rockets: New Stories #3 — [...] While shocking scenes gave Gilbert's stories of cultural and commercial exploitation a fresh horror, the emotional aftershocks of Jamie's stories of personal loneliness, loss and violation haunted me all summer." – Suzette Chan
"The second hardcover volume in Linda Medley's Castle Waiting series is a fantasyish, girl power fairy tale — and so much more." – Rebecca Buchanan
• Review: "Each change, each mutation is the beginning of a thought without a defined path that will take the reader into the recesses of his mind. It can be simple aesthetic sensory enjoyment, perhaps of ravishing beauty, perhaps creepy horror; it can be a profound reflection on the significance of humanity or a simple gag in the purest tradition of slapstick. Either option is good: the silent Frank stories are surely a shock that spins the reader's neurons at high speed, a total reset of the system of established reality that leaves the mind in a renewed state of equilibrium. A masterpiece..." – Álvaro Pons, El País (translated from Spanish)
• Review: "[King of the] Flies is essentially about moments, one strange moment after the other. It brings to mind David Lynch but it should also bring to mind Alfred Hitchcock. Rigorously planned out ahead of time, his best work retains the freshness and kinetic energy of so many strange moments perfectly timed. Undoubtedly, Flies will be more than a string of moments and will have an ending as poetic as its best scenes." – Henry Chamberlain, Geekweek
• Review: "Prince Valiant comics are constantly being reissued around the world, but this collection began in 2009, published by Fantagraphics, is special for its concern with restoring Foster's work with the utmost fidelity. The original art was respected and carefully reconstructed from the original proofs and other sources of high quality. The publication in color, in hardcover and on luxurious opaque paper is just right. It is a definitive edition and a fitting tribute to the art of Hal Foster." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Review: "Jason’s tales of the distracted and listless existences of dog-faced Europeans are so consistently excellent that it’s almost predictable, but while [Werewolves of Montpellier] has his usual skilled construction and subdued colour palette, there’s also some rather good characterisation." – Grant Buist, The Name of This Cartoon Is Brunswick
• Review: "These strips can be a comfort, an amusement, can provide a moment to stop and think. Here [in The Complete Peanuts 1950-1952] you see Charlie Brown before his shirt gets the zig-zaggy stripe; how Linus was introduced as a baby as was Schroeder. You see the small common things that set the groundwork for what would become a life’s work." – Jenny Spadafora, 12frogs
• Profile: Sean O'Toole of Johannesburg's The Times tracks down Joe Daly: "I'm partly curious to see if he looks like his character Steve, described by Millennium Boy as an 'old orangutan mama.' The thin, bearded, slightly awkward man I meet in Observatory isn't apish, nor does he wear a bathrobe à la Jeff Lebowski. He also doesn't have lactating boobs, which Steve briefly grew in a strip appearing in Scrublands, Daly's first US book from 2006." (The Comics Reporter has additional commentary on the article.)
• Profile:Mania's Niko Silvester puts Moto Hagio in the "Creator Spotlight" with a brief overview of her career
• Interview (Audio): Get ready for an epic Inkstuds interview as Al Columbia joins host Robin McConnell for a 2-hour chat
• Plug: "If you’ve not been checking out Fantagraphics’ Complete Peanuts series, I would highly recommend that you start doing so! They are archiving Peanuts every story that Shulz ever wrote, in gorgeous hardcover collections, that contain one to two years of the strip, starting from 1950. It’s one of the best archive projects out there, and I can’t recommend collecting them highly enough!" – Edward Kaye, Hypergeek
• List: At Seen, Sam Humphries names Love and Rockets: New Stories #3The Best Comic of 2010: "While it’s astonishing to see Los Bros Hernandez deliver some of their greatest work at this stage in their careers, at the same time, it should be no surprise at all. They’ve been killing it for nearly 30 years. [...] Both brothers are digging deep into the psyche and hearts of the human condition. The results are powerfully moving."
• List: "[It Was the War of the Trenches] burns with a sense of outrage at the meaningless slaughter and sheer injustice of the events of almost a century ago. A century ago, perhaps, but we should never, ever forget and works like Trenches serve both as a fascinating piece of comics work and also an accessible reminder of history that has now all but passed from living memory and relies on books, film and other media to remind us." – Joe Gordon, "Best of the Year," The Forbidden Planet International Blog Log
• Plug: "It Was the War of the Trenches by Jacques Tardi (Fantagraphics) – Tardi is, simply put, one of the most important and influential French comic artists of the last 30 years. This welcome translation of his harrowing and haunting first World War narrative is as good a place as any to start." – John Byrne, The Irish Times (via Robot 6)
• Review: "Several artists have the ability to capture some physical element of a city or a time; Tardi summons all of that with a fealty to detail and a consistency that eventually yields a more rounded, complete experience. Go all in, and by [The Extraordinary Adventures of Adéle Blanc-Sec Vol. 1]'s final 20 pages one can feel the air hit people in the face when they stumble out of doors, sense the temperature, smell the panoply of city-borne scents. ...[B]oth stories reprinted here with Kim Thompson's droll translation positively whip at the notion of competence in higher places, the rationality of power, that anyone rich ever pays for anything, and the law-driven society generally, all until the skin shows, raw and bleeding. It's a gas... I could personally read 10,000 pages of this material, stopping to stare at the prettier parts, returning to such a book over an entire summer. [...] It's a rare work that makes you like it and wish others would, too, that's for sure." – Tom Spurgeon, The Comics Reporter
• Review: "...Castle Waiting has been one of the most joyous comics discoveries for me of the last couple years. ...[D]espite this volume clocking in at 375 pages I read the whole thing in one sitting…and enjoyed every freaking second of it. I laughed repeatedly and more often than not was caught just smiling like an idiot as I read about these beautifully crafted characters and their completely boring but somehow also completely fascinating lives. It doesn’t hurt that Medley is truly an incredible illustrator." – Kelly Thompson, Comic Book Resources
• Review: "I frequently gasped, out loud, at the beauty of this goddamn thing. [...] Most of [the stories in A Drunken Dream] remind me of Jaime Hernandez, of all people, in that the force of the narrative is toward the protagonists coming to terms — with the damage done by a cruel mother, with the inspiration that arose unexpectedly from a childhood tragedy, with the sudden loss of a friendship through a shared mistake in judgment, with the death of a hated rival, with a necessary but traumatic decision, with the death of a parent. Or not! [...] Each story’s big narrative and emotional moments seem to swell within and explode out of these textures and lines, like they’ve actualized the potential energy there all along. [...] Reads like a dream, looks like a dream." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "The back cover of Unexplored Worlds loudly proclaims, 'This is where Steve Ditko became Steve Ditko.' Indeed, in this second chronological volume of the Steve Ditko Archives, collecting 39 stories from 1956-57, we see the influential American cartoonist come into his voice. ...[I]t's fascinating to witness Ditko grow as a storyteller, to see the first hints of the layouts and compositions that would make his 1960s work on Spider-Man and Doctor Strange set the standard for decades to come." – Claude LaLumiere, The Montreal Gazette
• Review: "I think what ultimately struck me the most about The Littlest Pirate King (which B. adapted from a story by Pierre Mac Orlan) was how it weaves back and forth between innocent and grim. ...[I]t’s a gorgeous book. Even at its most nightmarish, there’s always something to admire within The Littlest Pirate King." – Greg McElhatton, Read About Comics
• Review: "[Rip M.D.] ...will delight monster-fans of all ages and signals a welcome return to upbeat and clever kids’ fiction. ...[T]his spectacular, spooktacular romp is a fabulously punchy, action-packed, wickedly funny treat for kids of all ages that will leave every reader voraciously hungry for more." – Win Wiacek, Now Read This!
• List (Audio): On the Inkstuds radio programme, listen to Chris Butcher, Bill Kartalopoulos, Tucker Stone and host Robin McConnell discuss the Best of 2010, including Love and Rockets: New Stories #3 by the Hernandez Brothers — we haven't had a chance yet to listen ourselves but Robot 6 reports that Stone in particular has good comments on L&R
• List: At TIME.com – Techland, Douglas Wolk lists "15 Excellent Things Happening in Comics Right Now." First on the list: Jim Woodring's Nibbus Maximus and the coming of his Congress of the Animals ("If you are wise, you will not miss it"). Third on the list: "Cathy Malkasian's Temperance came out in the middle of last year, and I still don't know quite what to make of it, which is probably a good sign. [...] It's lovely to behold, rather difficult, terribly sad, very frustrating in some ways, and absolutely worth looking at."
• Review: "Since the appearance of Hey Wait…, Jason's first book to be translated into English, the Norwegian-born cartoonist has remained one of the most distinctive voices in comics. What I Did is the latest omnibus collection of Jason's work… into a beautiful hardcover volume… Grade: A" – Mike Sebastian, Campus Circle
• Review: "Stacked with surprising twists and intricate plotting, [The Search for] Smilin’ Ed revels in Deitch’s increasingly complex personal universe, threading new characters into the established histories of his previous protagonists. Densely detailed and creatively laid out, the art can absorb a reader’s eye for days, with tons of nods, winks and subtle touches embedded in nearly every scene." – Michael C. Lorah, Newsarama
• Review: "Steve Ditko has produced a disproportionate amount of my favourite, formative fiction over the decades. His is a unique voice wedded to an honest heart blessed with the captivating genius of a graphic master. The tales [in The Ditko Collection Vol. 2] have seldom been seen elsewhere; never often enough and always with little fanfare. If you can find this volume and its predecessor you’ll see a lot of his best work, undiluted by colour, and on lovely large white pages. Even if you can’t find these, find something – because Steve Ditko is pure comics." – Win Wiacek, Now Read This!
• Coming Attractions: At Robot 6, Chris Mautner looks at "Six potentially great 2011 comics you haven't heard of," leading off with The Man Who Grew His Beard by Olivier Schrauwen (coming in late Summer): "If you’ve had the lucky opportunity to read Schrauwen’s My Boy, or perused his work in the anthology Mome, then you’ll know this Belgian artist is the real deal — a true, utterly unique and frequently inspired cartoonist who draws upon century-old cartooning styles (McCay, Outcault) to create something contemporary and frequently bizarre."
• Coming Attractions: At Examiner.com, Richard Lipski looks ahead to our Fall 2011 publication of Oil & Water, a chronicle of the Gulf Coast post-Deepwater Horizon oil spill, written by Steve Duin and drawn by Shannon Wheeler
• List: At Seen, Sam Humphries ranks It Was the War of the Trenches and The Extraordinary Adventures of Adele Blanc-Sec Vol. 1 by Jaques Tardi together at #4 on his Best of 2010: "Jaques Tardi is a badass. A titan of French comics, he writes and draws his comics with a relentless focus. Thick lines and dark shadows spill from a tide of incessant ink. Under his pen, sticky subjects must bend and yield to his cynical, humanist worldview. [...] Both books are thrilling to experience. [...] Regardless of country, these are amongst comics’ greatest treasures, and it’s intoxicating to have them in our hands."
• List: Among London shop Orbital Comics' staff favorites for 2010, Jim Woodring's Weathercraft: "The book is every bit as beautiful, weird and mesmerizing as I expected, and serves both as great introduction to Jim Woodring’s wondrous world and a wonderful treat to those already familiar with it."
• Review: "What’s amazing is that [editor Glenn Head] found the comics anthologies of the days to be wanting in terms of having things he wanted to read and look at, and so he gathered up a huge cast of creators and proved that there was another way to go in assembling such books that had its own creative gestalt. That’s all any reader can ask of an anthology, whether or not its contents interest them in particular. Hotwire should have some stories that any alt-comics reader would find to be top-notch..., and for a certain segment might prove to be the anthology made just for them." – Rob Clough, The Comics Journal
• List:Hypergeek's Edward Kaye names The Best Original Graphic Novels of 2010, including (deep breath):
Werewolves of Montpellier: "Part lycanthropic thriller, part romantic comedy, and part existential drama, all told with Jason’s trademark anthropomorphic characters. The visuals are minimalistic and haunting, and the sparse dialogue is wry and delivered with deadpan execution. It’s one of the best things that Jason has ever written, and he continues to outdo himself with every new story."
Love and Rockets: New Stories #3: "Los Bros Hernandez return for a third volume of New Stories. The stories in this volume are fun, bizarre, wacky, and at times profoundly moving. The brothers have been at this for 28 years now, and are still telling stories brimming with originality, and illustrated in inimitable and unparalleled fashion. A true watermark of the series thus far!"
Prison Pit Book 2: "Johnny Ryan has outdone himself on this one. It's intensely violent, horrific, grotesque, sickening, and just plain fucked up! That being said, I thoroughly enjoyed every minute of it! You should buy this book and give it to all of your friends that think that comics are for kids. It will make them cry!"
Weathercraft: "I only discovered Jim Woodring this year, on a recommendation. I was so impressed by this enchanting, silent masterpiece that I went out and purchased everything else I could find with his name on it, which as it turns out is surprisingly little. It's a beautiful and spellbinding book, with otherworldy illustrations that take you to another place. It's hard to adequately describe this story, it's really beyond definition, it's better that you just experience it for yourself."
Billy Hazelnuts and the Crazy Bird: "Tony Millionaire gives readers a sequel to 2006's Billy Hazelnuts. It's an all-ages tale about a golem on a quest to reunite a baby bird with its mother. It's a charming and wacky parable of adventure, discovery, and find one's way in the world. A contemporary fairy tale that is perfect adults and children of all ages. Simply enchanting!"
The Troublemakers: "Gilbert Hernandez releases a second volume of this Love & Rockets spin-off series, featuring B-Movies starring Luba's half-sister, Fritz. This fantastic tribute to film noir is sure to please fans of the genre, while serving as a fantastic introduction to L&R. It's a hard-boiled classic, brought to life with Beto's bold and distinctive artwork. Oh, and did I mention the massive boobs?"
• Review: "It's unlikely I'm telling anyone reading this anything new by suggesting that Lorenzo Mattotti draws like Caruso sang, and that reading this latest work with screenwriter Claudio Piersanti [Stigmata] is at times an assault of exquisite visual pleasure of the kind that makes your whole face sting." – Tom Spurgeon, The Comics Reporter
• Review: "'The Carnival' [in Mome Vol. 14] is an exquisitely wrought piece of melancholy fantasy, and a high point in the blossoming career of Lilli Carré, the most poetic of contemporary North American cartoonists. [...] Lilli Carré’s cartooning has reached the point where she makes everything feel integral; one can’t treasure any of a piece without treasuring all of it. And 'The Carnival' is a rare treasure indeed." – Robert Stanley Martin, Pol Culture
• Review: "...[I]f you’re looking for something awesome to read and start the new year off with, pick up Locas and Locas II. You can even check them out from the library but they’re nice to have around, so when you and your friends are having some funny or interesting conversation and you’re like wait, this seems familiar, and then be like, oh yeah Maggie said the same thing." – Chimatli
• Coming Attractions: At The Comics Reporter, Tom Spurgeon has thoughtful commentary regarding our upcoming Carl Barks books