Holy smokes -- collector alert! We had 8 great comics from past years that, due to record-keeping error, have not been available for sale for years but were really in stock all along! Now you can buy them again -- quantities are limited so act fast:
(1993) Before he killed Captain America, Eisner winner Brubaker racked up his first nomination for this tale, delineated in rich, realistic detail by Shanower. Was a teenage girl's death accidental, or obsession-fueled murder? $3.50
(1992) The second of the four-part authorized adaptation of Tod Browning's classic horror film, written by Woodring and drawn by Solano Lopez. In this issue, the seeds of jealousy and intrigue are sown among the circus folk. Highly recommended. (Issue 3 is also available.) $2.25
(1995) The voice without makeup, survival tips for real life, letting off steam, love songs to the one that got away. Girltalk publishes underground heroines and money-making illustrators along with diamonds in the rough. $3.50
(2002) Elegant society reveals its true nature with tales of deflowering demons, tea with a couple of Playboy Bunny virgins, a running commentary on Romanians, delinquent dolls, and what happened when Fashion Week met the apocalypse. $3.95
(1985) Classic Love and Rockets in full color! This miniseries reprinted the early, sci-fi adventure "Mechanics" stories with the addition of artful color embellishing. Plus in this issue, a Rocky & Fumble adventure! $2.00
(1991) Where it all began! The long-running, eye-opening series kicks off. Can you handle "Crazy Bitches," "Female Problems," and "Bitchy Bitch Gets Laid"? How about "Bitchy Bitch Goes to Fantagraphics"? Classic venom and hilarity! $2.50
(1988) Cop-turned-P.I. Alack Sinner takes on a shocking case from a young socialite that revolves around a questionable retirement home and discovers there's more to this whole affair than meets the eye! Plus a thought-provoking backup story. $2.95 (Issues 4 and 5 also available)
(1999) Everyone's favorite depraved child alcoholic stars in his own comic book. Let's eat some paste and rejoice! "Dumpy" offers advice on trash-digging, the "supporting" characters battle it out to see who's the biggest loser & more. $2.95
A few Online Commentary & Diversions links, all killer no filler:
• Feature: Chris Mautner of Robot 6 kicks off that site's new "Comics College" column by giving an introduction to Love and Rockets, "one of the seminal titles... in shaping the sensibilities of the nascent indie scene." This article is a great complement to our own "How to Read Love and Rockets" feature
• Review: "It's been awhile since I've seen Gilbert do a story as deliberately oblique and enigmatic as this, given that much of what he's done of late has been either wrapping up the fates of his American-based Palomar characters or whipping up over-the-top noir/pulp thrillers. For Jaime, his first stories in the new version of L&R have been a return of sorts to his early Mechanics roots, only even more steeped in the fantastic. At the same time, his commanding storytelling prowess and greater subtlety directly inform this story, leading to some surprisingly poignant moments amidst sci-fi twists and costumed mayhem." - Rob Clough
• Review: "...West Coast Blues is a tight, economical and forceful thriller shorn of the self-consciousness that frequently comes when American comics mosey into the same territory... It's a wicked little book." - Tom Spurgeon, The Comics Reporter
• Analysis: "Besides being a beautifully done work of artistry and imagination, among particular crowds [Abstract Comics: The Anthology] spurs the question 'If these are comics, then what "are comics"?'" - Neil Cohn
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Peter Bagge: "The Hulk story's about both the Hulk and Bruce Banner trying to cope with their many issues via the use of modern pharmacology, in the form of head pills, Viagra, et cetera. Needless to say, wackiness ensues."
• Interview: And another one from Sean at Marvel.com, this time with Jason: "With the Spider-Man story I pretty much followed the Stan Lee formula of him being a super hero but a screw-up as a private person."
• Interview: In the second part of his talk with Brian Heater at The Daily Cross Hatch, Seth discusses his involvement and design for The Complete Peanuts series: "The design evolves slightly for each decade, but it’s all about subtle change. For example, the end papers change each decade. The color scheme changes each decade, but it’s a very subtle shift."
• Review: "Fantagraphics' recent release Abstract Comics, while nicely designed and filled with some fantastic artwork (kudos to editor Andrei Molotiu and the Fantagraphics team), brings up an interesting argument...: at what point do you stop calling something comics and start calling it... well, something else?... I'm not sure there is an answer, but it's an interesting debate. Check out this book and come to your own conclusions." - Paul DeBenedetto, Wednesday's Child
• Review: Comic Book Bin's Leroy Douresseaux examines The Comics Journal #298, calling the Trevor Von Eeden interview "scandalous and provocative," saying R.C. Harvey's "Comicopia" column is "both thoughtful and insightful, the kind of exceptional writing that would normally earn a magazine about comic books an Eisner Award," and overall grading the issue an A-
• Plug: "I can't recommend Johnny [Ryan]'s comics highly enough. They go places no one else would dare and, like all great art, show you something you've always known but never have seen before." - Benjamin Marra
• Interview: Sean T. Collins's series of interviews with Marvel Strange Tales MAX contributors at Marvel.com continues with Johnny Ryan. The imagination reels: "Well, there was one joke, now that I think of it, with Galactus that had to be altered a little bit. I don't know if I should reveal the joke—it might ruin the experience. But it was this little detail for that joke that I initially put there, and they were like, 'Eh, can you change that a bit?'"
• Review: "...Tales Designed to Thrizzle... is not all tradition; it's largely a satire, a satire of a pulp fiction oeuvre that didn't take itself that seriously to begin with. Kupperman's humor — a mix of genre, non-sequitur and nonsense — is a kind of laughter in the void, wonderfully lucid and slightly sickening... That Kupperman so masterfully plays to and upsets expectation makes Thrizzle that much funnier and finer. With stunts such as a Twain & Einstein crime-fighting partnership, Kupperman is all goofball, all the time. But Kupperman's line, even in shaping locomotive-sized garden snails, is weighty. And the weight of five years of Thrizzle, is, well, as formidable as a locomotive-sized garden snail." - John Reed, Art in America
• Review: "The story [in Delphine] surrounded me and carried me away to a very real world. It's a cartooned, exaggerated world, but a real world nonetheless... The layouts are impeccable: very clear and superbly paced... I noticed that the story GREW in my mind when I took breaks from reading, allowing me to immerse myself in the story like a dream." - Frank Santoro, Comics Comics
• Review: "...Fletcher Hanks [was] one of the greatest comic book talents you’ve never heard of. Working in the earliest years of comics (1939-1941) Hanks’ contributions walked on the darker side of comic books in a way that managed to take on a timeless quality... In this collection is the work that makes Hanks so incredibly special to the world of comic books. The physiognomics of his evildoers, the strange retributions they suffer at the hands of the heroes, is all really powerful stuff... You Shall Die by Your Own Evil Creation! is an incredible testament to what comic books were once capable of... If you want to understand the essence of comic books in their purest form then pick up You Shall Die by Your Own Evil Creation! and learn." - Iann Robinson, Crave Online
• Plug: "The pieces in The Bradleys are broadly satirical and funny, marked by Bagge’s rubbery art style and a sarcastic tone that should appeal immediately to anyone with a prior awareness of The Simpsons or Looney Tunes. They’re also good stories, full of sharp observations about the impossible expectations that govern the dynamics of a nuclear family, as well as the way a good used Yardbirds record can make a crappy day better." - Noel Murray, The A.V. Club "Recommended First Comics"
• Plug: "All my exploration of the Moon/Ba axis came out of reading their pretty great Comics Journal interview in [#298]. I love it when an interview is so well-done that it convinces me to sample writers and artists whose work I haven't read before." - Alan David Doane, Comic Book Galaxy
In this second big omnibus collection of his ongoing tales of the “Locas,” Jaime Hernandez continues telling stories featuring his main characters Maggie, Hopey and Ray. This volume picks up shortly after Maggie and Hopey’s long-awaited reunion at the end of the first Locas.
Even though her love life remains as chaotic as ever, Hopey takes her first few steps toward responsible adulthood with a real job (as a teacher), while a demoralized, divorced Maggie ends up as the manager of a fleabag apartment building where she continues to wrestle with the demons of her past — most prominently in the stunning centerpiece of the volume, the graphic-novel-length “Maggie” serial, with its stunning, hallucinatory dream finale.
Meanwhile, Ray still carries a major torch for Maggie, but falls in with the “Frogmouth,” the volatile bombshell whose ties to local thugs cause him no small amount of grief.
Of course, Maggie, Hopey, and Ray’s paths continue to intersect in Hernandez’s increasingly complex, intricate, and always vitally realized world.
This omnibus volume compiles stories originally printed in the pages of the comics Penny Century, the one-shot special Maggie & Hopey Color Fun (presented here in black and white), and Love and Rockets Vol. II, and was formerly collected in the volumes Dicks and Deedees, Locas in Love, Ghost of Hoppers and The Education of Hopey Glass.
You know the drill: Check out our previews at the links above, give your local shop a ringle-dingle to confirm availability, and then give them your hard-earned money for these hefty hunks of comics heaven.
The wait is over! Love and Rockets: New Stories #2, which debuted to a sell-out response at Comic-Con, is now available for pre-order. The second issue of L&R's new annual 100-page format features the conclusion of "Ti-Girls Adventures" by Jaime and two brand new stories, "Hypnotwist" and "Sad Girl," by Gilbert. You can download a 10-page PDF sneak peek, featuring 5 pages from each brother, at our product page, which also has all the other info you need to know about the book. Pre-order now for late-August delivery; it will be in stores in September (subject to change).
PLUS! We've reformatted Gilbert's striking cover image into a desktop & mobile wallpaper for your FREE enjoyment -- choose your size below!
Let's see what kind of Online Commentary & Diversions the weekend held for us... a lot, apparently:
• Review: "Carol Tyler is a unique figure in the world of comics... She's now put together the first volume of what promises to be her masterwork, a 'graphic memoir' about her father's experiences in World War II that effortlessly mixes media in a charming, affecting, and devastating package. You'll Never Know goes beyond biography, autobiography and even as a means a therapy to ask a number of deeper questions that may well not have ready answers. It's a stunning achievement, a perfect marriage of form and content, and is my early contender for not only comic of the year, but comic of the decade." - Rob Clough
• Review: "Jordan Crane's Uptight series is a lo-fi throwback of a series... Crane's line is elegant but unfussy, with slightly scratchy character designs that have a grace and fluidity to them reminiscent of Jaime Hernandez." - Rob Clough
• Review: "Grotesque has been one of the most playful entries in the underappreciated Ignatz line. Sergio Ponchione has a very 'American' quality to his line in terms of his line (thick and rubbery) and character design (a series of homages to masters like EC Segar and more contemporary figures like Charles Burns)... Ponchione's sight gags in this issue were something to behold, like a dead baron's tombstone growing arms and legs and coming after his brothers." - Rob Clough (same link as above)
• Review: "Issue #4 of Delphine was the conclusion of the series, and it certainly did not disappoint... Delphine benefitted from the Ignatz format: big pages that let the backgrounds breathe, nice paper, and creepy one-tone color. It was a perfect format for a fairy tale gone horribly wrong." - Rob Clough (same link as above)
• Review: "When life is on the skids, there are those who just lean into it and those who try to drive their way out. Some get run over, some step on the gas. In Pop. 666 [by Francesca Ghermandi, serialized in Zero Zero], fortunes change at moment’s notice, and events are never anything short of bizarre... This weird and creepy sci-fi horror crime comic is a loopy piece of work, and it deserves to be experienced by more readers..." - Jamie S. Rich, Robot 6
• Review: "I realize as I was reading the book that I’d previously thought of Val as a bit of a wimp due to his hairstyle, but nothing could be farther from the truth. In the first volume he kills a giant crocodile, wears a false mustache, scares an ogre to death, enters a jousting tournament in disguise, gets drunk, falls in love with a girl who already has a fiance, pursues girl with said fiance when she is kidnapped by vikings, and fights off a horde of vikings single-handed. That Prince Valiant is a busy guy!... It is really great seeing an essential part of comics history like Prince Valiant being treated so respectfully in this new edition." - TangognaT
• Review: "Imagine a book publisher had released a retrospective on 'The Graphic Novel' in 1976, or that a cinema hosted a look back at France’s nouvelle vague in 1957, or that a gallery exhibit somewhere spotlighted American Abstract Expressionism in, say, 1946. The experience would have been not unlike reading Abstract Comics: The Anthology today." - Sean Rogers, The Walrus
• Review: "[The Wolverton Bible] is a fascinating testimony to the peculiar vision of the life of an original artist and a somewhat unorthodox view of the 'holy book' by a faithful believer." - Iconoctlán (translation from Google)
• Review: "Popeye Vol. 1 would be enthralling if only for the change in the Thimble Theatre order of things, letting the reader watch as a new character takes over and reshapes the strip into his own image. Fortunately, what it's turned into is a thoroughly fun adventure strip that made me eager for more... There are so many fun newspaper reprint projects going on right now that it's easy to miss a lot of them. Now that I know how good Popeye is, I'm making it a priority to read the rest." - Greg McElhatton, Read About Comics
• Review: "[Bottomless Belly Button is a] wonderful book that I strongly recommend for every comic fan... Dash Shaw is a name to remember." - Laurent De Maertelaer, freaky.be (translation from Google)
• Plugs: "Abstract Comics: ...[I]t's fascinating to see what you can do with comics when you're dealing with non-representational, non-narrative imagery, stretching the limits of the medium... Locas II: Oh man, it's another huge collection of Jaime Hernandez's amazing stories from Love and Rockets... Greatness." - Matthew J. Brady
• Plug: "Nobody else’s comics read like these [in You Shall Die By Your Own Evil Creation!]. They’re savage and brutal but have moments of eerie and unexpected beauty... And don’t read this stuff right before bed: strange dreams are a documented side-effect." - Matt Maxwell, Robot 6 (same link as above)
• Preview: Hans Rickheit has a peek at the hardcover of The Squirrel Machine
• Profile: "Michael Kupperman does funny very well... 'Right now, I'm working on two more short pieces for Marvel, one featuring the Avengers, and I'm going to try to get some of that Marvel spirit of the '70s, with the explosive, sound-effect laden fight scenes.'" - Gary C.W. Chun catches up with Kupperman in the Honolulu Star-Bulletin
• Interview: "I've greatly enjoyed Chicago-based cartoonist, artist and animator Lilli Carré's first few forays into the world of comics. Longer works such as Tales of Woodsman Pete and especially The Lagoon were stuffed with undeniably interesting formal techniques... There's a soulful element to Carré's writing that helps greatly to involve the reader in the surface narratives..." - Tom Spurgeon, introducing his Q&A with Lilli at The Comics Reporter
• Comic-Con Rhetorical Question of the Day: "...[H]ow many members of the 501st Stormtrooper Legion do you see at the Fantagraphics booth?" - Sean T. Collins (The Unneeded Answer: we had maybe 2 cosplayers, period, in the booth all week, and no Stormtroopers, although they are more than welcome.)
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