• Review: "Rick Marschall and Warren Bernard’s Drawing Power is a provocative visual examination of the wonderful world of cartoon advertising.... Marschall and Bernard have mixed an unusual batch of artistic and economic history. After reading this book, you’ll never look at comic strips and capitalism the same way again." – Michael Taube, The Washington Post
• Review: "It's a little silly for me to do the full-disclosure tap dance... I'm quoted ten times in Kevin Avery's Paul Nelson biography-collection-tribute, Everything Is an Afterthought, and thanked prominently in the acknowledgments.... [The book is] better than you might figure.... With Nelson, the wild card was Avery, an unknown from Utah whose national track record starts here. But he's done inspired, diligent work. Constructed from a greater proportion of direct quotes than is normally deemed proper, the biography is doubly gripping as a result... And though the critical analyses that triggered this admiration shone less brightly than I'd hoped, the narrative writing I'd put less stock in compensated." – Robert Christgau, The Barnes & Noble Review
• Review: "Over the past decade, probably the single biggest frustration we've experienced here at The Copacetic Comics Company was the inability to offer customers the opportunity to experience the magic of Carl Barks in book form.... The influence on American culture of the Disney duck comic books Carl Barks wrote, penciled, inked and lettered for roughly a quarter century is incalculably large.... Carl Barks is one of the true titans of comic books, one of the very few who can hold their own with the likes of Jack Kirby, Will Eisner, Harvey Kurtzman and R. Crumb. His fluid cartooning and storytelling is simply unmatched.... Now, at last, ...his collected works will once again become available for North American readers... in what — based on the evidence of the first volume — is sure to be the most outstanding edition ever produced.... The Fantagraphics edition of The Carl Barks Library is ideal in almost every way and is sure to be the definitive edition of the works of this great comics master." – Bill Boichel (we presume), The Copacetic Comics Company
• Interview:Comics Bulletin's Jason Sacks sat down for a chat with Bill Schelly about chronicling the life and art of Joe Kubert: "Think of the effect he's had. It's like an amplifier. He's used amplification through all his students. His philosophy about good storytelling techniques, solid drawing fundamentals and all those things he's imbued in all those students who go out to every field of artistic endeavor and, in fact, internationally. So his effect is really international."
• Plugs: "Just in time for Christmas, Fantagraphics has published the first volumes of two archival comics series that promise to be amazing.... Carl Barks’s Donald Duck: Lost in the Andes — is a beautiful, 240-page, full-color collection... If you’ve got kids, it’s a terrific introduction to Barks’s DD mythos.... Walt Kelly’s Pogo was one of the great hilobrow comic strips of all time.... Go, Fantagraphics, go!" – HiLobrow
• Astrology: We totally almost missed that VICE talked to Dame Darcy about The Day of Elevens.
• Review: "Gottfredson is in much stronger form here [in Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island] than in the first volume, drawing upon the early Mickey cartoons for ideas — mad scientists, treasure hunts, mail pilots — but then expanding and developing them in a way those early Disney shorts were incapable of doing. Over time, Mickey’s personality becomes more refined as well; scrappier, tougher and more determined to seek justice (or an adventure) regardless of the odds. Again, part of the enjoyment for me with this series is the rich amount of historical material editors Gary Groth and David Gerstein are able to provide. From foreign material to biographies of various ancillary contributors, supplemental art, character histories and more, this series is rich with detail, both in the strip itself and in the editorial handling of the material, that puts other reprint projects to shame." – Chris Mautner, Robot 6
• Review: "What is good about Love and Rockets: New Stories [#1], however, is that it throws readers and fans a curve. Just what are Los Bros. going to do now? By going back to their early styles, in essence, they’ve allowed themselves a re-launch or at least a chance to throw many surprises at our expectations. Whatever they choose to do, it’ll still be the most interesting comics coming from America’s most literate, experimental, and adventurous comic book creators." – Leroy Douresseaux, I Reads You
• Plug: "In these days of precious art comics and highfalutin graphic novels, it’s often forgotten that comic strips evolved for one (now quaint) reason: to sell newspapers. Cartoonists were commercial artists, not auteurs. [In Drawing Power: A Compendium of Cartoon Advertising] you’ll find Peter Arno, the sophisticated New Yorker cartoonist, endorsing Rheingold Extra Dry Beer; Mickey Mouse and pals flogging just about everything under the sun except, maybe, mousetraps; and Krazy Kat selling Gulfsteel Nails. They are all Joe Camel’s ancestors." – Dana Jennings, The New York Times
• Interview: At Our Town Downtown, Cullen Gallagher, who says "...Everything Is an Afterthought: The Life and Writings of Paul Nelson [is] a deeply moving biography that captures not only Nelson’s tragedy, but also celebrates the ardor and artistry of his life and work," talks to the book's author/editor, Kevin Avery: "In the mid-to-late ’70s, rock music was still being discovered. There were no hard and fast rules, so in a way criticism was an act of discovery for these writers and they were just expressing what they liked. Paul was able to do that in a way that was not only personal, but also he would draw from film, books and his knowledge of folk music. You also got the feeling that he was a mysterious character. There would be hints dropped that there was an unhappy guy behind all these reviews. His writing was beautiful. This was music criticism that could be read as literature."
• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
• Review: "Popeye hawking newspapers? Donald Duck selling gasoline? You'll find them and a whole cavalcade of comic strip characters in Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard. In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"
• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)
• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club
• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club
• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report
• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club
• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You
• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel
• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library
• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "You must buy @DaveMcKean's NSFW book 'CELLULOID' at your local comics or book store. Or in a plain brown wrapper..." – Neil Gaiman
• Preview/Plug:Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."
• Interview:Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."
• Preview/Plug:Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."
"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"
• Plugs:Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)
• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED
• Interview:Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."
• Interview:The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."
• Interview:Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!
• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s
• Staff picks: Our own Ambassador of Awesome (and funniest Flogger) Janice Headley is the guest contributor to this week's Robot 6 "What Are You Reading?" column
• Review: "Popular culture historian Rick Marschall and biographer/researcher Warren Bernard have compiled here [in Drawing Power] a captivating potted history of the rise of the art of commercial cartooning in an increasingly advertising-aware America (…and make a strong argument that one could not have thrived without the other) whilst providing a glorious panoply of staggeringly evocative, nostalgic and enduring picture-poems which shaped the habits of a nation.... Stuffed with astounding images, fascinating lost ephemera and mouth-watering photos of toys and trinkets no fan could resist, this colossal collection is a beautiful piece of cartoon Americana that will delight and tantalise all who read it… and the best is yet to come." – Win Wiacek, Now Read This!
• Interview: Writer Peter Bebergal talks with Jim Woodring at his Too Much to Dream website: "It’s ridiculous to sit in meditation and try to stop thoughts from arising (chitta vritti narodaha) and then get up, sit at the drawing board and try to whip the mind up to think as wildly as possible. It’s downright crazy to try to subdue the ego for an hour and then inflame it for the working day and then try to subdue it again at the end of the day."
• List: At his High-Low blog Rob Clough posts his belated Top 50 Books of 2010 list, with Megan Kelso's Artichoke Tales at #1, 4 of our books in the top 5, 5 in the top 10, 8 in the top 20, and 14 overall in the top 50 — it's a long but worthwhile read
• Review: "Calling Congress of the Animals recommended reading is a bit misleading. It’s definitely recommended, but it doesn’t technically involve reading. The entire book doesn’t feature a single word bubble. The only words are on the book jacket. What this is is a story told entirely through pictures — delightful pictures at that.... This was really an entertaining book. It was visually different from anything I’ve ever seen in a comic, the story was unique, and some parts were laugh out loud funny..." – Corey Pung, Panel Discussions (via Americaware)
• Review: "...Skin Deep by Charles Burns... [is a] true masterpiece in which Burns returns to choose the mechanisms and the language of grade-B horror films, crime fiction, pulp, the aesthetics of the 50's and Robert Crumb's comics to make a harsh social criticism.... Stories in which Burns continues to explore the darkest corners of the human condition while keeping us on edge vignette to vignette." – Jesús Jiménez, Radio y Televisión Española (translated from Spanish)
• Review: "...[T]he adventures of a group of twenty-something New York residents, like Friends but with ethnic variation and far more realistic apartments, and, you know, actual problems. The characters of Beg the Question are surrounded by ugliness and idiocy in one of the most complicated cities in the world, yet they are decent human beings who support each other. It’s not supposed to be autobiographical, but you can tell that Fingerman has lived through many of the situations and knows the characters well." – Grant Buist, The Name of This Cartoon Is Brunswick
• Commentary: "So I just finished reading Fantagraphics’ The Complete Peanuts 1981-1982, and... the vast majority of this book was new to me, having not read previous reprintings of the strips from this period (as opposed to the near-memorization of the reprint books from the late ’70s and earlier). One of the great new features of this particular reprint series, aside from, y’know, the whole completeness of the strips reprints and all, is the index in each volume." – Mike Sterling, Mike Sterling's Progressive Ruin
• Plug: "Walt Kelly’s Pogo is one of the greatest comic strips I’ve ever read. It’s simply brilliant; quaint and sweet on the surface but deeper readings reveals layers of very smart political and social satire. And as you can clearly see, Walt Kelly’s artwork is magnificent.... Fantagraphics are presenting the entire strip, including the beautiful full colour Sunday strips for the very first time, in a series of 12 hardcover volumes that reprint approximately 2 years worth of material at a time. I guarantee that if you get Volume 1, you’ll be signing up for the remaining 11." – Richard Cowdry, The Forbidden Planet International Blog Log
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
248-page black & white 7.5" x 9.25" softcover • $18.99 ISBN: 978-1-60699-449-8
"Yes, I hear people say, Jaime Hernandez, I keep hearing about how great he is and everything, but there are like a million books, how do I know which are the good ones? Here's a tip: try this paperback. It includes, I believe, the contents of Ghost of Hoppers and The Education of Hopey Glass, both of which are stone cold incredible; not sure if it includes 'La Maggie La Loca' or not [Nope – Ed.], but for 19 bucks you are not going to go too wrong. (It's true that you'll be showing up for the Maggie-and-Hopey sequence of stories rather late. You'll pick it up in no time, though.)" – Douglas Wolk, Comics Alliance
"Splurgewise, I’m unsure whether I’ve actually read the stories in the Esperanza collection of Jaime Hernandez’ Love & Rockets stories (Fantagraphics, $18.99) – I tend to lose track of the material between the first L&R run and the new one, for some reason – but if I haven’t, then that, for sure." – Graeme McMillan, Robot 6
"Two of Jaime's most popular Love & Rockets characters find themselves, as so many of us do these days, somewhat older, slightly more settled and still wrestling with personal demons." – Benn Ray (Atomic Books), Largehearted Boy
"...of course any Hernandez release deserves a mention, this time out Jaime Hernandez gets the spotlight as Esperanza (Fantagraphics) reprints material after the Penny Century collection." – Dave's Comics
216-page duotone 5.75" x 7.75" softcover • $19.99 ISBN: 978-1-56097-959-3
"...[I]f it’s softcore smut you’re looking for, there’s the Pin-Up Art of Humorama, which features gag cartoons by folks like Dave Berg and Brad 'Marmaduke' Anderson about buxom secretaries being chased around their desks by portly, lustful employers and whatnot." – Chris Mautner, Robot 6
128-page full-color 9.5" x 13" softcover • $28.99 ISBN: 978-1-60699-399-6
"This is the kind of book that people are going to be saying 'oh cool!' about when they discover it on your bookshelf a couple of decades from now: a collection of pre-1940 ads (compiled by Rick Marschall and Warren Bernard) that incorporated cartoons, and particularly cartoons by significant cartoonists. Did you know that Noel Sickles and Milton Caniff collaborated on a series of 'Mr. Coffee-Nerves' strips advertising Postum? Or that Dr. Seuss drew ads for insecticide?" – Douglas Wolk, Comics Alliance
"...[M]y love of all things retro is going to lead me to Drawing Power: A Compendium of Cartoon Advertising from Fantagraphics..." – Brigid Alverson, Robot 6
"An informative historical look at the cartoonists and characters that have been used, and how they've been used, for advertising and the products they advertised." – Benn Ray (Atomic Books), Largehearted Boy
640-page black & white/color 6.75" x 8.5" softcover • $30.00 ISBN: 978-1-60699-291-3
"I’ve already got a copy, but let me recommend plunking down your entire $30 on the 301st issue of The Comics Journal. This brick of a … magazine? book? journal? features some great essays and interviews, most notably Tim Kreider’s lengthy analysis of Cerebus, and an extensive roundtable on R. Crumb’s Book of Genesis, including a thoughtful interview with Crumb hisself." – Chris Mautner, Robot 6
"After a year of publishing material on their website, The Comics Journal #301 (Fantagraphics) weighs in at an enormous 600+ pages with discussions of Robert Crumb's Book of Genesis, Jim Woodring's sketches, Al Jaffee and Michael Kupperman in dialogue and you're barely half way through." – Dave's Comics
"CONFLICT OF INTEREST RESERVOIR: Well, it’s been a few weeks now since it hit some East Coast stores, but Diamond is now announcing the imminent and full arrival of the very essence of the Conflict of Interest Reservoir, The Comics Journal #301, now at 640 pages and featuring chats with Robert Crumb and Joe Sacco, Al Jaffee & Michael Kupperman in conversation, perspectives on Cerebus and The Book of Genesis Illustrated by R. Crumb, and multifarious species of collegiate smart-arsery AS YOU LIKE IT; $30.00. Also be on the lookout for Esperanza, another thick Love and Rockets collection taking the Jaime material up to the start of the present (vol. 3) series; $18.99. Alex Chun has his latest girlie cartooning showcase, The Pin-Up Art of Humorama, promising spicy drawings by Marmaduke creator Brad Anderson, among other suspects; $19.99. And Rick Marschall & Warren Bernard present Drawing Power: A Compendium of Cartoon Advertising 1870s-1940s, archiving Mr. Coffee Nerves and other early comics-based adverts for generations to come; $28.99."
• Review: "...[T]he cartoons in Willie & Joe: Back Home capture Mauldin at a low ebb personally, and ferociously inspired professionally.... The material in Back Home is bitter but witty, and remarkable for its courage. Given the platform of a major syndicate, Mauldin used his moral authority — as a firsthand observer of atrocity, venality, and want — to try and make his complacent countrymen feel a little shame. Where his wartime cartoons had said, 'I am one of you' to grunts in the trenches, his post-war work said, 'What the hell happened to you?' to the people who stayed home. At the time, the public rejected Mauldin’s lectures. Today they’re a blistering reminder that life after WWII wasn’t all suburban bliss and baby boom." – Noel Murray, The A.V. Club
• Review: "Told with humor and a great depth of sensitivity, these comics offer a human lens to an epic more often expressed in grandiose terms. Over the past couple of years Fantagraphics has amazed me consistently with its archival releases of seminal cartoonists' work, and Willie and Joe: The WWII Years is yet another fine example." – David Gutowski, Largehearted Boy
• Review: "Toth brought clarity and drama to the page — the equivalent of a top Hollywood director elevating rote material through elegant framing and camera moves.... Nearly every drawing in this book is purposeful and exciting, and they flow together to tell stories so clearly that the words are often superfluous. Setting the Standard is a treasure trove..." – Noel Murray, The A.V. Club
• Review: "...Jacques Tardi is certainly in Toth’s league when it comes to rendering seamy genre fare with real artistry. Like a Sniper Lining Up His Shot ... is a wonderfully wicked piece of work, tracking a hitman as he tries to sever all ties with his past and retire with his childhood sweetheart. The story’s a familiar one... but Manchette’s approach is especially violent and gory, with a tough twist ending. And Tardi picks up on the sadness underlying the brutality, sketching a black-and-white world where the choice to go to the dark side is irrevocable, no matter how hard characters work to wrest control of their fates." – Noel Murray, The A.V. Club
• Review: "...Belgian artist Olivier Schrauwen does a fine job of approximating the high weirdness of early-20th-century newspaper comics in The Man Who Grew His Beard, a collection of seven deeply strange short stories.... Schrauwen mixes ink and paint in ways that blur the distinctions between comics and fine art, and he brings back certain themes — instruction and erotica, primarily — that suggest how men try and fail to place parameters on the primal. But The Man Who Grew His Beard isn’t meant to be 'understood' so much as it is to be entered and experienced, in all its wildness." – Noel Murray, The A.V. Club
• Review: "Kevin Huizenga’s Ganges #4 continues the artist’s increasingly masterful hybrid of direct storytelling and experimental abstraction.... The story suits Huizenga’s style, since he can document both the familiar minutiae of daily life and the sense of unreality that takes hold whenever someone is up half the night. Huizenga works in visual motifs of endlessly branching possibilities and spiraling shapes, showing how becoming 'lost in thought' can be terrifying. In short: This is another terrific installment of a series that’s fast becoming a classic." – Noel Murray, The A.V. Club
• Review: "Mr. Twee Deedle, Raggedy Ann’s Sprightly Cousin: The Forgotten Fantasy Masterpieces of Johnny Gruelle... collects the strip that illustrator Gruelle created to fill the void left by Little Nemo when Winsor McKay departed The New York Herald. Though not as imaginative as McKay, Gruelle’s Mr. Twee Deedle was every bit as colorful and lavishly rendered, telling gentle fairy stories that explore a rich fantasy world existing in tandem with our own, like children having elaborate playtimes mere feet away from their parents’ more prosaic lives." – Noel Murray, The A.V. Club (NOTE: This review was based on samples of the strip provided to the reviewer; the book itself is incomplete and still in production.)
• Review: "...Drawing Power... brings together an eclectic set of examples of comics being used to sell products. The pages are fun to look at — from Mickey Mouse pitching Post Toasties to Dr. Seuss illustrating ads for Esso Marine Products — but the topic is a little too large for a 120-page book, especially one so loosely organized. Then again, maybe that’s the point: to create a reading experience as chaotic and laced with odd beauty as cartooning itself." – Noel Murray, The A.V. Club
• Review: "I have long admired Woodring’s brilliant, hallucinatory, and bizarre Frank comics. But his work has taken a leap forward with last year’s Weathercraft and this year’s Congress of the Animals. The Frank world is one the reader benefits by being immersed in. What might seem a bit incomprehensible in a short strip blossoms into a dark Dionysian dream in these two graphic novels.... If I keep mention them together, it is because I believe they beg to be read together. They show different but complimentary sides of Woodring’s vision. And also because these two books combine to form, I believe, one of the greatest achievements in recent comics. If you are a fan of the strange, the uncanny, the bizarre, the hallucinatory, and the fantastic, I can’t recommend them enough." – Lincoln Michel, The Faster Times
• Review: For Magnet, Marc Bianchi of the band Her Space Holiday (they're good!) pens an appreciation of Charles M. Schulz's Peanuts, adding "A good place to rediscover the Peanuts is through the retrospective that Fantagraphics started releasing in 2004. They are complete and total masterpieces, from the elegant layouts provided by famed comic-book artist Seth to the wonderful guest introductions each volume has... If you are ever in a shop that carries these books, I highly suggest thumbing through one of them. Especially the earliest works (1950-1952 or 1953-1954). You are guaranteed to find something that in one panel can tear your heart apart and, in the next, put it back together again."
• Review: "To say that Wandering Son isn't a manga for everyone is perhaps stating the obvious, but despite the potential to make light of its cross-dressing, coming of age tale it proves itself to be an impressively subtle and considered take on growing up within this opening volume. ...[G]ive it time and you'll find an impressive, character-driven series beneath its simplistic surface that will both charm and fascinate you, leaving you rooting for its characters and wanting to follow them through to (you hope) eventual happiness." – Andy Hanley, UK Anime Network
• Review: "Supermen!: The First Wave of Comic Book Heroes, 1936-1941 promises to fill gaps in 'the origins and early development of superheroes and the comic book form.' Editor Greg Sadwoski has assembled an eye-catching collection of stories, magazine covers, and house ads showing unfamiliar faces from the first years of American adventures comics. ...Supermen! is most interesting for what didn’t lead anywhere.... Seeing what didn’t work or become the norm can be as illuminating as seeing what did." – J.L. Bell, Oz and Ends (via Robot 6)
• Plug: "...[D]espite his undeniable gift for crafting elegant and vibrant storytelling that transcends all genres, sadly there has never before been a comprehensive, affordably priced reprinting of Carl Barks' Disney work…until now. Fantagraphics Books recently announced that it will begin reprinting the entire catalog of the master’s Disney material, beginning with the release of Walt Disney’s Donald Duck: 'Lost in the Andes' by Carl Barks in October, 2011." – Bill Baker, The Morton Report
• Interview (Audio): The hosts of Comics Alliance's "War Rocket Ajax" podcast talk to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010, crafting his brand of humor and sundry other topics (such as bleu cheese): "It's about things taking the turn that you don't expect, the ball taking the bounce you don't expect. That for me is an example of trying to make the sentence end up in a place that's different from where it started."
• Tribute: At The Comics Journal, Kim Thompson's obituary of Francisco Solano López: "Argentina’s Francisco Solano López was a titan of South American comics, on a level with the great Alberto Breccia, the temporary honorary Argentinean (during the 1950s) Hugo Pratt, and the hugely influential writer Hector Oesterheld (who collaborated with all three)." (Excerpt courtesy TCJ's Tim Hodler)
The history of the genre known as Cartoon Advertising is addressed for the first time in the oversized, full-color, 128-page, fully illustrated book Drawing Power. “There are many obscure masterpieces to be found lingering at the intersection of American Commerce and Comic Art,” says co-editor Rick Marschall. Drawing Power covers the years from the Gilded Age and the pioneer illustrated magazines of the 1870s to the 1940s, just before American entry into World War II.
This landmark volume features the work of iconic cartoonists doing work that mostly has been lost to history, by the nature of its in-the-moment splashes. There are examples by Thomas Nast, Joseph Keppler, F Opper, Bud Fisher, George Herriman, John Held, Jr., Charles Dana Gibson, Percy Crosby, Peter Arno, Gluyas Williams, Milton Caniff and over 60 other cartoonists. Generous portfolios are devoted to the substantial work in the genre by R F Outcault, Dr Seuss, cartoon sheet music, and more.
Many famous products and many famous campaigns and slogans – but also forgotten gadgets and outrageous claims – are found in Drawing Power. Dr Scott’s Electric Cigarettes from the 1880s… Yellow Kid cigars… the Campbell Soup Kids… Rose O’Neill’s Jello-O ads… Snap, Crackle, and Pop… Little Orphan Annie’s Ovaltine… Mr Coffee Nerves… they are all here! Other “pitchmen” include Popeye, Mickey Mouse, Barney Google, Walt & Skeezix, and more!
But Drawing Power is not just a fascinating stroll down memory lane. It is a serious look at a significant category of American culture… one that has not been anthologized nor analyzed until now. Drawing Power: A Compendium of Cartoon Advertising is guaranteed not to shrink, even after repeated washings. Smooth, satisfying, easy on the throat. No longer will your friends notice your dishpan hands, once you have read Drawing Power! Buy two today!
• Review: "...[F]eisty art-comics publisher Fantagraphics, for its new multivolume hardcover series devoted to Gottfredson’s rarely seen comic-strip work [Walt Disney's Mickey Mouse ], has gone back to the beginning, lavishing upon the cartoonist’s marvelously fluid, thrillingly kinetic serial adventures the same loving attention the company has brought to its benchmark Complete Peanuts library. Given that Fantagraphics is an adult-oriented press, production and restoration values are superlative, as are the more than 60 pages of historical essays and archival features that accompany these peerless black-and-white strips.... Anyone who ventures into this gorgeous 288-page tome will come away with a fresh appreciation for just what made Mickey an all-American comic-strip hero." – Steve Smith, Time Out New York
• Review: "Fantagraphics fucking whip ass at knowing what a beautiful book is.... The Mickey Mouse in this collection is a dynamic teenager with a whole lot of strong feelings, and it's both awesome and foreign to see him get mad or feel suicidal.... Fantagraphics are masters at collecting and presenting old comics.... This volume not only presents comics that you probably haven't seen before, but it places them in the proper context with about eight[y] pages of supplementary writing, images, and in-depth explanations that could merit their own little volume." – Nick Gazin, Vice
• Interview: Gazin follows up his Vice review of Walt Disney's Mickey Mouse Vol. 1 with a brief chat with series co-editor David Gerstein: "Floyd's greatest achievement... was his portrayal of Mickey himself. Instead of seeing the Mouse as a kind of dull, smiley-faced everyman — the way a lot of people seem to envision him — Floyd portrayed Mickey as what he called 'a mouse against the world.' He was a stubbornly optimistic, imperfect but determined youth trying to prove himself in a competitive, scary, adventurous place. Floyd gave Mickey length and depth."
• Review: "It’s often argued that the key element to any successful manga is a relatable protagonist. Shimura has crafted hers so meticulously and is revealing their natures so carefully that it’s virtually impossible not to be deeply invested in them. In part, it’s the actual portrayal in this volume [of Wandering Son], but it’s also the tremendous potential they have. I want to see them age and mature, struggle and succeed, and find their ways to lives that give them happiness and peace. I don’t think there’s any more a reasonable person could ask of a story like this." – David Welsh, The Manga Curmudgeon
• Review: "...[Wandering Son] is an elegantly-crafted, character-driven story that lets us into its characters’ private worlds with both candor and delicacy. We are brought into their lives completely, and though we’re privy to their some of their most private thoughts and fears, there is never a sense that we’re observing them as 'subjects' or invading their privacy—something I often feel when experiencing 'issue'-focused fiction." – Melinda Beasi, Manga Bookshelf
• Review: "[Mattotti's] enigmatic, brooding scenes [in The Raven] harness the terror and beauty of the texts which span three centuries. They're uncompromising — and that's a quality that has always been applicable to the force that is Lou Reed." – Dean Mayo Davies, AnOther
• Review: "Drawing Power: A Compendium of Cartoon Advertising... is 124 pages of some of the best advertisements from the 1870s to the 1940s. Starring both cartoonists and cartoon characters, the book surveys an immense collection of cartoon advertising, focusing on the commercial roots of the comic strip and the fantastic artwork that came from cartoonists' freelance work in advertising. There are surprising and also familiar examples of products, ad campaigns, widely known catch-phrases, and cartoon figures.... Lovers of vintage advertisements and classic cartoons, you're in for a walk down memory lane..." – Nicole Torres, Print
• Review: "Love from the Shadows is somewhat inappropriately titled, as it sounds like a romance, but is really a sci-fi sex mash-up, with a big dash of David Lynch-ian 'what the fuck just happened here?' It’s definitely no chick flick, despite its strong female lead." – Rod Lott, Bookgasm
• Review: "Congress of the Animals... [is] Woodring’s second book-length Frank story. Not so overtly horrific as last year’s Weathercraft, but somehow more unsettling to me. Perhaps I’m just traumatized by the destruction of Frank’s house. Fantastic wordless storytelling, as always." – M. Ace, Irregular Orbit
• Plug: "You may think of Flannery O’Connor as a writer of the sorts of books that are all words, but in her younger days she yearned to be a cartoonist—and she wasn’t half bad. Fantagraphics will publish Flannery O’Connor: The Cartoons in December..." – Brigid Alverson, Robot 6
• Plug: "Finally got my hands on Jim Woodring’s Congress of the Animals hardcover... and it’s just as beautifully-dreamlike and nightmarish as much of Woodring’s work." – Mike Sterling, Progressive Ruin
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