We're thrilled to present the Fantagraphics guide to the 2011 MoCCA Fest, happening this weekend Saturday, April 9th and Sunday, April 10th at the Lexington Avenue Armory in New York City! Print this out and use it as your shopping checklist and your weekend schedule!
First off, take a look at all the amazing new releases that we will be debuting at the show! Many of these books won't be in stores for several more months, and copies are limited, so make our table your first stop, or risk missing out!
Secondly, check out our jam-packed schedule of awesome authors who will be signing at the Fantagraphics table over the weekend. Not only will they be signing our books, but several of them will be bringing previews of works-in-progress!
another update: Tim Kreider will be joining us on Saturday afternoon at 2:30 pm before his panel at 4:30 pm!
All this and more awaits you at the Fantagraphics booth, located at #J1, J2, K1, K2.
And finally, get a gander at all these great panels! If you haven't already heard from The Daily Cross Hatch, they've added a second room this year, and they'll be doing more one-on-one conversations like the ones with Gahan Wilson and Peter Bagge listed below! You won't want to miss it!
Saturday, April 9th
11:30 am // Teaching Comics:Jessica Abel joins fellow panelists Bill Kartalopoulos and Tom Hart in a discussion from reading for content/visuals, to teaching how to “read” their visual rhetoric, to thinking about how to tell a story visually, what makes comics worth teaching? (Room A)
1:30 pm // Building a Book, From Start to Finish: Mark Newgarden moderates a panel with Stephen DeStefano (as well as Ben Katchor and Lauren Redniss), with an exploration of the blood, sweat, and tears that go into making a book. (Room A)
1:30 pm // Gahan Wilson: Playboy and Beyond: We explore the long, storied career of satirist Gahan Wilson. (Room B)
2:30 pm // Volunteer of the Year: Peter Kuper will present Al Jaffee with the Klein Award! (Room A)
2:30 pm // Dash Shaw and Brecht Evens in Conversation: Dash Shaw and Brecht Evens are among the most prodigious and prolific young artists working in comics today. Both began publishing ambitious work while still in school, and both have since gained notice for their lush, inventive, and thoughtful comics. (Room B)
4:30 pm // The State of Editorial Cartooning: Brian Heater presents a panel with Tim Kreider (along with Ruben Bolling and Ted Rall) on the trials and tribulations of creating political cartoons in 2011. (Room A)
5:30 pm // MoCCA Presents the Cross Hatch Carousel: Cartoonists and voice actors perform live comics readings, featuring our own Michael Kupperman and Ted Stearn, as well as Jeffrey Lewis, R. Sikoryak, Kate Beaton, Lisa Hanawalt, Julie Klausner, and more. (Room A)
Sunday, April 10th
12:30 pm // Almost True: Calvin Reid leads a discussion on where autobiography and fiction collide with Gabrielle Bell and Leslie Stein (and Joe Ollmann and Pascal Girard). (Room A)
1:30 pm // Peter Bagge: A History of Hate: Brian Heater spotlights Peter Bagge, in a one-on-one conversation with one of alternative comics’ most influential and enduring voices. (Room B)
1:30 pm // The Enterprising Will Eisner: Charles Brownstein leads a panel with Jules Feiffer, as well as Denis Kitchen and Paul Levitz. Come learn about who Will Eisner was as an entrepreneuring artist in a time when New York was the center of the commercial art universe, and how his art was shaped by that environment. (Room A)
3:30 pm // Ink Panthers Live: The popular podcast live, with special guests, like John Kerschbaum. (Room B)
Stéphane Blanquet (France) Ivan Brunetti (USA- Chicago) Lilli Carré (USA- Chicago) Max Clotfelter (USA- Seattle) Al Columbia (USA) Ludovic Debeurme (France) Olivier Deprez (France) Nikki DeSautelle (USA- Detroit) Brecht Evens (Belgium) Andy Gabrysiak (USA- Detroit) Robert Goodin (USA- Pasadena) Dav Guedin (France) Gnot Guedin (France) Glenn Head (USA- New York City) Danny Hellman (USA- New York City) Paul Hornschemeier (USA- Chicago) Ian Huebert (USA- San Francisco) Kaz (USA- Los Angeles) Michael Kupperman (USA- New York City) Mats!? (USA- Oakland, CA) Fanny Michaëlis (France) James Moore (USA- New York City) Tom Neely (USA- Los Angeles) Mark Newgarden (USA- New York City) Paul Nudd (USA- Chicago) Onsmith (USA- Chicago) Emelie Östergren (Sweden) Paul Paetzel (Germany) David Paleo (Argentina) Bruno Richard (France) Martin Rowson (United Kingdom) Olivier Schrauwen (Belgium) Stephen Schudlich (USA- Detroit) Robert Sikoryak (USA- New York City) Brecht Vandenbroucke (Belgium) Wouter Vanhaelemeesch (Belgium) Jon Vermilyea (USA- New York City)
And original essays by: -Jeet Heer (Canada), on S. Clay Wilson -Bob Levin (USA- Berkeley, CA), on The Adventures of Phoebe Zeit-Geist by Michael O’Donoghue and Frank Springer -Ken Parille (USA- Greenville, NC), on humor in the work of Steve Ditko -Ryan Standfest (USA- Detroit), on Al Feldstein and “sick” humor at E.C. + interview with Al Feldstein
And a text by: Roland Topor (France), 100 Good Reasons To Kill Myself Right Now, translated into English for the first time by Edward Gauvin
As work progresses on our first volume of Ernie Bushmiller's NANCY (yes, it's late, we admit it), collecting 1942 through 1945, we belatedly realize that our source for most of the strips is missing the first year. Oops. So we are sending out the plea to NANCY collectors: If you have clippings for 1942's NANCY daily strips, we would love to hear from you. (For that matter, as we are missing a handful of strips from 1943-1945, and some of the ones we do have are a little rough around the edges in terms of repro quality, if you have ANY NANCY tearsheets from this period...)
Contact editor Kim Thompson at
(and yes, we are in contact with the Ohio State Library, but even they have significant holes in their NANCY run) — and be sure to pass on this plea to anyone else you think might have contacts, message boards, what have you. NANCY fans unite!
If we can't get our hands on the elusive 1942 we'll probably just switch the first volume to 1943 through 1946 (we do have all of 1946) and get back to 1942 in the future when we've had more time to dig, dig, dig for source material.
In other NANCY news, the much-anticipated HOW TO READ NANCY by Paul Karasik and Mark Newgarden has unfortunately been delayed 'til next Summer or Fall, as Paul and Mark have been vastly expanding the contents with additional images, additional interviews, additional research, and additional fact-checking. This will be a completely mind-blowing book when it is finished, so we ask that eager fans adopt a Bushmiller-like serenity and it'll be there before you can say "three rocks."
• Review: "In Weathercraft, his first foray into graphic-novel territory, Seattle denizen Jim Woodring employs his repertory troupe of ambiguous, liminal characters — Frank, Manhog, Pupshaw, and Pushpaw — to tell the kind of Pilgrim's Progress tale that David Lynch might have conjured up if he were a cartoonist. ... Impermanence, the conundrum of physical senses that guide and ensnare at the same time, the challenge of a rational response to an irrational universe — all this and more await the returning fan or the open-minded acolyte in Woodring's best work yet. And for an artist of his caliber, that's saying something." – Damian Van Denburgh, Critical Mob
• Review: "Loaded with hipster irony, profanity and long digressive conversations, it’s a loving tribute to half-repudiated childhood pleasures. ... At times, Dungeon Quest captures the anything-goes wanderlust of Calvin & Hobbes — if Calvin’s fantasies were real, set in rundown Los Angeles neighborhoods and loaded with swearing." – Jason Thompson, The Comics Journal
• Review: "The relationship stuff all rings true, and when it gets weird at the end, it doesn’t seem random and arbitrary, and that’s a difficult trick to pull off. ... I found Werewolves [of Montpellier] to be a delightful read; no profound life lessons were learned, but Jason’s storytelling is first-rate and life lessons are overrated anyway." – Johnny Bacardi, Popdose
• Reviewer:On his blog, Jason reviews the film Léon Morin, prêtre
• Review: "Deep within the barroom psychosis, Lane looks into the abyss and thinks about spitting into it. The drive that leads to destruction can also be a powerful and satisfying personal experience. While each story in Abandoned Cars ties together in a thick knot of dread, the best story sees Lane go on a blatantly autobiographical adventure, and head out for an adventure by jumping on trains." – Bob Temuka, The Tearoom of Despair
More specifically, Paul Karasik and Mark Newgarden need help tracking down scans of tearsheets for several Nancy strips for inclusion in the forthcoming standalone expanded edition of How to Read Nancy:
NANCY 6/ 29/55 NANCY 8/8/59 DEBBIE (AKA LITTLE DEBBIE) by Cecil Jensen 6/ 27/ 55 FRITZI RITZ 12/31/30 Any examples of pre-1925 work by Bushmiller Any MAC THE MANAGER strips (1924)
And, of course, Nancy's first appearance : Fritzi Ritz 1/2/33
Mark Newgarden, co-author with Paul Karasik of our forthcoming edition of How to Read Nancy, has put out a call for assistance (which I have swiped wholesale from Comics Comics but jeez, we're publishing the book after all):
There are a small handful of specific images that we are still seeking quality scans of.
We are searching for hard copies (or high rez scans 350 dpi or higher) of the following:
FRITZI RITZ 1/2/33
NANCY 6/ 29/ 55
DEBBIE (AKA LITTLE DEBBIE) by Cecil Jensen 6/ 27/ 55
THE 1942 NANCY TERRYTOONS MOVIE POSTER
We are also looking for additional photographs of Ernie Bushmiller; preferably in his studio (and/or related memorabilia). Please let us know what you have in your vaults!
Of course all contributions will be fully acknowledged in the book and all lenders will receive a gratis copy—and a hearty handclasp!
Anyone who can be of assistance, please contact Mark at mark (at) laffpix (dot) com.
In the spirit of "show don't tell" (and making my workday ever more complicated), I've decided to break the "Things to see" category (comprising artwork and other visual goodies from the Fantagraphics roster of artists) from our Daily OCD posts out into their own posts, with images. Links will take you to original sources where full/larger images can be seen. These posts may not be daily depending on what's out there — for now they may be somewhat irregular until I figure out a good rhythm. Enough of my yammerin'...
• List:The Comics Journal's R.C. Harvey names Sam's Strip ("because its spoof of comic strip cartooning is a joy to behold and because it has been so long awaited") and Humbug ("because, like Sam’s Strip, we’ve waited so long for a reappearance and because of the exquisite care Fantagraphics took in making the copies of the magazine’s pages as exact as possible") as two of the Best Reprints of 2009
• Review: "...[T]he handful of short stories [in The Unclothed Man in the 35th Century A.D.] represent great leaps in, or at the very least previously unseen examples of, [Shaw's] innovative approach to comics coloring, as well as some inventive storytelling techniques." – Christopher Allen, Comic Book Galaxy
• Analysis: At PopMatters, Oliver Ho explores the resonances between Gipi's Wish You Were Here #2: They Found the Car and the classic noir film Out of the Past: "It’s as though the story is trying to invert noir’s cliches. For example, Gipi avoids flashbacks, where Out of the Past is built on them. In this respect, the comic feels like a distilled, even-harder-boiled noir story."
FUNNY (not funny) Recent Comic Art Exhibiting Signs of Black Humor Curated by Ryan Standfest
January 22 - February 26, 2010 Reception: Friday, January 22 6-9pm
The University of Michigan Work : Detroit Gallery 3663 Woodward / Suite 150 Detroit, MI 48230
Participating Artists: Ivan Brunetti Chris Cilla Sue Coe Lisa Hanawalt Glenn Head Tim Hensley Ian Huebert Ben Katchor Michael Kupperman Mats!? Daniel Maw Taylor McKimens Travis Millard Tom Neely Mark Newgarden David Paleo Jonathon Rosen David Sandlin Rob Sato Jon Vermilyea
The "FUNNY (not funny)" exhibition seeks to elicit uncomfortable laughter in the realm of black humor-a place where the serious and the taboo are fodder for comic provocation. Artists in numerous media have long sought to overturn convention and challenge what is funny with what is not as a means of producing humor out of the unlikeliest of situations. Work by the twenty artists on view in "FUNNY (not funny)" demonstrates that cartooning is keeping the tradition of black humor alive and flourishing. The very form of the comics page itself is as relevant a vehicle as ever, freed from so many of the commercial restrictions placed on other art forms, to effectively deliver potent images and narratives that carry with them a very immediate and accurate measure of the absurdity of our age.
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