This month's Diamond Previews catalog is out now and in it you'll find our usual 2-page spread (download the PDF) with our releases scheduled to arrive in your local comic shop in March 2013 (give or take — release dates are likely to have changed since the issue went to press). We're pleased to offer additional and updated information about these upcoming releases here on our website, to help shops and customers alike make more informed ordering decisions.
The first Online Commentary & Diversions post of the year might very well end up being the longest:
• List: Humorist and television personality John Hodgman, asked to name his 5 favorite comics in an open Q&A session on his Tumblr blog, says "Love and Rockets: I don’t like to choose between brothers, but Jaime Hernandez is one of the greatest drawers of human faces and human want on the planet."
• List:Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks is #39 on The A.V. Club 's list of "most anticipated entertainments of 2012": "Only a Poor Old Man will bring Scrooge McDuck, possibly Barks’ greatest creation, into the spotlight. The bespectacled miser will dive around in his money bin and burrow through it like a gopher, and his timeless adventures will get the treatment they deserve."
• List: Tucker Stone, whose Best of 2011 previously appeared at comiXology, presents a slightly modified list for Flavorwire's "10 of the Year's Most Buzzed-About Comic Releases":
"Last year’s Love and Rockets was a huge deal, but this year’s installment is arguably even better.... Comics has yet to provide Love and Rockets with anything approximating 'competition,' but it doesn’t appear that the Hernandez brothers have any reason to be concerned about that quite yet. They’re still way better at this than everybody else on the planet."
"The big thing this year was watching all the great young cartoonists of the early 2000s carving out their places in the pantheon. Huizenga’s a perfect example — he’s been regularly turning out excellent comics for years now, and yet Ganges #4 still reads like a revelation.... It’s a fascinating experience reading these comics, and they’re gorgeous to boot."
"The continuing adventures of Johnny Ryan’s most violent fantasies run amuck, [Prison Pit] is rapidly becoming the comic that I look forward to the way a fat kid looks forward to syrup-encrusted cake. There’s no getting around the hoary old cliche — 'these aren’t for everybody' — so God help you if you can’t figure out a way to enjoy these books."
• List: The prolific Sean T. Collins, after having contributed to CBR's Top 100, runs down his personal 20 Best Comics of 2011 on his Attentiondeficitdisorderly blog AND at Robot 6, withGanges #4 by Kevin Huizenga at #15...
"Huizenga wrings a second great book out of his everyman character’s insomnia. It’s quite simple how, really: He makes comics about things you’d never thought comics could be about, by doing things you never thought comics could do to show you them. Best of all, there’s still the sense that his best work is ahead of him, waiting like dawn in the distance."
"...[T]he payoff... feels like a weight has been lifted from Woodring’s strange world, while the route he takes to get there is illustrated so beautifully it’s almost superhuman. It’s the happy ending he’s spent most of his career earning."
"Religious fundamentalism... has worn a thousand faces in a millennia-long carnevale procession of war and weirdness, and David B. paints portraits of three of its masks with bloody brilliance. Focusing on long-forgotten heresies and treating the most outlandish legends about them as fact, B.’s high-contrast linework sets them all alight with their own incandescent madness."
"I picture Gilbert Hernandez approaching his drawing board these days like Lawrence of Arabia approaching a Turkish convoy: 'NO PRISONERS! NO PRISONERS!' In a year suffused with comics funneling pitch-black darkness through a combination of sex and horror, none were blacker, sexier, or more horrific than this gender-bending exploitation flick from Beto's 'Fritz-verse.'"
"...[L]et's add to the chorus praising Jaime's 'The Love Bunglers' as one of the greatest comics of all time, the point to which one of the greatest comics series of all time has been hurtling toward for thirty years.... You can count the number of cartoonists able to wed style to substance, form to function, this seamlessly on one hand with fingers to spare. A masterpiece."
"The hype and acclaim surrounding Xaime Hernandez’s conclusion to his 'Love Bunglers' saga has been overwhelming, and every ounce of it is deserved. This is simply a phenomenal achievement in comics. A moving, thoughtful story of missed opportunities, loss and eventual reconciliation that provides in many ways a fitting conclusion to all of Xaime’s 'Locas' stories. I’d be hard pressed to think of a better comic that came out this year."
"More than the new Carl Barks collection, more than the return of Pogo, the resurrected, re-appreciated comic strip I found myself falling in love the most with this year was Gottfredson’s plunky, adventure-loving mouse, a scrappier version of Disney’s iconic creation. More to the point, I was completely taken with the stunning packaging and background information Fantagraphics and the books editor put together for this series. It’s new benchmark for reprint projects."
"Three volumes into this grand guginol series and it continues to surprise and delight, this time introducing a new character and suggesting via an end sequence that Ryan has been reading a lot of Fort Thunder comics."
"Incredibly inventive, Schrauwen, like Yokoyama, seems intent on pushing the comics medium into new and interesting directions. But where Yokoyama is concerned mainly with motion and exploration, Schrauwen is concerned mainly with perception and the interior world of the mind. This is great, mind-blowing work."
• List: Also on Robot 6's roundup of best-of lists from its writers, Tim O'Shea ranks Pogo Vol. 1 at #9: "Damn if this was not worth the wait... Volume 1 of the complete syndicated daily strips of Pogo would be enough to put this book on my list. But the fact that Fantagraphics has a foreword by Jimmy Breslin; an introduction by Steve Thompson; a piece on the Pogo Sunday Funnies by Mark Evanier; and Swamp Talk (R.H. Harvey annotations on the strips) is just icing on the cake."
• List: David McKean's Celluloid gets a "See Also" shout-out on Cyriaque Lamar's list of The Best Science Fiction and Fantasy Comics of 2011 at io9: "A decidedly adult erotica graphic novel with no dialogue, this is the famed Sandman cover artist going at page after page of a sexy hallucination, whipped up by a magic porno movie projector. Dreamscapes with boners."
"After 'Browntown' in last year’s installment of New Stories, there was a worry that Jaime might have peaked — how on earth was he going to top that story? The achingly beautiful conclusion to 'The Love Bunglers' in this volume was the answer. Pulling together strands from Maggie’s entire 30-year history in two pages was nothing short of stunning, with his art as cooly confident as ever, making it a real emotional sucker punch. Gilbert’s work developing Fritz’s movie back-catalogue is a real mind-bender, too, weaving inter- and meta-textual strands together that lets his characters say so much, while saying so little. It is terrifying how talented these guys are."
"Forget Pogo and Carl Barks — we already knew they were classics — the real reprint revelation of 2011 was good ole' Mickey Mouse.... To read these strips is to rediscover a love for Mickey and marvel at Gottfredson's amazing grasp of storytelling and humour, as well as his flawless artwork. Naturally, with Fantagraphics overseeing the reprints, the design, packaging and presentation is gorgeous — a real worthy successor to their Peanuts series."
• Plug: "I’m a little mortified to admit that Walt Disney's Donald Duck: Lost in the Andes is my first exposure to Carl Barks (after decades of being interested in finally seeing why he’s so revered as a comic creator), but it definitely won’t be my last. Fantagraphics’ first volume of Barks material is a great place to start; a mixture of epic quests, short stories, and gag strips that are all impressively funny and awesome." – Greg McElhatton, Robot 6
• List: On his Domino Books blog, Austin English explains why Joyce Farmer's Special Exits is his favorite comic of 2011: "Farmer's cartooning allows for her characters to act out their illness and struggles in front of the reader. Farmer's drawing of her aging father is something to behold — it's not Farmer saying 'here is what my sick father went through.' Instead we see a drawing age and wither in front of us, and speak to us with both intelligence and dementia. I’ve never seen anything in comics done with such skill — let alone see a graphic novel (often the territory of poorly conceived topical heart wrenchers) speak about tragedy with so much depth and clarity."
• List: Comics writer Vito Delsante declares Love and Rockets: New Stories #4 the Best Single Issue of 2011 on his Best of 2011 blog post: "The Hernandez Brothers, since New Stories 3, have really created the most important mythology in comics since Stan and Jack (and Steve).... Jaime Hernandez should win every single award in comics in 2012."
• List: We rank 4 entries on Renee Lott's Top 10 Comics of 2011 at her Blogwithfeet
• Review: "I've been digging the new Fantagraphics release Jason Conquers America which commemorates ten years of the venerable publisher's relationship with the Norewegian artist.... My favorite story in the collection revolves around a crow who naps in a bed in a field and wakes up obliviously in an entirely new life. (Telling any more would spoil the revelation.) In 23 short wordless panels, Jason creates a powerful and compelling commentary that proves how powerfully expressive comics can be." – Stray Riffs
• Review: "A new comic from the top humorist in comics is always welcome. This issue [of Tales Designed to Thrizzle] is the usual combination of dada and surprisingly tightly-wrapped narrative gags surrounding the sort of cultural detritus mined by Drew Friedman & Mark Newgarden.... 'Quincy, M.E.'... is one of Kupperman's best strips because he keeps adding new layers of plot to an already-ridiculous story.... I still miss the sheer density of detail in Kupperman's older work that made reading it almost exhausting, but the avalanche of ideas remains intact, as does his ability to elicit laughs." – Rob Clough, High-Low
• Review: "...Prison Pit... [is] a marriage of pro wrestling, manga, bromance and filth.... Johnny Ryan has an almost Kirbyesque level of character design, but with obviously more genitalia, and it can at times be a joy just to see what is going to come on the next page.... Johnny Ryan is a cartoonist at the top of his game right now and he may just be the closest thing the comic world has to marmite." – Taylor Pithers, The Weekly Crisis
• Interview:The Comics Reporter's Tom Spurgeon talks with Todd DePastino, biographer of Bill Mauldin and editor of our Willie & Joe books. Spurgeon says Willie & Joe: Back Home is "one of my three favorite comics-related books from 2011, and, I think, one of the year's best." From DePastino: "When I look at these cartoons, I think of literary critic Dominic LaCapra's claim that some books are good to think about and a very few are good to think with. Mauldin's postwar cartoons are good to think with. They not only provide a window to the times, like, say, good photographs or reporting might, but they also raise fundamental questions and issues that are with us still."
• Review: "These comics are beautiful. Each single-panel comic is blown up to a full page, so that Mauldin’s artistry can truly (and easily) be admired without squinting. The sentiments expressed are astonishing and bravely progressive for the time.... I’d never thought or heard about the poor reception combat vets received after WWII. (I mistakenly thought that only happened to our soldiers after the Vietnam War.) I wish I knew what they experienced. I’ll settle for giving [Willie & Joe: Back Home] to the next WWII vet I meet and hope that it sparks a conversation." – Gene Ambaum, The Unshelved Book Club
• Feature: At New Orleans-based website Gambit, Alex Woodward looks at Oil and Water — "As the book gets deeper south and deeper into the complexities and relationships of oil to the Gulf and its people, the stories get murky and collide, mimicking an ebb-and-flow that at first is much like oil and water, then gradually homogenizes. The Portlanders come to grips with their own misconceptions, and the characters that were once miles away from their lives become embedded into their own." — and talks to the book's creators (writer Steve Duin, artist Shannon Wheeler and editor Mike Rosen)
• Review: "...Mark Twain's Autobiography 1910-2010... is mainly an excuse to insert Twain, Zelig-like, into every decade between 1910 and today. Of course he made a lot of money in the 1920s and lost it all in the 1930s. Of course he and Albert Einstein were repeatedly struck in the head by a hammer-wielding monkey. And of course he sleeps with Mamie Eisenhower ('this lady was one hot dish.') It's all told in Kupperman's Marx Brothers-style absurdist deadpan voice, and if you like Tales Designed to Thrizzle, then you'll love this book. It's packed with laugh-out-loud moments..." – Paul Constant, The Stranger
• Review: "Gahan Wilson's Nuts features kids talking the way adults really talk... The kids in Nuts are vain, covetous, not so very bright, and they stagger around, reeling, from one unpleasant surprise to the next. They get their hair cut ('Sometimes I wonder if it's just that he's a lousy barber...') they look at some gory magazines, ('We're just not ready for that shit') and they attend funerals of uncles ('My God—I never saw them acting this way before! They've all fallen apart!'). Weirdly, by giving his kids the vocabularies of adults, he really captures the neuroses of childhood. We begin life as we live it now: Dazed, angry, and bitter at our own fundamental lack of control." – Paul Constant, The Stranger
• Review: "Fantagraphics has a nice introduction giving a brief biography of Kelly, and describing many of the struggles he had with Pogo and syndication. There is also a fantastic notes section at the end, which points out historical trivia as well as giving the context for some of the strips.... It’s possible that the appeal of Pogo may be lost on folks who are so used to everything that it influenced, be it talking animal comedies or political satires. Doesn’t matter to me, though. This strip is funny, well-drawn, and features a huge mass of likeable characters doing entertaining things. Put it together with Fantagraphics’ excellent presentation, and you have a definite must-buy." – Sean Gaffney, Manga Bookshelf
• Review: "Greg Sadowski and Fantagraphics’ Setting the Standard is perhaps the best book on Alex Toth that has been published thus far... Sadowski takes a straightforward, comprehensive approach and so Setting the Standard can rest comfortably on the bookshelf next to Fantagraphics’ other excellent recent collections of essential comics such as Hal Foster’s Prince Valiant, Roy Crane’s Captain Easy and Buz Sawyer and Carl Barks’ Disney epics.... There are... many passages of thoughtful comics storytelling. The romance work is often brilliantly articulated and visualized... Toth’s handling of horror and suspense is intuitive, sometimes harrowing and exhibits his more radical inventions.... In Sadowski’s book, Toth’s work speaks for itself and the artist likewise. The book’s assemblage and design are very well done to make a package which is pulpy but tasteful, not cheap nor overly slick, not high/low cute or old-boy sentimental. It provides a complete and important body of work by a great cartoonist." – James Romberger (contributor to the final Mome), The Hooded Utilitarian
• Review: "Barks, the artist, is a master cartoonist, drawing lively, expressive characters with a graceful sense of movement. His beautiful, detailed backgrounds plant the ducks in a fully realized world that adds weight to his storytelling.... But besides the entertaining plots, Barks’ appeal is in his characters. He gives his ducks many human frailties and while they usually try to do the right thing, they make mistakes, get angry, frustrated, and even fail. Fantagraphics Books... does its usual high quality work here as well. The design and layout of the book is a handy comic-book size hardcover with bright, colorful reproductions of the comics. Besides the comics, there are articles on Barks and analysis on each story... For both newcomers to Barks' work and diehard fans, [Walt Disney's Donald Duck: Lost in the Andes] is a book that any comic book reader would love to find under the Christmas tree." – Rich Clabaugh, The Christian Science Monitor
• Interview: At The Comics Reporter, Tom Spurgeon talks with Rich Tommaso about his coloring work on our Carl Barks Library series — "[Disney] said we didn't have to be so religious about it. They wanted to make sure the color for the ducks, the reds and blues and the yellows, that those were pretty much bang-on. But they agreed that there was a little bit of leeway. If something looked like a bad color choice, you could find something in the ballpark range of that color. So that's what I would do." — and about his own comics work
• Review: "All aspects of Kubert's career are touched on in this tome, which is loaded with beautiful colour reproductions of its subject's artwork and complemented by a lengthy and insightful critical commentary by comic book historian Bill Schelly. Over the course of the book's 224 pages, you can see quite clearly how Kubert's art evolved and how his storytelling skills developed, but also how his unique style, those striking touch and sinewy images that could have been rendered by no one else, has remained intact. As with Fantagraphics' previous coffee table comic art books, The Art of Joe Kubert makes you want to see more — all! — of the artist's work." – Miles Fielder, The List
• Review: "Frank Zappa once said 'most rock journalism is people who can’t write, interviewing people who can’t talk, for people who can’t read.' However true that might be, Paul Nelson was one who most definitely could write. And he interviewed people who could talk, and plenty of people read what he wrote. Kevin Avery certainly read what Nelson wrote, and has now written Everything Is an Afterthought, which is both a biography of Nelson and a collection of his work, including some pieces that have never been published.... Like the best critics, Nelson was primarily a fan of what he wrote about, subjects that struck a chord with him. And here’s a bio and a collection of his work written by a fan of his." – Robert O'Connor, Spike Magazine
• Plug: Proud contributor to our first Walt Kelly Pogo volume Mark Evanier talks up the book on his blog: "It's a wonderful book and though I am a Consulting Editor — I think that's my title — I can rave about it because I deserve very little credit for its wonderfulness. Any book that properly presents the work of Mr. Kelly is going to be, by definition, wonderful...and Carolyn Kelly (daughter of Walt, companion of mine) and Fantagraphics Books made sure it was properly presented."
Plug: "...Michael Kupperman's new book [Mark Twain's Autobiography 1910-2010]... has everything a boy could want, including Mark Twain on the track of the elusive yeti!... Albert Einstein is a major supporting player in the book (he and Twain open a detective agency, natch) and somehow it behooves me to remind everyone that in real life for really real, Einstein's granddaughter married a renowned bigfoot hunter. That is a fact you can look up on your computer!" – Jack Pendarvis
• Interview:Robot 6's Tim O'Shea talks with Shannon Wheeler, with a couple of revealing behind-the-scenes tidbits about Oil and Water in the second half: "Steve [Duin] understands a scene really well. When all the characters visited the bird cleaning facility there was a large storytelling arc with multiple subplots. I would have been afraid to juggle so many elements. I would have focused on the single note of the horror of the facility. Steve isn’t afraid to trust the reader to understand. I’m a lot less trusting of the reader. Steve showed me how to have more faith in the narrative."
Register and Login to receive full member benefits, including members-only special offers, commenting privileges on Flog! The Fantagraphics Blog, newsletters and special announcements via email, and stuff we haven't even thought of yet. Membership is free and spam-free, so Sign Up Today!