#10: A Drunken Dream and Other Stories by Moto Hagio: "Ten spooky, perceptive stories of girls and ghosts in trouble from one of the masters of shojo manga, who has her work translated into English for the first time."
#5: Set to Sea by Drew Weing: "He may look like a big lug, but he’s got dreams of the ocean and the heart of a poet. The hero of Weing’s salty debut sails off to adventure in this pocket-size sea-shanty of a graphic novel."
#1: Wally Gropius by Tim Hensley: "A candy-colored absurdist comedy about a teen so wealthy he barfs $100 bills, this ridiculously enjoyable book reads like Richie Rich on LSD."
• List:NPR's Glen Weldon names Cathy Malkasian's Temperance one of "The Year's Most Transporting Books": "Amnesia also plays a role in Cathy Malkasian's huge, haunting — and hauntingly beautiful — graphic novel Temperance. [...] Malkasian's plot is loose and elliptical, and she pokes at many of the same salty psychological truths that made the Brothers Grimm so grim; lies, guilt and violence buffet her characters about like gale-force winds. You won't know where the story's going, but Malkasian's pages are gorgeous, sweetly melancholic things, and you'll enjoy the trip."
• Review: "...[One of the] Books of the Year... An expansive allegorical fable, ...Temperance speaks to our times with prophetic pointedness. [...] A uniquely imaginative book, Temperance is an example of how a sepia-toned pencil can sing." – Neel Mukherjee, The Times
• List: At Attentiondeficitdisorderly, Sean T. Collins names Prison Pit Book 2 by Johnny Ryan one of his Comics of the Year of the Day, saying "take how you felt during the baseball-bat scene in Casino, then make a book out of it."
• List: British cartoonist Matt Brooker offers up his Best of the Year at the Forbidden Planet International Blog Log, including 2009's You Are There by Jacques Tardi & Jean-Claude Forest: "Alongside Mœbius’ The Airtight Garage of Jerry Cornelius, this is the defining classic of 1970’s Bande Dessinee, but unlike The Airtight Garage you really need to be able to read the dialogue to make it worth owning… this first English translation has been much too long coming, so I was delighted to be able to read You Are There at last. It was originally conceived as a screenplay, and reads like one of those particularly mad Sixties films (like Peter Sellers’ Casino Royale or The Magic Christian) of which I’m so unreasonably fond."
• Review: "The always-superb Jason too has a book out this year: Werewolves of Montpellier. Droll, laconic as always, dry as drought, and hilarious and sympathetic in equal measures... A mad, lovely and bright book." – Neel Mukherjee, The Times
• Review: "While we’re on the subject of Jason, it wouldn’t do to leave out a mention of Almost Silent, a deluxe collection of four of his earlier books... The book is worth searching out for [You Can’t Get There From Here] alone. It’s the longest story in the book and is a retelling of the Frankenstein story as a love triangle without words, set off by a Greek chorus-type duet between two hunchbacks." – Neel Mukherjee, The Times
• Review: "Destroy All Movies is a product of the tireless DIY work ethic: It is one of the most painstaking books ever written on punk rock. As such, it stands in the rarified league of Banned in DC, Fucked Up & Photocopied, and the long out-of-print masterpiece Loud 3D. Carlson and Connolly have managed to make a volume with both intellectual relevance and deep entertainment value. And if you don't have time to actually read through all 1,000 entries, it's still a blast just to look at." – Sam McPheeters, Bookforum
• Plug: On the Matablog, Matador Records co-founder Gerard Cosloy says "If I celebrated Xmas and/or hadn’t already purchased a copy, I’d be asking Satan Santa for the newly published Destroy All Movies!!!..." and calls it an "amazing tome" (link via our own Janice Headley)
• Plug: "This book is out of control. [...] The research that went into [Destroy All Movies!!!] is unfathomable. They even tracked down every instance of a punk in a made-for-TV movie. The mind boggles. And then the mind puts on a Crass album and head butts some prep in the face." – Kyle Olson, The Hipster Book Club "2010 Holiday Gift Guide"
• Review: "Castle Waiting’s a pleasant, upbeat series, a great way to spend a quiet afternoon. If you’re looking for high adventure and action, it’s not here. This series is exploring the quiet places and the emotional beats that exist just beyond the screaming and bloodshed, and it’s doing so with style and wit. Castle Waiting comes highly recommended." – Michael C. Lorah, Newsarama
• Review: "EC was not the only company putting out good horror comics in the 1950s. Fantagraphics’ Four Color Fear: Forgotten Horror Comics of the 1950s shines the spotlight on some of the other comic publishers who were putting out great horror comics back then. [...] As great as the stories are perhaps the best feature is the 20 page note section that provides details behind each of the 40 stories in the book with fantastic anecdotes. There is also an index to all the companies publishing horror comics with a listing of titles and issue numbers making this a fantastic resource. Grade A+" – Tim Janson, Mania
• Review: "Since continuity usually plays second fiddle to the avalanche of inventive ideas, the strips can be read in almost any order and the debauched drunkenness, manic ultra-violence in the manner of the best Tom & Jerry or Itchy & Scratchy cartoons, acerbic view of sexuality and deep core of existentialist angst (like Sartre ghostwriting The Office or perhaps The Simpsons) still finds a welcome with Slackers, Laggards, the un-Christian and all those scurrilous, lost Generations after X. [...] If you’re the kind of fan who thrives on gorge-rousing gags and mind-bending rumination this is a fantastic and rewarding strip, one of the most constantly creative and entertaining on the market today and this latest collection [Little Maakies on the Prairie] is one of the very best yet. If you’re not a fan of Maakies this is the ideal chance to become one and if you’re already converted it’s the perfect gift for someone what ain’t…" – Win Wiaceck, Now Read This!
• Review: "This series is a non-stop rollercoaster of action and romance, blending realistic fantasy with sardonic wit and broad humour with unbelievably stirring violence, all rendered in an incomprehensibly lovely panorama of glowing art. Beautiful, captivating and utterly awe-inspiring Prince Valiant is a World Classic of storytelling, and this magnificent deluxe [Volume 2] is something no fan can afford to be without. If you have never experienced the majesty and grandeur of the strip this astounding and enchanting premium collection is the best way possible to start and will be your gateway to a life-changing world of wonder and imagination." – Win Wiacek, Now Read This!
• Review: "One could easily spend hours thinking of the hard concepts Kelso brings into the book without ever hitting the reader over the head with any of them. It's a sign of her storytelling ability that we get all of this without it ever feeling like she's preaching to me. [...] Artichoke Tales, at its heart, is about how complex the world is, with no one quite able to figure things out. ...I thought this was a well-crafted book that shows the human side of a conflict. It's a sad tale, but one worth reading." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Chris Mautner has a very informative chat with our own Kim Thompson about our new line of all-ages Eurocomics books: "Well, to be honest, I’m not sure how many kids will actually be reading this. It’s hard to get kids interested in comics, and foreign comics are even tougher. I’d welcome kids reading it but I’m assuming 98% of the audience will be grown-ups who dig this particular material. That said, I’m always a little baffled by how sensitive grown-ups are about kids’ material."
• Interview: At AfterEllen, Ariel Schrag talks to Gabrielle Bell: "I definitely prefer reading fiction to reading comics, except for a very small percentage of comics. And when I was a teenager I wanted to be a fiction writer. I’m much more interested in films, too. I feel like I’m more interested in the potential of comics, rather than what they’ve already accomplished, whereas with films and novels I’m interested in what they’ve already accomplished."
• KEXP's Chris Estey names 3 of our books among the Most Rocking Comix 2010:
"King of the Flies: 2. The Origin of the World... is the second volume in a three-book series on the creepy doings of a Twin Peaks-like small city seriously doped and boozed, thrashed by random violence and impulsive sexuality, the old deforming the desires of the young, and unfulfilled ghosts melt through everyday lives. [...] It is a multi-leveled, wide expanse of delicate things falling apart and souls keeping it together somehow, full of... sexy, damaged, freaky people. That you somehow care deeply for, even if they can’t help but hurt themselves, stalk each other, and screw with the universe itself."
"Illustrative Ibogaine, Woodring’s own cartoon-streamlined use of false world-obliviating imagery makes God’s invention of time seem like a quaint abstraction. [Weathercraft] is as necessary as Genesis by Robert Crumb, the Psychedelic Sounds of the 13th Floor Elevators, Philip K. Dick’s UBIK, The Art of War by Sun Tzu, and 2001: A Space Odyssey."
"A fantastical study in a Civil War, this exquisite graphic novel [Artichoke Tales] shows how wide-spread political conflict tears at the very fibers of our families and ourselves, the loops of antagonism between loyalties cursing generation after generation. Like the very best indie pop/rock (Bright Eyes, the National), its mastery is in seeming transcendent but revealing immense pain beneath every battle and rejection."
• Review: "It isn’t often that a reference book succeeds at being as entertaining as it is informative, but Destroy All Movies juggles both with masterful ease. The lengths they’ve gone to in order to identify any and all reference to punks or punk rock culture in film is staggering and makes the book the end-all-be-all of its esoteric subject matter. Even if you feel at arms length with the source material, I can assure you there is no shortage of insight and laughter to be gleaned from this glorious time capsule of sociological film knowledge." – Brian Salisbury, Hollywood.com
• Review: "By the time the narrative concludes (sadly in some respects, asking the big questions – ‘why do people leave?’ – thereby combining the lightness and comedy we’ve come to expect with that gradually darkening thoughtfulness that has been apparent even from the days of Sssshh! and Hey, Wait...) all you want to do is flick back to the start and start over again. So you do. [...] All told, Werewolves of Montpellier is easily as good as everything else Jason has produced. [...] You should check out Werewolves of Montpellier. In fact you should hastily work your way through Jason’s back catalogue... Consider it medicine for your soul." – Peter Wild, Bookmunch
• Review: "The suite of stories Gilbert Hernandez contributed to the relaunched, graphic-novel-format Love and Rockets: New Stories might be his most complex work yet. [...] It was only in reading Beto’s stories in all three volumes that the Chinese puzzle-box intricacy of what he’s doing here revealed itself to me. [...] All told, you could wrap these stories up between two covers and come up with a book of absolutely crushing intelligence, emotional heft, and visual power — a book among the best of Gilbert’s career." – Sean T. Collins, Attentiondeficitdisorderly
• Plug: "Seattle-based, world-slobbered, excellent comics and dazzling-arts publisher Fantagraphics is really going all out for their 4th Anniversary Party this Saturday, December 11, 2010. It will be thrown at their awesome store in Georgetown, and promises 'the season’s most festive party featuring amazing music, comix, art, and more!'" – Chris Estey, Three Imaginary Girls
• Plug: "The cartoonist and illustrator Rand Holmes, who died at Lasqueti Island eight years ago, created hippie hero Harold Hedd, one of the more memorable fictional characters of the 1960s. Among the cognoscenti, Mr. Holmes is a peer of R. (Mr. Natural) Crumb and Gilbert (Fabulous Furry Freak Brothers) Shelton. A 328-page retrospective [The Artist Himself] was released this summer by Fantagraphics Books." – Tom Hawthorn, The Globe and Mail
• Review: "[The Littlest Pirate King]'s an engrossing story which is marred somewhat by another of those inconclusive endings which please some but only irritate me. The story's not really the show here anyway, though there is a lot of intellectual grist to mill in it — the quest to know and understand the whims and whys and wherefores of the divine being but one example. B's art is really something to see here; while cartoonish in a superficial sense, he displays a masterful command of composition and visual whimsy and many pages and panels adopt an expressionistic, almost Escher-like, complexity which thankfully does not hinder reading comprehension but rather enhances and illuminates, like all 'good' art should do. While I do wish it had a more definitive conclusion, this is still a visual treat and well worth checking out." – Johnny Bacardi, Popdose
• Review: "Tyler’s portrait of her family [in You'll Never Know, Book 2: Collateral Damage] is at once warm and unsparing; they have awful moments — drinking, bitterness, just plain cussedness (on everyone’s part — there are no saints here), but they also have the in-jokes and little celebrations that are such an important part of happy family life. She has a good ear for the way daughters talk about their mothers and the goofy humor of her parents’ generation — humor that even in real life, sometimes struck me as papering over something painful. Tyler shifts styles and points of view often, telling old and more recent stories in parallel, focusing on different family members, and changing her drawing and paneling styles to fit the topic." – Brigid Alverson, Robot 6
• Interview: At Bookslut, Sean P. Carroll, who writes "What Is All This?: Uncollected Stories... offers a fascinating perspective on [Dixon's] long dialogue with the short form. ...Dixon’s unmistakable style and experimentalism draws not only on his familiar New York City locale, but also includes unexpected digressions that offer ample evidence why he is one of our foremost practitioners of fiction. It is a masterful tome that exemplifies Dixon’s ability to transform the vagaries of the everyday into a lasting work of art," questions Dixon about the book: "Why did I rewrite all 62 stories? Originally there were about 80. I threw out about 20 of the stories of mine never in book form as not being worth republishing in book form. The 62 I did rewrite or finish, I thought worthy of book form, and I just wanted to either complete them as stories (the incomplete ones) or improve on the ones that had been in magazines."
• Plug: "Jason is still one of the comics medium’s leading artists, with a fantastic knack for visual storytelling before words. Continuing in the hardcover tradition of Almost Silent, What I Did collects three Jason favorites – 'Hey, Wait…' 'Sshhhh!' and 'The Iron Wagon' – into one elegantly bound book that will match perfectly on the shelf with the other omnibus-style compilations Fantagraphics has released for Jason." – Pads & Panels
As you hopefully know, many of our books are available with exclusive signed bookplates as a free bonus when you order direct from us — there's a whole great big list here, and we're currently adding and replenishing plates for many titles, including (in no particular order):
This is just the tip of the iceberg — we have dozens and dozens more titles with signed bookplates, and more are arriving every week. You can't get these plates anywhere else, and they're all available at no extra charge — but supplies are super limited and can run out without notice, so don't hesitate to get your order in!
Since opening in December 2006, Fantagraphics Bookstore & Gallery has become a treasured civic asset. In addition to feeding Northwest residents' insatiable appetite for challenging contemporary culture, the space has attracted visitors from across the country and around the world. Saturday, December 11 marks the bookstore's 4th anniversary, and to celebrate the occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano 21 imprint. This event will mark the debut of his ambitious Kim Deitch File portfolio project, among other recent La Mano offerings. Zak will be joined by Fantagraphics friend Mark Pickerel, who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
An exhibition of comix art curated by Jason T. Miles and Max Clotfelter, in association with Friends of the Nib, features promising emerging cartoonists. together with masters of the medium. "Medieval Thinkers" includes original works by Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. According to Friends of the Nib co-curator Miles, "Many of these artists work with antiquated materials most commonly associated with 19th and 20th century cartooning, specifically the metal dip pen or crowquill pen nibs, although use of these tools was not a requisite for inclusion. What brings these artists together is an imagist approach to picture-making and a willful ignorance of the aesthetics, fashion, and politics of the fine art industry. Medieval thinkers organize their experience by executing lessons in perspective, balance, humor and alchemy."
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. This event coincides with the colorful holiday version of the Georgetown Art Attack with amazing visual and performing arts presentations throughout the historic arts community.
Fantagraphics Bookstore & Gallery's 4th Anniversary Celebration Music, Comix, Art and More!
Saturday, December 11, 6:00 to 9:00 PM
Music by ZAK SALLY and MARK PICKEREL
Medieval Thinkers original comix exhibition featuring Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. Curated for Friends of the Nib by Jason T. Miles and Max Clotfelter.
Exhibition continues through February 8, 2011.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street, Seattle, WA 98108 206.658.0110 Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM
Mark your social calendars in indelible ink! Saturday, December 11 marks the 4th anniversary of the fabulous Fantagraphics Bookstore & Gallery. To celebrate this auspicious occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano imprint. He will be joined by Fantagraphics friend Mark Pickerel who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. See you all then.
Bilocal is an art project bringing together 12 writers from Seattle and New Orleans to present new original work on the theme of community. Each artist will present their own stories in their hometown. Cartoonist Megan Kelso will be one of the artists representing Seattle and will present a brand new work titled "The Golden Lasso" on November 13 at Seattle's Town Hall. Tickets are $20. The money raised from this project will be given to an a non-profit organization in New Orleans called The Lens that does investigative journalism in the Gulf region.
We had a lovely selection of books and comics on display.
This little guy was stowed away with the Cathy Malkasian books as we were unpacking on Saturday morning. Enjoy your new San Francisco home!
This Saturday shopper was sporting a splendid Floyd GottfredsonMickey Mouse shirt and was very excited to hear about our upcoming reprint series! Thanks for spreading the word, nice man whose name I never found out!
Megan Kelso attracted an avid group of fans to her signing following her spotlight panel on Saturday. We sold the last copies of Artichoke Tales and The Squirrel Mother to the last fan at the very end of her signing on Sunday — uncanny! That's our own always-engaging and effervescent Janice Headley behind Megan in the second picture.
Two more views of our table as the fans peruse our selections.
Saturday we sold out of Tony's latest book Little Maakies on the Prairie but on Sunday we still had enough of the Billy Hazelnuts books to keep fans happy, and there was beer to keep Tony happy. (Photo above by Robot 6's J.K. Parkin.) Below, Tony works on a Maakies original during a lull in the crowd:
That about wraps it up. Thanks to everybody who came by the table, all the helpful APE staff and volunteers, all our exhibitor pals and neighbors, and especially to Megan and Tony for making it a great show! See you again next year, APEketeers.
Online Commentary & Diversions returns after a post-APE hiatus and subsequent sick day:
• Review: "Good Jaime Hernandez comics are always just about the most satisfying books that money can buy, and I was so impressed with how the pleasure of seeing contemporary Maggie again for the first time in far too long [in Love and Rockets: New Stories #3] gave way to the satisfaction of seeing another building block in her curious history, and then everything turned unpleasant in a way that was equally bleak and fascinating. Watching Jaime fit everything together the way he does is breathtaking. Recommended for adult readers." – Grant Goggans, The Hipster Dad's Bookshelf
• Review: It's still "Love and Rocktober" at Sean T. Collins's Attentiondeficitdisorderly: "If Ghost of Hoppers was Maggie's confrontation with adulthood, The Education of Hopey Glass serves up the equivalent for Hopey and Ray. It's fascinating to me to see where their lives have taken them versus where they were — and more importantly, what they represented to Maggie — when they were first juxtaposed. [...] What makes these two stories compelling and connects them to one another beyond the basic idea of the characters coming to terms with their age is how much the stories rely on the kinds of things only an artist of Jaime's caliber can pull off for their telling."
• Review: "Man’s oldest gynophobic horrors and most simplistic delight in sheer physical dominance are savagely delineated in this primitive, appalling, cathartic and blackly funny campaign of cartoon horror. Resplendent, triumphant juvenilia is adroitly shoved beyond all ethical limits into the darkest depths of absurdist comedy. Not for children, the faint-hearted or weak-stomached, [Prison Pit Book 2] is another non-stop rollercoaster of extreme violence, profanity and cartoon shock and awe at its most visceral and compelling. ...[T]his book is all-out over the top and flat out hilarious. Buy and see if you’re broad-minded, fundamentally honest and purely in need of ultra-adult silliness." – Win Wiacek, Now Read This!
• Review: "Bitter, haunting stories [by Zak Sally] like 'The Man Who Killed Wally Wood' and 'The War Back Home' show a striking willingness to ask uncomfortable questions about himself and the world around him. His account of Dostoyevsky’s time in prison is a real highlight and I think marks a turning point in his storytelling ability. And the fearless, self-lacerating essay he provides at the end brings the book to a near-perfect close. Really, [Like a Dog] is a tight little collection." – Chris Mautner, Robot 6
• Review: "There’s fourteen stories in all in this anthology, beautifully scanned, restored, and reproduced in all their four-color glory. [...] There’s a lot of fun to be had in these pages. [...] Boody properly showcases a sizeable enough collection of complete comics stories by the wildman inkslinger from Texas, finally elevating Rogers into the pantheon he’s always been part of — if only enough folks had been able to access his work. At last, they can!" – Steve Bissette, The Schulz Library Blog
• Review: "The publication of Rebel Visions was a vital riposte to [a] tide of apathy, a vast and authoritative work built for the clear purpose of documenting the entire history of the US underground revolution in a definitive fashion: a not inconsiderable task given the various tributaries that have spewed forth since the early 1960s. [...] Rosenkranz diligently weaves a number of divergent themes using the oral histories of most of the major participants." – Kevin McCaighy, Exquisite Things (via ¡Journalista!)
• Interview: Kat Engh of Geek Girl on the Street chatted with Megan Kelso at APE over the weekend: "I like writing and movies and music and art forms that are about more than one thing. I’m really fascinated by that, and I think that comics really lend themselves to that kind of layering and layers in conflict, because you’ve literally got two tracks of information with pictures and words, and because they’re so separate from each other, they lend themselves to doing different things at the same time. I’ve always thought that if a comic’s not doing more than one thing, it’s not taking advantage of what is, so yeah, I’d say I actively strive for that."
• Interview: At Comic Book Resources, Chris Mautner talks to Fire & Water author Blake Bell at length about Bill Everett — "I think Everett is as unique a stylist as Ditko is. When you see Everett's work, you automatically know who it is if you have any inkling about any of the Silver or Golden Age artists. Secondly, in his own way he's as influential as Ditko. Without question, Everett created the antihero in superhero comics back in 1939 when he introduced the Sub-Mariner. There was no other comic book character like him." — and upcoming volumes of The Steve Ditko Archives.
• Interview: It's the second part of Brian Heater's conversation with Drew Weing at The Daily Cross Hatch: "It’s such a weird time where so much stuff is available online, though I went out of my way to make the book a nice little object. And I feel like it does read better in book form, because it’s a format that you can more lovingly pore over the detail."
• Interview: At Gapers Block, Rose Lannin talks to Jeremy Tinder, who makes his Fantagraphics debut in Mome Vol. 20. This quote is relevant to the Mome story: "I grew up reading newspaper strips, like Garfield. I think it was around age 5 when I really started getting into Garfield and tracing it out of the paper every day. [...] Garfield was my focus in life for six years, I was so into it."
• Coming Attractions:Bleeding Cool's Rich Johnston reports here that "...[I]t seems that Fantagraphics, as part of their current attemp to to translate every French comic book in existence, has seized upon [David B.'s] book, Le Jardin armé et autres histoires or The Armed Garden and are to publish it in August next year," and here about our translation of Tardi & Manchette's Like a Sniper Lining Up His Shot, "...planned for August next year. Which, in terms of European-to-American translation is light speed."
Oh nuts, I'm about to start today's Online Commentary & Diversions and noticed I never published yesterday's in my APE prep frenzy. Here it is:
• Review: "Rip M.D. is near perfect. ...[T]he art is fantastic; with original and distinct designs that border realistic and cartoony, with the best qualities of both carrying a jovial wit, which never balking on making the subject matter truly scary. And the story by Mitch Schauer is told in a clear and concise manner, taking on a sort of fairy tale tone in the beginning that sort of fades by the end. The book on the whole is kid-like in tone, but told with sophistication that one used to see in old Loony Tunes." – Mark L. Miller, Ain't It Cool News
• Review: "Rip M.D. is very sweet all-ages graphic novel... For those... looking for something to share with the family, Rip is an excellent choice. The writer, Mitch Schauer, is clearly a fan of classic monsters and has really had some fun with these characters. The real gem in Rip M.D. is the artwork. Beautiful, beautiful panels that you may want to tear out of the book and put up on your walls. [...] And the colors in this book are just stunning. This is a book that warrants some extra time to just enjoy each page. [...] Ultimately, this is a book that anyone can read and enjoy that would also make an excellent gift to a young reader as a Halloween treat. Score: ★★★★★" – Stephanie Shamblin G, Comic Monsters
• Interview:Squee! talks to Carol Tyler about You'll Never Know in an interview which will run in edited form in the new issue of Ghettoblaster Magazine: "Hardest thing I've ever taken on. So much to juggle: the storyline, the art. The mechanics of making a comic page/book. Oy! I've been at this for four years and I'm still not done! I love it, though. I've had to wrap my life around getting pages done. [...] It's an epic struggle, although worth it a thousand times over."
• Interview (audio):Inkstuds host Robin McConnell chatted with fellow Canadian Dave Cooper while Dave was in Vancouver on his West Coast book tour
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