• Review: "Rather than a narrative arc, with ascensions and declines, Artichoke [Tales] feels like a series of expansions. The characters and their world grow to envelop the reader in a singular, charming way." – Paul Constant, The Stranger
• Review: "Without a single word, Woodring tells an enormous tale of redemption and heartbreak. Weathercraft crackles with the power of myth, and it extends far beyond its pages with a life of its own; one could imagine a postapocalyptic culture forming an entire religion based on this one thin book. You've never read anything quite like Weathercraft, but at the same time it feels eerily familiar, like a dream you had last night." – Paul Constant, The Stranger
• Review: "Weathercraftis at once far wilder and more subtle than I could have imagined. The imagery and the surroundings are more hallucinatory, the mixture of cartoon-cute and skittering, undulating grotesquerie more effectively creepy, and the characterizations and themes more layered and nuanced than any version of this book that played out in my head. ... Weathercraft paints small moments of beauty and mystery on a huge canvas of twisted wonder." – Jason Michelitch, Comics Alliance
• Review: "...[Wally] Gropius is more concerned with verbal jazz and abstract gags, all presented in an innocent-looking approximation of the bright, clean style of ’60s Harvey Comics. ... I liked enough of the gags, and Hensley’s overall confidence in putting them over in such a currently declassé comics art style, that I would recommend it." – Christopher Allen, Comic Book Galaxy
• Review: The French edition of Daniel Clowes 's The Death Ray (Eightball #23) was examined on Le Grand Journal on French television network Canal+ last month (YouTube link) — for non-Francophones Kim Thompson summarizes it thusly: "The guy can't stop gushing about the beauty of the drawings, the coloring, the design, the thematic elements of ennui (yes, he actually says 'ennui') and violence 'even against squirrels.'"
• Roundtable: Speaking of our own multilingualist Kim Thompson, he participates in The Comics Journal's roundtable discussion on comics translation
Kelso will be making a rare return to New York since moving back to her hometown of Seattle, WA a few years ago. She will give a multimedia talk called "Big and Small": How do you construct a story that includes the big wide world, history, culture, sweeping events like war and political change, but that also includes personal, intimate character-driven things like friendship, family relationships, love, sex, babies and dying? How do you meld the two together into a believable whole? How do you humanize important historical players, kings, queens and presidents, and also show how the personal lives of ordinary people are affected by grand events that take place outside their doors? This are the essential questions that Kelso asked herself throughout the creation of Artichoke Tales, and she answers them through examples of her own work, as well as other artists who are engaged with similar issues, from Joe Sacco to Lynda Barry.
Meanwhile, underground comix and New York legend Deitch will present a visual tour through his "universe," which features a a sprawling, multi-generational cast of characters both fictional and real, spanning comics and animation history of the 1920’s and 30’s through the present day, with a particular focus on his latest epic, The Search for Smilin' Ed. Deitch will explicate his incredibly intricate yet organic page and panel constructions, which he employs with unparalleled excellence in the creation of structurally complex narratives concerning equally complex characters.
These lively talks will be followed by a question and answer session with the audience and book signing.
WHO: Megan Kelso and Kim Deitch WHAT: Multimedia talk and book signing WHERE: The Strand Bookstore, 12th & Broadway, New York, NY WHEN: Thursday, June 24, 7PM
ARTICHOKE TALES is the long-awaited graphic novel from Megan Kelso, a six-years-in-the-making family saga spanning three generations and an entire continent. This coming-of-age story is about a young girl named Brigitte whose family is caught between the two warring sides of a civil war, taking place in a world that echoes our own, but whose people have artichoke leaves instead of hair. Influenced in equal parts by Little House on the Prairie, The Thorn Birds, Dharma Bums, and Cold Mountain, Kelso weaves a moving story about family amidst war. Kelso’s visual storytelling, uniquely combining delicate linework with rhythmic, musical page compositions, creates a dramatic tension between intimate, ruminative character studies and the unflinching depiction of the consequences of war and carnage, lending cohesion and resonance to a generational epic. This is Kelso’s first new work in four years; the widespread critical reception of her previous work, THE SQUIRREL MOTHER, makes Artichoke Tales one of the most eagerly anticipated graphic novels of 2010.
THE SEARCH FOR SMILIN' ED is the latest of Kim Deitch’s graphic novels to showcase his obsessive burrowing into the nooks and crannies of vintage American popular culture. A long-gone children’s show host propels Deitch into a pop-culture investigation.
Where Deitch's earlier books focused on the earliest days of the animation industry (in THE BOULEVARD OF BROKEN DREAMS), the history of comic strips (ALIAS THE CAT), and vintage movie serials (SHADOWLAND), THE SEARCH FOR SMILIN' ED explores the surreal landscape of children’s TV shows. Launched on his latest investigation by a remark from his brother about a shared childhood favorite (“Y’know, I heard that when Smilin’ Ed died... his body was never found!”), Deitch begins to uncover some mysterious things about the kiddie-show host and his malevolent sidekick, Froggy the Gremlin. Ranging across the entire twentieth century, replete with flashbacks and stories within stories, The Search for Smilin’ Ed! is a narrative whirligig that shows Deitch at his wildest and woolliest.
The Georgetown Second Saturday Art Attack welcomes several exciting new participants to our colorful celebration of challenging contemporary art. The June 12 installment promises to maintain the ingenuity and creative diversity that has characterized the Art Attack since its inception.
Newly minted enterprises debuting on June 12 include: The grand opening of the Georgetown Trailer Park Mall – a cluster of vintage Airstream trailers housing galleries eateries, and boutiques – beginning with the Frida Folk Art Trailer exhibiting Tim Fowler’s paintings of childhood obsessions, bugs and cars, together with a “Trunk Show” by Georgetown metal workers of Steel Toe Studios; the premiere of Yvette Endrijautzki and Jethaniel Peterka’s studio/gallery the Nautilus, featuring an exhibition in the “Steam Room” by the resident artists; the open air Georgetown Marketplace, which in June begins its weekly Saturday appearance, including farm-fresh food, local and imported crafts, antiques, eats and more from over 40 vendors.
Among the regular Art Attack participants: Megan Kelso’s “Artichoke Tales” book launch party and art exhibition at Fantagraphics Bookstore & Gallery; new paintings by Rafael E. Caraballo and Ed Craggs at Calamity Jane’s; figurative paintings by Amy Pleasant at Georgetown Art & Cultural Center; students of the Georgetown Atelier present their work at the “End of the Year Show”; Mark Tedin, Kyle Abernethy and Julie Baroh at Krab Jab Studio; Full Throttle Bottles hosts a display of the Hazard Factory’s legendary Power Tool Racers, one of the feature attractions at Georgetown’s Artopia arts festival on June 26.
The Georgetown Second Saturday Art Attack is a monthly promotion of the Georgetown Merchants’ Association (GMA). For more information on this and other activities in the historic industrial arts district contact Art Attack coordinator Larry Reid or GMA chair Sara Aruguete.
Fantagraphics Bookstore & Gallery hosts an art exhibition and book launch party for Seattle-based cartoonist Megan Kelso’s new graphic novel ARTICHOKE TALES on Saturday, June 12 from 6:00 to 9:00 PM.
A graduate of alternative cartoonist breeding ground The Evergreen State College in Olympia, WA, Megan Kelso burst onto the comics scene in the early 90s with her provocative self-published zine Girlhero. She has since proved herself a master of the cartoon short story with Queen of the Black Black (1998) and The Squirrel Mother (2006), in addition to the weekly serial “Watergate Sue” published in the New York Times Magazine (2007).
ARTICHOKE TALES is a coming of age story about a young girl whose family is caught between the two warring sides of a civil war. Kelso’s visual storytelling, combining delicate line work with rhythmic page compositions, creates a dramatic tension between intimate character studies and the unflinching depiction of the consequences of war, lending cohesion and resonance to a generational epic. The widespread critical acclaim afforded Kelso’s previous work makes Artichoke Tales one of the most eagerly anticipated graphic novels of 2010.
The reception on Saturday, June 12 coincides with the colorful Georgetown Second Saturday Art Attack featuring visual and performing arts presentations throughout the historic industrial arts district. Fantagraphics Bookstore & Gallery is located at 1201 S. Vale Street at Airport Way S. in the heart of Georgetown. Open daily 11:30 to 8:00 PM, Sundays until 5:00 PM. Phone 206.658.0110. Please join us on June 12 to celebrate the work is this remarkable artist.
MEGAN KELSO: ARTICHOKE TALES
Artist reception and Book signing Saturday, June 12, 6:00 to 9:00 PM
Exhibition continues through July 7, 2010
Fantagraphics Bookstore & Gallery 1201 S. Vale St. (at Airport Way S.) Seattle, WA 98108 Phone 206.658.0110
• Review: "This extraordinary collection of World War I tales offers perhaps the finest work from the lauded Tardi. Each story, based on actual accounts from French soldiers, relates the often-horrific realities of trench-warfare. Disturbing yet compelling images abound: a dead, mangled horse hanging from a tree serves as a warning; rats feasting on corpses; amputations; executions; countless dead. Far more memorable are the impassioned stories themselves. Betrayal, deceit, mistrust, murder, hope, and even humor run throughout these tales. Painstakingly researched, the amazing Tardi perfectly captures the everyday despair of the World War I trench soldier. Visceral, powerful, and effective, the flawless It Was The War of the Trenches blazes a new standard for the war comic." – Rick Klaw, The SF Site: Nexus Graphica
• Review: "One of the nice things about the rise of highbrow comics is the how many genuinely lurid entertainments a gentleman can get away with adding to his library. For starters, we’d suggest Tim Lane’s Abandoned Cars. It’s the modern equivalent of the Raymond Chandler yarns that fill up the more exciting portion of your bookshelf — a string of police chases and back-alley fist fights with a surprisingly introspective thread running in the background." – Kempt
• Interview:Mr. Media's Bob Andelman talks to Gahan Wilson about Fifty Years of Playboy Cartoons: ""I said, 'I'll see Mr. Kurtzman?' 'Oh, no,' the receptionist said. 'Trump is out of New York.' The art director came up behind me and said, 'Hef would like to see you.' I didn't know who or what a Hef was." Listen via the embedded player above or at this link, or download the MP3
Megan Kelso has proved herself a master of the cartoon short story with Queen of the Black Black (1998) and The Squirrel Mother (2006). With Artichoke Tales, six years in the making, Kelso expands her range (and her page count) by creating a family saga spanning three generations and an entire continent.
Artichoke Tales is a coming-of-age story about a young girl named Brigitte whose family is caught between the two warring sides of a civil war, a graphic novel that takes place in a world that echoes our own, but whose people have artichoke leaves instead of hair. Influenced in equal parts by Little House on the Prairie, The Thorn Birds, Dharma Bums, and Cold Mountain, Kelso weaves a moving story about family amidst war. Kelso’s visual storytelling, uniquely combining delicate linework with rhythmic, musical page compositions, creates a dramatic tension between intimate, ruminative character studies and the unflinching depiction of the consequences of war and carnage, lending cohesion and resonance to a generational epic. This is Kelso’s first new work in four years; the widespread critical reception of her previous work makes Artichoke Tales one of the most eagerly anticipated graphic novels of 2010.
Bonus Savings: Order Megan Kelso's Artichoke Tales + The Squirrel Mother together for a discounted price of $31.99 (a savings of about 8 bucks)! Order now and we'll ship you both books when Artichoke Tales arrives in our warehouse.
• List:Only the Cinema's Ed Howard begins counting down The Best Comics of the Decade: part 2 includes Black Hole by Charles Burns at #36 ("Few books do a better job of capturing the fear, and the excitement, of nascent desire and adolescent longing, as these diseased teens are driven mad by hormones and embarrassment"), Epileptic and Babel by David B. at #30 ("With his elegant style, dominated by striking blacks and contrasts, he invents numerous metaphors and visualizations for his brother's disease, treating the fight against the disease as a physical, mortal conflict"), Chimera #1 by Lorenzo Mattotti at #29 ("a rare pleasure from this elusive artist... a powerful work"), and The Squirrel Mother by Megan Kelso at #26 ("Kelso's work can be devastating in the way she pares down the excess to get at the essence of a particular moment or situation").
• Review: "…[A] fascinating treasure trove of an anthology... In addition to work by greats like Artie Romero, Rick Geary, and Mary Fleener, and 50 or so others, [Newave!] serves as the history of a movement." – Publishers Weekly
• Review: "Taken as a book that records a history, it’s pretty awesome. ... Newave! does include essays about minicomics and interviews with some of the creators. These are fun and provide a great look at how all of this came about." – Eden Miller, Comicsgirl (via Wow Cool)
• Review: "[Newave!] is really cool. ... It's great to see the kind of passion that was going on... when there was this explosion where people just wanted to do comics because they had a passion for drawing, for telling stories... It's just a book full of passionate comics... I definitely recommend checking it out..." – Steampunk Willy's Mad Comix Ride - The Comic Book Podcast (via Wow Cool)
• Review: "[I Killed Adolf] Hitler mixes elements of classic time travel science fiction fare with personal melodrama and a strange sense of humor that's unlike anything else in comics today. ... Jason pulls off some nice storytelling tricks when you aren't looking. ... The pacing of his story is refreshing, never getting bogged down, never moving too fast." – Augie De Blieck Jr., Comic Book Resources
• Interview: At Fatally Yours, Sarah Jahier has an enlightening Q&A with Dame Darcy: "My Dad is an artist, so is my uncle, brother, and a lot of my family. We are related to John Wilkes Booth and many of the guys in my family look like him (like a handsome villain). I [attribute] a lot of my family’s talent and good looks to Booth but also the craziness." I did not know that! (via The Beat)
• Profile: At Comix 411, Tom Mason profiles E.C. Segar's Popeye protegé, Bud Sagendorf
• Review: "Imagine then what yesterday — or today's — right wingers would say about The Great Anti-War Cartoons... Sadly... what these cartoons have made us 'see' is how little things have changed 'round the planet, or within our species. ... And while being the spark for various brilliant cartoons over the decades doesn't justify the institutional addiction to war (or its always-looming threat), these cartoons can at least provide some solace. Or good fallout shelter reading." – Mark London Williams, The SF Site: Nexus Graphica
• Review: "Jaime Hernandez’s side of the Love and Rockets anthology may have started in a world of futuristic fantasy, but [The Girl from H.O.P.P.E.R.S.] is the volume where he finds his feet and hits a groove. ... Jaime’s illustration is beautiful and effortless. His characters mix a near perfect clear-line style with cartoonish expression, used with particular aplomb when emotions are running high. It’s a masterclass in comic illustration." – Grovel
• Plug:Library Journal features May 2010's Artichoke Tales by Megan Kelso in their inaugural Graphic Novels Prepub Alert: "A coming-of-age story about a young girl from a family caught between sides in a civil war, set in a world similar to ours but where people have artichoke leaves instead of hair. ... Its delicate, rather impish black-and-white line work comes from the creator of the subtle and poignant Squirrel Mother."
• List: At his blog Supervillain, Sean Witzke posts a massive Comics of the Decade roundup which includes Ganges by Kevin Huizenga ("The third one fucking rules"), I Killed Adolf Hitler ("I read this sitting in the train station in Philadelphia that they shot part of 12 Monkeys in, laughing very loudly") and The Last Musketeer ("Pompous blowhard saves the universe from Ming the Merciless by stabbing and chivalry. Stabbing and chivalry solve everything.") by Jason, and Prison Pit: Book 1 by Johnny Ryan ("Book of ‘09... If the point of comics is fucked up shit happening, this is the best fucking comic ever made.") (via Robot 6)
• Review: "Family histories isn’t a series of isolated events, in Tyler’s mind, but fluid — and sometimes jarring — tapestries of facts, memories, half-truths, and emotional resonances. Her father clearly doesn’t see things that way, and this first part of You’ll Never Know shows a potential rift in how father and daughter understand their lives, and how they think a war should be remembered. I can’t wait to read how this fracture develops, deepens, and perhaps closes up." – Walter Biggins, Quiet Bubble
• Review: "There's much to like here. I sort of assumed MOME would be more like Raw, in terms of pushing the envelope and extreme artiness and so on, but it's much more readable than that. ... Anthologies are always uneven, but this contains fewer stinkers than most, clearly a testament to Fantagraphics's editorial eye." – Hillary Brown, Shazhmmm...
• Review: "Few artistic creations merit the adjective 'lurid.' Strange Suspense leers confidently from the shadows of that small crowd. ... If the infected, deformed teens of Black Hole inspired the reader to linger on each page of that magnificent book, Strange Suspense is worth a look. And for the Ditko-curious, this isn't a bad place to start." – The Typing Monkey
• Review: "The Squirrel Mother is a compilation of stories created by Megan Kelso between 2000 and 2005, that Fantagraphics Books, faithful to its tradition, made a beautiful object, which delights the eye before the mind." – Pedro Cleto (translated from Portuguese)