|Gilbert Hernandez at Midtown Comics in NYC April 24|
|Written by Mike Baehr | Filed under Love and Rockets, Gilbert Hernandez, events||3 Mar 2010 11:09 AM|
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Category >> Love and Rockets
Fantagraphics Bookstore & Gallery is pleased to present an exhibition of original artwork and book signing by celebrated cartoonist Gilbert Hernandez on Saturday, March 13 from 6:00 to 9:00 PM. Gilbert will be Fantagraphics guest at the Emerald City Comicon in Seattle on March 13 and 14. The reception at Fantagraphics Bookstore serves as the official after-party for the convention, so expect to see a wide array of comic book professionals in attendance.
Together with his brother Jaime, Gilbert Hernandez revitalized the moribund comics medium nearly 30 years ago with the inspiring series LOVE AND ROCKETS. Los Bros. Hernandez created socially relevant stories illustrated with stunning artwork that would influence generations of cartoonists that followed. Their work reflected America's emerging multicultural social environment and restive youth culture in an accessible manner that attracted a diverse and devoted readership. Their stories continues to resonate and the Love and Rockets franchise remains a signature of Fantagraphics Books.
The exhibition and book signing celebrates publication of LOVE AND ROCKETS BOOK 25: HIGH SOFT LISP. The book follows Rosalba "Fritz" Martinez — bombshell, former punkette, former psychiatrist, "Z" movie star — in this supremely sexy, constantly surprising graphic novel. Hernandez has taken a suite of stories originally serialized in Luba's Comics and Stories and the second volume of Love and Rockets, and fleshed them out with new pages, creating an original and inventive story that, through its connections to his main character Luba, works both as a standalone graphic novel and a further exploration of his rich, fictional world. Longtime fans and new readers alike will delight in this superbly rendered tale.
This event coincides with the colorful Georgetown Second Saturday Art Attack featuring visual and performing arts presentations throughout the historic neighborhood. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street, at Airport Way S. only minutes sought of downtown Seattle. Open every day. Admission is always free.
Gilbert Hernandez: HIGH SOFT LISP
Book Signing and Art Exhibition
Saturday, March 13, 6:00 - 9:00 PM
Exhibition continues through May 5, 2010
Fantagraphics Bookstore & Gallery
In like a lion with Online Commentary & Diversions:
• Review: "Thank God then for Almost Silent, a new collection repackaging some of Fanta’s older Jason books — some of which are no longer in print in their original format — as an anthology the same size, shape and design as Low Moon. ... Buy it to read the stories, keep it to restore order and balance to your bookshelf." – J. Caleb Mozzocco, Newsarama
• Review: Avoid the Future collects and expands on their first 10 Twitter micro-reviews of Newave! The Underground Mini Comix of the 1980s: "More than just a collection of mini-comics, the book features interviews and insightful commentary from some of the creators as well as the lovingly-reproduced source material."
• Award: Congratulations to Crumb, Ghost World and Art School Confidential director Terry Zwigoff for being awarded the Maverick Spirit Award at Cinequest 20 (why it's reported by an automotive news website I have no idea; via Bleeding Cool)
As the weather heats up, so does the action at Fantagraphics Bookstore & Gallery, with a series of exhibitions, signings and performances featuring some of our favorite artists.
On Saturday, March 13, from 6:00 to 9:00 PM, Fantagraphics Bookstore welcomes illustrious LOVE AND ROCKETS co-creator Gilbert Hernandez on the occasion of the release of his latest masterpiece HIGH SOFT LISP. This exhibition of his amazing original art and book signing doubles as the official after-party for the Emerald City Comicon. Expect to socialize with a diverse array of unannounced special guests at this festive annual event.
Rock on Saturday, April 10 with our crew of musical savants from the warehouse and friends for an evening of dissonant performance. Improvisational quartet Zinjanthropus features maestro Martin Bland reuniting with his mate Ren from the awesome Australian combo Lubricated Goat and his Monkeywrench axe man Tom Price of the legendary U-Men. Joining them is former Gas Huffer front man Matt Wright. Our beloved Ajax makes lovely noise as Ardent Vein. Georgetown will be filled with melodious mayhem all night as the cacophonous Honk Fest West marching band carnival takes over the streets. Un-freaking-believable, this one.
On Saturday, April 17 from 6:00 - 8:00 PM we host a signing and publication party for James Sturm and Peter Bagge. Sturm returns to Seattle where he co-founded The Stranger and created his popular comic Cereal Killings for Fantagraphics Books. He since co-founded the Center for Cartoon Studies in Vermont and continued a successful career as a cartoonist. He'll be signing his recent graphic novel MARKET DAY. Also appearing will be the architect of the alternative comics movement Peter Bagge signing the highly anticipated HATE ANNUAL #8. Catch up on the latest shenanigans of Buddy Bradley and the gang.
Look for these and other activities throughout the Spring at Fantagraphics Bookstore, located at 1201 S. Vale Street only minutes sought of downtown Seattle. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110. See you all soon.
Neverending Online Commentary & Diversions:
• List: Only the Cinema's Ed Howard concludes counting down The Best Comics of the Decade: the top 20 includes "The Lute String" (available in Mome Vols. 9 & 10) by Jim Woodring at #16 ("It's moving, funny, and as with all of Woodring's work it demands a close reading"), Alias the Cat (originally The Stuff of Dreams) by Kim Deitch at #14 ("It's funny, goofy, exciting and far-ranging in its imaginative nonsense accumulations, and throughout it all Deitch's fond sense of nostalgia for a world that never quite was lends emotional heft to the story's elaborate twists and turns"), Dash Shaw's Bottomless Belly Button and Mome stories (collected in The Unclothed Man in the 35th Century A.D.) at #13 ("Dash Shaw is an utterly brilliant young cartoonist who has, in a few short years, advanced from the academic experiments of his earlier work... into a formalist genius whose skills encompass both a natural gift for color and a feel for subtle, indirect characterization"), Safe Area Gorazde by Joe Sacco at #7 ("Joe Sacco is a unique figure in modern comics: there is no one else who combines sheer cartooning chops with a newspaper reporter's sensibility and instincts in quite the same way. ... Safe Area Gorazde [is] an especially powerful document of the effects of war"), the comics of Kevin Huizenga at #4 ("Kevin Huizenga is the best young artist in comics. It's as simple as that. With his recent Fantagraphics series Ganges (part of the Ignatz line of high-quality pamphlets) Huizenga has matured into one of comics' finest formalists"), Jimbo in Purgatory by Gary Panter at #2 ("The denseness of Panter's references and cross-references makes the experience of reading this book a truly overwhelming experience; every line, every image, spirals into multiple other references and ideas, pulling in the whole wide expanse of world culture as a stomping ground for Jimbo's wanderings through the Purgatory of modern existence towards enlightenment"), and the Love and Rockets Vol. II work of Jaime Hernandez (as collected in Ghost of Hoppers and The Education of Hopey Glass) in the #1 slot ("There is no greater all-around artist in modern comics than Jaime Hernandez, and his recent work builds on his past successes so that his oeuvre as a whole is shaping up to be one of literature's best sustained stories about aging and the shifting of relationships over the course of a life").
• Review: "The best argument that the underground tradition is still alive is Hotwire Comics, edited by Glen Head (one of the most underrated cartoonists around, incidentally). Hotwire Comics is a visual assault, abrasive, confrontational, willing to poke and prod the audience: a real live wire that can shock. Everything a good underground comic book should be." – Jeet Heer, Comics Comics
• Review: "Strange Suspense is a handsome book generally, with a fun front cover and a nice, sturdy, feel. As far as my eye can tell the work is reproduced well; admittedly, I have one of the worst eyes in comics for that sort of thing. It's nice to have a bunch of comics from this time period, particularly the grittier pre-Code or Fear of Code-Like Crackdown work. There are some truly repulsive pieces of throwaway pulp in this book's pages, and Ditko was more than up to the task of illustrating them." – Tom Spurgeon, The Comics Reporter
• Review: "Mother, Come Home is a subtle, dark story about death and madness and fantasy, tied together by symbols and the voice of an older Thomas looking back on his childhood. It's not bleak, though; Thomas survives his traumatic childhood, and perhaps Hornschmeier's lesson is that we all can, if we try — if we step outside our rituals and fantasies and reach out to each other, we can make it through." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent. (via ¡Journalista!)
We are pleased to announce that Luba by Gilbert Hernandez is a finalist for a 2009 Los Angeles Times Book Prize in their first-ever Graphic Novels category. See the complete list of finalists here. Winners will be announced on Friday, April 23, 2010. Congratulations Gilbert! A monumental honor for a monumental book.
Have a look, have a click:
• Dame Darcy is having another print sale/painting raffle (that's the painting above; the print is different), and also taking commissions for wedding invitations — all this and more on her latest blog update
• Hey Mike Sterling & Nat Gertler, can we use this image in all of our advertisements forever and ever?
• Speaking of Hans, he painted a couple of murals in his old house
Today's Online Commentary & Diversions:
• Review: "Anderson’s King is most definitely NOT your feel-good, sanctifying version of King’s life that most readers are probably used to. ...[T]he MLK presented here is a multi-dimensional, gifted man … but still very much a man, nevertheless, filled with doubt, frustration, anger, arrogance, and even deceit. ... While Anderson starkly presents King’s less-than-saintly episodes... the final reaction is a fuller understanding of a great man, with inspiring ideals, and an unshakeable dedication to equality through nonviolent, loving means. ... MLK’s legacy undeniably lives on in Anderson’s King." – Terry Hong, Bookdragon (Smithsonian Asian Pacific American Program)
• Review: "Dash Shaw was praised to the skies for his hefty 2008 graphic novel Bottomless Belly Button, but the 26-year-old cartoonist’s real strength so far in his career has been his short strips, which have displayed a diversity of subject matter and style that make each piece feel like something wholly new. The Unclothed Man in the 35th Century A.D.... does reveal a future master in his formative stages, working to find a balance between his interest in subtle adult relationships—teacher/pupil, flirter/flirtee, etc.—and his yen to try out new approaches to drawing and coloring. Shaw may be the cartoonist of the rising generation most capable of delivering a long-form work with the formal daring and humanity of a David Mazzucchelli or an Art Spiegelman. Consider The Unclothed Man a document of his baby steps… B+" – The A.V. Club
• Plug: "The Complete Peanuts 1975-1976 comes out in March, meaning we'll be halfway through this amazing, historical publication. I can't say enough about these collections. It's not only remarkable in its simple, truthful capturing of the human condition, but a beautiful historical document of the second half of the 20th Century." – Rob Kozlowski
• Commentary: NPR 's Glen Weldon, surveying some of the connections between comics and pop music, says "Love and Rockets, by Los Bros Hernandez, wasn't just about a punk band, it was a book steeped in an anarchic punk sensibility that even today, 30 years later, still seems bracing and unapologetic."
Online Commentary & Diversions:
• List: At The Comics Journal, the back half of Rob Clough's Top 50 Comics of 2009 includes:
#29, The Complete Peanuts 1971-1972 by Charles Schulz: "Twenty-two years into his run on this strip, Schulz was still at his peak even as Peanuts was moving into a new phase."
#31, Mome Vol. 14: "The most consistently excellent anthology in comics, issue after issue."
#39, Uptight #3 (misidentified as #2) by Jordan Crane: "Both [stories] were perfectly suited for this lo-fi yet gorgeously designed comic..."
#43, The Red Monkey Double Happiness Book by Joe Daly: "Daly didn’t create just a story or a set of characters, but an entire community for readers to wander around in and become comfortable with. Equal parts Tintin and The Big Lebowski, this was a stoner detective story, with all sorts of absurd events popping up in everyday life and eventually making a kind of sense."
#46, Everybody Is Stupid Except for Me by Peter Bagge: "This is Bagge-as-Mencken, trenchantly tearing apart stupid ideas from both the left and the right and doing it while actually going out into the field, gathering facts, and talking to people. His hyper-expressive style was a perfect fit for his over-the-top political commentary."
And finally, #50, Love and Rockets: New Stories #2 by Gilbert & Jaime Hernandez: "Jaime’s conclusion to 'Ti-Girls Adventures' managed to combine rip-snorting action and compelling character work. Gilbert’s 'Hypnotwist' was both a callback to his New Love-style weirdness and yet another entry in his 'pulp movie' adaptations. ...[I]t’s clear both brothers were having such a good time following their impulses."
• Review: "Abstract Comics: The title is, in itself, a manifesto. It makes official the existence of these strange objects that some will reject as a contradiction in terms: 'abstract comics.' ... In the abstract comics gathered by Molotiu, sequential ordering produces nothing on the order of a story; but solidarity between the panels is established (in more or less convincing and seducing fashions) in another mode — plastic, rhythmic and so to speak musical. Personally, I do not refuse to make a place for these creations in the field of comics, because I wish that field to be as open and as diversified in its expressions as possible, without excluding anything a priori. Nevertheless, I still note that they have closer affinities with the operating modes of contemporary art that with the ordinary ambitions of drawn literatures." – Thierry Groensteen, Neuvieme Art (excerpt and translation by Andrei Molotiu at the Abstract Comics Blog)
• Review: "Perhaps the best adjective I could employ to describe Castle Waiting would be 'homey.' It’s all about the pleasures of home and the relief of being amongst family who accept you, even if they don’t happen to be related to you or even entirely human. ... Taken on the surface, it’s a perfectly cozy and enjoyable story. If one decides to delve more deeply, themes of tolerance and equality can be found gently at work, though by no means do they take precedence over the characters. Lest all of this sound a bit too quaintly domestic, let me assure you that the story is also quite funny." – Michelle Smith, Soliloquy in Blue