Time for lots more awkwardly-formatted year-end lists, a review from The Washington Post and much more in what might be the longest Online Commentary & Diversions ever:
• List: For the Las Vegas Weekly, J. Caleb Mozzocco counts down his top 5 comics of 2010:
#3: Temperance by Cathy Malkasian: "Blessed with a Dr. Seuss-like ability to evoke the most serious problems and bleakest emotions in personalized, original, timeless fantasy elements, Malkasian has constructed a graphic epic involving a handful of colorful, tragic characters and their interlocking lives."
#5: Werewolves of Montepellier by Jason: "A successful jewel thief disguises himself as a werewolf during heists, eventually attracting the attention of real, actual werewolves in Jason’s latest deadpan dramedy masterpiece. While that might sound like the protagonist’s most urgent problem, his doomed crush on neighbor-turned-friend Audrey is the only thing truly eating him."
• List: The bloggers at Robot 6 count down their choices for the best comics of 2010:
"7. Set to Sea: The story of a would-be poet who is shanghaied and learns about life at sea the hard way, Set to Sea is drawn in a series of single panels, each of which is a miniature masterpiece on its own. It’s a singularly economical way of telling a story, and Drew Weing makes each of his panels into a tight little world of its own." – Brigid Alverson
"4. You’ll Never Know, Book Two: Collateral Damage: [...] Tyler skillfully handles multiple strands of her story, using a variety of styles and formats for different episodes, slowly building a complete picture from several different sources." – Brigid Alverson
"16. It Was the War of the Trenches, by Jacques Tardi: French master Tardi does to the Great War what the Great War did to the bodies of millions of young soldiers: blow it wide open and root in the mess. Depicted primarily in an unyielding onslaught of widescreen panels, it’s like a slog through the trenches itself. Furious and full of contempt for war and its masters." – Sean T. Collins
"6. It Was the War of the Trenchesby Jacques Tardi: Reading Trenches, you realize just how far afield, just how dead wrong most American (and British) had it in their depiction of war. Even Kurtzman’s war comics (which I love) seem like kiddie sermonizing, an overly sweet, sanitized warning, next to Tardi’s uncompromising depiction of WWI. You want to know how brutal war can be? You want to know how war should be depicted in comics – how to look the utter savagery, inhumanity and square in the eye using only pen and ink? This is how you do it." – Chris Mautner
"15. A Drunken Dream and Other Stories, by Moto Hagio: I gasped aloud repeatedly while experiencing the sheer loveliness of this book, a collection of short stories from throughout the decades by shoujo-manga pioneer Moto Hagio. Best of all, there’s a cake beneath all that icing, as Hagio’s stories are frequently sophisticated, moving, and unwilling to pull punches." – Sean T. Collins
"13. Prison Pit Book 2, by Johnny Ryan: Johnny Ryan journeys deeper than ever before into his inner ickiness and returns with an action-horror hybrid it’s almost impossible to 'enjoy' in the traditional sense of the word — and which thereby takes those two genres in stunning new directions." – Sean T. Collins
"11. Artichoke Tales, by Megan Kelso: A war comic like none you’ve ever read, Megan Kelso’s ambitious alt-fantasy is concerned not with conflict’s immediate carnage, but with its lasting effects on the societies engaged in it — economic, cultural, religious, familial, even geographical. I found it humanistic, unsparing, and fascinating." – Sean T. Collins
"10. Weathercraft, by Jim Woodring: It’s always darkest before the dawn, and the psychedelic body-horror of Jim Woodring has never been darker than it gets here. His hapless, villainous Manhog is made to suffer like you’ve seen few comics characters suffer before in any style or genre…only to emerge enlightened and overjoyed on the other side in a final act that feels like that first breath of fresh cool air after you’ve hidden your head under the covers in terror for minutes on end." – Sean T. Collins
"2. Weathercraft by Jim Woodring: [...] It’s a twisting, twisted, often bizarre, often disturbing but always gripping tale of one creature’s self-redemption and ultimate sacrifice told without words and often as enigmatically as possible. If you had any doubt that Woodring could still deliver after laying low for so long, consider them erased." – Chris Mautner
"7. Special Exits, by Joyce Farmer: ...[N]early every meticulously crosshatched panel [is] drawn as if [Farmer's] life depended on it. Maybe it did. This is a magnum opus no one expected to read, a brutally frank depiction of what it’s like for full lives you love to end, and it has the most painfully happy ending of the year. It made me cry. Don’t do what I almost did and ignore one of the year’s most moving comics." – Sean T. Collins
"3. Wally Gropius, by Tim Hensley: The first great comic of the Great Recession. Tim Hensley’s breakout graphic novel, previously serialized in the Mome anthology, seems like a send-up of silly ‘60s teen-comedy and kid-millionaire comics on the surface, but beneath lies as odd and accurate a cri de coeur about capitalism and consumerism as I’ve ever read. It also does things with body language I’ve never seen in comics, and is funny as hell to boot. There’s nothing else out there like it." – Sean T. Collins
"5. Wally Gropius by Tim Hensley: The funniest comic of the year, Gropius is both homage and raised middle finger to the kids comics of yore, chiding them for their superficiality and yet revealing in their sublime shallowness all the same. That Hensley managed to have his cake and eat it too in such a breezy fashion suggests he will be an artist to watch for in the coming years." – Chris Mautner
"2. High Soft Lisp / Love and Rockets: New Stories #3, by Gilbert Hernandez and Jaime Hernandez: This year I read nearly every comic ever created by Los Bros Hernandez; what a pleasure to discover at the end of my immersion that their two most recent comics are also two of their best, and thus two of the best comics by anyone. Gilbert and Jaime both tear furiously into love and sex in these two collections; what they find inside is ugly; what they do with it is beautiful." – Sean T. Collins
"3. Love and Rockets [New Stories] 3 by Xaime and Gilbert Hernandez: Gilbert’s contributions are great as usual (his work here and in the recently collected High Soft Lisp proves he’s no second banana brother), but it is Xaime’s 'The Love Bunglers/Browntown' that makes this volume so worthy of praise. A harrowing story of abuse, familial neglect and regret masterfully told, I defy anyone not to read this tale and not be devastated by its conclusion. Not a single line goes to waste here. To say it’s the best thing Xaime’s done is a stunning comment considering his lengthy and exemplary body of work, but there’s no question he’s raised the bar once again." – Chris Mautner
• List: The great Washington, DC bookstore Politics & Prose names their 2010 Graphic Novel Favorites, including:
"The Sanctuary by Nate Neal is one of the most adventurous, exciting, complex and beautiful graphic novels. [...] Nate Neal creates a language for the clan, and tells the entire story without any recognizable words, making The Sanctuary a quiet and dark collection of gestures and expressions."
"Pirus and Mezzo’s King of the Flies is a dark romp through a strange drug filled, sex crazed world of small town Europe. [...] Pirus and Mezzo aren’t afraid to tell a story full of our darkest desires and needs, but they’re also startlingly poetic."
"Weathercraft, by Jim Woodring, is a beautiful dream and a beautiful nightmare. [...] Weathercraft is page after page of utterly original, outrageous, wordless thrills. Somehow, in a place where confusion and chaos seem to reign, Woodring creates sense. The challenge and beauty of Weathercraft is taking hold of that sense, and letting it go when the dream becomes too beautiful to pass up."
"C. Tyler continues her inquiry into the true story of her father’s WWII experience with You’ll Never Know Book Two: Collateral Damage. Tyler’s colorful panels and line work is a welcome relief to the usual comics format; and her creative shifting of perspective and story... offer just the right amount of energy and relevance to make this book (and the previous volume) one of the best of the year."
"Hinging on one supernatural occurrence after another, the misadventures of Adele Blanc-Sec are surely one of the most welcome events this year. [...] This is a classic which should not be missed."
"...Moto Hagio’s story collection, A Drunken Dream, is a welcome and celebrated relief to the mainstream, translated Japanese comics, giving the reader a meaningful and deeply felt experience. ...Hagio’s exploration of loss... and identity... is equal to the best that any literature offers."
• List: Brazilian site Ambrosia names The Best Comics Published in the U.S. in 2010 — Alternatives and Classics, including:
It Was the War of the Trenches by Jacques Tardi: "The French Tardi is a versatile artist, a thorough storyteller of historical fact and fiction. The clean lines and light of his drawings refer to the style of another Frenchman, the revered Moebius."
The Littlest Pirate King by David B.: "Accustomed to living with sea monsters, plundering ships and murdering sailors, a group of scary undead pirates has its routine radically transformed when they are forced to care for a child. David B.... uses his beautiful and dark art to adapt a fun text by Orlan."
• List: At Comics Worth Reading, Johanna Draper Carlson names Castle Waiting Vol. 2 by Linda Medley the Best Graphic Novel of 2010: "Exceptionally illustrated fantasy revolving around everyday life among a stunning cast of unusual characters who make their own unusual family in an abandoned castle."
• Review: "Saucy, bold, enigmatic, gently funny, reassuringly romantic; brimming with human warmth and just the right edge of hidden danger Castle Waiting [Vol. 2] is a masterpiece of subtly ironic, perfectly paced storytelling that any kid over ten can and will adore. Moreover, if you’re long in the tooth or have been around the block a time or two, this fantastic place can’t help but look like home." – Win Wiacek, Now Read This!
• List: At The Casual Optimist, Dan Wagstaff names Jason's Werewolves of Montpellier one of his Favourite New Books of 2010: "Ostensibly the book is about a thief called Sven who disguises himself as werewolf to rob people’s apartments and incurs the wrath of the town’s actual werewolves. It is, however, as much about friendship, identity, loneliness, and, ultimately, Sven’s unrequited love for his neighbour Audrey. [...] The whole book is achingly brief, but Werewolves of Montpellier is possibly my favourite Jason book to date." (Via Robot 6)
"14. Artichoke Tales(Megan Kelso) [...] Kelso's simple lines beautifully capture the emotional turmoil of the characters and move the action along fluidly. This title caught me by surprise with how much I enjoyed it — it looks deceptively simple, but there's a lot going on in this ambitious book."
"10. The Extraordinary Adventures of Adele Blanc-Sec (Volume 1) (Jacques Tardi) [...] This story is full of broad characters and is really silly, but it's a really riveting, often funny book that you can't help but love to spend time with, featuring some of Tardi's best art period. Plus pterodactyls in Paris!"
"6. Love and Rockets: New Stories #3 [...] The Hernandez Brothers' third annual release of Love and Rockets is their best yet. Gilbert Hernandez has long been a favorite artist of mine and he offers some pretty dynamic stories this time around as well... Jaime develops his characters effortlessly as he produces what may be one of the best offerings of his career."
"4. Castle Waiting (Volume 2)(Linda Medley) [...] This book is overflowing with great characters, the story unfolding cinematically to Medley's beautiful cartoony art. The domestic life that readers glimpse with these volumes is an absolute pleasure to behold, and I really enjoy the time I spend with the people in this title, as they explore the castle and unlock some of its mysteries while settling in. A real treasure."
"1. The Littlest Pirate King(David B. & Pierre Mac Orlan) – My favorite comic that I read this year is David B.'s comic adaptation of the prose story by French writer Pierre Mac Orlan. ...David B. elaborately illustrates this world with amazing mastery of the craft. The coloring, the pacing and panel arrangements, and the world of these pirates pillaging ships and being general menaces all make for a fun, engaging experience. This book contains some of the most beautiful panels that I've seen in years, and confidently sits at the top of my list for best of the year."
• List: On his MadInkBeard blog, Derik Badman lists Love and Rockets: New Stories #3 as one of the Best Print Comics of 2010: "This is Jaime doing what he does best, advancing the lives of his characters, adding to their histories, introducing side characters, and generating an emotional impact." (Via Robot 6)
• List: On The Forbidden Planet International Blog Log, Martin Steenton of Avoid the Future names his top 3 Best of the Year: "...Drew Weing’s Set to Sea is one of the most beautifully-rendered graphic novels you could hope to see ever, let alone from within the past twelve months. [...] From start to finish, Set to Sea feels like a true classic; the graphic novel equivalent of Treasure Island, if you will. If you’re the sort of parent that doesn’t mind exposing your children to a few gory moments, I like to imagine that this is the book you’ll give them to usher them into their lives as comic readers. Think what a cool mum/dad you’d be."
• List: At Imprint, Michael Dooley names the Best American Comics Criticism panel at Skylight Books one of "the best speaker events that involved comics and graphic design" in L.A. last year
• Review: "Four Color Fear is editor Greg Sadowski's commemoration of horror publishers other than dominant Entertaining Comics ... [T]his volume contains many... complete tales, giving the reader a sense of how hard it was to meet the genre's three main requirements: sudden fear, ample gore and twist endings, all in the space of six to 10 pages. [...] One leads off with this fraught question: 'Have you ever heard a strange voice whisper, "Come with me into the Blackest depths of evil"?' To which I would have answered in the 1950s, 'What took you so long to ask?'" – Dennis Drabelle, The Washington Post (via Newsarama)
• Review: "Johnny Ryan is in my mind is one of the best modern humorists in comics today. It's not the kind of humor that's gonna get him invited to lots of prestigious awards ceremonies, but you can not deny that this shit [is] funny! Seriously for all those people who have not read a Johnny Ryan book for whatever stupid reason, pick [FUC_ __U _SS __LE] up. There's gonna be something in here that will make you laugh or puke or laugh and puke at the same time. It's an awesome awesome book. Loved it all the way through." – P.D. Houston, Renderwrx Productions
• Review: "Taking quotes from people who met King, journeyed with him, and experienced his teachings and shortcomings firsthand, the book gives readers an honest and refreshing take on the man that became a legend. The art in King is a sight to behold... While some will undoubtedly walk away with the impression that this take on King’s life somehow lessens his impact on society, others will hopefully find that the humanistic aspect enhances the appreciation of his determination to make a change. Rating: ★★★★1/2" – Matt Peters, Pads & Panels
• Plug: "Mascots is a beautiful new book by Ray Fenwick collecting a series of color paintings on found book covers. [...] You must all surely concur that this new book establishes Ray Fenwick as the foremost satirist-illustrator-typographer-poet-designer of our time." – Matt Forsythe, Drawn
• Plugs: At The Moviefone Blog, David Brothers recommends "Comic Books for Movie Buffs"; his picks for war movie fans and samurai movie fans, respectively:
"...It Was the War of the Trenches shows how war simultaneously dehumanizes and strengthens our connection to life. The dehumanization derives from the fact that soldiers who die in this book tend to do so alone, or by surprise, and life just goes on. The strengthening point, however, is due to how the soldiers eagerly grasp what life they have left, despite their situation. It Was the War of the Trenches is heartbreaking and maybe a little funny, but more than anything, it's fulfilling."
"...Usagi Yojimbo is not only deadly serious, but a fantastic read. Sakai clearly knows the era he's writing stories about very well, and his research shows. If not for the funny talking animals, this series would be fantastically realistic. With them, though, it's a series that hits many of the same high points as classic Kurosawa, but often from a fresh angle."
• Survey:The Beat's year-end/looking-forward survey of comics pros (part one) includes a classic Peter Bagge quip ("What was the biggest story in comics in 2010?" "No one has any money") plus input from Noah Van Sciver
• Analysis: In an academic paper published in the University of Florida's interdisciplinary comics studies journal ImageTexT, Joel Simundich examines "Translation, Transparency, and Genre" in Jason's The Iron Wagon (recently reprinted in What I Did)
• Interview: On his Princess Sparkle Pony blog, Peter Huestis presents a transcription of his 1995 interview with Jim Woodring which was published in Hypno Magazine: "I never use any of my dreams in the Frank stories. I've evolved a way of writing those stories that I adhere to pretty much all the time. I go down into this ravine near my house and hide in the bushes and write in my notebook. I write the stories out in words. I'll write an opening line like, 'Frank has a heavy heart.' If I like that for an opener, I will ask why he has a heavy heart. Sometimes I get an answer and sometimes I don't."
• List/Plug/Coming Attractions:The Millions names among their Most Anticipated books of 2011 two by Alexander Theroux: this month's The Strange Case of Edward Gorey ("Part biography, part artistic analysis, and part memoir of a long friendship, with exclusive interviews conducted shortly before Gorey’s death, this book is generally accepted as the most comprehensive portrait of Gorey ever written") and July's Estonia ("The book emerges from Theroux’s time spent in the former Soviet republic while his wife was on a Fulbright Scholarship. Ever observant, Theroux uses Estonia and its people as a lens through which to look back at America"); elsewhere at The Millions, Theroux himself weighs in on his Year in Reading
Today's Online Commentary & Diversions gets crazy with the Best-Of lists:
• List: At comiXology, Tucker Stone counts down the top 20 Best Comics of 2010:
#19: Wally Gropius by Tim Hensley: "In a more unstable world, Wally Gropius would end up shelved alongside the Harvey/Dell comics it's so visually reminiscent of, working like a diabolical physical delivery device for absurdism: Dick and Jane couldn't ask for better."
#8: Prison Pit Book 2 by Johnny Ryan: "...Ryan's nasty tech-mammal beatdown looked like baby's first cyberpunk Kamandi, and it ably maintained the promise of this comic's initial volume. This, as they should say, is what we all should be getting down with: pure comics."
#5: It Was the War of the Trenches by Jacques Tardi: "Trenches was the angriest comic released this year, and while the specifics of its subject matter may be historical, its philosophy hasn't aged a day. War is a brutal, ugly thing, and while some may excel at depicting its horrors with excited doses of adrenaline, Tardi's tale never allows for a moment of escape. For him, political extermination destroys us all, and there's no reason why the bystander should be permitted to participate merely as casual audience."
#3: Weathercraft by Jim Woodring: "It's a comic that stays behind when it's closed, twisting in memory until you're not sure you caught what it said, a demanding experience that's unusual and unique. There's no other medium that could tell the kinds of stories that Woodring prefers; luckily, he's come back to stay."
#2: Love and Rockets: New Stories #3 by the Hernandez Bros.: "An incomparable installment in their storied career, New Stories 3 saw Gilbert attacking his oldest obsessions with more humor than ever before, while Jaimie shocked a legion of fans with the most refined (and masterful) chapter in his Locas saga to date..."
• List:NPR's Glen Weldon lists "The Most Memorable Comics and Graphic Novels of 2010," including (with links to his past reviews):
Werewolves of Montpelier by Jason: "The deadest of deadpan cartoonists returns with a meditation on relationships, burglary and lycanthropy. In France."
It Was the War of the Trenches by Jacques Tardi: "Tardi constructs a series of vignettes around World War I, inspired by battlefield photographs. Finally available in English, the work is harrowing and ruthlessly affecting."
#36: Weathercraft by Jim Woodring: "It's a twisting, twisted, often bizarre, often disturbing but always gripping tale of one creature's self-redemption and ultimate sacrifice told without words and often as enigmatically as possible. If you had any doubt that Woodring could still deliver after laying low for so long, consider them erased." – Chris Mautner
#29: Special Exits byJoyce Farmer: "This is a magnum opus no one expected to read, a brutally frank depiction of what it's like for full lives you love to end, and it has the most painfully happy ending of the year. It made me cry. Don't do what I almost did and ignore one of the year's most moving comics." – Sean T. Collins
#28: Set to Sea by Drew Weing: "Weing strapped the heart-rending quest of a simple poet onto a book sporting the energy of a Popeye cartoon and the beastly human proportions of an R. Crumb comic. It's a book that manages to read with the lightness of a feather while simultaneously keeping its audience keenly aware of mortality and the fickle nature of fate on the high seas." – Brian Warmoth
#26: Wally Gropius by Tim Hensley: "The first great comic of the Great Recession. Tim Hensley's breakout graphic novel, previously serialized in the Mome anthology, seems like a send-up of silly '60s teen-comedy and kid-millionaire comics on the surface, but beneath lies as odd and accurate a cri de coeur about capitalism and consumerism as I've ever read. It also does things with body language I've never seen in comics, and is funny as hell to boot. There's nothing else out there like it." – Sean T. Collins
• Review: "The Littlest Pirate King is easily one of the best comics of 2010. [...] What sells it — what sells the whole tale, really — is David B’s superb art. These are overwhelmingly colorful pages, with scenes from strange angles in compressed perspective." – Joshua Malbin
• List/Review: "A brutal guts-and-all look at the short life of the average French soldier in the trenches, with gritty artwork that straddles the fence between cartooning and illustration perfectly, It Was the War of the Trenches ranks up there with All Quiet on the Western Front in the ranks of WWI literature." – ranked #3 on The Best Comics of 2010 by Brad Manfully at Memories Fade
• List:Love and Rockets: New Stories #3 tops The Institute of Idle Time's Top 5 Comics of 2010 list: "Thank god for the Hernandez brothers. Anytime I need to convert someone to the medium, I pull out a volume from the longest-running and most successful alternative comic series of all time. [...] These two cartoonists embody everything comics fans love about the medium. They are master storytellers first and foremost, and the language of comics is never more beautiful." – Mike DiGino
• List: Alicia K. of Wordnerdy includes Castle Waiting Vol. 2 by Linda Medley ("...Castle Waiting is a great look at... I don't know, the lighter side of fairy tales? It's very character based...") and Love and Rockets: New Stories #3 ("Jaime Hernandez's stories in this are his best work ever, and since he's one of my top-two all-time-favorite comics dudes, that is saying a lot") on her Best Comics of 2010 list
• Review: "The chief reason to recommend [The Extraordinary Adventures of Adèle Blanc-Sec] is Tardi’s art. ...[H]is photorealistic vistas of early 20th Century Paris are lovely, especially in the pastels and autumnual hues used here, and his cartoonish characters with their bulbous noses and waxed moustaches are a treat. Best yet is the design of Adele, with her period pulled-up hair, slit eyes and only top lip visible, which makes her appear more business-like and asexual, yet somehow more alluring because of the barriers presented." – Christopher Allen, Trouble with Comics
• Review: "Created as a light-hearted and wittily arch tribute to Jack Kirby’s majestic pantheon of cosmic comic deities Young GODS and Friends... slowly builds and spreads into a mythico-graphic Waiting for Godot... On a purely artistic level this collection and extrapolation is a sheer delight; with superb art, splendid writing and all sorts of added extras, but the story-consumer in me can’t help but yearn for what might have been and how much has been lost. Beautiful wry, witty and completely enchanting — and tragically disappointing because of that." – Win Wiacek, Now Read This!
• Interview: In the intro to Alex Dueben's talk with Joyce Farmer about Special Exits at Comic Book Resources, he says of the book "It’s a story told without the fake, heartwarming nonsense that colors so many stories about this topic. The book is both funny and heartbreaking, sometimes on the same page, dealing with the quiet hopeful moments and the nerve-wracking agony that come from a situation that is all too common and spoken of far too little." Joyce goes in depth about the process of the book: "I had wanted to do a big project for a long time. A few months before, I had realized that maybe my parents’ story was a worthwhile project. I was on vacation and I decided to write out the various stories that I remembered. This was three years after they died, so I’d had some time for some stories to die away and other stories to stick in my mind. I had one hundred stories, approximately, and I thought well, this is a book."
• List: "For giving us context, for showing us beautiful stories, and for delving into the work of a woman that changed girls comics forever, A Drunken Dream reaches #2 on my list." – Alexander Hoffman, Manga Widget "Top 10 of 2010"
• Plug: "The Prettiest, Shiniest Thing You Can Buy For That Special Someone Who Likes Pretty, Shiny Things: [...] It makes a fantastic read and an excellent coffee table book for someone who loves manga." – Daniella Orihuela-Gruber, All About Manga
• Plug: "This collection of short stories spanning the career of shoujo pioneer Moto Hagio offers a poignant look into the author’s mind, both as a young artist and an established creator, focusing especially on themes of family and personal identity." – Melinda Beasi, Manga Bookshelf
Today's Online Commentary & Diversions from NPR, Techland–TIME.com, HTMLGIANT, Woot!, and elsewhere:
• List: At Techland–TIME.com, Douglas Wolk names his top 10 Best Graphic Novels of 2010:
#6: Weathercraft: "The first standalone Frank book from Jim Woodring is as gloriously mind-expanding as anything he's drawn. It's a wordless Hieronymous Bosch-via-Chuck Jones parable about cartoon animals in a cruel, psychedelic landscape, in which the wicked Manhog attains enlightenment, then sacrifices it again."
#5: Artichoke Tales: "Megan Kelso's magnum opus is technically a fantasy — her characters live in an imaginary country, riven by a civil war between foragers and canners, and have artichoke leaves instead of hair on their heads. It's also a set of meditations on the way cultures establish their identities through stories, and how both political violence and personal connections can damage or repair those identities."
#3: You'll Never Know, Book 2: Collateral Damage: "The second volume of C. Tyler's trilogy of family stories that crystallized around the revelation of her father's experiences in World War II turns personal tragedy into universal art. Everyone's stories deepen; everything is more complicated and sadder than it seems at first. And Tyler's incredible sense of design and color makes even her quietest images linger."
• List:Comics Alliance also ranks Weathercraft on their Top 10 Best Comics of 2010. Jason Michelitch writes: "Woodring is a cartoonist of frightening power, and Weathercraft is him performing at full strength, a high note sustained for every panel on 100 pages. His work is of a caliber where it's hard to know what to say about it, so struck dumb are you by the immensity of the rendering and storytelling skill on the page. [...] There is no other comic this year that so successfully creates such a viscerally compelling and hermetically individual fictional world, or which displays such a thorough mastery of visual storytelling, provoking complex thoughts and feelings with simple, beautiful strokes. Weathercraft is essential."
• List: Oh mercy, it's The Daily Cross Hatch's epic and essential end-of-year top-five survey The Best Damn Comics of 2010 Chosen by the Artists. Below, in order of appearance, the books chosen, who chose them and how/if they ranked them; click over for any commentary:
Artichoke Tales by Megan Kelso: Ellen Abramowitz (MoCCA Executive Director), #3; Darryl Ayo Brathwaite (Little Garden Comics), unranked;
Weathercraftby Jim Woodring: Brian Heater (The Daily Cross Hatch), #4; Gabby Schulz/Ken Dahl (Monsters), #4
• List: At Four Colours and the Truth, Tim Reinert names Drew Weing's Set to Sea one of his Favourite Comics of 2010: Best Original Graphic Novels: "A unique adventure story that skirts the line between high concept art book and ribald adventure tale quite well. Weing’s patient pacing, and unerring knack for maximizing panel space make him an interesting talent to watch out for."
• List: At The SF Site: Nexus Graphica, Mark London Williams and Rick Klaw each count down their Ten Best Comics of 2010 in tandem, in two parts covering #10-6 and #5-1 (with additional commentary from Mark at Guys Lit Wire):
• List: At Comikaze, Mauricio Matamores names Love and Rockets: New Stories #3 one of Los Mejores Cómics de 2010: "Published by Fantagraphics, this title presented top-notch storytelling by the Hernándezes and perfection with Xaime, specifically." (Translated from Spanish.)
• List: Also at Comikaze, Santiago Fernández names Yo maté a Adolf Hitler (I Killed Adolf Hitler) one of Los Mejores Cómics de 2010: "This [Norwegian] author seems to tell his story of time travel, Nazis and romance as though he were a 10 year old child, proof that this is a fun story even though it really is rather complex, complete with a message that provides sweetness. Great gift for the girlfriend." (Translated from Spanish.)
• Interview (Audio): Mark Herz of Connecticut NPR affilliate WSHU visits with Bill Griffith in his studio to talk all things Zippy
• Interview: Jason Toon of Woot! talks to Zack Carlson & Bryan Connolly about Destroy All Movies!!! The Complete Guide to Punks on Film: "We can't stop even now. It's become a depressing compulsion. We can't enjoy a movie the way you would. Actually, it went beyond watching movies. We got so immersed in what we were doing, when we'd take a break to go get a pizza and see a kid riding by on a skateboard with blue hair, we'd try to pause reality."
• Review: "[Megan Kelso's] first full-length graphic novel, Artichoke Tales, raises the stakes seen in her short stories and makes the relationships between three generations of characters one of simultaneous longing and resentment. [...] This story is entirely about relationships, both familial and romantic. At the same time, it’s also about one’s relationship to one’s country, one’s religion, and one’s ethnicity, and the ways in which resorting to war to solve conflicts changes all of these relationships irrevocably." – Rob Clough, The Comics Journal
• Review: "Jason’s work always jumps directly into the reader’s brain and heart, using the beastly and unnatural to gently pose eternal questions about basic human needs in a soft but relentless quest for answers. That you don’t ever notice the deep stuff because of the clever gags and safe, familiar 'funny-animal' characters should indicate just how good a cartoonist he is… This collection [What I Did], despite being early works resonates with the artist’s preferred themes and shines with his visual dexterity. It’s one of Jason’s very best and will warm the cockles of any fan’s heart." – Win Wiacek, Now Read This!
• Interview:Newsarama's Chris Arrant talks to Stan Sakai about the past and future of Usagi Yojimbo: "When did I hit my stride? Well, I think Usagi really started to come together with the first four Fantagraphics issues – before that he’d appeared in short stories and anthologies, but I was able to devote a lot of attention to detail and characterization with that first story-arc. For me as a writer and artist, I think it would be 'The Kite Story.' That was the first story that I did a lot of research on, and it really came together smoothly."
• Profile: The Tulsa World's Matt Gleason talks to Rip M.D. creator Mitch Schauer: "A young Mitch Schauer often sympathized with the classic movie monsters that populated late-night TV. 'They were never really bad on purpose,' the longtime Tulsan said from his home in the San Fernando Valley of Los Angeles. Schauer particularly sympathized with Boris Karloff's Frankenstein. 'He didn't want to be created,' said the 54-year-old. 'Then he gets created, and everybody wants to throw rocks at him, crucify him or burn him. Frankenstein was just misunderstood.'"
#10: A Drunken Dream and Other Stories by Moto Hagio: "Ten spooky, perceptive stories of girls and ghosts in trouble from one of the masters of shojo manga, who has her work translated into English for the first time."
#5: Set to Sea by Drew Weing: "He may look like a big lug, but he’s got dreams of the ocean and the heart of a poet. The hero of Weing’s salty debut sails off to adventure in this pocket-size sea-shanty of a graphic novel."
#1: Wally Gropius by Tim Hensley: "A candy-colored absurdist comedy about a teen so wealthy he barfs $100 bills, this ridiculously enjoyable book reads like Richie Rich on LSD."
• List:NPR's Glen Weldon names Cathy Malkasian's Temperance one of "The Year's Most Transporting Books": "Amnesia also plays a role in Cathy Malkasian's huge, haunting — and hauntingly beautiful — graphic novel Temperance. [...] Malkasian's plot is loose and elliptical, and she pokes at many of the same salty psychological truths that made the Brothers Grimm so grim; lies, guilt and violence buffet her characters about like gale-force winds. You won't know where the story's going, but Malkasian's pages are gorgeous, sweetly melancholic things, and you'll enjoy the trip."
• Review: "...[One of the] Books of the Year... An expansive allegorical fable, ...Temperance speaks to our times with prophetic pointedness. [...] A uniquely imaginative book, Temperance is an example of how a sepia-toned pencil can sing." – Neel Mukherjee, The Times
• List: At Attentiondeficitdisorderly, Sean T. Collins names Prison Pit Book 2 by Johnny Ryan one of his Comics of the Year of the Day, saying "take how you felt during the baseball-bat scene in Casino, then make a book out of it."
• List: British cartoonist Matt Brooker offers up his Best of the Year at the Forbidden Planet International Blog Log, including 2009's You Are There by Jacques Tardi & Jean-Claude Forest: "Alongside Mœbius’ The Airtight Garage of Jerry Cornelius, this is the defining classic of 1970’s Bande Dessinee, but unlike The Airtight Garage you really need to be able to read the dialogue to make it worth owning… this first English translation has been much too long coming, so I was delighted to be able to read You Are There at last. It was originally conceived as a screenplay, and reads like one of those particularly mad Sixties films (like Peter Sellers’ Casino Royale or The Magic Christian) of which I’m so unreasonably fond."
• Review: "The always-superb Jason too has a book out this year: Werewolves of Montpellier. Droll, laconic as always, dry as drought, and hilarious and sympathetic in equal measures... A mad, lovely and bright book." – Neel Mukherjee, The Times
• Review: "While we’re on the subject of Jason, it wouldn’t do to leave out a mention of Almost Silent, a deluxe collection of four of his earlier books... The book is worth searching out for [You Can’t Get There From Here] alone. It’s the longest story in the book and is a retelling of the Frankenstein story as a love triangle without words, set off by a Greek chorus-type duet between two hunchbacks." – Neel Mukherjee, The Times
• Review: "Destroy All Movies is a product of the tireless DIY work ethic: It is one of the most painstaking books ever written on punk rock. As such, it stands in the rarified league of Banned in DC, Fucked Up & Photocopied, and the long out-of-print masterpiece Loud 3D. Carlson and Connolly have managed to make a volume with both intellectual relevance and deep entertainment value. And if you don't have time to actually read through all 1,000 entries, it's still a blast just to look at." – Sam McPheeters, Bookforum
• Plug: On the Matablog, Matador Records co-founder Gerard Cosloy says "If I celebrated Xmas and/or hadn’t already purchased a copy, I’d be asking Satan Santa for the newly published Destroy All Movies!!!..." and calls it an "amazing tome" (link via our own Janice Headley)
• Plug: "This book is out of control. [...] The research that went into [Destroy All Movies!!!] is unfathomable. They even tracked down every instance of a punk in a made-for-TV movie. The mind boggles. And then the mind puts on a Crass album and head butts some prep in the face." – Kyle Olson, The Hipster Book Club "2010 Holiday Gift Guide"
• Review: "Castle Waiting’s a pleasant, upbeat series, a great way to spend a quiet afternoon. If you’re looking for high adventure and action, it’s not here. This series is exploring the quiet places and the emotional beats that exist just beyond the screaming and bloodshed, and it’s doing so with style and wit. Castle Waiting comes highly recommended." – Michael C. Lorah, Newsarama
• Review: "EC was not the only company putting out good horror comics in the 1950s. Fantagraphics’ Four Color Fear: Forgotten Horror Comics of the 1950s shines the spotlight on some of the other comic publishers who were putting out great horror comics back then. [...] As great as the stories are perhaps the best feature is the 20 page note section that provides details behind each of the 40 stories in the book with fantastic anecdotes. There is also an index to all the companies publishing horror comics with a listing of titles and issue numbers making this a fantastic resource. Grade A+" – Tim Janson, Mania
• Review: "Since continuity usually plays second fiddle to the avalanche of inventive ideas, the strips can be read in almost any order and the debauched drunkenness, manic ultra-violence in the manner of the best Tom & Jerry or Itchy & Scratchy cartoons, acerbic view of sexuality and deep core of existentialist angst (like Sartre ghostwriting The Office or perhaps The Simpsons) still finds a welcome with Slackers, Laggards, the un-Christian and all those scurrilous, lost Generations after X. [...] If you’re the kind of fan who thrives on gorge-rousing gags and mind-bending rumination this is a fantastic and rewarding strip, one of the most constantly creative and entertaining on the market today and this latest collection [Little Maakies on the Prairie] is one of the very best yet. If you’re not a fan of Maakies this is the ideal chance to become one and if you’re already converted it’s the perfect gift for someone what ain’t…" – Win Wiaceck, Now Read This!
• Review: "This series is a non-stop rollercoaster of action and romance, blending realistic fantasy with sardonic wit and broad humour with unbelievably stirring violence, all rendered in an incomprehensibly lovely panorama of glowing art. Beautiful, captivating and utterly awe-inspiring Prince Valiant is a World Classic of storytelling, and this magnificent deluxe [Volume 2] is something no fan can afford to be without. If you have never experienced the majesty and grandeur of the strip this astounding and enchanting premium collection is the best way possible to start and will be your gateway to a life-changing world of wonder and imagination." – Win Wiacek, Now Read This!
• Review: "One could easily spend hours thinking of the hard concepts Kelso brings into the book without ever hitting the reader over the head with any of them. It's a sign of her storytelling ability that we get all of this without it ever feeling like she's preaching to me. [...] Artichoke Tales, at its heart, is about how complex the world is, with no one quite able to figure things out. ...I thought this was a well-crafted book that shows the human side of a conflict. It's a sad tale, but one worth reading." – Rob McMonigal, Panel Patter
• Interview:Comic Book Resources' Chris Mautner has a very informative chat with our own Kim Thompson about our new line of all-ages Eurocomics books: "Well, to be honest, I’m not sure how many kids will actually be reading this. It’s hard to get kids interested in comics, and foreign comics are even tougher. I’d welcome kids reading it but I’m assuming 98% of the audience will be grown-ups who dig this particular material. That said, I’m always a little baffled by how sensitive grown-ups are about kids’ material."
• Interview: At AfterEllen, Ariel Schrag talks to Gabrielle Bell: "I definitely prefer reading fiction to reading comics, except for a very small percentage of comics. And when I was a teenager I wanted to be a fiction writer. I’m much more interested in films, too. I feel like I’m more interested in the potential of comics, rather than what they’ve already accomplished, whereas with films and novels I’m interested in what they’ve already accomplished."
• KEXP's Chris Estey names 3 of our books among the Most Rocking Comix 2010:
"King of the Flies: 2. The Origin of the World... is the second volume in a three-book series on the creepy doings of a Twin Peaks-like small city seriously doped and boozed, thrashed by random violence and impulsive sexuality, the old deforming the desires of the young, and unfulfilled ghosts melt through everyday lives. [...] It is a multi-leveled, wide expanse of delicate things falling apart and souls keeping it together somehow, full of... sexy, damaged, freaky people. That you somehow care deeply for, even if they can’t help but hurt themselves, stalk each other, and screw with the universe itself."
"Illustrative Ibogaine, Woodring’s own cartoon-streamlined use of false world-obliviating imagery makes God’s invention of time seem like a quaint abstraction. [Weathercraft] is as necessary as Genesis by Robert Crumb, the Psychedelic Sounds of the 13th Floor Elevators, Philip K. Dick’s UBIK, The Art of War by Sun Tzu, and 2001: A Space Odyssey."
"A fantastical study in a Civil War, this exquisite graphic novel [Artichoke Tales] shows how wide-spread political conflict tears at the very fibers of our families and ourselves, the loops of antagonism between loyalties cursing generation after generation. Like the very best indie pop/rock (Bright Eyes, the National), its mastery is in seeming transcendent but revealing immense pain beneath every battle and rejection."
• Review: "It isn’t often that a reference book succeeds at being as entertaining as it is informative, but Destroy All Movies juggles both with masterful ease. The lengths they’ve gone to in order to identify any and all reference to punks or punk rock culture in film is staggering and makes the book the end-all-be-all of its esoteric subject matter. Even if you feel at arms length with the source material, I can assure you there is no shortage of insight and laughter to be gleaned from this glorious time capsule of sociological film knowledge." – Brian Salisbury, Hollywood.com
• Review: "By the time the narrative concludes (sadly in some respects, asking the big questions – ‘why do people leave?’ – thereby combining the lightness and comedy we’ve come to expect with that gradually darkening thoughtfulness that has been apparent even from the days of Sssshh! and Hey, Wait...) all you want to do is flick back to the start and start over again. So you do. [...] All told, Werewolves of Montpellier is easily as good as everything else Jason has produced. [...] You should check out Werewolves of Montpellier. In fact you should hastily work your way through Jason’s back catalogue... Consider it medicine for your soul." – Peter Wild, Bookmunch
• Review: "The suite of stories Gilbert Hernandez contributed to the relaunched, graphic-novel-format Love and Rockets: New Stories might be his most complex work yet. [...] It was only in reading Beto’s stories in all three volumes that the Chinese puzzle-box intricacy of what he’s doing here revealed itself to me. [...] All told, you could wrap these stories up between two covers and come up with a book of absolutely crushing intelligence, emotional heft, and visual power — a book among the best of Gilbert’s career." – Sean T. Collins, Attentiondeficitdisorderly
• Plug: "Seattle-based, world-slobbered, excellent comics and dazzling-arts publisher Fantagraphics is really going all out for their 4th Anniversary Party this Saturday, December 11, 2010. It will be thrown at their awesome store in Georgetown, and promises 'the season’s most festive party featuring amazing music, comix, art, and more!'" – Chris Estey, Three Imaginary Girls
• Plug: "The cartoonist and illustrator Rand Holmes, who died at Lasqueti Island eight years ago, created hippie hero Harold Hedd, one of the more memorable fictional characters of the 1960s. Among the cognoscenti, Mr. Holmes is a peer of R. (Mr. Natural) Crumb and Gilbert (Fabulous Furry Freak Brothers) Shelton. A 328-page retrospective [The Artist Himself] was released this summer by Fantagraphics Books." – Tom Hawthorn, The Globe and Mail
• Review: "[The Littlest Pirate King]'s an engrossing story which is marred somewhat by another of those inconclusive endings which please some but only irritate me. The story's not really the show here anyway, though there is a lot of intellectual grist to mill in it — the quest to know and understand the whims and whys and wherefores of the divine being but one example. B's art is really something to see here; while cartoonish in a superficial sense, he displays a masterful command of composition and visual whimsy and many pages and panels adopt an expressionistic, almost Escher-like, complexity which thankfully does not hinder reading comprehension but rather enhances and illuminates, like all 'good' art should do. While I do wish it had a more definitive conclusion, this is still a visual treat and well worth checking out." – Johnny Bacardi, Popdose
• Review: "Tyler’s portrait of her family [in You'll Never Know, Book 2: Collateral Damage] is at once warm and unsparing; they have awful moments — drinking, bitterness, just plain cussedness (on everyone’s part — there are no saints here), but they also have the in-jokes and little celebrations that are such an important part of happy family life. She has a good ear for the way daughters talk about their mothers and the goofy humor of her parents’ generation — humor that even in real life, sometimes struck me as papering over something painful. Tyler shifts styles and points of view often, telling old and more recent stories in parallel, focusing on different family members, and changing her drawing and paneling styles to fit the topic." – Brigid Alverson, Robot 6
• Interview: At Bookslut, Sean P. Carroll, who writes "What Is All This?: Uncollected Stories... offers a fascinating perspective on [Dixon's] long dialogue with the short form. ...Dixon’s unmistakable style and experimentalism draws not only on his familiar New York City locale, but also includes unexpected digressions that offer ample evidence why he is one of our foremost practitioners of fiction. It is a masterful tome that exemplifies Dixon’s ability to transform the vagaries of the everyday into a lasting work of art," questions Dixon about the book: "Why did I rewrite all 62 stories? Originally there were about 80. I threw out about 20 of the stories of mine never in book form as not being worth republishing in book form. The 62 I did rewrite or finish, I thought worthy of book form, and I just wanted to either complete them as stories (the incomplete ones) or improve on the ones that had been in magazines."
• Plug: "Jason is still one of the comics medium’s leading artists, with a fantastic knack for visual storytelling before words. Continuing in the hardcover tradition of Almost Silent, What I Did collects three Jason favorites – 'Hey, Wait…' 'Sshhhh!' and 'The Iron Wagon' – into one elegantly bound book that will match perfectly on the shelf with the other omnibus-style compilations Fantagraphics has released for Jason." – Pads & Panels
As you hopefully know, many of our books are available with exclusive signed bookplates as a free bonus when you order direct from us — there's a whole great big list here, and we're currently adding and replenishing plates for many titles, including (in no particular order):
This is just the tip of the iceberg — we have dozens and dozens more titles with signed bookplates, and more are arriving every week. You can't get these plates anywhere else, and they're all available at no extra charge — but supplies are super limited and can run out without notice, so don't hesitate to get your order in!
Since opening in December 2006, Fantagraphics Bookstore & Gallery has become a treasured civic asset. In addition to feeding Northwest residents' insatiable appetite for challenging contemporary culture, the space has attracted visitors from across the country and around the world. Saturday, December 11 marks the bookstore's 4th anniversary, and to celebrate the occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano 21 imprint. This event will mark the debut of his ambitious Kim Deitch File portfolio project, among other recent La Mano offerings. Zak will be joined by Fantagraphics friend Mark Pickerel, who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
An exhibition of comix art curated by Jason T. Miles and Max Clotfelter, in association with Friends of the Nib, features promising emerging cartoonists. together with masters of the medium. "Medieval Thinkers" includes original works by Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. According to Friends of the Nib co-curator Miles, "Many of these artists work with antiquated materials most commonly associated with 19th and 20th century cartooning, specifically the metal dip pen or crowquill pen nibs, although use of these tools was not a requisite for inclusion. What brings these artists together is an imagist approach to picture-making and a willful ignorance of the aesthetics, fashion, and politics of the fine art industry. Medieval thinkers organize their experience by executing lessons in perspective, balance, humor and alchemy."
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. This event coincides with the colorful holiday version of the Georgetown Art Attack with amazing visual and performing arts presentations throughout the historic arts community.
Fantagraphics Bookstore & Gallery's 4th Anniversary Celebration Music, Comix, Art and More!
Saturday, December 11, 6:00 to 9:00 PM
Music by ZAK SALLY and MARK PICKEREL
Medieval Thinkers original comix exhibition featuring Peter Bagge, Bruce Bickford, D. J. Bryant, Chris Cilla, Max Clotfelter, Eleanor Davis, Kim Deitch, Heidi Estey, Kelly Froh, Justin Green, Gerald Jablonski, Megan Kelso, Jason T. Miles, Nate Neal, Bob Rini, Zak Sally, Dash Shaw, Matt Tamaru, Drew Weing, Jim Woodring, Mary Woodring, Max Woodring, Martine Workman, and Chris Wright. Curated for Friends of the Nib by Jason T. Miles and Max Clotfelter.
Exhibition continues through February 8, 2011.
Fantagraphics Bookstore & Gallery 1201 S. Vale Street, Seattle, WA 98108 206.658.0110 Open daily 11:30 - 8:00 PM, Sundays until 5:00 PM
Mark your social calendars in indelible ink! Saturday, December 11 marks the 4th anniversary of the fabulous Fantagraphics Bookstore & Gallery. To celebrate this auspicious occasion we're once again hosting the season's most festive party featuring amazing music, comix, art, and more!
The evening includes solo music sets by Zak Sally and Mark Pickerel. Zak was a founding member of alternative music legends Low and continues solo music endeavors while publishing great comics with Fantagraphics as well as producing exquisitely crafted small press projects on his own La Mano imprint. He will be joined by Fantagraphics friend Mark Pickerel who began his musical career with the highly acclaimed Screaming Trees and now fronts Mark Pickerel and His Praying Hands, in addition to being the proprietor of Seattle pop culture emporium Damaged Goods.
All this plus screaming deals on comix, celebrity guests, holiday libations, demented Christmas platters spun by DJ Russ Fallout, and a few surprises makes Fantagraphics Bookstore & Gallery's 4th anniversary party the place to be on Saturday, December 11. See you all then.