One of our most-requested items is Love and Rockets t-shirts... we continue to disappoint on that front, but Stüssy fills in the gap with some Jaime Hernandez t-shirts in their new Fall line — plus they've got a spiffy video interview with Jaime up right now (sorry no direct permalink — their site is totally Flash-ified). Hat tip to Martin Wong of Giant Robot, who adds that "Locas [is] a must for the library of anyone who likes indie comics, punk rock, or well-told fiction."
• Review: "These latest tales from the art comics trailblazers are sure to draw readers in with their melancholic tone and the adventurous comic art that has enthralled readers for decades. ...[W]e see Jaime's superheroes going wild, both narratively and visually.... 'Sad Girl' is... classic character-driven storytelling from Gilbert and will be welcomed by all the Luba fans out there. His second story, 'Hypnotwist,' is the cherry on top of this volume... The narrative's dreamlike quality and its rich and mesmerizing imagery make it a surreal tour de force." – Publishers Weekly
• Review: "...Brunetti [knows] that for shock art to have any value behind it at all, you have to have some degree of conscience as the engine. As readers we’re required to know and agree that this sort of thing is untenable, in order for us to constantly re-evaluate and come to terms with our own morals. Which would make the title of this book [Ho! The Morally Questionable Cartoons of Ivan Brunetti] rather appropriate. So you should read this book and make your mind up. But be warned, it will play with your disgust and your chuckle muscle in ways you might not have imagined beforehand." – Will Fitzpatrick, Bookmunch
• Review: "Carol Swain... portray[s] Paley’s excursions (Giraffes in my Hair: A Rock’n’Roll Life is a sort of anecdotal graphic short story collection in many ways, albeit a graphic short story collection with a bunch of recurring characters) in a scratchy, pencil, black and white style that somehow perfectly sums up the stories – just as Bruce scratches around for money, so Swain’s pencil scratches around at the background detail.... [I]f you’re a fan of rock’n’roll, if you dig the Beats, if you like grimey tales of excess and the underbelly of success, this is for you." – Bookmunch
• Review: "[Joe] Daly's art is interesting, earthy pastel tones helping to create a sort of sun-kissed backdrop against which his figure work recalls Joe Spent (albeit Joe Spent by way of Cheech & Chong or Harold & Kumar). There are some great effects..., some great chuckle-out-loud writing and the sort of page-turning graphic novel that'll have you filing the name Joe Daly away for future reference, with a wee Post-It note saying, ‘Make sure to check out anything else this guy gets up to' attached. [The Red Monkey Double Happiness Book is] a real breath of fresh air, an enjoyable way to spend a couple of hours, the kind of graphic novel you'll want to pass on to your buddies who dig that kind of thing — what more can you ask?" – Bookmunch
• Review: "I still think of Hey, Wait as [Jason's] best work, the most nuanced, the most beguiling. Even rereading it before writing this, there are so many things I feel like I only half-understand, images that hint at something I can never grasp all the way.... If you haven’t read Hey, Wait yet, mm-mm you’ve got some good reading ahead of you." – Dustin Harbin, The HeroesOnline Blog
• Review: "...[Our Gang Vol. 3] is excellent. You need no knowledge of the films to follow the action, and each issue was self-contained, so you can read it in chunks.... An essay at the beginning of the book puts the stories into the context of their times, very important for any comic book from that era.... Definitely worth a read if you are a fan of old comics that don't involve superheroes." – Laura Gjovaag
• Analysis: At Bleeding Cool, Adisakdi Tantimedh looks at Jaime Hernandez's "Ti-Girl Adventures" from Love and Rockets: New Stories in the context of superhero crossover events: "It really is his Final Crisis, only he effortlessly and breezily beats Grant Morrison at his own game.... 'Ti-Girl Adventures' is pretty much a testament to why we like superhero stories as kids and look back on them with fondness and might continue to like them."
• Analysis: Splinter's Reviews offers a slightly different take on "Ti-Girl Adventures": "It's very difficult to actually compare this Love and Rockets offering to the revisionist tales of Alan Moore and Grant Morrison that have memorably tackled some of the similar themes. Jamie Hernandez may tackle the same subjects of scientific and magical origins of the superhero characters, their eternal youth, and the sexism in comics, but he does it in a completely different way." (via The Comics Reporter)
• Interview: The Daily Cross Hatch talks to Hans Rickheit about his upcoming book tour in the last part of their 4-part interview: "I’ve actually pondered the idea of hiring a good looking actor—or actress—to be me. I’ll do a rubber life mask of my face and have them wear it, and they can be friendly and say all of the right things."
With all of our event announcements today this Online Commentary & Diversions update is blissfully short:
• Review: "Jason’s books are entirely plot-driven, yet delivered with a dry, morose humor that gives the narrative an offbeat tone. Coupled with his ear for snappy dialogue, Jason’s plots become surprising romps that mash up divergent adventure clichés.... All told, Jason’s books, including The Last Musketeer, are pure escapist fun romps.... I’ll be looking for more of Jason’s comics, and hopefully more readers will also check his stuff out." - Michael C. Lorah, Newsarama
• Review: "...I was expecting something offbeat and madcap (and certainly wasn't disappointed in that regard), but I was also surprised by just how emotional Jason was able to make a story about an Anthro-dog murder society and time travelling hitmen. Yeah, the entire thing is patently absurd on every level - self-consciously and humorously so - but it's also a story about the impermanence of rage and the importance of forgiveness, alongside what a goddamn twat Adolf Hitler can be when all you want to do is shoot the bastard.... [I Killed Adolf Hitler] is a quick read and very rewarding, and something I imagine I'll come back to from time to time for a while. Smart, funny and surprisingly poignant, this was VERY GOOD." - David Uzumeri, The Savage Critics
• Reviews: "Locas ll collects a huge amount of comics featuring a more mature Maggie, finding and losing romance with people like Ray (one part Chandler victim, another part mod hobo), 'Frogmouth' (painfully sexy but achingly annoying), and reunions with Hopey and others in a strange relational ballet set in SW America. It’s a weird, flat plain of bizarre sex and twisted circumstance that would be the first collection of comics I would recommend for any adult wanting to get a handle on the aesthetics of the art form since it became culturally relevant to do so.... Meanwhile, Fantagraphics has also just put out a new issue of the Comics Journal #299, which has an incredible narrative by lawyer-outsider art-underground advocate Bob Levin... Levin is the writer of several books on the struggle of comics and the counter-culture and transgressive fringes, and because of him #299 of TCJ is THE book about comic art to buy this year.... Mome... is the current multi-artist series that has critics in the comics world and outside of it regularly amped.... The last few issues of Mome have really hit a hot-run of quality, and though some stories are more straightforward and others are expressionistic, all the art is always sweet." - Chris Estey, KEXP
• Review: "Comics journalism is mostly an oxymoron, but The Comics Journal, on the eve of its 300th issue, is a scholarly, intellectual publication.... [F]or intelligent discussion of current and past graphic storytelling and its creators (the current issue features an incredible story of an ahead-of-its-time genre-spanning anthology from the seventies that was never published), this is indeed an oasis of comics journalism." - Richard Pachter, The Miami Herald
• Review: "...[A]wesome to behold.... When life and love, of a sort, finally do reassert themselves at [The Squirrel Machine]'s end, it's horrifying and drawn in a fashion that makes it look less like a natural thing and more like a terrible apparition, or a special effect." - Sean T. Collins
• Review: "...[T]he velvety ease of the narrative and the facile blend of sexual, familial and natural intimacies on display suggest one of those steps forward with which the comics medium has been blessed over and over again this past decade. One falls through The Squirrel Machine as much as reads it, and the collection of feelings it imparts is as much due to the clarity of its narrative as it is the horror show that occasionally surges toward the reader from some deep place in Rickheit's mind, righteous and angry and wet." - Tom Spurgeon, The Comics Reporter
• Review: "Throughout all 179 pages of The Squirrel Machine [Hans] Rickheit tells a rich, fluid tale, all the while approaching, but not quite revealing any implicit meaning the story itself might have. The result, a daring, surreal, often grotesque work, is more visceral than it is cognitive." - Paul DeBenedetto, Wednesday's Child
• Review: "Though far from savage, at its heart, [Tales Designed to] Thrizzle has some rather pointed things to say about the crap we consume on a daily basis. Plus, it's really, really, really funny.... [The Red Monkey Double Happiness Book] is basically Herge by way of the Big Lebowski with a little bit of Repo Man thrown in for good measure.... very funny..." - Chris Mautner, Robot 6
• Plugs: The gang at Robot 6 (really just Chris Mautner) looks at some of the titles coming out in our New Comics Day bonanza today (along with the week's other notable releases)
On Tuesday, September 22 at 7:30 PM the 826LA Adult Writing Seminar Series presents "Writing Comics," a panel discussion featuring Jaime Hernandez and fellow cartoonists Lalo Alcaraz, Sammy Harkham and Keith Knight along with moderator Salvador Plascencia discussing "ink and pixels, pigments and politics, and how the love of comics mixes with the sticky waters of the business. Panelists will also answer your thought and question bubbles." More info here; tickets here.
Today's Online Commentary & Diversions is a potpourri:
• Guide: Alex Carr of Amazon's Omnivoracious blog provides a fourth opinion (after ours, the A.V. Club's, and Comic Book Resources') on How to Read Love and Rockets, offering these opinions on new L&R collections: "...pick up the recent Locas II: Maggie, Hopey, & Ray and Luba collections. These round up all the stories from Volume Two's respective creators and make for a superb reading experience.... [W]hat keeps me returning to Jaime's stories [is] the affectionate realism in contrast with disparate narratives, characters, and tones. Not to mention his unmatched artwork. And it's all here in the oversized Locas II.... Gilbert's ability to weave the most implausible and bawdy moments (a busty, lisping therapist named Fritz who conceals a gun-play fetish?) into affectionate fiction is matched only by his frank, playful pencils [in Luba]."
• Review: "It’s all classic Hernandez material, but this volume’s key element that really makes the book sing louder than ever is the amount of focus placed upon Ray Dominguez.... Some of the richest material Jaime has ever produced focuses on Ray’s pursuit of Vivian, a former stripper and wannabe actress that leaves nothing but pain and suffering in her wake.... There’s so much good stuff in Locas II, though, that I could talk about it until my fingers bleed.... Locas stands alone. I highly recommend you read it and see why." - Marc Mason, Comics Waiting Room
• Interview: At The Daily Cross Hatch , part 2 of Brian Heater's Q&A with Hans Rickheit: "I guess it’s sort of a digestive process of the brain where you have the end product on paper and the end product sometimes resembles fecal matter."
• Plugs/Oddity: Jog runs down a bunch of our new books arriving in comic shops tomorrow; also, the issue of The Comics Journal with his favorite ad in it is still available if you want to see it with your own eyes
New comics arrive in comics shops on Thursday this week due to the U.S. holiday. That gives you an extra day to count up your nickels because HOO BOY do we have a ton of stuff scheduled to land in shops this week! Such as:
Get yourself educated on all of the above titles by clicking their links and checking out the descriptions and previews. Check with your local shop to make sure they'll have what you're looking for, then take the hammer to the ol' piggy bank and load up on all these beautiful books!
Some major comics writing out there over the holiday weekend making for an extra-beefy (and late) Online Commentary & Diversions update:
•Review/Profile: "Sure I'd read [Hal] Foster before, but I'd never found a way in. Fortunately, Fantagraphics recently released Prince Valiant Vol. 1: 1937-38, and I was able to absorb the material in a wholly new way.... I found this first book completely engrossing. Prince Valiant opens up a world that I wanted to stay in -- a wide-eyed early 20th century approach to fantasy with a now-vanished sincerity and wholesomeness. It's an all too rare pleasure in comics." - Dan Nadel, Comics Comics
• Review: "Medieval swordplay and adventure have never been as glorious as in Foster's Sunday-only comic strip. Although much reprinted (including an earlier version from the same publisher), this edition has been reproduced from pristine printer's proofs to give the gorgeous artwork its crispest version ever.... Foster's script is literate and full of vivid characterizations, like the headstrong but cunning Val and carefree Sir Gawain. But nothing surpasses his artwork—rich with details of armor, weapons and dress, the story comes to life with a palpable sense of magic and danger. Each drawing is a flawless illustration, perfectly composed; even a battle of 20 men comes alive in a tiny panel, with every action clearly delineated. Prince Valiant is one of the best-drawn comics ever, and this new edition does ample justice to its achievement." - Publishers Weekly (Starred Review)
• Review: "Underneath the screaming and plagues, the giddy joy that [Basil Wolverton] seems to take in his art radiates off the page, just like it does in his secular work.... His creatures from sci-fi and horror, his fascination with grotesque bodily exaggeration, his devout Christian faith -- here it all comes together into an operatic and apocalyptic peak.... The Wolverton Bible might seem like a paradox to its religious audience and its alt-comics fans -- even if Wolverton himself never saw the contradiction." - Martyn Pedler, Bookslut
• Review: "As an historical object, sure, great. I think it should be in print. Kurtzman was a very important figure in comics, and the art and design of the pieces here are of an exceedingly high quality. I'm glad I can see more examples of Jaffee's, Elder's and Davis' work." Otherwise, Chris Allen gives up on Humbug
• Review: Joe McCulloch of Jog - The Blog has a major review of Tardi & Manchette's West Coast Blues -- I've read through it three times and it's too complex for a simple pull quote
• History/preview/profile/analysis: "The 300th issue of The Comics Journal is soon to hit the stands, and the magazine everyone in comics loves to hate rattles on, chugging and sputtering and picking up disreputable beardy guys like a Toonerville Trolley of spite.... In some Inglourious Basterds-like alternate history, the 1990s ended with the twisted faces of Kim Thompson and Gary Groth hovering, laughing maniacally, over the charred and bullet-riddled corpse of Wizard magazine." - Shaenon K. Garrity, comiXology
• Analysis: du9 presents a new translation by Derik Badman of a 2006 piece by David Turgeon on Poison River by Gilbert Hernandez: "What first strikes the reader about this work is its narrative density. It isn’t uncommon for a single page to show as many places, times, and situations as there are panels." (Via Journalista)
• Interview: Jason Thibault of Optimum Wound talks to Tim Lane as part of their "Masters of Ink" series: "You do what seems the impossible and most absurd: you learn to breathe underwater, and revel in it. Get drunk on the water in your lungs. Cultivate a functional level of positive insanity. And develop tough skin. Stick with it if only because your reasons are inexplicable."
• Interview: The Daily Cross Hatch wraps up presenting Brian Heater's chat with Jordan Crane: "I was in Portugal and I saw a really tiny kid with a really giant cat. He looked exactly like the kid in The Clouds Above. The kid was so small that the cat was the same size as him — it’s not a big cat, but next to him, he was huge. And then I just kind of went from there."
• Plug: At Super I.T.C.H., Steven Johnston takes note of Humbug ("much of it is prime satire from the creators of MAD!") and The Wolverton Bible ("particularly including some genuinely horrific scenes from the Book of Revelations").
• List: An old link that just popped up in my search feed: ComicCritique.com's Adam McGovern gives out some best-of-2008 awards, with The Lagoon by Lilli Carré tied for Graphic Novel of the Year ("Carré’s artisanal eccentricity carves intricate patterns and masklike faces into pages that stand like the folk-art furnishings of vanished but vivid earlier societies") and Carré tied with Grant Morrison for the M.C. Escher Prize for Non-Sequential Art ("Morrison and Carré are two creators at the cutting edge of both storytelling craft and conversational physics who make us uncommonly aware of the presence of time.")
• Review: "Love and Rockets: New Stories #2. The Hernandez Brothers have been producing such consistently good comics for such a long time that I often feel they get taken for granted. But their recent comics [don't] just maintain their high level of previous achievement, they also have a freshness and liveliness that any young artist would envy." - Jeet Heer, Robot 6
• Review: "More than anything, [Peter] Bagge's work does what it always does with perfection, which is capture people doing exactly what people really do, and how they often think when they think that nobody else thinks that they are thinking it (sorry). His art is constantly moving, perpetually fluid, and instantly recognizable to a 21st century American culture raised on Tex Avery and Bob Clampett cartoons. Whether you agree with his politics or not, Everybody Is Stupid [Except for Me] is thought-provoking and, most importantly, hilarious." - Monster on a Rope
• Interview: The Daily Cross Hatch posts the second of three parts of Brian Heater's interview with Jordan Crane: "The art—those are the tools I use to transfer the story. Pictures, words—those are the conveyance of the story. The important thing is the story, so once I get my tools there, I convey the story in a way I want to."
• Profile: Amy Stewart visited Ellen Forney in her studio: "There are only certain kinds of comics that interest me: I prefer the true-to-life ones that are well-drawn, have stories I can relate to, and make me laugh, cry, or think. Ellen does all three, in spades."
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