Meet the man that Publishers Weekly has said "...is pretty much his own genre of humor now," and watch him perform said humor starting at 7:00 PM, followed by a Q&A and a booksigning! And he'll be joined by comedian Mr. Ted Travelstead, who was my co-star in this Superchunk music video! (No joke!)
Book Court is located at 163 Court Street (between Pacific & Dean Streets) in the Cobble Hill neighborhood of Brooklyn. Go, and be thrizzled!
The fullest mailbox of Online Commentaries & Diversions:
• Interview: Alex Dueben interviews Richard Sala about Delphine on CBR . "The main story, which is depicted with ruled borders, was always linear. But I allowed myself more room with the main character's inner life. All of that -- the memories, dreams, fantasies, wishful thinking -- all of that is depicted in panels with soft, cloud-like, non-ruled borders. And so I was able to add to the character's inner life -- his thoughts and fears and confusion -- as I went along." And,edit to the article, we also have The Hidden and The Grave Robber's Daughter available at comiXology.
• Interview:Wilfred Santiago is interviewed by Christopher Borelli about Bull on Parade for the Chicago Tribune and Michael Jordan's 50th birthday. "[Santiago] said a graphic novel seemed like a perfect medium for exploiting athleticism, then added: 'But also, Jordan, as a figure, never seemed that interested in satisfying people. Which is interesting to me.'"
• Plug: Tom Spurgeon on the Comics Reporter talks about TCJ 302, edited by Gary Groth, Kristy Valenti and Michael Dean. "There's an amazing Roy Crane section in there that's as good as you can imagine practical advice from a practical-minded comics craft master being. The Sendak is hilarious and sad." Spurgeon gives a review for TCJ 301 as well. "Publishing Groth's big interviews in print like this is an effective use of one of comics' most versatile thinkers and aiming a very good and only intermittent writer like Kreider at something as odd yet Journal-appropriate as the entirety of Cerebus seems to me fine editorial planning."
• Review:Page 45 reviews 7 Miles a Second by David Wajnarowicz, James Romberger and Marguerite Van Cook. "Romberger painfully captures the frailty of forms and tenderness of touch, but equally the delirium of David’s mad fucking visions and dreams. Marguerite Van Cook’s colours are virtually toxic…This is not a beautiful book; it’s an ugly book, a brilliant book, a Last Will & Testament which I hope you will hear," writes Stephen L. Holland.
• Interview: James Romberger interviews Tom Kaczynski about Beta Testing the Apocalypseon the Hooded Utilitarian. Kaczynski made a list, we love those: "Overall I can cite 3 primary ways I use color in the book. 1. Color as a naturalistic element (as lighting, depth, etc.) 2. Color as pure design element. 3. Color as information."
• Review: Julien of the D&Q Bookstore is excited to read Moto Hagio's The Heart of Thomas. "Like the other Magnificent 49ers (the legendary first wave of female comic artists), Hagio's work is fearlessly avant-garde and visually stunning. Over her fruitful and now slightly less under-translated career, she has set the bar for all manga artists to follow, up to this day, and not just shonen-ai or shoujo mangaka."
• Review:Publishers Weekly loves Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. "Kupperman deploys a stunning arsenal of art styles to bring home the laughs, from stilted woodcut art to a kind of Tintin lite…Kupperman is pretty much his own genre of humor now."
• Interview: Gary Panter was interviewed by Nick Gazin on VICE on Dal Tokyo, creativity and other fun. Gazin describes the book, "…trying to follow the story like it was a traditional comic is hard it feels like we're seeing the inside of Panter's brain. We go where he wants to take us and the landscape reflects his current mood and interests. Not everybody can do whatever they feel like and make it as interesting as this book."
• Plug: Jeff Kinney from Diary of a Wimpy Kid reminisces about his father and their shared love of Carl Bark's duck comics at Disney Dads. Kinney says, "I consider [Carl Bark's comics] to be the best form of storytelling I’ve ever read. My father always made sure to leave the comics page open in the newspaper in the morning so we kids could read them. I think that without my father, I wouldn’t have ended up on the career path that I’m on.
• Review: Johanna Draper Carlson reviews Young Romance edited by Michel Gagné on Comics Worth Reading. "It’s neat to read these long-ago tales of girls acting out of jealousy or determining how to make the right love decision in such an easy-to-hold hardcover with restored coloring. I love seeing more of this forgotten period of comic history, particularly since it was so widely popular and yet so ignored these days," writes Carlson.
• Plug: Jim Hanley's Universe blog creates The Definitive Love & Rockets Reading Guide and Full Bibliography by Jeffrey O. Gustafson to whet your appetite for our Love and Rockets Companion and Reader. "Featuring mature, character based stories, the quality in art and story of the work of [Hernandez brothers] represent the high-water mark of independent, creator-owned comics, indeed comics period."
• Plug:Peter Bagge 'hates' on Beavis and Butthead in this month's MAD magazine, reported by Paste.
• Plug:Noah Van Sciver continues the funny at Denver Westword with the 10 biggest buzzkills at a concert. Read this and laugh or maybe recognize the horrible person that you are.
The most evolved finch of Online Commentaries & Diversions:
• Review:Tom Kaczynski'sBest Testing the Apocalypse is reviewed on Bookslut. Martyn Pedler states, "Science fiction is notoriously unreliable when it comes to predicting Saturn dreams, laser beams, and 21st century sex machines. It’s fantastic, however, at taking our present reality and making it strange again. Beta Testing The Apocalypse makes us Martians to better let us see what’s happening all around us. Read it and witness the disquieting Gernsback of Now."
• Review:Beta Testing The Apocalypse is reviewed by Comics Metropolis. "…a book with an elegant and agile format, immediate in its communicative ability, and extraordinarily dense in its content. An essential reading," writes Biri.
• Interview (audio): Michael Kupperman speaks to Julie Klausner on How Was Your Week.
• Review (audio): The Inkstuds roundtable talks about the Best Books of 2012. Joe McCulloch, Robin McConnell, Tom Spurgeon and Bill Kartalopoulos talk about Lilli Carré's Heads or Tails at the 2 hour, 2 minutes mark. All agreed there was a lot of work. And good work. "Lilli is very good at short stories," says Bill. " 'The Rainbow Movement' was a beautiful short story and exquisite."
• Review: In case you missed it, 7 Miles A Second was a Publishers Weekly Pick of the Week. "How do you draw grief"? David Wajnarowicz, James Romberger and Marguerite Van Cook know. "The author’s prose is poetic, arriving with a light touch while delivering a heavy, dark, and understandably angry message."
• Interview: Originally posted on The Comics Journal, then reposted on Boing Boing, Marc Sobel speaks to Ed Piskor at length. In regards to Hip Hop Family Tree, Piskor states, "I think the value that my book has and will have over time as I keep moving forward is that it really does stand a chance of being one of the most comprehensive histories of hip hop culture. There really isn’t one resource that includes all of this minutiae and stuff that I’m focusing on."
• Plug: The Poetry Foundation revisits The Last Vispo after reading another review. "We’re still reading and looking through our copy, enjoying the sheer abundance and diversity of work gathered together," writes Harriet Staff.
• Interview (audio):Gary Groth appears for a full hour on TELL ME SOMETHING I DON'T KNOW now on Boing Boing. Hold onto your comics, it's a great ride.
Imaginations come no wonkier, no dafter than Kupperman’s. His idea of a crime-fighting, daring, dynamic duo à la Bruce and Dick (Batman and Robin) is Twain and Einstein (Mark and Albert)-that is, when it's not a snake and a strip of bacon. When he thinks Odd Couple, it's Oscar and Felix Dracula…Kupperman draws all this strangeness in a manner that derives about equally from Chester Gould (Dick Tracy), 1950s romance comics, visualpun cartoonist Glen Baxter, and art deco. –Ray Olson
Sala’s high-class horror sensibility is equal parts sinister and gleeful: a wild cackle of frights steeped in the grand gothic tradition of Edward Gorey… Sala’s quavery lines dish out plenty of unsettling images, and he ratchets up the eeriness with stylized, hand-drawn lettering. Though he sacrifices some narrative sense in favor of creepy atmospherics and downright baffling transitions, Sala does a fine job of keeping everything just slightly out of balance and off-kilter. –Ian Chipman
Jackson is one of the founders of the 1960s underground comics movement (his 1964 God Nose predates Zap Comix by four years), but he's best known for…relating the unvarnished history of his native Texas... This hardcover volume gathers two of his later works: 1989's Los Tejanos, the story of Juan Seguin, a hero of the Texas revolution…later labeled a traitor…; and Lost Cause, a 1997 post-Civil War account of unreconstructed Texans who had supported the Confederacy... Jackson spins these sprawling, complex yarns with a skilled hand, imparting them with a rugged authenticity that makes them all the more compelling, never shying away from the violence and racism endemic to the period. His rough-hewn, craggy illustrations are an ideal vehicle for these tales of the rugged men who carved out the Lone Star State. –Gordon Flagg
He'll be climbing aboard the "Steamboat," their monthly literary humor event, to present his brand new collection Tales Designed to Thrizzle Vol. 2! His fellow castaways include Saturday Night Live's Rachel Dratch and Dawn Fraser, and your host will be author and comedian Bob Powers.
This free wine-addled event launches at 7:00 PM. Greenlight Bookstore is located at 686 Fulton St (at South Portland) in Brooklyn.
The thinly-veiled excuse to come over of Online Commentaries & Diversions:
• Review:The Comics Reporter reviewed Prince Valiant Vol. 6: 1947-1948by Hal Foster. Tom Spurgeon writes, "The comic in this attractively-packaged and produced edition gives off the handsome sheen of mass entertainment that knows its commercial value. Prince Valiant may be 75, but this material at least still has all its hair and a hell of a tan." Damn, did Tom Spurgeon pick an excellent image or what?
• Review:Rain Taxi looks at The Last Vispo edited by Crag Hill and Nico Vassilakis. Chris Funkhouser writes, "With each turn of a page in The Last Vispo Anthology, we experience yet another imaginative method uniting thought and expression through visual representation.…The Last Vispo Anthology contains an abundance of wordless, asemic writing that by definition demands a type of integral participation, far beyond interpretation, by the reader."
• Review:Tales Designed to Thrizzle Vol. 2 by Michael Kupperman is reviewed by Richard Pachter in the Miami Herald. "Humor and profundity collide and embrace once again, as his straight-faced retro art illuminates the never-ending, laugh-out-loud absurdity."
• Review: The Miami Herald and Richard Pachter look at Beta Testing the Apocalypse by Tom Kaczynski. "He combines socioeconomic fact, fantasy and farce in this seriously paranoid criticism of modernity, and the result is a disturbing but hilarious tale of identity loss and consumerism run amok."
• Review:The Morton Report and Bill Baker interview Tom Kaczynski about Beta Testing the Apocalypse. Kaczynski says, "J.G. Ballard was big influence, especially on the first four stories in the book. I was reading all of his books at the time I worked on them and his world view contaminated everything I was doing."
• Review:The Comics Journal and Sean T. Collins review Johnny Ryan's Prison Pit Book 4. It "made even a seasoned hand at the rough stuff like me emit weary moans of repulsion and disgust with seemingly each new pustule-encrusted beast that appeared…To spend a prolonged period of time in Prison Pit is to open your mental orifice to Ryan’s razor-studded art-cock"
• Plug: University of Texas (El Paso) is fundraising for "The Hernandez Brothers Collection of Hispanic Comics and Cartoon Art at the University of Texas at El Paso (UTEP), which is named after Jaime, Gilbert and Mario Hernandez and has as its mission the preservation and sharing of comics materials from or featuring Hispanics/Latino/as/Chicana/os" as posted on the Comics Reporter. There is a Jaime special edition art print available so act now!
• Review: Martin Wisse profiles Joost Swarte in video form. A must.
Read more here: http://www.miamiherald.com/2013/02/03/3210819/zombies-teen-angst-and-more-in.html#storylink=cpy#storylink=cpy"
•Read more here: http://www.miamiherald.com/2013/02/03/3210819/zombies-teen-angst-and-more-in.html#storylink=cpy#storylink=cp
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
69-page full color 9" x 12" hardcover • $19.99 ISBN: 978-1-60699-614-0
"...arriving with a light touch while delivering a heavy, dark, and understandably angry message. Part of what makes the book unusual is that it does not go out of its way to be uplifting... Romberger and Van Cook's art is hyperactive, with splattery color that suggests the out-of-body acid-trip world of contradictory values and constantly shifting danger that Wojnarowicz lived in." –Publishers Weekly
"One of the most widely-admired (and unfairly obscure) releases from the ’90s Vertigo line sees new life…" –Joe McCulloch, The Comics Journal
176-page full-color 7.25" x 10" hardcover • $24.99 ISBN: 978-1-60699-615-7
"Tales Designed to Thrizzle Volume Two has its place in the construct. It is 'silver and exact' like Sylvia Plath's Mirror and reflects the 'terrible fish' that has become our understandings of the world." –Daniel Elkin, Comics Bulletin
"The stories serve as beautiful and brutal snapshots of a brilliant life lived too hard and extinguished too soon. It is not too much to say that we all owe a great cultural debt to Mr. Wojnarowicz…" –Matthew Rosenbery, Forbidden Planet's Daily Planet
Well folks, it's our first batch of 2013 releases and a swell batch it is.
In the past month we've received the gorgeous new definitive edition of the '90s cult classic 7 Miles a Second; Tom Kaczyinski's acclaimed short story collection Beta Testing the Apocalypse; the mammoth new issue of The Comics Journal; a reprint of a Complete Crumb Comics volume loaded with Fritz the Cat classics (and a sweet deal on multiple volumes); Alexander Theroux's encyclopedic, entertaining rant The Grammar of Rock (with Crumb on the cover); true Tejas tales in Jack Jackson's American History: Los Tejanos & Lost Cause; an essential new volume of Hal Foster's Prince Valiant; and the new 2nd hardcover collection of Michael Kupperman's hilarious Tales Designed to Thrizzle!
Remember, our New Releases page always lists the 20 most recent arrivals, and our Upcoming Arrivals page has dozens of future releases available for pre-order.
(Want these updates in your inbox every month? Subscribe!)
7 Miles a Second is the story of legendary artist David Wojnarowicz, written during the last years before his AIDS-related death in 1992. Artists James Romberger and Marguerite Van Cook unsentimentally depict Wojnarowicz's childhood of hustling on the streets of Manhattan, through his adulthood living with AIDS, and his anger at the indifference of government and health agencies. A primal scream of a graphic novel, 7 Miles a Second blends the stark reality of Lower East Side street life with a psychedelic delirium that artfully conveys Wojnarowicz's sense of rage, urgency, mortality and a refusal to be silent.
Originally published as a comic book in 1996 by DC's Vertigo Comics, 7 Miles a Second was an instant critical success and has become a cult classic amongst fans of literary and art comics, just as Wojnarowicz's influence and reputation have widened in the larger art world. This new edition finally presents the artwork as it was intended: oversized, and with Van Cook's elegant watercolors restored. It also includes several new pages created for this edition.
"Revolutionary.... a runaway, over-the-top circus... An excursion into areas few, if any, comics creators have tread." – Jim Steranko
"Seven Miles a Second veers between an almost unbearably gritty naturalism and the incendiary heat of surrealist hallucination." – The New Yorker
"A revelatory work of art." – Art in America
"A cult classic... both a celebration of the unlimited potential of the comic book form, and a perfect melding of inspiring, iconoclastic imaginations." – Jim Jarmusch
It would be easy to call Tom Kaczynski the J.G. Ballard of comics. Like Ballard, Kaczynski’s comics riff on dystopian modernity, bleak man-made landscapes and the psychological effects of technological, social or environmental developments. Yet while Kaczynski shares many of Ballard’s obsessions, he processes them in unique ways. His visual storytelling adds an architectural dimension that the written word alone lacks.
Kaczynski takes abstract ideas — capitalism, communism, or utopianism — and makes them tangible. He depicts and meditates on the immense political and technological structures and spaces we inhabit that subtly affect and define the limits of who we are and the freedom we as Americans presume to enjoy. Society and the individual, in perpetual tension. Once you’ve read Kaczynski’s comics, it should come as no surprise to learn that he studied architecture before embarking on a career as a cartoonist.
Beta Testing includes approximately 10 short stories, most notably "The New," a brand new story created expressly for this book. It’s Kaczynski’s longest story to date. "The New" is set in an unnamed third-world megalopolis. It could be Dhaka, Lagos or Mumbai. The city creaks under the pressure of explosive growth. Whole districts are built in a week. The story follows an internationally renowned starchitect as he struggles to impose his vision on the metropolis. A vision threatened by the massive dispossessed slum-proletariat inhabiting the slums and favelas on the edges of the city. From the fetid ferment of garbage dumps and shanties emerges a new feral architecture.
The newly formatted, 600+ page Comics Journal proved a resounding success with 2011’s edition. 2012’s Volume 302 is sure to prove just as essential and exciting to comics readers worldwide.
This edition’s cover feature is a long, intimate interview-portrait with and of Maurice Sendak, the greatest and most successful children’s book author of the 20th — and 21st — century, the author of Where the Wild Things Are, In the Night Kitchen, Outside Over There, Higglety Piggelty Pop, and the illustrator of works by Herman Melville, Leo Tolstoy, and Randall Jarrell. In his longest published interview (and one of the last before his death in 2012), Sendak looks back over a career spanning over 60 years and talks to Gary Groth about art, life, and death (especially death), how his childhood, his parents, and his siblings affected his art and outlook, his search for meaning — and also, on the lighter side, about his love (and hate) of movies. And his unbridled comments on the political leadership of the previous decade have already garnered national media attention and controversy.
Sharing equal billing in this issue's flip-book format: Kim Thompson conducts a career-spanning interview with French graphic novel pioneer Jacques Tardi. The two explore the Eisner Award-winner’s genre-spanning oeuvre comprising historical fiction, action-adventure, crime-thriller, “icepunk” and more, focusing on Tardi's working methods (with step by step illustration), collaborations and other media (such as film and animation), and his fascination with World War I. Plus, Matthias Wivel examines Tardi's adaptation of Léo Malet's 120, Rue de la Gare.
Also in this issue, Art Spiegelman conducts a wide-ranging aesthetic colloquy on classic kids’ comics (Carl Barks’s Donald Duck, John Stanley’s Little Lulu, Sheldon Mayer’s Sugar and Spike, and many more) with a group of comics critics and historians. Bob Levin provides a revelatory investigation of the twisted history of the "Keep on Truckin’" litigation and a fascinating biographical portrait of R. Crumb’s lawyer, Albert Morse. Warren Bernard writes a ground-breaking historical investigation of the 1954 Senate Subcommittee Hearing on Juvenile Delinquency. R.C. Harvey looks at Bill Hume's Babysan and Donald Phelps examines Percy Crosby's Skippy. And a tribute to the late Dylan Williams from his peers and the artists he published.
Plus: “How to Draw Buz Sawyer” by renowned newspaper cartoonist Roy Crane (and a previously unpublished interview), a new comic by Joe Sacco and one by Lewis Trondheim in English for the first time, Tim Kreider on Chester Brown, Tom Crippen on Mort Weisinger and Superman, Rich Kreiner on "difficult comics," and a visual gallery of and commentary on proto-comics.
The Comics Journal has been for 37 years the world’s foremost critical magazine about comics. It is now more vital than ever, a gigantic print compendium of critiques, interviews, and comics.
Starring Fritz the Cat includes Crumb's classic original Fritz stories from 1965, including "Fritz Bugs Out" and "Fritz the Cat, Special Agent for the CIA," the first two "real" stories in the Fritz canon, as well as "Fritz the Cat, Ace Statesman," four pages of a previously unpublished Fritz story, and several Fritz illos never before printed in color. Plus: Crumb's first published work from Help! and Yell, including the "Harlem Sketchbook" and the "Bulgarian Sketchbook," most never before reprinted; two dozen of his Topps trading cards, plus extremely rare promotional items, as well as many creeting cards done for American Greetings, several in full color; and many pages of strips from Crumb's 20-year-old sketchbooks. Plus more of Marty Pahls's ongoing Crumb biography, including the story of Crumb's first acid trip, with more rare photos of the young Crumb!
1989 Harvey Award Winner, Best Domestic Reprint Project
Buy Two, Get One Half Off! When ordering this volume, add any two other available volumes from The Complete Crumb Comicsseries and the third volume will be half price! See product page for more details.
National Book Award nominee, critic and one of America’s least compromising satirists, Alexander Theroux takes a comprehensive look at the colorful language of pop lyrics and the realm of rock music in general in The Grammar of Rock: silly song titles; maddening instrumentals; shrieking divas; clunker lines; the worst (and best) songs ever written; geniuses of the art; movie stars who should never have raised their voice in song but who were too shameless to refuse a mic; and the excesses of awful Christmas recordings. Praising (and critiquing) the gems of lyricists both highbrow and low, Theroux does due reverence to classic word-masters like Ira Gershwin, Jimmy Van Heusen, Cole Porter, and Sammy Cahn, lyricists as diverse as Hank Williams, Buck Ram, the Moody Blues, and Randy Newman, Dylan and the Beatles, of course, and more outré ones like the Sex Pistols, the Clash, Patti Smith, the Fall (even Ghostface Killah), but he considers stupid rhymes, as well — nonsense lyrics, chop logic, the uses and abuses of irony, country music macho, verbal howlers, how voices sound alike and why, and much more.
In a way that no one else has ever done, with his usual encyclopedic insights into the state of the modern lyric, Theroux focuses on the state of language — the power of words and the nature of syntax — in The Grammar of Rock. He analyzes its assaults on listeners’ impulses by investigating singers’ styles, pondering illogical lunacies in lyrics, and deconstructing the nature of diction and presentation in the language. This is that rare book of discernment and probing wit (and not exclusively one that is a critical defense of quality) that positively evaluates the very nature of a pop song, and why one over another has an effect on the listener.
Jack Jackson loved American history and creating comics. He combined these into a single vocation and created a legacy of historical graphic novels that has never been equaled.
Jackson is credited with creating what many consider the first underground comic, God Nose, in 1964. He co-founded Rip-Off Press in 1969, and made some of the most scathing satirical comics about contemporary America ever seen. But, Jackson was a Texan, and in the 1970s he returned to his roots and began writing and drawing short historical comics about Texas history. He then went on to produce six graphic novels chronicling 19th century Western history focusing on his beloved Texas and the Plains Indians. Fantagraphics, which published Los Tejanos originally in 1981, is proud to bring his graphic histories back into print in a series of three volumes, each reprinting two of his long narratives.
The first volume features Los Tejanos, which Fantagraphics published as a solo book in 1981, and Lost Cause (1998) — chronicling Texas history before and after the Civil War.
Los Tejanos is the story of the Texas-Mexican conflict between 1835 and 1875 as seen through the eyes of tejano (literally Texan of Mexican, as distinct from anglo, heritage) Juan Seguín. It is through Seguín, a pivotal and tragic figure, that Jackson humanizes Texas’ fight for independence and provides a human scale for this vast and complex story.
Lost Cause documents the violent reaction to Reconstruction by Texans. As Jackson wrote, “Texas reaped a bitter harvest from the War Between the States. Part of this dark legacy was the great unrest that plagued the beaten but unbowed populace.” The tensions caused by Reconstruction are told through the Taylor-Sutton feud, which raged across South Texas, embracing two generations and causing untold grief, and the gunslinger John Wesley Hardin, who swept across Texas killing Carpetbaggers, Federal soldiers, and Indians.
Jackson’s work is as known for its rigorous research — he became as good an historian as he was a cartoonist — as well as its chiseled, raw-boned visual approach, reproducing the time and place with an uncanny verisimilitude.
This edition includes an essay by and interview with Jackson about the controversy Lost Cause generated, and an introduction by the novelist Ron Hansen.
Hal Foster's masterpiece of adventure enters its second decade as Valiant and Aleta journey to "The New World," a 16-month epic that allows Foster to draw some of his spectacular native Canadian backgrounds, and during which Aleta gives birth to Arn and acquires her Indian nurse, Tillicum. Most of the rest of the book is taken up with the action-packed five-month sequence "The Mad King," during which Val, back at Camelot, confronts the evil, fat little King Tourien of Cornwall.
This volume is rounded off with an essay by Foster scholar Brian M. Kane (The Prince Valiant Companion) discussing Foster's depiction of "Indians" as it relates to other interpretations of the times, accompanied by various graphic goodies including our most spectacular bonus feature yet — a double-sized fold-out page reproducing a strip hand-colored by Foster — plus a previously unpublished camping cartoon by Foster from circa 1915, some of Foster's Mountie paintings, Foster's own map of Val's voyage to/from the New World, and more rare photos and art.
As always, this volume is shot directly from Foster's personal collection of syndicate proofs, their glorious colors restored to create an unprecedentedly sumptuous reading experience.
Hot on the heels of his acclaimed Mark Twain’s Autobiography 1910-2010 comes Michael Kupperman’s second all-comics collection of surreal slapstick and crazy non-sequitur goofiness, all from the pages of his beloved comic book series Tales Designed to Thrizzle.
Tales Designed to Thrizzle Volume Two features two of Kupperman’s recurring duos: America’s favorite mustachioed physicist/writer double team of Twain and Einstein (solving new crimes and barreling through exciting new adventures), and the crime-fighting team of Snake and Bacon ("Sssssssssssss!") who make a special return just to star in Reservoir Dogs 2.
Elsewhere in this volume the crusty Quincy, M.E. makes his comic book debut, struggling through the fantastic landscapes of his own dreams in "Quinception" (in which St. Peter also gets his own comic book). And learn the true story of the first lunar landing, guest starring Woodward & Bernstein, Lt. Columbo and... Quincy again??... in "Moon 69."
Also: The Jungle Princess battles rhino traders... A story of Broadway theatrics in "All About Drainage"... Slightly cursed merchandise and other dubious products... Cockney grave robbers... Cowboy Oscar Wilde... McArf the Crime Dog takes a bite out of scum... The origin of The Hamanimal... A photocomic starring comedian Julie Klausner, "Voyage To Narnia"... Break out your crayons for the highly educational "Train & Bus Coloring Book"... The story of French national hero "The Scythe"... and "Murder, She Goat."
Plus! This volume contains a full issue's worth of never-before-published, brand new Thrizzle material featuring "Mandate the Magician," "Fart Boobs," "The Odd Couple of Draculas," "Skull Groin," "Gladiator & Snivolus," "Mr. Flopears," "Gordon Ramsay's Fairy Tale Toilet Kitchen Nightmares," "McGritte the Surrealist Crime Dog," a new Twain & Einstein adventure and ever so much more!
Wednesday just got weirder with a side of thrizzle with another hit from Fantagraphics available at comiXology. Michael Kupperman's second all-comics collection of surreal slapstick and crazy non-sequitur goofiness Tales Designed to Thrizzle Volume 2! Including an a full issue's worth of never-before-published, brand new Thrizzle material and a newly colored version of issue #5! Featuring: America's favorite mustachioed physicist/writer double team of Twain and Einstein (solving new crimes and barreling through exciting new adventures), the crime-fighting team of Snake and Bacon ("Sssssssssssss!") in Reservoir Dogs 2, the crusty Quincy M.E., and the true story of the first lunar landing, guest starring Woodward & Bernstein, Lt. Columbo and... Quincy again??... in "Moon 69."
For $19.99 get this and more PLUS a little office favorite called "Murder, She Goat." Download a copy from comiXology today or head over to your local comic store for more laughs and guffaws from Michael Kupperman.
"It has become cliche to say I laughed until I cried, but when I'm done reading one of these underground comics my shirt is literally soaking wet. This guy may have one of the best comedy brains on the planet right now."-- Conan O'Brien, Entertainment Weekly "Must List"
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