Fantagraphics and comiXology have heard your desperate pleas for more digital Love and Rockets, we know you have precious bookshelf space and move every year. In the fifth Love and Rockets book from Jaime Hernandez's Locas series, Esperanza features mores stories to thrill you.
Picking up where Book 4 Penny Century collection left off: An older and wiser Maggie faces down her demons while Ray tussles with the volatile bombshell Vivian. Taking its title from Hopey Glass's birth name, Esperanza follows the somewhat settled-down ex-punkette in her new life as a schoolteacher's assistant — which doesn't mean that her romantic travails have gotten any simpler.
"…if there’s one thing Jaime’s Locas stories in general, and this volume in particular, tell us, it’s that sometimes you have to be a grown-up for a long time before you grow up. It’s worth the work, and the wait." – Sean T. Collins, The Comics Journal
"This indie comics mainstay has been going for nearly 30 years, making Love and Rockets as intimidating to some new readers as even the densest superhero mythologies. Luckily, Fantagraphics has made the Los Bros Hernandez saga about a massive cast of startlingly lifelike characters digestible in the form of affordable reprint volumes published in chronological order." –Andy Khouri, Comics Alliance
The fullest mailbox of Online Commentaries & Diversions:
• Interview: Alex Dueben interviews Richard Sala about Delphine on CBR . "The main story, which is depicted with ruled borders, was always linear. But I allowed myself more room with the main character's inner life. All of that -- the memories, dreams, fantasies, wishful thinking -- all of that is depicted in panels with soft, cloud-like, non-ruled borders. And so I was able to add to the character's inner life -- his thoughts and fears and confusion -- as I went along." And,edit to the article, we also have The Hidden and The Grave Robber's Daughter available at comiXology.
• Interview:Wilfred Santiago is interviewed by Christopher Borelli about Bull on Parade for the Chicago Tribune and Michael Jordan's 50th birthday. "[Santiago] said a graphic novel seemed like a perfect medium for exploiting athleticism, then added: 'But also, Jordan, as a figure, never seemed that interested in satisfying people. Which is interesting to me.'"
• Plug: Tom Spurgeon on the Comics Reporter talks about TCJ 302, edited by Gary Groth, Kristy Valenti and Michael Dean. "There's an amazing Roy Crane section in there that's as good as you can imagine practical advice from a practical-minded comics craft master being. The Sendak is hilarious and sad." Spurgeon gives a review for TCJ 301 as well. "Publishing Groth's big interviews in print like this is an effective use of one of comics' most versatile thinkers and aiming a very good and only intermittent writer like Kreider at something as odd yet Journal-appropriate as the entirety of Cerebus seems to me fine editorial planning."
• Review:Page 45 reviews 7 Miles a Second by David Wajnarowicz, James Romberger and Marguerite Van Cook. "Romberger painfully captures the frailty of forms and tenderness of touch, but equally the delirium of David’s mad fucking visions and dreams. Marguerite Van Cook’s colours are virtually toxic…This is not a beautiful book; it’s an ugly book, a brilliant book, a Last Will & Testament which I hope you will hear," writes Stephen L. Holland.
• Interview: James Romberger interviews Tom Kaczynski about Beta Testing the Apocalypseon the Hooded Utilitarian. Kaczynski made a list, we love those: "Overall I can cite 3 primary ways I use color in the book. 1. Color as a naturalistic element (as lighting, depth, etc.) 2. Color as pure design element. 3. Color as information."
• Review: Julien of the D&Q Bookstore is excited to read Moto Hagio's The Heart of Thomas. "Like the other Magnificent 49ers (the legendary first wave of female comic artists), Hagio's work is fearlessly avant-garde and visually stunning. Over her fruitful and now slightly less under-translated career, she has set the bar for all manga artists to follow, up to this day, and not just shonen-ai or shoujo mangaka."
• Review:Publishers Weekly loves Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. "Kupperman deploys a stunning arsenal of art styles to bring home the laughs, from stilted woodcut art to a kind of Tintin lite…Kupperman is pretty much his own genre of humor now."
• Interview: Gary Panter was interviewed by Nick Gazin on VICE on Dal Tokyo, creativity and other fun. Gazin describes the book, "…trying to follow the story like it was a traditional comic is hard it feels like we're seeing the inside of Panter's brain. We go where he wants to take us and the landscape reflects his current mood and interests. Not everybody can do whatever they feel like and make it as interesting as this book."
• Plug: Jeff Kinney from Diary of a Wimpy Kid reminisces about his father and their shared love of Carl Bark's duck comics at Disney Dads. Kinney says, "I consider [Carl Bark's comics] to be the best form of storytelling I’ve ever read. My father always made sure to leave the comics page open in the newspaper in the morning so we kids could read them. I think that without my father, I wouldn’t have ended up on the career path that I’m on.
• Review: Johanna Draper Carlson reviews Young Romance edited by Michel Gagné on Comics Worth Reading. "It’s neat to read these long-ago tales of girls acting out of jealousy or determining how to make the right love decision in such an easy-to-hold hardcover with restored coloring. I love seeing more of this forgotten period of comic history, particularly since it was so widely popular and yet so ignored these days," writes Carlson.
• Plug: Jim Hanley's Universe blog creates The Definitive Love & Rockets Reading Guide and Full Bibliography by Jeffrey O. Gustafson to whet your appetite for our Love and Rockets Companion and Reader. "Featuring mature, character based stories, the quality in art and story of the work of [Hernandez brothers] represent the high-water mark of independent, creator-owned comics, indeed comics period."
• Plug:Peter Bagge 'hates' on Beavis and Butthead in this month's MAD magazine, reported by Paste.
• Plug:Noah Van Sciver continues the funny at Denver Westword with the 10 biggest buzzkills at a concert. Read this and laugh or maybe recognize the horrible person that you are.
Join Mario on Thursday, March 7th from 7:00-9:00 PM as he discusses his contributions to the groundbreaking comic book series. Learn about the formative years of Los Bros Hernandez as Mario goes behind the scenes of Love and Rockets, one of the most beloved and critically acclaimed indie comics of all time.
This event is free and open to the public. Guests who donate $10 or more to the Cartoon Art Museum will receive an exclusive Love and Rockets 30th anniversary print. The Cartoon Art Museum is located at 655 Mission Street.
The lovely Penny Century demanded to be available digitally along with Maggie, Hopie, Ray and Luba. Fantagraphics and comiXology present the fourth Locas volume in Jaime Hernandez's Love and Rockets series.
First... wrestling! Penny Century starts off with a blast with “Whoa, Nellie!,” a unique graphic novelette in which Maggie, who has settled in with her pro-wrestler aunt for a while, experiences that wild and woolly world first-hand.
Then it’s back to chills and spills with the old cast of Hopey, Ray Dominguez, and Izzy Ortiz — including Maggie’s romantic dream fantasia “The Race” and the definitive Ray story, “Everybody Loves Me, Baby.” Many more stories hid behind this digital cover and257 pages of comics are yours for $14.99.
"In reviewing Jaime Hernandez's Penny Century, I could point to the frenetic pace of many of the stories; the cute, odd, and endearing sort of strangeness spawned in this lightly magical universe; or even the beautiful art, which is truly the mark of this master cartoonist. But, no, I am going to hype the very first story, "Whoa Nellie," beyond anything else in this fantastic volume. ... Such a wonderful, and grounded, story is a nice start-off point for the still compelling, yet far stranger and sexier, tales that follow. Soup to nuts, this is a great book." – Jeremy Nisen, Under the Radar
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."
It begins in the year 1900, with the scream of a newborn. It ends, 100 pages later, in the year 2000, with the death rattle of a 100-year-old man. The infant and the old man are both Julio, and Gilbert Hernandez’s Julio’s Day (originally serialized in Love and Rockets Vol. II but never completed until now) is his latest graphic novel, a masterpiece of elliptical, emotional storytelling that traces one life — indeed, one century in a human life — through a series of carefully crafted, consistently surprising and enthralling vignettes.
There is hope and joy, there is bullying and grief, there is war (so much war — this is after all the 20th century), there is love, there is heartbreak. While Julio’s Day has some settings and elements in common with Hernandez’s Palomar cycle (the Central American protagonists and milieu, the vivid characters, the strong familial and social ties), this is a very much a singular, standalone story that will help cement his position as one of the strongest and most original cartoonists of this, or any other, century.
"Julio's Day is a story of one man's life, but it's a great deal more than that as well. It's the story of the life of a century, also told as if a day. Beginning with Julio's birth in 1900 and ending with his death in 2000, the graphic novel touches on most of the major events that shaped the 20th century." – Brian Evenson, from his introduction
"A haunting performance and about as perfect a literary work as I've read in years. Hernandez accomplishes in 100 pages what most novelists only dream of — rendering the closeted phlegmatic Julio in all his confounding complexity and in the process creating an unflinching biography of a community, a country and a century. A masterpiece." – Junot Díaz
This month's Diamond Previews catalog is out now and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in April 2013 (give or take — release dates are likely to have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
(Retailers! These updates are also available in a new monthly email newsletter especially for you. If you're not already getting it and would like to sign up, contact us and we'll add you to the mailing list! And don't forget, we have a ton of digital resources which are at your disposal for your website and social networks, which you can learn more about here.)
Floyd Gottfredson’s Mickey Mouse series makes the jump from black and white to vibrant color. Many of these classic Sunday strips from 1932-1935 have never before been reprinted and have been restored from Disney’s archives and enhanced with a meticulous recreation of the strips’ original color. Call of the Wild also brings you more than 30 pages of supplementary features such as rare behind-the-scenes art, vintage publicity material, and fascinating commentary by a prismatic pack of Disney scholars. This is a collection that fans have been seeking for a lifetime!
Continuing our ongoing commitment to keep the canonic Complete Crumb Comics series available, we reprint two of most often- demanded volumes. Vol. 5: “Happy Hippy Comix” spotlights the period from late-1967 through 1969, including the second issue of ZAP Comix, the introduction of Angelfood McSpade, Mr. Natural, a long Fritz story, an alternate version of the Cheap Thrills album cover, and more! Vol. 8: “Starring Fritz the Cat” covers the years 1971-1972 and features one of Crumb’s most notorious comics, “The Death of Fritz the Cat,” as well as “Whiteman Meets Bigfoot,” the complete Big Ass #2 and Mr. Natural #2, wild jams and loads of photos!
Fantagraphics proudly presents 20 years of Love And Rockets covers collated in full-color, virtually all of them without logos or cover text for maximum visual impact so the viewer can better appreciate these iconic images created by Gilbert and Jaime Hernandez. With over 150 classic covers, this will be a gorgeous, oversized art book and the perfect gift for fans of the series that virtually defines alternative comics.
From the author of Bottomless Belly Button comes a stunning new graphic novel set in a fantastical amusement park. New School follows a teenage boy’s search for his brother, which leads at first to wonderment and delight but ultimately to alienation and disillusionment. Unlike anything in the history of the comics medium, New School is at once funny and deadly serious, easily readable while wildly artistic, personal and political, familiar and completely new.
This one-shot comic book will feature three all-new, full-color short stories that explore var- ied dystopian societies. From a Sherlock Holmes-style investiga- tor who must complete his high school degree to filmed ‘volun- tary’ nudity to prison camps full of jaded children, Shaw pens each story with his signature style and unique spin, all in 32 pages.
Stephen Dixon’s first novel in five years is an intimate exploration of the interior life of a husband who has lost his wife. His Wife Leaves Him is Dixon’s most important and ambitious novel, featuring his tenderest and funniest writing to date, and represents the stylistic and thematic summation of his writing life.
Over 200 pages of never- before-reprinted work from Golden-Age-Of-Comics legend Bill Everett. Spanning the years 1938- 1940 and culled from such magazines as Amazing Mystery Funnies and Amazing-Man Comics, Heroic Tales features vintage characters such as Amazing-Man, Hydroman, Skyrocket Steele, The Chameleon plus many more. This is a stunning companion to Fantagraphics’ critically acclaimed 2010 Everett retrospective, Fire and Water, and features beautifully restored, full-color stories plus an introduction about the man, his art, the history of the era, and his relationship with Marvel Comics.
Assembled from work done in Anders Nilsen’s sketchbooks over the course of the year following the death of his fiancée, The End is a collection of short strips about loss, paralysis, waiting and transformation. Originally released in magazine form, The End has been updated and expanded to more than twice its origi-nal length, including a 16-page full-color section.
An anachronistic parable for the convulsive elite — now in paperback. Meticulous, strange, and hauntingly beautiful, this evocative and enigmatic book will ensure the inquisitive reader a spleenful of cerebral serenity that will take exposure to vast quantities of mediocrity to dispel.
The most checked-out book of Online Commentaries & Diversions:
• Review: Prison Pit Book 4 by Johnny Ryan is getting the hits this week. Gene Ambaum of Unshelved writes,"This reminds me of nothing as much as the violent, disturbed drawings I’ve seen in some middle-school boys’ notebooks. Next year, I’m going to tell [my daughter] it’s like a mind-map for her male classmates. If she believes me, I hope we can put off conversations about her dating for a few extra years."
• Review: Mark L. Miller of Ain't It Cool News enjoysJohnny Ryan's latest Prison Pit Book 4. "This is the kind of sick shit that would warrant a trip to the school counselor if you found this crudely etched into the back of your child’s Trapper Keeper. Johnny Ryan once again taps into something primal and pure with his crude drawings of gore, sex, and violence."
• Review:The Quietus and Mat Colgate leaf through some of the best books of 2012 including Prison Pit Book 4 by Johnny Ryan. "Every second spent reading 'Prison Pit' is a joy. A violent, scatological, faecal matter, blood and pus smeared hoot.…There's something brilliantly subversive about 'Prison Pit'," chuckles Colgate.
• Review: The AV Club checks out some new releases like The Comics Journal 302, co-edited by Kristy Valenti and Mike Dean. Noel Murray states, "Business as usual for a publication that was treating the cultural significance of comics as a known fact decades before graphic novels were making the bestseller list."
• Review:The Quietus and Mat Colgate leaf through some of the January releases including 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. Colgate states, "Wojnarowicz was fearless about his artistry and aware that the mere facts of a life are barely a percent of the whole, preferring to reveal the truth through dreams, violent fantasy and allusion. 7 Miles a Second is a shocking book, but for all the right reasons."
• Review: Forbidden Planet's Daily Planet looks at some new releases from Fantagraphics like 7 Miles a Second by David Wojnarowicz, James Romberger and Marguerite Van Cook. Matthew Rosenbery states, "The stories serve as beautiful and brutal snapshots of a brilliant life lived too hard and extinguished too soon. It is not too much to say that we all owe a great cultural debt to Mr. Wojnarowicz and picking up this book and trying to understanding his life is a good first step toward understanding that debt."
• Review: Comics Bulletin looks at Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. Daniel Elkin finds it smirk-worthy: "Tales Designed to Thrizzle Volume Two has its place in the construct. It is 'silver and exact' like Sylvia Plath's Mirror and reflects the 'terrible fish' that has become our understandings of the world."
• Review: The Heart of Thomas by Moto Hagio gets the a full styling by Manga Bookshelf. Melinda Beasi writes "…teens and pre-teens who go to regular, modern public schools essentially live in their own society that is very much separate from the rest of the world, and it’s a society that is, frankly, terrifying…it views that kind of sacrifice as… well, ultimately pointless…Hagio makes it clear that running away is not the answer." Melinda continues on the book as a whole, "I also expected it to be very dated and I thought the story might not appeal to my tastes as a modern fan. Instead, I found it to be both beautiful and emotionally resonant to an extent I’ve rarely experienced—especially in [Boy's Love] manga. This is a book I’d wholeheartedly recommend to any comics fan, without reservation. It’s an absolute treasure."
• Review: The AV Club checks out some new releases like The Heart of Thomasby Moto Hagio. "with small cliffhangers at the end of each chapter to pull readers deeper into Hagio’s fantasyland. The intrigue deepens page by page (and this is a 500-page novel, mind), while Hagio develops her bracingly radical vision of a mini-society where homosexual attraction is so commonplace as to be the norm…" writes Noel Murray.
• Review:You'll Never Know Book Three: A Soldier's Heart by Carol Tyler gets a thorough and thoughtful review from Rob Clough on High-Low. "…this sounds a bit all over the map, that's because it is, but Tyler slowly pulls the strings of her narrative taut in some astonishing ways, especially in the third volume…It's a remarkable example of an artist being totally honest about their own feelings of grief and joy in a manner that provokes growth and fully embraces the relationship between the two."
• Review: Dylan Thomas of Minneapolis' Southwest Journal looks at Tom Kaczynski's Best Testing the Apocalypse. "Kaczynski uses science fiction as a microscope, poking at contemporary anxieties like blooming bacteria in a Petri dish. The genre provides the room he needs to examine the systems that shape our lives, whether they be architecture, urban design or capitalism."
• Review: Hillary Brown of Pasteenjoys the dark ride of Delphine by Richard Sala. "Sala’s rules; like testing gravity by dropping a penny from a building, the coin’s never going to fall up. Delphine is worth reading at least twice. Sala’s spell is strong."
• Review: SF Signal looks at Ralph Azham Volume 1: "Why Would You Lie to Someone You Love?" by Lewis Trondheim. "His humanoid animals, a staple of his work, place the story squarely into fantasy – along with the medieval-esque village and the magic – but the wry humor gives the story a modern feel" says Carrie Cuinn.
• Plug:Paste Magazine looks forward to the most anticipated books of 2013. These include Lost Cat by Jason. "The cranky Norwegian has seemed to soften a bit as he’s aged, and the description (detective searches for potential soulmate) goes along with that impression," write Hillary Brown. On Dash Shaw'sNew Schooland 3 New Stories. "In a few short years, Dash Shaw has proven himself a restless artist, committed to pushing what comics can do and what his own talents can accomplish… it’s nice to see him return with two works, no less."
• Plug: Publishers Weekly also released a list of the most anticipated books of 2013 which included Dash Shaw's New School. "The art disorients the reader and brings you right inside the troubled protagonists’ mind."
• Interview (video): Speaking of Dash, he recently spent a few days at Sundance for his Sigur Ros animated music video. A very short interview awaits you.
• Interview: Alexander Theroux is interviewed on Rain Taxi by Paul Maliszewski. Theroux, author of Estonia , The Strange Case of Edward Gorey , Laura Warholic and more states, "Revenge—I have written about this somewhere before—is the main subject of the modern novel, if it isn’t that of literature in general."
• Review:The Los Angeles Review of Books looks at Gary Panter's Dal Tokyo. Nicole Rudick writes "Panter’s medium is comics rather than architecture, but the effect of his work is the same: Dal Tokyo questions accepted notions of structure and meaning — taking them not as truth but as convention — and, taking Brecht’s advice, builds not 'on the good old days, but on the bad new ones.' "
• Review:The Weekly Crisis dissects the first panel of "Landscape!" a comic within Blazing Combat and how it contributed to the end of the series coinciding with the Vietnam War. Dan Hill states "At a time when an anti-war stance was tantamount to being a traitor to your country, it was also the beginning of comics beginning to tackle the uglier aspects of war, telling us exactly ‘how it is’. It showed us that comics could discuss and show issues more related to the real world than capes, tights and outlandish fantasy."
• Review:Paste Magazine looks at Linda Medley's Castle Waiting Vol. 1 (softcover). Sean Edgar writes, "Ultimately, Castle Waiting is an elegantly-written, uplifting take on European folklore supported by sterling art. As long as voices as talented and creative as Medley’s are around, stories like this will always be timeless."
• Interview: Robin McConnell of Inkstuds interviews Chris Wright for a second time, this time on his most recent graphic novel, Blacklung.
• Plug:The GLBT Roundtable's Rainbow Project lists best books for teens that encapsulate the GLBT-community issues. The Rainbow Project lists Shimura Takako's Wandering Son series as part of the Top Ten Books of 2012 as the characters "tackle problems such as gender identity, love, social acceptance, and puberty."
• Plug: The GLBT Roundtable also released a list of the best books for adults, Over the Rainbow, and the comics anthology No Straight Lines, edited by Justin Hall,was listed in the top ten.
• Interview: Tim O'Shea interviews Lilli Carré for Comic Book Resources on her process with Heads or Tails. "I went through all my stuff and arranged them not chronologically, but by how they each fed into each other… I don’t know if the dialogue I write or the way I draw is particularly well-crafted or not, but with both the art and dialogue I go with my gut and do what feels natural to me."
• Review: New York Journal of Books takes a turn around the room with The Complete Syndicated Pogo Vol 2 "Bona Fide Balderdash" by Walt Kelly. Mark Squirek writes, "Like the greatest of myths and fables, Pogo travels across time and ages. It is a world much like that of Aesop and trickster tales. It is a world capable of making a six year old smile with glee, a hipster smirk whether they want to or not, and a college professor laugh out loud… So graceful is his work with pencil and pen that you could loose yourself for hours in shear artistry of the panels he constructs."
• Plug:Westfield Blog suggests some books for you likeThe Complete Syndicated Pogo Vol 2 "Bona Fide Balderdash" by Walt Kelly."Walt Kelly’s art is a joy to look at and his dialogue and word play is just stunning. Pogo is a strip that you get more and more out of the more you read it," states Wayne Markley. And for Basil Wolverton's Spacehawk, "In the history of comics, there are very few, if any, that had such a unique style as Wolverton which, while as far away as you can get from classic illustrators like Raymond or Foster, it is every bit as good in its own unique way."
• Review: HeroesOnline looks at the latest Prince Valiant Vol. 6: 1947-1948. Andy writes "…the pace is fast, the action and intrigue are plenty and the violence is un-apologetically bloody. In addition, Foster was a stickler for historical accuracy in depicting everyday life in the 6th century."
• Review: Ryan Sands of Same Hat writes his 'belated' best of list which inludes Nancy Likes Christmas by Ernie Bushmiller and The End of the Fucking World by Charles Foresman.
• Plug: Tom Spurgeon announced the Peanuts Every Sunday book on Comics Reporter. More information tomorrow.
• Plug: Robot6 talks about Great but Forgotten anthologies. Fantagraphics' "Zero Zero ran for 27 issues, a longer run than most of the anthologies on this list received, but I don’t think it’s ever gotten its due as the truly great anthology of the ’90s." Chris Mautner continues with Blab, "I do think people have forgotten how cutting edge and exemplary an anthology Blab was, at least initially. For a while there it was running some seriously incredible work, like Al Columbia’s apocalyptic The Trumpets They Played, and the Jimmy Corrigan story that eventually became Acme Novelty #10, easily the most harrowing and darkest material Ware has produced to date." And finally Blood Orange, "Lasting a mere four issues, Blood Orange offered a mind-bending array of cutting-edge comics." WORRY NOT, we still have issues from someofthese.
This Thursday, Dr. Ana Merino will give the first lecture in spring series at the Ohio State University. "Comic Books and Latino Identities: The Power of Los Bros Hernandez" is the title of her talk on Thursday, January 31st at the Cartoon Room of the Ohio Union. Join this comics scholar, who has worked as an ICAF Executive Committe member, professor at Dartmouth College and the Center for Cartoon Studies and much more, from 4-5:30pm for her critical analysis of culture, identity and the printed page.
From the OSU press release: In the 1980s, Gilbert and Jaime Hernandez transformed the way most comic characters were developed by adding a crucial landscape of alternative identities and cultures to the white mainstrem American. Both Brothers projected aspects of their own experience growing up as Latinos in the USA with "Love and Rockets" They consolidated a rich and inspiring way to develop graphic fiction in their work, strong women, especially US Latina and Latin American characters, became the cornerstone of a new vision for comics. DIversity in every sense was added to the space of comics, bringing a much needed multiethnic vision.
Gilbert, Jaime and Mario Hernandez started something grand 30 years ago that Beto and Jaime still produce. Should Dr. Merino's talk spark an interest in a new reader, you know where to find us. Heck, we even made a handy dandy reading guide .
Oh, you know, just another masterpiece from one of the all-time greats. Our advance copies of Julio's Day by Gilbert Hernandez arrived late last week and we're still all abuzz with excitement. This magnificent graphic novel compresses the complexities of a century-long life into 100 pages, from birth to death (with a few sidetracks along the way). Collected from the pages of Love and Rockets but standing alone from Gilbert's post-Palomar continuity, it's the perfect introduction to the genius of Beto. This beautiful hardcover should be available in March. Stand by for more extensive previews; for now you can read a 9-page excerpt, and pre-order your copy, right here.