Jaime will discuss the lives and loves of his crazy ‘locas’ -- Maggie and Hopey -- and other much-loved characters from the independent phenomenon Love and Rockets.
Doors open at 6:00 PM, and the event starts at 6:30 PM sharp! The discussion runs through 8:00 PM, followed by a signing.
Tickets are selling FAST, and they've already moved the event to a larger venue to accomodate all you Love and Rockets fans! Do not sleep on this: get your tickets today either online, or by calling the box office at 020 7871 3515.
It's been twenty years since comics legend Jaime Hernandez visited London, and we are making up for it in a big way!
Not only will Jaime be a guest of honor at COMICA: The London International Comics Festival, but he kicks off his UK visit on Wednesday, May 29th with a special appearance at Gosh! Comics! This signing and the COMICA talk are Jaime’s only two engagements in London, so catch him at one, or both, or miss out entirely!
Jaime will be signing from 5:00 to 7:00 PM, and our friends at Gosh! state:
As yet we do not have a limit of how many things can be signed other than the usual ‘Please be polite to your fellow fans and do not bring a suitcase full of stuff’. We’ll have a look at the line on the day and see if we need to put a limit on – if we do it will probably be something like three items. Also! Because we’ve only got Jaime for a couple of hours, we will not be able to take signed requests for this one, sorry. If you can’t make it just bribe your friend with beer or chocolate (those new Malteaser bars are pretty good) or owe them a dinner. If Jaime’s got a spare ten minutes before he’s whisked away to his own dinner we will ask him to sign some stock for us, and if that happens we will announce it. I promise. Cross my heart and hope to die.
Gosh! Comics is located at 1 Berwick Street in London. Miss this, and risk waiting another twenty years to meet him!
Here's your first sneak peek of an advance copy of The Love and Rockets Companion, edited by Marc Sobel & Kristy Valenti and coming in July. This book fits nicely on your shelf with the Love and Rockets Library volumes and serves as your guide to the L&R universe, with 3 major interviews with the Hernandez brothers, character guides, previously unpublished artwork, Locas and Palomar timelines, a complete bibliography, and letter column excerpts. All this wrapped in a fold-out jacket with a poster on one side and character family trees on the other! We'll show you that in action along with more views of the book soon.
Our free 32-page preview assembles short excerpts from each of the major sections; read it here, where you can also place your pre-order. And you can pre-order a set of the Companion, Covers, and Reader books at a nice discount here.
12:15 – 1:15pm // Spotlight: Ulli Lust A talented Austrian cartoonist who makes her home in Berlin, Germany, Ulli Lust is well known across Europe for her cartooning. Her debut full-length graphic novel Today Is the Last Day of the Rest of Your Lifewon huge acclaim in 2011, including taking the prestigious Angouleme “Revelation” prize. Now this important work of memoir and reportage has made its way to English audiences, and Ulli Lust and Verlag Der Tagesspiegel journalist Lars von Torne as they explore this important and highly-anticipated TCAF debut. (Reference Library)
12:15 – 1:15pm // Spotlight: Gilbert Hernandez’s Marble Season Gilbert Hernandez is the co-creator of the acclaimed series Love & Rockets, which just celebrated its 30th anniversary. Gilbert is attending TCAF in support of his highly-anticipated, semiautobiographical new graphic novel, Marble Season. Marble Season tells the untold stories from the American comics legends’ youth, but also portrays the reality of life in a large family in suburban 1960s California. Pop-culture references—TV shows, comic books, and music—saturate this evocative story of a young family navigating cultural and neighborhood norms set against the golden age of the American dream and the silver age of comics. Gilbert will present from this new work, and participate in a moderated Q&A. (Forest Hill Ballroom)
1:30 – 2:30pm // Moebius, Past and Future Jean Giraud, also known as Moebius, was a legend in the comics industry – his lush, whimsical art and creative storytelling inspired a generation of cartoonists around the world to take the comics medium to new directions and new heights. Four cartoonists discuss Moebius’ life, work, and his role in inspiring the industry today – as well as their own books. With Frederik Peeters, Paul Pope, David B., Glyn Dillon. Moderated by Xavier Guilbert. (Forest Hill Ballroom)
2:45 – 3:45pm // Writing Life These four cartoonists tell the most personal kind of stories – stories from their own lives. This program explores what’s involved in memoir. How accurately can memory and representative artwork depict real life? And are there kinds of stories that cannot be told? Featuring Raina Telgemeier (Smile, Drama), Derf (My Friend Dahmer), Ulli Lust (Today Is the Last Day of the Rest of Your Life), and Lucy Knisley (Relish). Moderated by Robin Brenner. (Pilot Tavern)
4:00 – 5:00pm // Spotlight: Michael Kupperman Acclaimed American comics artist and humourist Michael Kupperman (Tales Designed to Thrizzle) discusses his life, work, and upcoming projects in this special TCAF Spotlight program. Perhaps certain special guests will drop by? (Pilot Tavern)
Sunday, May 12th
12:15 – 1:15pm // What’s Funny in the Funnies? Comics & Humour What makes a comic funny? We couldn’t tell you exactly, but what we do know is that these five panelists have made some damn funny comics, so they’ve likely got some insight. We’ll refund show admission if they don’t. Featuring Bill Amend (Foxtrot), Ivan Brunetti (HAW!), Danielle Corsetto (Girls with Slingshots), Lisa Hanawalt (My Dirty Dumb Eyes), and Michael Kupperman (Tales Designed to Thrizzle). (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
12:15 – 1:15pm // Queer Comics 2013 You don’t have to be queer to make or read queer comics. Social, civil, and sexual issues, serious or satirical, make queer comics works that deal with the joys and problems of life that affect all of us. The creators on this panel make books that transcend gender identities to appeal to everyone. Featuring Justin Hall, Erika Moen, Gilbert Hernandez, Jaime Hernandez, Chip Kidd, and moderator Zan Christiensen (Northwest Press). (Pilot Tavern)
2:45 – 3:45pm // Spotlight: Dash Shaw Acclaimed cartoonist and animator Dash Shaw discusses his new and upcoming graphic novels, New School and 3 New Stories, in this multimedia presentation. (Reference Library)
2:45 – 3:45pm // Spotlight: David B. TCAF presents a conversation with acclaimed French cartoonist David B. (Best of Enemies) on his life, work, and the French comics industry. Moderated by Sean Rogers. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
4:00 – 5:00pm // Spotlight: Ivan Brunetti Renowned cartoonist Ivan Brunetti (HAW!) is also Assistant Professor in the Art and Design Department of Columbia College Chicago, teaching courses on drawing, design, illustration, cartooning, and graphic novels. On this special TCAF Spotlight panel, Brunetti will talk about his own cartooning career, and the importance of comics in education, as outlined in his new book Aesthetics from Yale University Press. (High Park Ballroom, located in the The Marriott Bloor Yorkville.)
4:00 – 5:00pm // Live Drawing… 2! Four creators enter, one creator leaves! Come watch four artists draw for their lives – and for your entertainment. Winners will feast on the souls of the losers (vegetarian option available). Featuring Phil McAndrew, Lucy Knisley, Jim Rugg, and Scott C.! (Pilot Tavern)
So, stop by Tables 142 & 143 and give all your money to our PR/Marketing duo of Jacq & Jen! We're on the first floor by the stairs, so you can't escape us.
The Toronto Reference Library is located at 789 Yonge Street. The closest major intersection is Yonge & Bloor. The closest subway station is Yonge/Bloor Station. See you at TCAF!
Holy comicsolly! Here's photos from the Stumptown Comics Fest in Portland, OR. Dash Shaw was in attendance with New School, which flew off the table. WHY THE WAIT on pictures? We forgot our own con rules. To remain human you must 5-2-1-I: At least 5 hours of sleep, 2 meals a day, 1 shower and Ibuprofen at night. Four hours of sleep one night wrecked this gal and boy, did she pay for it.
Lots of our Fantastaff came to the show since it was so close! Me, Designer Emory Liu, PR Director Jacq Cohen, Dash and Office Manager Steph Rivers.
Patrick Rosenkranz held some long, lovely conversations with fans of comics history and his book Rebel Visions. Patrick also led a Spain Rodriguez tribute panel, if you can ever take a class by him bring a recorder!
Dash talks to fans, cartoonists and the awesome Ming Doyle (who is both).
Portland is awesome because there are cartoonists everywhere. And by everywhere I mean at bars or restaurants. We ran in to Greg Means, Alec Longstreth and Claire Sanders at the Red Flag on the way to the Top Shelf party.
Having the warehouse van proved useful driving home slightly drinky cartoonists. James Kochalka, Rachel Foss and Dash Shaw hold court in the back.
ACCESSORIES. We saw quite a bit. Ed Luce rocked some additional tags.
Dash signed the Stumptown sketch poster HIS WAY.
Patrick Yurick had the best NEW comics-related tattoo. It even has the Wattersonesque dropped panel borders for that comic beat.
Speaking of PANELS: Dash tickled the audience with this animation and comic panel. He's got comedic timing DOWN.
Here I am looking goofy alongside some of the smarter people in comics on a submissions panel: Allison Baker of MonkeyBrain Comics, Jamie S. Rich (talking about old Oni days), Bob Schreck and Sina Grace of Image and Skybound. Panel photo by Glenn Peters.
Our Kristy Valenti, Patrick Rosenkranz and Tom Spurgeon gave a beautiful Spain Rodriguez tribute panel. Photo by someone who still rocks a flash.
INTERN POWER. We had several interns tabling with their own comics. Low-res intern Kevin Uehlein and Ben Horak on the edges of a beautiful comics table, Beth Hetland and Pat Barrett in the middle. Ben's shy so all you get is his sideburns.
Intern Nomi Kane and her comic spread. The Back of Ben Horak.
We love all of our books but are especially happy for the creators of the Eisner-nominated books. You can vote until June 12 online. If you haven't read all of them, check 'em out individually or via our list!
Still no sure which to read? Heidi MacDonald, Cal Reid and company discuss the nominations on the Publishers Weekly podcast. Meanwhile, Chris Sims, Matt D. Wilson and more of War Rocket Ajax discuss the nominations, although I'm not sure how long the podcast will be up at this link.
Some of the nominations gather in our mail room. See you in JULY!
"Come kick-off the 10th Anniversary of the Toronto Comic Arts Festival with us on the evening of Friday, May 10th! TCAF will welcome to the stage alt-comix legends Gilbert Hernandez and Jamie Hernandez, as they engage in a lively career-spanning conversation with The Comics Reporter's Tom Spurgeon! Both artists will also sign autographs and meet with fans at the event. Selections from their complete comics library will be available for sale at the event.
Plus! A look back at ten years of TCAF with some very special guests."
Presented by Toronto Reference Library and The Beguiling Books & Art, with support from Drawn & Quarterly Books and us, Fantagraphics Books. On Saturday and Sunday be sure to get your books signed by the Hernandez Brothers at our TCAF table!
It's a Love and Rockets two-fer! These books are in the can, ready for press, available for pre-order, and coming to you this Summer:
At last, all of Gilbert Hernandez's New Tales of Old Palomar are collected between two covers for your bookshelf, with a new name: The Children of Palomar. These stories flash back to the "Heartbreak Soup" days — and before! — and expand the Palomar mythology in new and surprising ways. When first released in comic form, this material was hailed by critics as some of Gilbert's best work ever, and the stories, while richly rewarding for longtime fans, stand on their own for new readers as well. (We've bundled it up with Gilbert's recent triumph Julio's Day in a nicely discounted set.) Get a sneak peek at 11 pages of story & art here.
Well, the Love and Rockets 30th anniversary books are missing the actual anniversary, but they are so worth the wait! The Love and Rockets Companion: 30 Years (and Counting) is the ultimate guide to everything Palomar, Hoppers, and beyond, with 3 major interviews with the Hernandez brothers, character guides, unpublished artwork, timelines, a checklist, and even letter column highlights from the original series. Oh and by the way, the black title area on the cover is a removable sticker and the jacket folds out into a poster on one side and character family tree on the other! We've put together a 32-page preview with smatterings of pages from the major sections, which you can read and/or download here.
These two covers really show off the versatility of our lead designer Tony Ong, don't they?
Here's our latest batch of newly-minted books and it's a heavy-hitting group! They're all in stock and shipping now.
For fans of the classics we have the third and fourth books in our EC Comics Library series, featuring artwork by Jack Davis and Al Williamson, plus our astounding career-spanning book of B. Krigstein's comic work. If you like Pop Art graphics, sexy satire and absurd adventure you'll love our new definitive edition of Guy Peellaert's long out of print classic. The new graphic novel by Gilbert Hernandez is a major work by a comics genius. We've got the 19th (!) volume of The Complete Peanuts, still hilarious after all these years! Plus reprints of books collecting work by Charles Burns & Robert Crumb -- you might've heard of those guys.
Remember, our New Releases page always lists the 20 most recent arrivals, and our Upcoming Arrivals page has dozens of future releases available for pre-order.
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Order one of our EC Comics Library volumes and receive the Jack Davis's Tales from the Crypt Halloween mini-comic shown here as a FREE bonus! Limit one per customer while supplies last.
Barely old enough to drink when he joined the EC Comics stable, Al Williamson may have been the new kid on the block, but a lifetime of studying such classic adventure cartoonists as Alex Raymond (Flash Gordon) and Hal Foster (Prince Valiant) had made him a kid to reckon with — as he proved again and again in the stories he created for EC's legendary "New Trend" comics, in particular Weird Science and Weird Fantasy.
As a result of Williamson's focus, it's possible to compile all of Williamson's "New Trend" EC work into one book — which Fantagraphics is finally doing here. Sci-fi aficionados should note that although most of the stories were written by Al Feldstein, 50 Girls 50 features three of EC's legendary Ray Bradbury adaptations, including "I, Rocket" and "A Sound of Thunder" — and a unique curiosity, a strip adapted from a short story submitted by a teen-aged Harlan Ellison.
Williamson ran with a gang of like-minded young Turks dubbed the "Fleagle Gang," who would help one another out on assignments. Thus this book includes three stories upon which Williamson was joined by the legendary Frank Frazetta, and one story ("Food for Thought") where Roy Krenkel provided his exquisite alien landscapes, to make it one of the most gorgeous EC stories ever printed. As a supplementary bonus, 50 Girls 50 includes three stories drawn by Fleagles sans Williamson: Frazetta's Shock SuspenStories short "Squeeze Play"; Krenkel's meticulous "Time to Leave"; and Angelo Torres's "An Eye for an Eye," an EC story that famously fell prey to censorship and was not released until the 1970s. As with other Fantagraphics EC titles, 50 Girls 50 also includes extensive story notes by EC experts.
With its pitch-perfect blend of laughs, terror, and gore, as delineated by some of the finest cartoonists to ever draw a rotting, reanimated corpse, Tales from the Crypt (1950-1955, R.I.P.) remains the quintessential horror comic of all time.
And no cartoonist better encapsulated the grand-guignol spirit of Tales from the Crypt than Jack Davis, who, even at the earliest stage of what would become a six-decade career, possessed a level of skill that would elude most other cartoonists during their lifetimes. His maniacs were more homicidal, his victims more terrified, his dismemberments bloodier, and his werewolves more feral than anyone else's.
'Tain’t the Meat... It's the Humanity and Other Stories collects all of Davis's Tales from the Crypt classics, from EC's wicked revenge fantasies ("The Trophy!" and "Well Cooked Hams!") through the outright supernatural (the voodoo yarn "Drawn and Quartered!" and "Concerto for Violin and Werewolf") to the origin of the Crypt-Keeper ("Lower Berth") — and the legendary splatter gross-out of the title story.
This volume also includes biographical notes and essays, and an ultra-rare EC bonus: Davis's completely redrawn 3-D version of "The Trophy!" — back in print for the first time since its original appearance 60 years ago (and for the first time in regular, easy-on-the-eyes 2-D).
"...I have a spot in my heart for Jack Davis. I mean, that guy just makes me laugh. Even when he's drawing a gross-out, he just makes me laugh. I love his shoes, the way he draws shoes, and knuckles... there's just something about Jack Davis' stuff that blows me away." – George A. Romero
Ensconced in the avant-garde of the extraordinary social and cultural upheavals that were drawing 1960s Europe into the building wave of postmodernism, a Belgian advertising dropout, fed up with the corporate world, conceived the first "adult comic book" virtually off the top of his head.
By creating The Adventures of Jodelle, a deluxe comics album that wore its revolutionary Pop sensibility on its sleeve, Guy Peellaert obliterated the conventions of what had up to that point been a minor, childish medium. Ironically appropriating the face and body of the teen idol Sylvie Vartan, he fashioned a new kind of heroine, a sensual, parodically beautiful spy. For his setting he chose a defiantly anachronistic Roman Empire, into which irrupted the most flamboyant symbols of a conquering America, the originator of all fantasies.
Every page of this fascinating saga features a flood of topical references and in-jokes, operating playfully on the border that separated so-called "high" and "low" cultures. Peellaert drew from the most exciting stimuli of his time, subjecting them to his powerful formal innovations: Pop Art, extreme fashions, strident advertising, shock graphics, and cinematic techniques all collided in virtuoso compositions of extreme sophistication, whose inspirations ranged from classical paintings to Gottlieb pinball machines.
Published to thunderous acclaim in France in 1966 and then throughout Europe and in the U.S., Jodelle was an instant classic, whose influence would spread far beyond the confines of comics. It also triggered Guy Peellaert's "Pop Period," a creative whirlwind marked by his 1967 creation of PRAVDA, an unforgettable character that has since been acknowledged as a major component of the European Pop movement.
Completely remastered and featuring a new translation, this long-awaited reprinting of The Adventures of Jodelle is accompanied by an 80-page, lushly-illustrated textual supplement created in partnership with the artist's estate which traces the creative path travelled by this maverick artist, who multiplied his chosen means of expression, skipping from comics to cinema and moving through fashion, periodicals, and television, including collaborations with many of the great figures of mythical 1960s-era Paris, from Serge Gainsbourg to Yves Saint Laurent.
From the creator of the 2005 hit graphic novel Black Hole and the recent trilogy X'ed Out, The Hive and Sugar Skull comes this new softcover edition of his other masterpiece of modern horror. Big Baby is a particularly impressionable young boy named Tony Delmonte, who lives in a seemingly typical American suburb until he sneaks out of his room one night and becomes entangled in a horrific plot involving summer camp murders and backyard burials. Burns' clinical precision as an artist adds a sinister chill to his droll sense of humor, and his affection for 20th-century pulp fiction permeates throughout, creating a brilliant narrative that perfectly captures the unease and fear of adolescence.
Another fascinating collection of early work from one of America's most original, trenchant, and uncompromising artists. "Some More Early Years of Bitter Struggle" features several key stories from Crumb’s pre-underground, homemade comics of the early 1960s (such as Farb and Arcade), with stories featuring early Crumb characters Fritz the Cat, Jim, Mabel, and Little Billy Bean. It also includes "Roberta Smith, Office Girl," Crumb's charming 4-panel strip for the American Greetings employee newsletter; a full-color section of cover illustrations; copious reproductions from Crumb's sketchbooks; and more of the biographical introduction by Crumb confidant Marty Pahls.
1989 Harvey Award Winner, Best Domestic Reprint Project
So what do we have for Peanuts fans this time around?
An ill-considered attempt at flirting sends Charlie Brown to the school doctor... Linus's ongoing romance with the too-young "Lydia" of the many names continues... Snoopy is joined in the trenches by his brother Spike... Sally engages in a career as a playwright by penning the school Christmas play but mixes up Gabriel and Geronimo... A hockey mishap sends Snoopy to the doctor for knee surgery, in a (clearly autobiographical) sequence that lasts only until everyone figures out that dogs don’t have knees... Linus and Lucy’s kid brother Rerun begins to take on the greater role that will lead to him being one of the dominant characters in the 1990s... and Snoopy, inevitably, writes a "kiss and tell" book.
As we reach the 19th (!) book in this epochal, best-selling series collecting arguably the greatest comic strip of all time and head toward the end of the 1980s, Charles Schulz is still as inventive, hilarious, and touching as ever... and this volume even features a surprise format change, as the daily strip switches from its trademark four-square-panels format to a more flexible one-to-four-variable-panels format which, along with Schulz's increased use of gray tones, give this volume a striking, distinctive look.
This volume's introduction is by a fellow comic strip legend, Doonesbury creator Garry Trudeau.
It begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death rattle of a 100-year-old man. The infant and the old man are both Julio, and Gilbert Hernandez’s Julio’s Day (originally serialized in Love and Rockets Vol. II but never completed until now) is his latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life — indeed, one century in a human life — through a series of carefully crafted, consistently surprising and enthralling vignettes.
There is hope and joy, there is bullying and grief, there is war (so much war — this is after all the 20th century), there is love, there is heartbreak. While Julio’s Day has some settings and elements in common with Hernandez’s Palomar cycle (the Central American protagonists and milieu, the vivid characters, the strong familial and social ties), this is a very much a singular, standalone story that will help cement his position as one of the strongest and most original cartoonists of this, or any other, century.
Working in comic books for just over a decade in the 1940s and '50s, Bernard Krigstein applied all the craft, intelligence, and ambition of a burgeoning "serious" artist, achieving results that remain stunning to this day. While his legend rests mostly on his landmark narratives created for EC Comics, dozens of stories for lesser publishers equally showcase his singular draftsmanship and radical reinterpretation of the comics page.
Harvey and Eisner Award-winning Krigstein biographer Greg Sadowski has assembled the very best of the artist’s work, starting with his earliest creative rumblings, through his glory days at EC, to his final daring experiments for Stan Lee’s Atlas Comics — running through nearly every genre popular at the time, be it horror, science fiction, war, western, or romance.
This edition reprints the out-of-print 2004 hardcover B. Krigstein Comics, with a number of stories re-tooled and improved in terms of reproduction, and several new stories added. Legendary EC colorist Marie Severin, in her last major assignment before her retirement, recolored 20 stories for this edition. The remainder has been taken from printed comics, digitally restored with subtlety and restraint. Original art pages, photostats from Krigstein's personal archives, and an extensive set of historical and editorial notes by Sadowski round out this compelling volume.