|To the Locasmobile!|
|Written by Mike Baehr | Filed under Love and Rockets, Jaime Hernandez, fan art||26 Oct 2010 11:25 AM|
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Category >> Love and Rockets
Online Commentary & Diversions from Friday to today:
• Review: "In The Sanctuary, Nate Neal traces back the history of manipulation, power battles and betrayal to a single cave, thousands of years ago. The story unfolds entirely in a Paleolithic language Neal created, rendering the action subtle as a tribe careens toward possible chaos amidst the battles contained. [...] In the dynamics that Neal presents, you can see your country, your town, your work place and your family, all rolled into one cautionary tale. In stark black and white, Neal’s art exhibits much sophistication, while still maintaining a required roughness, given the time period and level of civilization he’s portraying. [...] Neal’s book digs deep down to the core of our humanity that almost requires manipulation for movement, but suggests that sometimes there are victories for us even if we do require a shifty style of prodding." – John E. Mitchell, The North Adams Transcript
• Review: "As ever, Jason's characters are universal precisely because they're so specific and odd; dog-faced werewolf Everymen, living their lives of quiet desperation. His art is precise and carefully defined, a collection of moments carefully chosen and arrayed to imply so much more than his characters could ever say. His silences are theatrical — he's the Beckett, or Pinter, of comics. And Werewolves of Montpellier is another masterly performance from one of our modern best." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Reviews: Sean T. Collins continues "Love and Rocktober" at Attentiondeficitdisorderly, delving into Love and Rockets: New Stories with Jaime's "Ti-Girls Adventures" from #1-2 ("If 'Locas' has taught us anything, isn't it that women should be the stars and driving forces behind their own damn comic, even if they're dressing up in one-piece swimsuits and punching each other in the process?") and the "Browntown"/"The Love Bunglers" duology from #3 ("Such power! ...[One] of the most devastating — and I mean so sad it impacted me physically — comics I've ever read. I will never forget reading this book.")
• Review: "...A Drunken Dream and Other Stories... sucked me into its stories and made me want to read a lot more of Hagio’s comics. A mixture of romance, science-fiction, and family drama, this ten story compilation is one of the strongest examples I’ve seen of the depth and breadth that the shôjo genre can contain. [...] Highly recommended." – Greg McElhatton, Read About Comics
• Review: "Now [Four Color Fear: Forgotten Horror Comics of the 1950s] is my kind of Americana. A finely curated collection of pre-code horror comics from publishers whose initials are not E.C." – M. Ace, Irregular Orbit
• Review: "...[Temperance] is an intimidatingly rich work, full of symbolism and moody art... It's all lushly rendered in spooky gray tones, with lively, somewhat pudgy characters always striving forward toward their dubious goals... Malkasian clearly has poured her heart into this story, bringing the characters to life even as they act to make readers think beyond the story itself. It's a beautiful book, and one that will stick in the mind for some time after reading it." – Matthew J. Brady, Warren Peace Sings the Blues
• Review: "...[T]his fabulous tome highlights the astounding wizardry of one of the most accomplished draughtsmen and yarn-spinners of [comics'] incredibly fertile early period. [...] Evocatively written by biographer Blake Bell, with dozens of first hand accounts from family, friends and contemporaries; the sad, unjust life of this key figure of comics art is lovingly recounted here with hundreds of artistic examples... Fire and Water offers an opportunity to revel in the mastery of a truly unique pillar of America’s sequential Art establishment. [...] Brilliant, captivating, and utterly unmissable, this is the book Bill Everett deserves — and so do you." – Win Wiacek, Now Read This!
• Plug: "Wow, punk is now nostalgic. You can’t stop getting older, can you? Well, you can, but it’s not a good alternative. Anyway, Fantagraphics has announced that next month they will release Destroy All Movies!!! The Complete Guide to Punks on Film, over 400 pages of reference to 'every appearance of a punk (or new waver!) to hit the screen in the 20th Century.'" – Johanna Draper Carlson, DVDs Worth Watching
• Commentary: At Robot 6, Chris Mautner gives you a beginner's guide to Kevin Huizenga in the latest "Comics College" feature: "In the short time he’s been making comics, Huizenga has shown himself to be an author of considerable talent and probing sincerity."
• Interview: Avoid the Future talks to Kevin Huizenga: "I often feel that I’m not really a true artist or a writer, just a fan whose playing make-believe. The inner compulsion I have is to put together something with a kind of complex structure, with some complex arrangement of things that surprises me, or makes me feel like my favorite comics do."
• Coming Attractions: Library Journal's Martha Cornog spotlights R.I.P.: Best of 1985-2004 by Thomas Ott and Approximate Continuum Comics by Lewis Trondheim in their Graphic Novel Prepub Alert for January 2011 releases
Online Commentary & Diversions returns from a sick day:
• Review: "With elegant simplicity, this comic-book fable [Set to Sea] unfurls the tale of a life cast on an unexpected course and the melancholy wisdom accrued upon the waves. First-time graphic-novelist Weing has produced a beautiful gem here, with minimal dialogue, one jolting battle scene, and each small page owned by a single panel filled with art whose figures have a comfortable roundness dredged up from the cartoon landscapes of our childhood unconscious, even as the intensely crosshatched shadings suggest the darkness that sometimes traces the edges of our lives. [...] Weing’s debut is playful, atmospheric, dark, wistful, and wise." – Jesse Karp, Booklist (Starred Review)
• Review: "...[A]n absolutely stunning [book], collecting some of the best and most trenchantly funny illustrations by a contender for the title of America’s Greatest Living Caricaturist in a lavish, full-colour hardback. [...] Friedman is a master craftsman who can draw and paint with breathtaking power, and his work is intrinsically funny. [...] His caricatures are powerful, resonant and joyful, but without ever really descending to the level of graphic malice preferred by such luminaries as Ralph Steadman or Gerald Scarfe. Too Soon? is a book for art lovers, celebrity stalkers and anyone who enjoys a pretty, good laugh." – Win Wiacek, Now Read This!
• Review: "...A Drunken Dream showcases the full range of Hagio’s short stories, while also granting readers insight into the themes of lost innocence, family dysfunction and perseverance in the face of abuse that underscore much of her work. [...] With distinct character designs, detailed backgrounds and emotive character acting, Hagio’s artwork conveys the full emotional range of her stories, with dollops of humor mixed into sagas of sadness, survival and hard-won contentment. [...] A Drunken Dream and Other Stories finds another important voice in Japanese comics history washing up on American shores. One hopes that Hagio, whose work manages to be both stark and beautiful, finds a welcoming and receptive audience." – Michael C. Lorah, Newsarama
• Review: Sean T. Collins looks at "La Maggie La Loca" and "Gold Diggers of 1969" from Love and Rockets Vol. II #20 as part of his "Love and Rocktober" series at Attentiondeficitdisorderly: "Maggie may just be an apartment manager anymore, she may now get in way over her head (literally) when she attempts to have a fun island adventure like she used to, but the way Rena sneaks into her room at night just to watch her sleep reveals that the aging heroine could use a dose of the community and camaraderie that's part and parcel of Maggie's dayjob."
• List: Sam Costello of iFanboy names House by Josh Simmons as one of "13 Great Horror Comics for Halloween": "Josh Simmons is some kind of horror savant. There are few really, truly, deeply disturbing comics out there. If you’re willing to take the risk of reading a comic that you’ll literally want to cover your eyes while you read, Simmons’ work is for you. House, his nearly wordless tale of a trio of friends exploring a dilapidated, cavernous mansion, is less explicit, but worth a look. Its suffocating, despairing loneliness is affecting." (Via Robot 6)
• Commentary: "It was like the sky: pleasant, visually appealing, reliable. Peanuts had a Picture of Dorian Gray quality; you kept getting older and more decrepit and more cynical, but it didn't. By the time you started reading it, you were already older than the characters in the strip, so it immediately made you nostalgic for childhood. Not necessarily for your childhood, but for the childhood Lucy and Charlie and Linus were having." – Joe Queenan, The Guardian
• Interview: At Comic Book Resources, Chris Mautner talks to Johnny Ryan about Prison Pit: "I think in a strange way the book(s) are very revealing about myself. I felt as if I was really exposing myself here. I was very anxious about that."
Online Commentary & Diversions returns after a post-APE hiatus and subsequent sick day:
• Review: "Good Jaime Hernandez comics are always just about the most satisfying books that money can buy, and I was so impressed with how the pleasure of seeing contemporary Maggie again for the first time in far too long [in Love and Rockets: New Stories #3] gave way to the satisfaction of seeing another building block in her curious history, and then everything turned unpleasant in a way that was equally bleak and fascinating. Watching Jaime fit everything together the way he does is breathtaking. Recommended for adult readers." – Grant Goggans, The Hipster Dad's Bookshelf
• Review: It's still "Love and Rocktober" at Sean T. Collins's Attentiondeficitdisorderly: "If Ghost of Hoppers was Maggie's confrontation with adulthood, The Education of Hopey Glass serves up the equivalent for Hopey and Ray. It's fascinating to me to see where their lives have taken them versus where they were — and more importantly, what they represented to Maggie — when they were first juxtaposed. [...] What makes these two stories compelling and connects them to one another beyond the basic idea of the characters coming to terms with their age is how much the stories rely on the kinds of things only an artist of Jaime's caliber can pull off for their telling."
• Review: "Man’s oldest gynophobic horrors and most simplistic delight in sheer physical dominance are savagely delineated in this primitive, appalling, cathartic and blackly funny campaign of cartoon horror. Resplendent, triumphant juvenilia is adroitly shoved beyond all ethical limits into the darkest depths of absurdist comedy. Not for children, the faint-hearted or weak-stomached, [Prison Pit Book 2] is another non-stop rollercoaster of extreme violence, profanity and cartoon shock and awe at its most visceral and compelling. ...[T]his book is all-out over the top and flat out hilarious. Buy and see if you’re broad-minded, fundamentally honest and purely in need of ultra-adult silliness." – Win Wiacek, Now Read This!
• Review: "Bitter, haunting stories [by Zak Sally] like 'The Man Who Killed Wally Wood' and 'The War Back Home' show a striking willingness to ask uncomfortable questions about himself and the world around him. His account of Dostoyevsky’s time in prison is a real highlight and I think marks a turning point in his storytelling ability. And the fearless, self-lacerating essay he provides at the end brings the book to a near-perfect close. Really, [Like a Dog] is a tight little collection." – Chris Mautner, Robot 6
• Review: "There’s fourteen stories in all in this anthology, beautifully scanned, restored, and reproduced in all their four-color glory. [...] There’s a lot of fun to be had in these pages. [...] Boody properly showcases a sizeable enough collection of complete comics stories by the wildman inkslinger from Texas, finally elevating Rogers into the pantheon he’s always been part of — if only enough folks had been able to access his work. At last, they can!" – Steve Bissette, The Schulz Library Blog
• Review: "The publication of Rebel Visions was a vital riposte to [a] tide of apathy, a vast and authoritative work built for the clear purpose of documenting the entire history of the US underground revolution in a definitive fashion: a not inconsiderable task given the various tributaries that have spewed forth since the early 1960s. [...] Rosenkranz diligently weaves a number of divergent themes using the oral histories of most of the major participants." – Kevin McCaighy, Exquisite Things (via ¡Journalista!)
• Interview: Kat Engh of Geek Girl on the Street chatted with Megan Kelso at APE over the weekend: "I like writing and movies and music and art forms that are about more than one thing. I’m really fascinated by that, and I think that comics really lend themselves to that kind of layering and layers in conflict, because you’ve literally got two tracks of information with pictures and words, and because they’re so separate from each other, they lend themselves to doing different things at the same time. I’ve always thought that if a comic’s not doing more than one thing, it’s not taking advantage of what is, so yeah, I’d say I actively strive for that."
• Interview: At Comic Book Resources, Chris Mautner talks to Fire & Water author Blake Bell at length about Bill Everett — "I think Everett is as unique a stylist as Ditko is. When you see Everett's work, you automatically know who it is if you have any inkling about any of the Silver or Golden Age artists. Secondly, in his own way he's as influential as Ditko. Without question, Everett created the antihero in superhero comics back in 1939 when he introduced the Sub-Mariner. There was no other comic book character like him." — and upcoming volumes of The Steve Ditko Archives.
• Interview: It's the second part of Brian Heater's conversation with Drew Weing at The Daily Cross Hatch: "It’s such a weird time where so much stuff is available online, though I went out of my way to make the book a nice little object. And I feel like it does read better in book form, because it’s a format that you can more lovingly pore over the detail."
• Interview: At Gapers Block, Rose Lannin talks to Jeremy Tinder, who makes his Fantagraphics debut in Mome Vol. 20. This quote is relevant to the Mome story: "I grew up reading newspaper strips, like Garfield. I think it was around age 5 when I really started getting into Garfield and tracing it out of the paper every day. [...] Garfield was my focus in life for six years, I was so into it."
• Coming Attractions: Bleeding Cool's Rich Johnston reports here that "...[I]t seems that Fantagraphics, as part of their current attemp to to translate every French comic book in existence, has seized upon [David B.'s] book, Le Jardin armé et autres histoires or The Armed Garden and are to publish it in August next year," and here about our translation of Tardi & Manchette's Like a Sniper Lining Up His Shot, "...planned for August next year. Which, in terms of European-to-American translation is light speed."
Today's Online Commentary & Diversions:
• Review: "The Sanctuary is a powerful story, telling of the timeless conflict between learning and ignorance. Nate Neal provides readers with an insightful look at the tension in a community when the balance is challenged by new thinking. In short, The Sanctuary is a very promising debut, and probably one of the best new comics of the year." – Michael C. Lorah, Newsarama
• Review: "In Four Color Fear: Forgotten Horror Comics of the 1950s, editors John Benson and Greg Sadowski and publisher Fantagraphics drive a stake into the notion that EC was the only game in town. [...] There are enough goofy and ghoulish vignettes to satisfy the most bloodthirsty readers... I spent several evenings skipping through the book and reading stories that happened to catch my eye (and drag it down the hall, yuck, yuck), and I was impressed by the economics of storytelling. [...] It’s such a packed package that it may very well last through next October, unless rightfully gobbled up after midnight, long after the trick-or-treaters have retreated to their safe havens. Thankfully, these zombies of old can now lurk atop bedside tables and in four color — the next bite only a page away." – Alex Carr, Omnivoracious
• Review: "A movie guide should make you want to watch movies, and none has ever made me want to watch as many as Destroy All Movies!!! The Complete Guide to Punks on Film. [...] In addition to being wildly informative, the writing is entertaining as all hell. All of the contributors are knowledgeable and enthusiastic about their topic. This is the kind of book that you’ll keep on your coffee table and pick up for a few minutes here and there, and every time you do, you’ll find something amazing. [...] Destroy All Movies!!! is as hyperactive, eclectic, and punk rock as the films it commemorates. [...] But even as spastic and irreverent as it can be, this is also a serious, respectful examination of an overlooked piece of film culture. [...] BUY THIS BOOK. You won’t regret it." – Brent McKnight, BeyondHollywood.com
• Review: Sean T. Collins's "Love and Rocktober" series at Attentiondeficitdisorderly rolls on with Ghost of Hoppers: "Jaime Hernandez has long displayed an infrequently utilized but alarming alacrity for horror. [...] At first I struggled with why Jaime would choose this particular storyline--Maggie Realizes She's All Grown Up, basically--to delve deeper than ever into this aspect of the Locas world. I mean, this thing becomes a horror comic toward the end, easily the most sustained such work in the whole Locas oeuvre. What does any of it have to do with the misadventures of Maggie, the story's protagonist? But then it clicked..."
Oh nuts, I'm about to start today's Online Commentary & Diversions and noticed I never published yesterday's in my APE prep frenzy. Here it is:
• Review: "Rip M.D. is near perfect. ...[T]he art is fantastic; with original and distinct designs that border realistic and cartoony, with the best qualities of both carrying a jovial wit, which never balking on making the subject matter truly scary. And the story by Mitch Schauer is told in a clear and concise manner, taking on a sort of fairy tale tone in the beginning that sort of fades by the end. The book on the whole is kid-like in tone, but told with sophistication that one used to see in old Loony Tunes." – Mark L. Miller, Ain't It Cool News
• Review: "Rip M.D. is very sweet all-ages graphic novel... For those... looking for something to share with the family, Rip is an excellent choice. The writer, Mitch Schauer, is clearly a fan of classic monsters and has really had some fun with these characters. The real gem in Rip M.D. is the artwork. Beautiful, beautiful panels that you may want to tear out of the book and put up on your walls. [...] And the colors in this book are just stunning. This is a book that warrants some extra time to just enjoy each page. [...] Ultimately, this is a book that anyone can read and enjoy that would also make an excellent gift to a young reader as a Halloween treat. Score: ★★★★★" – Stephanie Shamblin G, Comic Monsters
• Review: "Most of [The Best American Comics Criticism] is enjoyable and smart, with pieces suitable for the relative comics neophyte, graphic novel enthusiast or fan of old strips from the heyday of newspapers." – Christopher Allen, Trouble With Comics
• Interview: Squee! talks to Carol Tyler about You'll Never Know in an interview which will run in edited form in the new issue of Ghettoblaster Magazine: "Hardest thing I've ever taken on. So much to juggle: the storyline, the art. The mechanics of making a comic page/book. Oy! I've been at this for four years and I'm still not done! I love it, though. I've had to wrap my life around getting pages done. [...] It's an epic struggle, although worth it a thousand times over."
• Interview (audio): Guest host Lark Pien talks to Megan Kelso on the new episode of The Comix Claptrap podcast; also, Josh Frankel talks about Love and Rockets: New Stories #3 (hope he's nice; we haven't had time to listen yet)
Today's Online Commentary & Diversions:
• Review: "Love and Rocktober" continues with Sean T. Collins at Attentiondeficitdisorderly: "...[T]he comics in Penny Century look less dense and read that way, too. Maggie and Hopey seem to have settled down, somewhat — no longer careening from adventure to adventure or disaster to disaster, still involved in the lives and schemes of their eccentric friends but no longer completely swept up by them, still romantically (or at least sexually) entangled with one another but not to the all-or-nothing extremes of the past."
• Review: "Released at last, Blake Bell's biography [Fire & Water] devoted to Bill Everett... helps correct an injustice: Giving an author whose importance and personality are not recognized at their fair values a shot at the spotlight. [...] This is not a book that exhausts, by itself, Everett as a subject. But the book is moving (without falling into whining), documented and rich as Blake Bell restores a lot of truths about an author who did not 'merely' create Sub-Mariner and Daredevil." – Xavier Fournier, Comic Box [translated from French]
• Plug: "Wow, does this ever look good: Destroy All Movies!!!: The Complete Guide to Punks on Film, coming soon from Fantagraphics. Somehow this book completely evaded my radar, which is unforgivable of me." – Sean T. Collins, Attentiondeficitdisorderly
Today's Online Commentary & Diversions:
• Review: "...[From Shadow to Light: The Life and Art of Mort Meskin] is extremely informative and truly wonderful... Evocatively written by creative/art director, designer, educator and biographical author Steven Brower, with dozens of first hand accounts from family, friends and contemporaries; the sad, unjust life of this major figure of popular art is fully explored and gloriously justified by every miraculous page of his work reproduced herein. [...] Brilliant, captivating, utterly unforgettable and unknown, Meskin’s enforced anonymity is finally coming to an end and this magical chronicle is hopefully only the first step in rediscovering this major talent." – Win Wiacek, Now Read This!
• Review: "[Mort] Meskin... deserves to be treasured by all comic fans and studied by all artists of the medium. Now, at last, he gets some of the attention he is due in From Shadow to Light: The Life & Art of Mort Meskin by Steven Brower. [...] On display in this book are amazing examples of comic art. [...] The biographical portion of the book is enlivened by vivid detail from many personal recounts by artists and friends Meskin worked with and his own sons... Overall... this book is an incredible testament to an incredible talent and hopefully it will encourage more comic fans to learn about Meskin and seek out some of his work." – Rich Clabaugh, The Christian Science Monitor
• Review: "Four Color Fear is a lovingly accumulated and organized collection of... stories starring ghosts, ghouls, zombies, demons, and monsters of all stripes. [...] Four Color Fear offers some nice bonus features too, which elevate it from being a simple compilation of reprinted stories. [...] In case I haven’t made this clear yet: this book is tremendous. [...] For fans of the genre, [editor Greg] Sadowski has performed a valuable service — rescuing these stories from obscurity and reminding us that, yes, EC was one of the important publishers of its era — only one of many. [Rating] 9/10" – David Maine, PopMatters
• Review: "One of the consolations of being obscure is the knowledge that you'll never have to wake up in a world where Drew Friedman has caricatured you. Friedman's pen is relentless and his eye is merciless: every foible, every wrinkle or blush or spot is seen clearly and depicted precisely. ...[T]here hasn't been a book like Too Soon? before, and it's been needed. So the answer to the question's title is: no, not at all. If anything, it's long overdue." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Reviews: The new episode of Easy Rider, the radio show for "rock, punk rock, country, power pop, garage and comics" from Radio PFM out of Arras in northern France, features Lucky in Love Book 1 by George Chieffet & Stephen DeStefano, Locas by Jaime Hernandez, and Everybody Is Stupid Except for Me by Peter Bagge among their Comics of the Week
• Review: "Love and Rocktober" continues at Attentiondeficitdisorderly as Sean T. Collins looks at Jaime's Perla La Loca: "So what conclusions are we to draw from all this? It's taken me a while, but I've come to the conclusion that drawing a conclusion is the wrong thing to do. There's not some message being sent here about, I dunno, punk or fluid sexuality or sex work, which are sort of the common threads of the two big stories here... The message, I think, is simply to be found in the fact that there are two big, separate Maggie and Hopey stories here. They're not symbols, they're people."
• Plug: "Weeks like this are rare for fans of legendary manga... Fantagraphics comes out with A Drunken Dream and Other Stories and finally puts an end to the *absolute nonsense* that was the lack of translated work by Moto Hagio. [...] Support the translation of quality art-manga!" – 211 Bernard (Librairie Drawn & Quarterly)
• Interview: Jesse Tangen-Mills conducts the first of two interviews with Johnny Ryan at The Comics Journal: "At first my Mom thought this would be a nice hobby for me. She never liked the idea or thought I could make a living out of it. Now, she seems to appreciate it a bit more. I do send her my books because she asks for them. I don’t think I would otherwise."
• Interview: The second interview with Johnny Ryan at The Comics Journal, conducted by Ian Burns, was originally meant for this blog, but deemed Too Good for Flog: "...I felt, by doing research, I’m completely undermining the work. It goes back to my whole thing about seeing like a teenager’s action comic. Teenagers don’t think about, 'Well, I need to take an anatomy course,' [Burns laughs] 'before I draw my mutant planet war.' They just fuckin’ just go and just jump into it. So I had that same vibe."
Today's (and yesterday's — sorry for the interruption) Online Commentary & Diversions:
• Review: "Yes, [Special Exits] is a heartbreaking — even harrowing — tale, one made all the more moving and immediate by the creator’s nuanced gift for capturing the essence of her parents on the page. But it’s also a tale told with consummate skill, filled with mordant humor and real compassion, an almost embarrassing amount of candor, and a deep abiding love and respect for its subjects. [...] Ultimately, it’s these simple and true moments of mundane magic which marks Special Exits as more than just one of the best books released this year. It is, without a doubt, also one of the most significant contributions to the comics medium this side of the millennium, a modern masterpiece which celebrates the human condition." – Bill Baker, ForeWord Reviews
• Review: "Ultimately, ...the book churns itself into a seething sludge of psychic toxicity that’s less a shockfest and more a satire of existence itself. Mercilessly graphic and superbly unspooled, Prison Pit funnels the fantastic, violent notebook sketches of the middle-school miscreant into a funny, pulsing, disgustingly purgative eruption. [Grade] A-" – The A.V. Club
• Review: "There have been plenty of comic-book memoirs, but few with the complex structure of You’ll Never Know, which seems at times to be rambling from topic to topic with no clear direction, until it unexpectedly circles back to an earlier point and makes the purpose of one tiny anecdote clear. Because this is still a work-in-progress — and an idiosyncratic one at that — it’s too early to tag it as a masterpiece. But damned if it isn’t well on its way. [Grade] A-" – The A.V. Club
• Review: "With each passing year, Bill Griffith’s venerable comic strip Zippy the Pinhead gets weirder, moving away from direct social commentary and toward a more abstract expression of Griffith’s worldview. The latest Zippy collection, Ding Dong Daddy from Dingburg, is dominated by a long tour through a town run by pinheads — an absurdist spin on consumer utopia that rivals Superman comics’ Bizarro World for its down-is-up jargon and attitudes. The joke? That this is more or less the America of the early 21st century... [Grade] B" – The A.V. Club
• Review: "The Hernandez Brothers have... been on a constant incline. They never treaded water or plateau'd. In fact this issue, the third issue of the third volume [of Love and Rockets], is one of the very best things they've ever done. [...] This is a perfect volume by guys who've been getting perfecter all the time. [...] At their worst the Hernandez Brothers make work that's merely good and entertaining. At their best they make this." – Nick Gazin, Vice
• Review: "Adele Blanc-Sec is a sort of actiony, science fictiony comic for people who aren't retarded. It's like a Europeaner Hellboy or Indiana Jones. [...] This isn't my absolute favorite Tardi book — there's slightly too much dialogue and slightly too many characters with mustaches to keep up with — but it's still a fucking masterpiece. Everything he draws and the moods he conveys are worth the price of admission alone." – Nick Gazin, Vice
• Review: "In [Mome] Vol. 19, [editor Eric] Reynolds shifted gears and used fewer but longer entries to put together perhaps the single best issue of the entire series (only Vol. 12 surpasses it in my estimation). Beyond its quality, Mome Vol. 19 also seems to be the issue that best reflects Reynolds’ taste as an editor. Reynolds has always been more on the underground side of the fence than in the literary fiction camp when it comes to comics. This issue’s mix of the transgressively funny, pulpish noir, surrealism, scatology and innovation was sequenced in such a way that every transition from story to story was nearly seamless. More importantly, the stories frequently complemented each other in a way that acted as a form of editorial storytelling on its own. [...] Secrets and mysteries are at the core of every story in this volume, and Reynolds expertly put together this jigsaw puzzle of styles and visual approaches to create a coherent, deeply affecting book. It’s certainly on my short list of best comics of the year." – Rob Clough, The Comics Journal
• Review: "Mome... is where the smart kids with the sharpest pencils, shiniest pens, biggest brushes and best software go to play before they blow your minds in great big award-winning graphic novels. It is intense, sometimes hard to read and crafted to the highest production standards. Considered by most to be the successor to Art Spiegelman’s Raw, it doesn’t come out nearly often enough. [...] This volume is perfect for newcomers to jump aboard... Whether you’re new to comics, currently searching beyond the mainstream or just want something fresh; these strips and this publication will always offer a decidedly different read. You may not like all of it but Mome will always have something you can’t help but respond to. Why haven’t you tried it yet?" – Win Wiacek, Now Read This!
• Review: "Jacques Tardi's masterful It Was the War of the Trenches was originally published in Europe in 1993, and thanks to Fantagraphics it has finally made it to the U.S. It was worth the wait. [...] I was nauseated. I was horrified. I was transfixed. Everyone should read this book and relearn the lesson that war is not diplomacy by other means, but the most hellish, useless and destructive tool at our disposal, and should be found somewhere past the last resort." – Andrew A. Smith, Scripps Howard News Service
• Review: "An effective biography and a great showcase of classic comics artwork, [Fire and Water: Bill Everett, the Sub-Mariner and the Birth of Marvel Comics] provides an intriguing look into the life of a man who played an important role in the shaping of the creative side of the comics industry. [...] Abetted by plentiful examples of Everett’s illustrative prowess (both at his peak and when in the depths of addiction), it’s a valuable tool for anybody interested in the history of the medium or the men behind their favorite stories and characters. And it’s fortunate that men like Blake Bell and publishers like Fantagraphics are committed to telling these stories so that we don’t lose sight of our roots." – Michael C. Lorah, Newsarama
• Review: "Do you ever stop to think that David Lynch's work doesn't make sense? No, not in that way — I don't mean in terms of story logic, I mean in terms of his aesthetic/generic approach. [...] Something about what Lynch does, the confidence with which he does it, makes it feel seamless, like 'of course' rather than 'what the?'. Looking at the cover for The Girl from H.O.P.P.E.R.S., I realized the same is true of Jaime Hernandez's comics. [...] He created his own kind of story." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "To call it 'comic book as nightmare' would certainly sound too glib by half and too cliche by whole orders of magnitude, and yet nothing else provides so apt a model for the kind of experience Columbia has crafted here. [...] In short, Pim & Francie is a monumental achievement. Columbia's brilliance is on full display... to some of the most truly dreadful effect I've ever experienced." – Curt Purcell, The Groovy Age of Horror (via Sean T. Collins)
• Plug: "Stephen DeStefano and George Chieffet's new book Lucky in Love was recently released by Fantagraphics Books and I just received a copy courtesy of the artist so I want to plug one of my favorite artists working in comics and animation. As always Stephen's art is amazing. Pick up a copy today!" – Kevin Langley, Cartoons, Model Sheets, & Stuff
• Plug: "I escaped LA for a week and spent time relaxing in Seattle with some of my favorite people. On the way to the airport, we made a spontaneous stop at Fantagraphics Books, a place I never heard of before. They describe themselves as a publisher of 'comics for thinking readers – readers who like to put their minds to work, who have a sophisticated understanding of art and culture, and appreciate personal expression unfettered by uncritical use of cliché.' So, if you’re looking to read bland, mainstream superhero comics, you won’t find them there. [...] If you ever find yourself in Seattle, you won’t regret stopping at the store. A bonus is the record store that shares the same space with the bookstore." – What's Good With It
• Profile: "Jason is a Norwegian graphic novelist/comic book artist who makes the finest short stories. [...] It’s beautiful to see how Jason has refined everything; stripping away anything that could be considered filigree, cutting out any words that don’t need saying. He has mastered the barely story, telling imperceptible narratives vaguely inferred, and a crispness of drawing that ignores unnecessary fill. All that remains is a wry sociopathy you can’t help but fall in love with. Jason is the best thing I’ve come across in the last couple of years." – Gregory Povey, Mount Analogue
• Interview: Comics Comics' Dan Nadel, who says "As a [Mort] Meskin admirer (I put a Golden Lad story in Art in Time) I am thrilled to have a beautifully made book that showcases his thoughtful, vividly executed and highly influential work," talks to the author of that book, From Shadow to Light, Steven Brower: "There were two things that drew me to his story. The first was the mystery of why someone who began so strong, influencing his peers, faded so quickly from view. The second attraction: his personal story. Mort was someone who suffered greatly at times emotionally and overcame his struggles. I felt there was a larger story to tell than just someone who was a very good artist."
• Interview: Comic Book Resources' Kiel Phegley talks to Jean Schulz about the Peanuts 60th Anniversary: "I say I'm 'condemned' to keep learning more about the comic strip because I didn't take it seriously enough when Sparky was alive. That's sort of a joke, but it's true. You can go back over them again and again and look at them in different thematic settings."