In this second big omnibus collection of his ongoing tales of the “Locas,” Jaime Hernandez continues telling stories featuring his main characters Maggie, Hopey and Ray. This volume picks up shortly after Maggie and Hopey’s long-awaited reunion at the end of the first Locas.
Even though her love life remains as chaotic as ever, Hopey takes her first few steps toward responsible adulthood with a real job (as a teacher), while a demoralized, divorced Maggie ends up as the manager of a fleabag apartment building where she continues to wrestle with the demons of her past — most prominently in the stunning centerpiece of the volume, the graphic-novel-length “Maggie” serial, with its stunning, hallucinatory dream finale.
Meanwhile, Ray still carries a major torch for Maggie, but falls in with the “Frogmouth,” the volatile bombshell whose ties to local thugs cause him no small amount of grief.
Of course, Maggie, Hopey, and Ray’s paths continue to intersect in Hernandez’s increasingly complex, intricate, and always vitally realized world.
This omnibus volume compiles stories originally printed in the pages of the comics Penny Century, the one-shot special Maggie & Hopey Color Fun (presented here in black and white), and Love and Rockets Vol. II, and was formerly collected in the volumes Dicks and Deedees, Locas in Love, Ghost of Hoppers and The Education of Hopey Glass.
You know the drill: Check out our previews at the links above, give your local shop a ringle-dingle to confirm availability, and then give them your hard-earned money for these hefty hunks of comics heaven.
The wait is over! Love and Rockets: New Stories #2, which debuted to a sell-out response at Comic-Con, is now available for pre-order. The second issue of L&R's new annual 100-page format features the conclusion of "Ti-Girls Adventures" by Jaime and two brand new stories, "Hypnotwist" and "Sad Girl," by Gilbert. You can download a 10-page PDF sneak peek, featuring 5 pages from each brother, at our product page, which also has all the other info you need to know about the book. Pre-order now for late-August delivery; it will be in stores in September (subject to change).
PLUS! We've reformatted Gilbert's striking cover image into a desktop & mobile wallpaper for your FREE enjoyment -- choose your size below!
Let's see what kind of Online Commentary & Diversions the weekend held for us... a lot, apparently:
• Review: "Carol Tyler is a unique figure in the world of comics... She's now put together the first volume of what promises to be her masterwork, a 'graphic memoir' about her father's experiences in World War II that effortlessly mixes media in a charming, affecting, and devastating package. You'll Never Know goes beyond biography, autobiography and even as a means a therapy to ask a number of deeper questions that may well not have ready answers. It's a stunning achievement, a perfect marriage of form and content, and is my early contender for not only comic of the year, but comic of the decade." - Rob Clough
• Review: "Jordan Crane's Uptight series is a lo-fi throwback of a series... Crane's line is elegant but unfussy, with slightly scratchy character designs that have a grace and fluidity to them reminiscent of Jaime Hernandez." - Rob Clough
• Review: "Grotesque has been one of the most playful entries in the underappreciated Ignatz line. Sergio Ponchione has a very 'American' quality to his line in terms of his line (thick and rubbery) and character design (a series of homages to masters like EC Segar and more contemporary figures like Charles Burns)... Ponchione's sight gags in this issue were something to behold, like a dead baron's tombstone growing arms and legs and coming after his brothers." - Rob Clough (same link as above)
• Review: "Issue #4 of Delphine was the conclusion of the series, and it certainly did not disappoint... Delphine benefitted from the Ignatz format: big pages that let the backgrounds breathe, nice paper, and creepy one-tone color. It was a perfect format for a fairy tale gone horribly wrong." - Rob Clough (same link as above)
• Review: "When life is on the skids, there are those who just lean into it and those who try to drive their way out. Some get run over, some step on the gas. In Pop. 666 [by Francesca Ghermandi, serialized in Zero Zero], fortunes change at moment’s notice, and events are never anything short of bizarre... This weird and creepy sci-fi horror crime comic is a loopy piece of work, and it deserves to be experienced by more readers..." - Jamie S. Rich, Robot 6
• Review: "I realize as I was reading the book that I’d previously thought of Val as a bit of a wimp due to his hairstyle, but nothing could be farther from the truth. In the first volume he kills a giant crocodile, wears a false mustache, scares an ogre to death, enters a jousting tournament in disguise, gets drunk, falls in love with a girl who already has a fiance, pursues girl with said fiance when she is kidnapped by vikings, and fights off a horde of vikings single-handed. That Prince Valiant is a busy guy!... It is really great seeing an essential part of comics history like Prince Valiant being treated so respectfully in this new edition." - TangognaT
• Review: "Imagine a book publisher had released a retrospective on 'The Graphic Novel' in 1976, or that a cinema hosted a look back at France’s nouvelle vague in 1957, or that a gallery exhibit somewhere spotlighted American Abstract Expressionism in, say, 1946. The experience would have been not unlike reading Abstract Comics: The Anthology today." - Sean Rogers, The Walrus
• Review: "[The Wolverton Bible] is a fascinating testimony to the peculiar vision of the life of an original artist and a somewhat unorthodox view of the 'holy book' by a faithful believer." - Iconoctlán (translation from Google)
• Review: "Popeye Vol. 1 would be enthralling if only for the change in the Thimble Theatre order of things, letting the reader watch as a new character takes over and reshapes the strip into his own image. Fortunately, what it's turned into is a thoroughly fun adventure strip that made me eager for more... There are so many fun newspaper reprint projects going on right now that it's easy to miss a lot of them. Now that I know how good Popeye is, I'm making it a priority to read the rest." - Greg McElhatton, Read About Comics
• Review: "[Bottomless Belly Button is a] wonderful book that I strongly recommend for every comic fan... Dash Shaw is a name to remember." - Laurent De Maertelaer, freaky.be (translation from Google)
• Plugs: "Abstract Comics: ...[I]t's fascinating to see what you can do with comics when you're dealing with non-representational, non-narrative imagery, stretching the limits of the medium... Locas II: Oh man, it's another huge collection of Jaime Hernandez's amazing stories from Love and Rockets... Greatness." - Matthew J. Brady
• Plug: "Nobody else’s comics read like these [in You Shall Die By Your Own Evil Creation!]. They’re savage and brutal but have moments of eerie and unexpected beauty... And don’t read this stuff right before bed: strange dreams are a documented side-effect." - Matt Maxwell, Robot 6 (same link as above)
• Preview: Hans Rickheit has a peek at the hardcover of The Squirrel Machine
• Profile: "Michael Kupperman does funny very well... 'Right now, I'm working on two more short pieces for Marvel, one featuring the Avengers, and I'm going to try to get some of that Marvel spirit of the '70s, with the explosive, sound-effect laden fight scenes.'" - Gary C.W. Chun catches up with Kupperman in the Honolulu Star-Bulletin
• Interview: "I've greatly enjoyed Chicago-based cartoonist, artist and animator Lilli Carré's first few forays into the world of comics. Longer works such as Tales of Woodsman Pete and especially The Lagoon were stuffed with undeniably interesting formal techniques... There's a soulful element to Carré's writing that helps greatly to involve the reader in the surface narratives..." - Tom Spurgeon, introducing his Q&A with Lilli at The Comics Reporter
• Comic-Con Rhetorical Question of the Day: "...[H]ow many members of the 501st Stormtrooper Legion do you see at the Fantagraphics booth?" - Sean T. Collins (The Unneeded Answer: we had maybe 2 cosplayers, period, in the booth all week, and no Stormtroopers, although they are more than welcome.)
A quiet day for Online Commentary & Diversions in the wake of Comic-Con:
• Review: "...A Mess of Everything surprised me. It turned out to be quite worthy: funny, insightful, and at times, moving. It’s not a revolutionary book — it doesn’t stretch or redefine the bounds of its genre — but [Miss] Lasko-Gross reminded me that the beauty of her chosen genre is that everyone’s story is, in fact, different and unique. If the author is a skilled storyteller, it’s as good as a reason as any to read yet another graphic novel about growing up, even if you’ve already read many." - Jillian Steinhauer, The Daily Cross Hatch
Locas II: Maggie, Hopey & Ray is the second omnibus hardcover collection of "Locas" stories by Jaime Hernandez, compiling roughly a decade's worth of masterful comics from the pages of Penny Century and Love and Rockets Vol. II under one set of covers. You can pre-order the book now for delivery later this month; it will also be debuting at Comic-Con in San Diego this week (with Jaime in attendance) and it should hit stores some time next month (dates subject to change).
Is this a shout-out to Gilbert Hernandez's Palomar delicacy on Kitty Pryde's baseball cap in my battered thrift-store copy of Uncanny X-Men #201 (Jan. 1986), or just a bilingual pun? Either way, very cute, Chris Claremont, Rick Leonardi and/or Whilce Portacio. Or was letterer Tom Orzechowski responsible? So many mysteries!
Holy moly there's a lot of links today! There's a few major interviews in today's Online Commentary & Diversions, so let's lead off with those:
• Interview: At Amazon's Omnivoracious blog, Heidi Broadhead talks to our own Kim Thompson about translating the works of Jason ("His latest collection, Low Moon... has filmic moments and comic pathos that have set a new standard for me for short fiction") and other Eurocomics. Sample quote: "But I'm also more invested in these books because I work so hard on them, and in many cases, of course, such as Tardi, I'm literally fulfilling a childhood dream by translating them."
• Interview: "Carol Tyler is one of the best cartoonists currently working. She has been for years... Earlier this year Tyler released the first of an expected three volumes that seek to explore her father's time in World War II. You'll Never Know: A Good And Decent Man gently peels back the layers on these seminal experiences while at the same time providing an earnest portrait of the artist and her most important relationships during the time she started on the project. Tyler combines the unflinching eye of the late underground with the self-deprecating portrait of the alternative comics movement with the poetic qualities that some of the best post-alternatives are able to wring from their art. I really love Carol Tyler's work, and I was delighted she agreed to talk to me." - Tom Spurgeon, The Comics Reporter
• Interview: "In a perfect and just world, John Kerschbaum would be one of its most famous cartoonists." - Rob Clough, presenting his Q&A with Kerschbaum from The Comics Journal #295. Sample quote: "And when you're doing work for kids you just leave out the cursing… and tits - no tits."
• Review: "Wolverton... had a knack, too, for nightmarish drama... [He] saved his most enthralling pieces for the Bible. An ordained minister for a wacky Oregon church, he produced, in the mid 1950s, a series of apocalyptic scenes for the Book of Revelations; men and women, foregrounded in close-up, writhe under dominant skies of fire, plague, and war." - Robert Shuster, The Village Voice, on the Wolverton exhibit at Gladstone Gallery; hat tip once again to Drew Friedman
• Review: "Jason's unique skill of meshing cut-out Hollywood genres with fleeting moments of missed opportunities is like a unique cocktail - one part Hitchcock, one part Kubrick with a dash of Woody Allen... Low Moon is a slow-moving delight. Jason has crafted a perfectly executed yarn that is at once both familiar and bizarre. This collection is an exceptional entryway for reader still unaware of one of sequential arts greatest contributors." - Ascot J. Smith, examiner.com
• Review: "Known for his ability to convey melancholic, deadpan humor, Jason is as on top of his game as ever with this release... Each story expresses a different degree of the author’s range, mixing dark or mature themes with absurdity to varying degrees... Since it demonstrates Jason’s range and is priced fairly modestly..., Low Moon makes for a great starting point for those unfamiliar with Jason’s work." - Anthony Farruggia, examiner.com
• Review: "Jason's work is something to be revered... His comics are stark and morbid and often hilarious. Low Moon presents five beautifully illustrated stories that show a mastery of the craft... The stories range from violent to funny to sad, and the tragedies, murders, and pratfalls therein never seem out of the ordinary. It all fits into four rectangular panels on each page that seem like they were drawn to make you understand something more." - Gabe Bullard, PLAYBACK:stl
• Review: "Ho!... promises the most degenerate and juvenile one-panel gag comics ever penned by a working college professor... You're either loving it or deeply concerned for the author." - Byron Kerman, PLAYBACK:stl
• Review: "Kevin Huizenga introduces a relatable and unusual story with his quirky sequel to the first Ganges in the 'Ignatz' series from Fantagraphics. A tale about morality, realism, and video games, Ganges [#2] spins a web of confusion for those universal questions that lurk at the edge of our minds... 'Pulverize' makes a bold attempt to portray how living in a technological age can confuse as well as enlighten you to great lengths. Touching and unique, Huizenga creates a quirky story for the win." - Melissa Kay, Girls Entertainment Network
• Review: "My choice for the greatest comic strip in history would be Hal Foster's epic adventure strip Prince Valiant. And now Fantagraphics is reprinting the series in a series of spiffy, oversized hardcover collections, with the first volume out this week. And even though I own the whole 40-volume set of the Foster-drawn pages that Fantagraphics published in the 1990s, I’m perfectly happy to buy this new series, with larger pages, better-quality paper, and much better-quality coloring... It’s excellent stuff, and I look forward to enjoying it all over again." - Michael Rawdon, Fascination Tangents
• Review: "The most influential adventure strip ever produced, Foster's gorgeous Prince Valiant inspired generations of artists. While the Sunday-only strip has been reprinted several times, this edition contains for the first time images shot from Foster's own color engraver's proofs. Published at the strip's original dimensions and complete with an introduction by Hal Foster biographer Brian M. Kane and the insightful 1969 Hal Foster interview with Fred Schreiber, the hardcover Prince Valiant Vol. 1: 1937-1938 finally presents these lush tales in a format worthy of the material." - Rick Klaw, The SF Site - Nexus Graphica
• Review: "Like H.L. Mencken, [Peter] Bagge favors a scorched-earth satirical attack, tearing down arguments by ridicule as much as reason. Unlike Mencken, Bagge's work is more playful and less likely to attempt to install himself as a know-it-all (even if he thinks he does) because of his nebbishy self-portrayal... It's rare to see a cartoonist branch out into this kind of second act of a career with this much flourish and skill... his work here [in Everybody Is Stupid Except for Me] demands a reader's attention every bit as much as the more famous editorial cartoonists in America... Best of all, Bagge is still funny... and this is a very good thing for both his hardcore fans and new readers alike." - Rob Clough
• Review: "[Peter] Bagge made his reputation with the wicked social satire of Hate, but since 2001 he’s also produced these short comics [in Everybody Is Stupid Except for Me] for the libertarian magazine Reason... His visual style—in which people are all huge-mouthed, squinty-eyed, rubber-limbed caricatures—is turned up all the way to 'jeer'; it’s also pretty funny on its own. Bagge aims his (constitutionally protected) satirical blunderbuss at both the left and the right, and occasionally points it at fellow libertarians and even himself." - Publishers Weekly
• Review: "...Norwegian cartoonist Jason’s latest wheeze of a graphic novella [I Killed Adolf Hitler] invents a time-travelling professional assassin who attempts to exterminate the Fuhrer with predictably bizarre results... The deadpan humour, pared-down plotting and simple illustrations featuring Jason’s trademark zoomorphic characters make for a brisk and extremely enjoyable read." - 2012
• Plug: "OMG reading Low Moon on lunch IT IS SO GOOD how long can comics stay this awesome?" - Dustin Harbin, via Twitter
• Plug: Portuguese shop Ghoulgear recommends the comics work of Jason, "who reinvented the narrative language of comics... He is an author that is worth knowing."
• Plug: "There's some great material in [Everybody Is Stupid Except for Me], whether you agree with the opinions or not, since Bagge does some great cartooning and good journalism, providing hilarious insights into topics like art, public transportation, homelessness, and gun ownership." - Matthew J. Brady
• Plug: "[Love and Rockets] was like an underground Archie, with Hispanic characters, plus it was literally oozing with a sensuality that simply couldn't be found in mainstream funnybooks... If you have the opportunity to pick up any L&R comics, I highly recommend it, as it is still some of the consistently very best comics that is being produced." - Robert J. Sodaro (former Fantagraphics employee)
• Plug: "I’m currently reading through the latest issue of The Comics Journal, number 298... I’m really looking forward to the interview with Thriller artist Trevor Von Eeden. Also, the Percy Crosby Skippy strips included in the gallery section are a wonder." - Chris Mautner, Robot 6; also, their guest contributor this week is Paul Karasik
• Things to see: Comic Book Resources presents a bunch of work by Terry LaBan (whose Fantagraphics titles are all out of print)