• Review: "Imagine then what yesterday — or today's — right wingers would say about The Great Anti-War Cartoons... Sadly... what these cartoons have made us 'see' is how little things have changed 'round the planet, or within our species. ... And while being the spark for various brilliant cartoons over the decades doesn't justify the institutional addiction to war (or its always-looming threat), these cartoons can at least provide some solace. Or good fallout shelter reading." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "Jaime Hernandez’s side of the Love and Rockets anthology may have started in a world of futuristic fantasy, but [The Girl from H.O.P.P.E.R.S.] is the volume where he finds his feet and hits a groove. ... Jaime’s illustration is beautiful and effortless. His characters mix a near perfect clear-line style with cartoonish expression, used with particular aplomb when emotions are running high. It’s a masterclass in comic illustration." – Grovel
• Plug:Library Journal features May 2010's Artichoke Tales by Megan Kelso in their inaugural Graphic Novels Prepub Alert: "A coming-of-age story about a young girl from a family caught between sides in a civil war, set in a world similar to ours but where people have artichoke leaves instead of hair. ... Its delicate, rather impish black-and-white line work comes from the creator of the subtle and poignant Squirrel Mother."
• Review: "Strange Suspense offers page after lurid four-color page of Ditko’s weird monsters, rubber-faced crooks, and abstracted landscapes... The book is a white-knuckle trip through Ditko’s fevered imagination. [Grade] A-" – The A.V. Club (same link as above)
• Review: "[Al] Columbia’s book Pim & Francie: The Golden Bear Days strings together 200-odd (very odd) pages of sketches, strips, panels, and spot illustrations, assembled into one long nightmare-narrative about two loose-limbed tots wandering through a village of lusty killers and bleeding trees. There are no explanations here, and few conventional payoffs — just images designed to remind readers what it was like to be a panicked, paranoid child, convinced that every nighttime shadow contained a beast more menacing and repulsive than any grown-up could conceive. [Grade] B+" – The A.V. Club (same link as above)
• Review: "Like A Dog — a collection of [Zak] Sally’s self-published Recidivist comics, plus odds and ends — drips warped fantasy, bleak humor, and experimentation. Dynamically, the book also veers from being text-heavy to eerily wordless, even as it maintains the integrity of Sally’s stunning, stark-yet-lush linework. ...Like A Dog is a compelling slab of graphic narrative. As a warts-and-then-some chronicle of one man’s navigation through the world of underground comics (not to mention his own self-sabotaging psyche), it’s downright mesmerizing. [Grade] A-" – The A.V. Club (same link as above)
• Review: "Packaged in an ingenious VHS-like format, [Portable Grindhouse: The Lost Art of the VHS Box] comes complete with lofty intro... But the fun is paging through these lurid examples of videos you kind of forget you remember, like Streets of Fire or The Legend of Hell House." – Kristi Turnquist, The Oregonian
• Review: "[Gahan Wilson: Fifty Years of Playboy Cartoons is] a monster production, a slipcased behemoth, nearly 1000 pages in three volumes, with deliciously wicked humor on every page. ... Open the box, free the three volumes, and dive in anywhere. You will not be disappointed." – John Mesjak, my3books
• Review: "I opened [West Coast Blues], got sucked in and blew through it in one sitting. Then I went back a few weeks later, in preparation for this review, and re-read it. I found that I liked it even better the second time around, as I was able to spend a little more time with it and take in the subtleties of the work. I suspect I will read it again soon and I would definitely recommend it. Fans of great artwork and crime stories should give this book a shot." – Chad Derdowski, Mania
• Review: "Now, as a teacher and father, I see that Schulz' reflections on childhood were more accurate than I could have understood from a younger perspective. Some characters I either didn't like or didn't understand when I was a kid are much more sympathetic now, and I still love Schulz' clean cartooning style. ... The most recent [Complete Peanuts] release covers the years 1973 and 1974, which are good years for Peanuts." – Quinn Rollins, Epinions.com
• List: Sandy Bilus of I Love Rob Liefeld names Ganges #3 by Kevin Huizenga #7 on his top 10 Best Comics of 2009: "Huizenga's comics are just really enjoyable to read. The full page image of Glenn inside his own head is really something else."
• List: Our own Eric Reynolds (and some other small press folks) tells The Morning News's Robert Birnbaum 4 books he wishes we'd published last year
The first Online Commentary & Diversions of the new year might be the longest one ever, so let's get to it:
• List/Review/Interview: As part of The Comics Reporter 's unique series of critical discussions on notable comics of the decade, Tom Spurgeon talks to Tucker Stone about Kevin Huizenga's Ganges: "That's the thing about Ganges #3 that makes it a unique comic -- it cannot be told in another medium and work. How are you going to write that down, that aspect of Glenn chasing his own thoughts and memories about completely personal, mundane life aspects, without drawing the character swimming around in his own head?" Elsewhere, Sean T. Collins responds to some of Stone's points
• List:Robot 6 lists The 30 Most Important Comics of the Decade. In part one, Safe Area Gorazde by Joe Sacco is at #19 ("What's more, it showed that comics could handle not only tough subject matters, but deal with timely, true-life subjects in a hard-hitting, journalistic fashion"). In part two, The Complete Peanuts is at #15 ("If you believe, as I do, that we are living in the Golden Age of Reprints, chances are The Complete Peanuts is your Exhibit A")
• List:Newsarama's J. Caleb Mozzocco names his top 10 comics of the year, with The Red Monkey Double Happiness Book by Joe Daly at #8: "...[W]hat he delivers in the two stories collected in this book are unlike anything else I’ve seen in popular comics."
• List: Joe McCulloch of Jog - The Blog prefaces his Top Ten Comics of 2009 list with a "Top Five Caveats of 2009" list of reprinted or unread comics which includes Supermen! The First Wave of Comic Book Heroes 1936-1941: ("Supermen!excited me... for suggesting a burning, manic soul of superhero comics, a reckless freedom differentiated from pulp writing and feature films by gnarled visual style while set apart from newspaper strips by virtue of a restless hunger to entertain quick and hard. It felt like the start of a future, and the comedown only hit when I realized I enjoyed it more than any new superhero comic of 2009") and The Squirrel Machine by Hans Rickheit. On the Top Ten list proper: West Coast Blues by Tardi & Manchette at #8 ("Teeming with fleshy characters prone to bleeding and puking, rippled with burn lines of existential dismay, the story keenly exploits how the thrills promised by bloody adventure outside the law segue into the terror of governmental systems failing to protect their cozy consumer citizens") and Prison Pit: Book 1 by Johnny Ryan at #4 ("as visceral and gory as fantasy throwdowns get, while remaining almost contemplative in its plain-paneled studies of bodily movement").
• List: Patrick Montfort, blogging at Articulate Nerd, names his Favorite Comics of 2009: at #10, West Coast Blues by Tardi & Manchette ("A masterfully constructed crime story with an unlikeable protagonist caught in an unlikely circumstance, this very French graphic novel is superior to anything I've seen in the genre from an American cartoonist"); at #9, Abstract Comics: The Anthology ("Handsomely designed and smartly edited... one of the year's most unique releases... thrilling"); at #8, Prison Pit: Book 1 by Johnny Ryan ("Refreshingly devoid of any literary or artistic pretensions, this first of what I hope will be many, many volumes nevertheless comes across as somehow one of the smartest and well crafted books of the year"); at #7, The Complete Peanuts 1971-1972 and The Complete Peanuts 1973-1974 by Charles M. Schulz ("Really strong stuff here, including the 'Charlie Brown wears a sack on his head to summer camp' sequence, surely the 'Poison River' of Peanuts"); and at #2, The Squirrel Machine by Hans Rickheit ("Reminiscent of the best work of David Lynch, there are a lot of powerful themes humming just beneath the surface of the creepy and dreamlike narrative. This one hit hard, and I can't wait to read it again. Really, really impressive")
• List: Cartoonist David Lasky's Best Graphic Novels of the Decade include Safe Area Gorazde by Joe Sacco at #8 ("More haunting and harrowing than any TV news report on the subject") and The Frank Book by Jim Woodring at #10 ("Jim Woodring's cartoon animal, Frank, learns about life (the hard way) in an odd, visually lush, surreal world")
• List:Newsarama's Henry Chamberlain names the comics he was most intrigued by in 2009, including The Squirrel Machine by Hans Rickheit ("Hans Rickheit has been producing work like this for years and he has perfected a certain haunted and exquisite comics style. Take it from me, this story of two very strange brothers is the real deal.")
• List: Matthew Price of The Oklahoman names his top 10 graphic novels of the decade, with Joe Sacco's Safe Area Gorazde at #9 ("Joe Sacco's nonfiction account of the war in Bosnia was among the best ever examples of graphic novel journalism.")
• List: Edward Kaye of Hypergeek selects The Best Graphic Novels of 2009, including Low Moon by Jason ("At times both bleak and humorous, these beautifully absurd stories will leave you as speechless as one of Jason’s silent characters."), Love and Rockets: New Stories #2 by the Hernandez Brothers ("Los Bros. Hernandez continue to blaze trails with their originality, and the comic industry is better for it. This essential collection should be on every fan’s shelf."), Luba by Gilbert Hernandez ("It’s an astounding collection of stories about family, life, love, and heartbreak... [W]hen you read all of these powerful tales together in one place, you realise that Beto has created an epic here, unrivaled in its scale and depth. Words fail to express just how wonderful this collection is."), Everybody Is Stupid Except for Me by Peter Bagge ("It’s a brilliant piece of work, and perhaps Bagge’s finest achievement to date."), Locas II by Jaime Hernandez ("These tales of the lives of Maggie, Hopey, and Ray, are some of the most enthralling, and sometimes bizarre, stories ever told in the comic medium.") and You Shall Die by Your Own Evil Creation! by Fletcher Hanks ("...[T]hese surreal tales from the dawn of the super hero are uncompromisingly vivid, brutal, and at times, completely insane!")
• List/Coming Attractions/Plugs:Hypergeek lists The Essential Comics and Graphic Novels of 2010, including Almost Silent by Jason ("Jason is one of the greatest cartoonists in the world") and the year's books from the Hernandez Brothers: The Troublemakers ("I loved Chance in Hell, so this follow-up is a must for me. Beto is a wonderful storyteller, and an astonishing artist, so you can't go wrong picking this up, even if you've never read any L&R!"), High Soft Lisp ("This collection is essential for all L&R fans, as it collects together many of Beto's stories from the second L&R series, for the first time."), Penny Century ("Another essential collection for fans of L&R, collection Xamie's Penny Century stories from the Penny Century series and from Love & Rockets Volume II."), and Love and Rockets: New Stories #3 ("If it's a tenth as good as the first two volumes, we're in for a treat!")
• Review: "Magnificent art. Panels that range from three or so across medium-sized panels and the occasional painfully detailed and colored super-sized panel. An ongoing story...with blood and gore even! Dooming predictions, wounds, loss and death. Fantagraphics is to be thanked for working so hard to produce a book [Prince Valiant Vol. 1: 1937-1938] that shows Foster's artwork in a decent size and with the colors corrected." – Fred Kiesche, The Lensman's Children
• Review: "For a change of pace, it's nice to delve into some work from the great Steve Ditko and find nary a spider-man nor a strange doctor among them. Fantagraphics provides the ideal venue for doing so in Strange Suspense: The Steve Ditko Archives Vol. 1... With the Fantagraphics logo on the sturdy spine, readers can expect — and receive — a top-quality package with crisp pages and handsome design. It's certainly attractive for some stories Ditko dismissed as 'junk,' but we all know there's treasure buried in trash." – Rod Lott, Bookgasm
• Review: "Issue #2 [of Sublife] saw a lot of [the] promise [of the first issue] fulfilled in a group of stories that ranged across both genres and visual styles... What connected each story was a common theme: the desire for family and the ways in which that need either created surrogate families or metastasized into something darker." – Rob Clough, The Comics Journal
• Plug:Robot 6 guest contributor Shaenon Garrity got Humbug for Christmas: "I love Harvey Kurtzman's failed magazine projects... Kurtzman never had much success in all his long career, but he had a talent for making smart people want to give him a hand... fun stuff. It's got a lot of work by Arnold Roth, whom I love."
• Coming Attractions:Robot 6 surveys numerous comics pros as to what they're looking forward to in 2010: in part 1, Evan Dorkin mentions several of our upcoming reprint collections; in part 2, Chris Schweitzer mentions Drew Weing's Set to Sea (July); in part 3, Jamie S. Rich mentions Lucky in Love by Chieffet & DeStefano
• Interview:The Daily Cross Hatch's Brian Heater continues (in part 3 of 4) his conversation with Carol Tyler: "I thought I could knock it out really quickly. That’s not case. But that’s not really stopping me, or anything. It’s just that, if it takes another six months to make this nicer, sweeter, and more wonderful, I want to. At first I thought I could get it all out in one package. I had it ready. But I’m not person who can write a script and then go illustrate it. I’m intuitive and I’m intuiting my way into this huge subject matter that hits me like a rock. There’s times when I can’t work because it makes me cry."
• Profile:Comic Book Resources' Shaun Manning talks to Dash Shaw about The Unclothed Man in the 35th Century A.D.: "I realize that some people think of comics as being storyboards, or as some kind of preliminary work for a movie, and that's very funny to me. But usually the people who think that are film-industry people who think EVERYTHING is preliminary work for a future film! A book, play, whatever! Ha!"
• Survey:The Beat's year-end survey of comics pros includes the following responses. From Jay Lynch: "When I think of comics in the 00s I think of: Johnny Ryan." From Mike Dawson: "What was the biggest story in comics in 2009? The Comics Journal moving almost exclusively online."
• List: Joe Gross of the Austin American-Statesman names notable comics of 2009, including Pim & Francie by Al Columbia ("It's a bit like peeking at J.D. Salinger's notebooks, if his notebooks were pure nightmare fuel") and You'll Never Know, Book 1 by C. Tyler ("A terrific addition to the canon of literature about baby boomers, their parents and their children")
• List: Greek site Comicdom names Ivan Brunetti's Schizo #4 to the #4 spot on their Top 100 of the 00s countdown. From the Google translation: "With words or silence, with an excellent sequence between the panels and embroidered with punchlines, reading this comic becomes a personal matter, even though the association, the painfully honest confession, is more or less familiar to everyone."
• List:Fústar awards The Clanging Gong of Doom for "Weirdest & Most Brain-Searingly Wonderful Book of the Year" to You Shall Die by Your Own Evil Creation! by Fletcher Hanks, which "might be testament to rage-filled, borderline psychosis – but it's thrillingly vital and magnificently (uniquely) strange for all that."
• Review: "...[T]he great pleasures of each story [in The Red Monkey Double Happiness Book] are the odd, idiosyncratic details Daly includes, and the way in which he reveals them. ... I’ve never read anything like it—and now I want nothing more than to read more of it." – J. Caleb Mozzocco, Newsarama
• Review: "Sublife Vol. 2... is John Pham’s gorgeously designed one-man anthology book, including about a half-dozen stories of various genres, formats, sensibilities and even art styles, each impeccably laid out on longer-than-it-is-high, 8.5-by-7-inch rectangular pages. ... They’re all pretty great on their own, and taken all together, they make up a downright remarkable book." – J. Caleb Mozzocco, Newsarama (same link as above)
• Review: "...[C. Tyler's] autobiographical comics display a shocking, unruly wholesomeness: they are visually and morally beautiful, suffused with a scrap-doodle amateurism and palpable maternal love... You’ll Never Know, Tyler’s newest book, is modeled on a scrapbook and is a tribute to craftsmanship, much like the home repair and plumbing we see her father, the 'good and decent man' of the title, often undertaking. ... Tyler mitigates this directness of heart with a dynamically pesky drawing style, splattering each panel with the democratic debris of life." – Ken Chen, Rain Taxi
• Review: "While we’re torturing geeks, I have to put in a good word for Andrei Molotiu’s Abstract Comics: The Anthology... The collection has a wealth of rewarding material, some of it awkward, some groundbreaking — on the whole, it is a significant historical document that may jump-start an actual new genre." – Doug Harvey, LA Weekly
• Review: "Some of the writing [in Humbug] may seem a bit quaint in our ‘irony coming out our asses’ present day, but the artwork is uniformly mind-blowing. ... This collects the whole ill-fated run in a luxurious hardbound package including top-notch background material. Worth it for the mammoth Arnold Roth & Al Jaffee interview alone." – M. Ace, Irregular Orbit
• Plugs: In an interview with Newsarama, Chris Ureta Casos of Seattle comic shop Comics Dungeon gives a nice shout-out to our recent reprint efforts and names Paul Hornschemeier's Mother, Come Home as a personal all-time favorite
• Plug:Robot 6's Chris Mautner got our collection of Jerry Dumas and Mort Walker's Sam's Strip for Christmas ("you can sense the two of them having fun")
• Interview:The Wall Street Journal's Jamin Brophy-Warren has a brief Q&A with Gahan Wilson: "The other thing that dawned on me was we were destroying the planet or at least we were destroying it as a feasible environment. There’s a little grandiosity in saying we’re destroying the earth — we’re just screwing it up so we can’t live. For one, that was hilarious that we’d be determined to continue and it keeps getting worse and worse."
• Interview:The Daily Cross Hatch's Brian Heater continues his conversation with Carol Tyler: "I…can’t…the secret of life? I’m not giving away the secret! I’ll just tell you this — it’s funny around here, because I have to go and pick up dog poop or something. And I’ve heard something like, 'Robert and Aline [Crumb] are in the New Yorker, this week. Oh, they’ve got ten pages.' And I’m just picking up dog poop, but I’m happy, for some reason. I’m happy!"
• Review: "The packaging... is brilliant and the actual product is no less magnificent. The quality that Fantagraphics put into [Portable Grindhouse: The Lost Art of the VHS Box] is top-notch. The card and paper stock could not be more perfect. The high resolution pictures and scans of each of the films are almost like you are holding the original. ... This is a 'must-have' for genre fans, collectors and art lovers alike." – Cinesploitation
• Review: "Huizenga delivers a quiet tour de force [in Ganges #3] that shows confident cartooning that thrills through its ease and craftsmanship,... documenting a normal life with a sharp eye and a penchant for gentle revelation." – John Seven, Worcester Magazine
• Interview:The Daily Cross Hatch's Brian Heater has a wonderful chat with Carol Tyler (part 1 of 4): "Everything is more complicated. Everything is layered. I think as you grow older, you have this experience, but then you also, exponentially, have all of these others, due to the fact that you’ve just lived longer. You’ve met more people, and you’ve been around, and done all of these things. I try to boil it down and try to figure out the best way to do this. A collection of symbols and the right words—I really try to be a wordsmith, but I’m not! Argh! I try to pick the right words and the right way to get an idea across. Sometimes you just have to shoot it out there like bullshit and other times you have to make it more poetic. You have to balance that."
• List:Details magazine names Ghost World #10 on The 25 Greatest Gen X Books of All Time: "This caustically funny duo-tone tale follows the iconic cat-eyed adolescent Enid Coleslaw in her quest to find meaning, or at least cruel humor, in an age where everything's disposable."
• Review: "Strange Suspense collects dozens of Ditko stories from the 1950’s... Almost a decade before Ditko moved to Marvel, these stories bear his unmistakable style. His fine line work and flair for the abstract that would serve him so well on Doctor Strange particularly, is on full display. ... If you only know Ditko for his work at Marvel or later at DC, here is the chance to explore Early Ditko, unconstrained by editors or the Comics Code. While all of this work is marvelous, clearly Ditko is best at home in horror where he could let his imagination run wild, creating monsters and demons and the things that go bump in the night. Rediscover Ditko today!" – Tim Janson, Newsarama
• Review: "Brian Kane, author of the [Definitive Prince Valiant] Companion and surely the world’s foremost authority on the strip and its creator, Hal Foster, has once again done a herculean amount of work, and Fantagraphics has once again clothed that work in a sturdy, pretty volume. Prince Valiant hasn’t been treated this well since the ersatz King of England sang his praises. Those unfamiliar with the character – a young man who finds adventure, fame, and even love at the court of the legendary King Arthur – will find here all the background information they could ever want... But even long-time Prince Valiant fans will find plenty to fascinate them in this volume." – Khalid Ponte, Open Letters
• Review: "Delphine is a morbid interpretation of the symbology of fairy tales resounding with echoes of unrequited love and abandonment. This is perhaps Sala’s darkest and most intricate story ever – impressive in its nuance and ever shifting emotions. One can only hope that it is not ignored." – Ng Suat Tong, The Comics Journal
• Interview: From TCJ.com: "Every weekday from now until December 25, we’ll be posting a conversation between cartoonists from The Comics Journal #300, complete and online! In today’s installment, it’s a chat between L’Association publisher Jean-Christophe Menu and Kramers Ergot publisher Sammy Harkham."
• List:Politics and Prose, perhaps the most graphic novel-friendly bookstore in Washington DC, lists their Favorite Graphic Literature of the Year:
"Every few years a graphic novel comes around that is so good you have to stop reading for a while, because if you read anything else you'd only be disappointed. ... The Squirrel Machine... is a masterpiece of comic fantasy. When I finished this book, I immediately returned to the introduction and read the whole book again, and again. Read this book to see what heights serial art can achieve in narrative and in the creation of worlds that exist in one character's mind. Read it if you think you can handle it, for it abandons the typical narrative structure and accomplishes its ends as only serial art of the highest quality can. This is a fine, gut-wrenching book, written and drawn by a true master." – Thad Ellerbe
"West Coast Blues is an unflinching story, perfect for any fan of the thriller." – Adam Waterreus
"C. Tyler's You'll Never Know, Book One: A Good and Decent Man... is also an impressive and beautiful history of the era; Tyler creates a panorama of images that sweep across the page as she documents her father's childhood, her parent's engagement, and her own young life. Her pen, ink, and color transform her creative panels (at times evoking a scrapbook) into vibrant memories intertwined by her restless imagination." – Adam Waterreus
"[With Abstract Comics] it becomes a treat to take a page of art — or a simple panel — and consider how the shapes, texture, depth, and color interact with one another; to reflect on how, when one takes the time, the enjoyment one ordinarily finds in reading a purely textually-oriented, narrative-driven written story can — with the graphic form — be translated into something completely different." – Adam Waterreus
"From Wonderland with Love: Danish Comics in the Third Millennium... is fantastic! This amazing collection just blew me away. There was not one moment when reading this book — in one sitting, slouched and unblinking on my couch, coffee going cold — that I did not completely love. ... Mythic and dreamlike, meditative and fantastical, this is a superb and surprising collection." – Adam Waterreus
• Review: "...[F]rom the moment he showed up [Michael] Kupperman was a master of stomping around the living room of modern reality and shoving pieces of conceptual furniture next to one another to awesome, knees-out-from-under effect. Kupperman's work has always had that charge that the really good stuff has... Kupperman doesn't get enough credit for building a comic book vehicle in Tales Designed To Thrizzle that serves to facilitate those skills. ...I'm not certain anything under heaven or earth could make something greater than Kupperman's peerless ability to craft funny moments." – Tom Spurgeon, The Comics Reporter
• Review: "Unclothed Man delivers just the right amounts of story, whimsy, art, and heft for four two-minute entries. It offers actual nutritive cultural substance, as opposed to so much web filler one often gets. And you’ll want to go back and watch them a few more times. There’s a lot of variety behind the series’ simple elegance." – Michael Shaw (no relation), Tubefilter
• Plug: "Compiled by Portland, Oregon-based trash cinema expert Jacques Boyreau, Portable Grindhouse honors the pulp video era that inspired Quentin Tarantino." – Hugh Hart, Wired
• Review: "[Gilbert] Hernandez's latest solo work The Troublemakers is the second in a series of self-contained graphic novel 'B-movies,' featuring one of his recurring characters, the cannonball-breasted Rosalba 'Fritz' Martinez. Here, Fritz plays Nala, one of a trio of hustlers trying to hook up with 200,000 smackers. Whether the money actually exists and who has it are anyone's guess in this drama-filled thriller — good for folks who like their graphic novels grim, gritty, and sleazy." – Brad Buckner, Portland Mercury
• Review: "Strange Suspense [The Steve Ditko Archives Vol. 1]... is an absolute treat! ...[T]his book looks amazing. ...[It's] filled with images that will remain seared into your psyche long after you’ve put it down. ... Strange Suspense is an absolute must have for any student of sequential art history... It’s an excellent collection of long lost work from a man whose importance cannot be overstated. There’s really no other grade to give it than an A." – Chad Derdowski, Mania.com
• Review: "Wolverton is helped [in The Wolverton Bible]... by his bold compositional sense, which aids in pushing some of his images beyond the doldrums of camp and into a certain monumentality, a grandeur that retains a shabby earthiness, without being lofty, hollow or pretentious. Without being, in a word, 'churchy.'" – Chris Lanier, The Comics Journal (beta)
• Review: "Johnny Ryan’s Prison Pit is probably as close as comics are likely to come to exploitation cinema. Like the best exploitation dreck from Texas Chainsaw to Death Race 2000, Prison Pit is pure, bottom-dwelling schlock... And yet, again as with exploitation fare, the single-minded commitment to vileness is so perversely pure that it goes right past lowest-common-denominator entertainment and on into snooty, fancy-pants art. ... Ryan’s world is essentially Waiting for Godot, from the bleak landscape to the slapstick violence." – Noah Berlatsky, The Comics Journal (beta)
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