• Review: "...Jason elevates his skewering of filmic genres to a whole new level in his latest collection, Low Moon, which sees his unique takes on film noir, westerns and screwball comedy. All of the tales are informed by his signature clean lines, bright colors, sparse dialogue and taste for a particularly brutal brand of slapstick humor and occasional moments of dark, incisive brilliance that are often reached without uttering a word... Featuring tawdry sex, alien abductions, existential crises, betrayal, and a hundred and one different varieties of murder, this is a book that pretty much has it all." - Ian Chant, PopMatters
• Review: "...Jason's Low Moon... [is] a collection full of mostly wordless comedic pleasures." - Richard Gehr, The Village Voice
• Review: "A question regarding the title of Michael Kupperman's Tales Designed to Thrizzle Volume One: Does 'thrizzle' mean 'pee your pants a little from laughing so hard'? Because if so, it just about achieved its promise..." - Rod Lott, Bookgasm
• Review: "[Boody: The Bizarre Comics of Boody Rogers ] is one of the funniest comics I've ever read, and all I do is read comics... Just looking at his drawings makes me laugh... If you like Johnny Ryan, you should check this out. And they weren't fooling around with that title. These comics are as weird as hell... This book is essential. Get it or get out." - Nick Gazin, Vice
• Review: "[Uptight] doesn't come out often enough... Jordan Crane is an immense talent; I just wished he worked faster. He's one of the best new guys of the past five years." - Nick Gazin, Vice (same link as above)
• Review: "This is one of the greatest works of American art of the past century and fuck you if you were ignorant of this. Prince Valiant was and is one of the greatest comics of all time and most would agree that it's the greatest adventure comic... Reading Prince Valiant has the same thrill as reading Sherlock Holmes. He's smarter, handsomer, and a better fighter than everyone around him. Reading his adventures and watching him sneak around castles, swordfight small armies, and romance medieval bitches is more exciting to me than almost any other comic. I'm getting pumped just thinking about it... It's so beautiful. I want to be Prince Valiant and I want to be Hal Foster." - Nick Gazin, Vice (same link as above)
• Review: "Fantagraphics, the gold standard when if comes to collecting and reprinting newspaper strips, has released the first volume of Prince Valiant, covering the years 1937 to 1938 in all-new remastered color, the result is breathtaking! Foster is truly one of the great comic illustrators who ever lived but has never got his just due it seems because he didn't work in the traditional comic book medium. One needs only to read the first few pages of the book to grasp his incredible ability... This is graphic storytelling at its finest and a true treasure! Grade A" - Tim Janson, Mania
• Review: "The cover [of The Pin-Up Art of Dan DeCarlo] sums it up -- a man who looks disturbingly like Riverdale’s Mr. Lodge gazes lasciviously at a lingerie-clad young woman who looks disturbingly like a (very) bosomy Veronica. That is just so wrong... Breasts swell and sag with the weight of flesh, not silicone; thighs press firmly and meatily together, hips and butts strain against fabric, threatening plentiful wardrobe malfunctions. And the wardrobes!... The overall effect is -- well, I can’t describe the overall effect. Let’s just say that in trying to take it all in I may have stretched my eyes permanently out of shape." - Noah Berlatsky, The Hooded Utilitarian
• Review: "...Peter Bagge's new compilation of comics, Everybody Is Stupid Except for Me and Other Astute Observations... turns out also to be a rude form of local history... [H]is craftsmanship - in the tradition of Mad's Don Martin and Nancy creator Ernie Bushmiller - lies in his ability to reduce his drawings to the simplest possible details needed to tell the story. His rants are funny, but the frictionless gag-delivery systems of his panels are an even more effective rebuke to the willful obscurity of contemporary art." - David Stoesz, Seattle Weekly
• Review: "Collecting 10 years’ worth of cartoons originally done for Reason magazine, as well as a few odds and sods, [Everybody Is Stupid Except for Me] finds Bagge as sharp and irate as ever, and his art has improved while still being recognizably his own. Bagge is also, thankfully, still possessed of a great sense of humor, especially about himself—even the title reveals an element of self-mockery among all the self-righteousness." - The A.V. Club
• Review: "There are few comics in the history of the medium as universally beloved as Love and Rockets... The Palomar stories, while extraordinarily literate and often brilliant in how they straddle the line between magical realism and gritty serial drama, are complex narratives which benefit greatly from being read from the very beginning; Jaime’s lighter, simpler approach is probably a better place to start." - Leonard Pierce, The A.V. Club, offering advice on how to start reading Love and Rockets; here's our advice
• Interview: Robot 6's Tim O'Shea talks to John Kerschbaum about Petey & Pussy, self-publishing and other topics. Sample quote: "It’s what it would look like if Elmer Fudd REALLY blew Daffy’s beak off. But I’ve always felt that humor and horror are very closely related. That they naturally play off of each other. The funny bits make the scary bits scarier and vice versa."
• Interview: At The A.V. Club, Sam Adams gets Michael Kupperman to reveal some of the secrets of his comedy genius and the future of Thrizzle. For example: "Certainly I enjoy the outré and I enjoy artistic comics and surrealism in comics very much. But the decision I made and have stuck with and refined was the decision to try to be funny and communicate humor. Once you put that ahead of everything else, it resolves those other questions for you."
• Plug: Jog - The Blog spotlights 3 of our new releases from last week
Today the floodgates of Online Commentary & Diversions have opened:
• Review: "The way he turns narratives into advertisements, ends stories with some wacko randomly barging through a window, and abruptly drops gags only to pick them up and drop them again suggests that [Michael] Kupperman takes his cues from the surreality of the small screen — especially Monty Python's Flying Circus and its animated heirs on the Cartoon Network... Tales Designed to Thrizzle [Vol. 1] is a monument not only to silliness, but to craft... [T]he surreality of Monty Python becomes the surreality of Un Chien Andalou or Kafka. Not that Kupperman needs to reference film or literature. Why should he, when he can turn TV into art?" - Noah Berlatsky, Chicago Reader
• Review: "Michael Kupperman has defeated me once again!... I am fated to be Salieri to Kupperman’s Mozart, Twain to his Einstein... I give up: as the first Tales [Designed to Thrizzle] book, bringing together issues #1-4, makes abundantly clear, Kupperman is brilliantly funny and maddeningly brilliant... Damn you, Michael Kupperman. Give us more, or leave us alone in ignorance of how much better the world would be if you ran it." - Jared Gardner, Guttergeek
• Review: "Dry and absurd as ever, Norwegian cartoonist Jason returns with an anthology [Low Moon] featuring more of the verbally-spare cartoon animals that populate his surreal and depthful extended gag strips... There’s no other cartoonist who matches Jason’s somber deadpan and this serves as a great introduction to his work." - John Mitchell, Worcester Magazine
• Review: "[Willie & Joe: The WWII Years is a] terrific two-volume collection of the legendary Bill Mauldin's 'GI Joe' cartoons from 'the last good war'... Fantagraphics gives us a comprehensive collection of the cartoons that fellow enlisted man Mauldin created during the war, both for civilians and fellow soldiers alike... [T]his compendium is both a great time capsule, and a fitting tribute to an American original." - Mark London Williams, The SF Site: Nexus Graphica
• Review: "[Paul] Hornschemeier uses simple line art and varied color palettes for conveying emotional and narrative detail [in Mother, Come Home], capturing graphically with a sort of exquisite beauty the symbolic fantasies of Thomas and the grief-induced psychosis of his father." - Martha Cornog, Library Journal
• Review: "Fletcher Hanks was an early, forgotten great of comics: He drew from 1939-1941, and his work [in You Shall Die by Your Own Evil Creation!] is vivid, funny and incredibly surreal... Hanks' work evokes a childlike energy that makes it seem as if he drew as much for himself as he did for the rest of the world. That creative spirit never goes out of style." - Whitney Matheson, USA Today Pop Candy
• Interview: "You’ll Never Know delves deep into the recesses of human memory and what we choose to share with each other, laying bare the connections and experiences that define who we are—whether we choose to make them known or not." - John Hogan, introducing his Q&A with C. Tyler for Graphic Novel Reporter. Carol, on future installments: "Part of my brain can clearly see the plot unfolding, but I cannot adequately explain due to the intuitive components attached to the emotion involved... But basically, the five main characters will go through some pretty rough stuff in terms of facing and dealing with their issues on the way to finding their better selves. All I can say is stay tuned and I hope nobody is disappointed."
• Profile: The Palisadian-Post's article on Stan Sakai is worth checking out for the adorable photo of Stan, Usagi, and Sergio Aragonés alone
Happy Bastille Day, France. Voici les Online Commentary et Diversions:
• Review: "[Michael] Kupperman has been laffing it up for years via cartoons in the New Yorker and animation on Saturday Night Live, but his smart, droll, absurdist humor is best displayed in this compendium of the first four issues of [Tales Designed to Thrizzle]. Kupperman's wit and imagination is only heightened by the stiff, self-conscious woodcut style he often uses for art... The humor never lags in a book that is destined to be a comedy classic and is truly one of the funniest books in years." - Publishers Weekly (Starred Review)
• Review: "...[T]he pieces collected in awesomely-named Everybody Is Stupid Except for Me... are wonderfully entertaining and often fall-on-the-floor funny, even when you find yourself at odds with [Peter] Bagge’s viewpoint... While his focus may have changed, his work remains as delightful as it did in the alt-comix heyday. Stupid just confirms what many of us already knew: he’s still one of the funniest cartoonists in America today." - Chris Mautner, Robot 6
• Interview: Design website FaceOut Books asks curator/designer Jacob Covey about the Beasts! books. Sample quote: "I think a successful cover design has to distill the essence of a book and not necessarily depict a literal synopsis of the contents. This is a common principle in fiction prose books but is much less commonly applied to something like an art book."
• Review: "[Fletcher] Hanks' groove, taken back to back like this, is unsettling... It can be downright creepy. Generally, when you talk about a comic auteur's 'issues,' you're talking page count, not whether he has his head screwed on straight. It's multiplied by Hanks' art style, which at first seems crude but is actually quite stylized and consistent. Many images, such as troupes of unfortunates flying in hurtling, screaming weightlessness, have the impact of nightmares... And the twisted comics universe once inhabited by Fletcher Hanks is eerie and unsettling, and fascinating in what it reveals about the man with the pen." - Burl Burlingame, Honolulu Star-Bulletin
• Review: "Tales Designed to Thrizzle Vol. 1, [Michael] Kupperman's recent collection, is brimming with such a dense compilation of Dada-inspired plots, fake ads and comic book covers that it takes a repeated read-through to absorb the book's potent aura of absurdity... Reading Thrizzle is an expeditious experience, and like all treks you will feel exhausted and somehow improved by this entire gut-busting experience... Tales Designed to Thrizzle is beyond recommendation..." - Ascot Smith, examiner.com
• Review: "Jason is one of the relatively few working artists that even a jaded, cynical, complain-first critic like me will happily declare a true master cartoonist, without reservation. Jason is—how to put this?—good. Really, really, really good... So, Low Moon? It’s Jason. It’s new. It’s obviously really, really good, you know?" - J. Caleb Mozzocco, Newsarama
• Review: "Low Moon takes 'funny animals' comics in a disturbingly deadpan direction. The bipedal canines and birds that populate these five short tales somehow convey with their blank eyes, flat expressions and minimal movements a whole seething current of emotional subtext. The title story, first serialized in the New York Times Sunday Magazine, mixes Gary Cooper frontier heroics with chess, and it is no less strange or hilarious than the other vignettes, which play with tropes lifted from science fiction, film noir and Jazz Age romance." - "The Best in Comic Books," Michael Berry, San Francisco Chronicle
• Review: "The new Prince Valiant crackles from the page with an energy and enthusiasm that positively dares anyone to deny this strip’s rightful place in the history of the form. Yes, this is another great day for comics history and most definitely a venture worth supporting into the future." - Guttergeek
• Review: "Uptight #3 -- This comic book made me nuts... Look how goddamned beautiful that cover is... That cover illustrates the first part of a new story Crane is working on, 'Vicissitude,' and Holy Jesus it is one of the best stories I've read this year. I'm a tough sell when it comes to out-and-out fiction in comics, but the unbelievably compelling artwork totally drew me into this fantastic story... damn if that cover and those first few, tantalizing pages aren't like some new, more addictive form of crack cocaine you ingest through your eyeballs. By looking at this comic book. God DAMN, I want more 'Vicissitude.' Don't let another day go by without making sure you're getting Uptight #3." - Alan David Doane
• Interview: "I've long felt Peter Bagge is a significant figure in American comedy in addition to deserving his lofty stature in alternative comics, and I'll interview him any chance I get." - Tom Spurgeon, The Comics Reporter; "I was never allowed to play fast and lose with the truth, much to my occasional creative chagrin! Other than that they allowed me to express myself pretty freely, even if some folks on their staff disagreed with some of the points I was making." - Peter Bagge, from the interview, discussing the Reason editiorial process
• Plug: "I don’t always agree with [Peter Bagge's] position [in Everybody Is Stupid Except for Me], but his exploration is always great. And hearing other opinions and positions (especially well-informed like his), is almost always worthwhile." - Corey Blake
• Plugs: "I am slowly making my way through three recent reprints from Fantagraphics... the three books in question are Humbug, Blazing Combat, and Prince Valiant. Humbug’s easily the best of the three, as it includes so many all-time great cartoonists (Kurtzman, Jaffee, Elder, etc.) at the peak of their powers and ambitions, but the other two are worthwhile, too. With people like Wood, Toth, and Heath involved, I knew the art would be fantastic in Blazing Combat, but I’ve been surprised at the quality of Archie Goodwin’s writing... it’s much more satisfying than expected. I’ve barely begun with Prince Valiant... So far, it’s much more fluid and enjoyable than I would’ve guessed — beautiful work..." - guest columnist Timothy Hodler (Comics Comics), Robot 6
Online Commentary & Diversions will return Monday. Have a great holiday in the US of A.
• Review: "Like many mysteries, there's something initially frustrating about the end of 'Emily Says Hello,' but it's the best by Jason for a while... it's in the new Low Moon collection... Worth it for 'Emily' alone." - Graham Linehan (The IT Crowd, Father Ted), via Twitter (part 1, part 2)
• Review: "A thin line exists between [Basil] Wolverton’s jokey grotesqueries and the horrors of disfigurement and mutilation that appear in his postwar illustrations of the Book of Revelations (recently published in The Wolverton Bible)... Wolverton’s unsparing depictions of nightmarish prophecies are relentlessly grim but absorbingly so. There are hints of Goya’s crazed, melancholic Saturn and predictions of Charles Burns’s brooding mutant teens." - Nicole Rudick, Artforum (reviewing the Wolverton exhibit currently on view at Gladstone Gallery; hat tip to Drew Friedman)
• Review: "Oh my god.It’s like someone wheeled my senile, racist grandfather onto a metropolitan sidewalk and let him free associate.Unfortunately, my grandfather’s psychosis might have more acuity and humor than Everyone is Stupid [Except for Me]." - Ashley Cardiff, CC2K (via Reason link below; don't say we never post negative reviews)
• Review: "Michael Kupperman is the funniest cartoonist alive, and Tales Designed to Thrizzle is his funniest comic book... Thrizzle has the manic joy of a really good sketch-comedy series... Thrizzle was originally published as four comics, and Kupperman has recolored the series for its hardcover release... [It] should amuse just about anyone who can read." - Paul Constant, The Stranger
• Review: "[Fletcher] Hanks's stuff burns itself into and onto the brain like a giant scalding iron of dementedness." - fústar
• Review: "Certainly nobody takes umbrage with the claim that these are four awesome comics, collected in one hardcover edition [Blazing Combat]... Fantagraphics have done us a big favor by reprinting them all." - The Comic Book Haters (streaming video)
• Plug: "...Reason's own beloved Peter Bagge has a fantastic collection of a near-decade's worth of political cartooning coming out from Fantagraphics [Everybody Is Stupid Except for Me]. The content is king but the actual production is nothing short of stunning, filled with the bright, bright colors that Paul Simon used to sing about back when Kodak was still making film." - Nick Gillespie, Reason
• Interview: At comiXology, Tucker Stone interviews The Comics Journal online editor, the ista! in ¡Journalista!, my comrade-in-linkblogging-arms, Dirk Deppey. Pull quote of all pull quotes: "I got the job at Fantagraphics by making fun of The Comics Journal's website on its message board, basically."
• Review: "Issue #3 of Jordan Crane's Uptight serves as a wonderful example of just how good pamphlet format comics can be... Uptight #3 delivers 24 pages of beautifully focused storytelling... If you like Crane's work or simply want to try something a little different, do go out and buy this. Uptight represents everything single issue comics should be but so very rarely are. Fact is, we need more comics like this, so vote with your wallets and support the fine folks at Fantagraphics..." - Matthew Dick, Exquisite Things
• Review/Profile: "...[Boody Rogers's] command of dream-state narrative logic and language-mangling dialogue remains unnerving and uproarious in about equal measure... Now comes the Fantagraphics edition of Boody: The Bizarre Comics of Boody Rogers — a 144-page whopper, rich in humor and dreamlike oddities..." - Michael H. Price of the Fort Worth Business Press recounts meeting Rogers in the 1980s and also reviews Rogers's memoir, Homeless Bound
• Review: "For his latest... book [Low Moon], Jason has decided to try something a bit different... In attempting to stretch himself, though, he offers some of his weakest work to date, but some of his strongest and emotionally wrenching as well... Longtime readers... will definitely want to pick it up..." - Chris Mautner, Robot 6
• Plug: "Literally jam-packed with strips that constantly vary in sizes, [Tales Designed to Thrizzle Vol. 1] shines with [Michael] Kupperman's earth-shattering wit, his excellent vintage-comics-inspired draftsmanship and his genius comedic timing. Thanks Fantagraphics!" - Librarie D+Q
• Plug: "You'll Never Know[Book 1: A Good and Decent Man] by C. Tyler arrived this week... it is funny, moving, sad -- highly recommended." - Librarie D+Q
• Plug: "The Comics Journal #298: Lotsa good interviews in this issue... For me though, the meat of the issue is the wealth of daily Skippy strips by Percy Crosby reproduced in the gallery section." - Chris Mautner, Robot 6
• Interview: Publishers Weekly has a Q&A with Peter Bagge about his new collection Everybody Is Stupid Except for Me. Money quote: "I could have taken the Doonesbury route and pandered to my fellow libertarians by pretending I (and they) had all the answers, but that would have been both too easy and dishonest."
• Interview: Newsarama's Zack Smith talks to Sam's Strip creators Mort Walker and Jerry Dumas about the creation of the strip and the new Fantagraphics collection. Sample quote from Walker: "You always put something personal in every strip, so it’s wonderful to see all these old strips again."
• Charity: ComicList reports that Jaime Hernandez will participate in Comic Book Legal Defense Fund fundraising at Comic Con with an autograph card and original art auction
• Oddity: What does Popeye have in common with Michael Jackson? Well, now they're both subjects of Jeff Koons artwork, according to this Reuters story
Scheduled to arrive in better comics shops across the land this week: The Comics Journal #298, featuring The Umbrella Academy's Gabriel Bá & Fábio Moon, Perry Bible Fellowship's Nicholas Gurewitch, and much more:
Also popping up on some unofficial lists: Tales Designed to Thrizzle Vol. 1 by Michael Kupperman. It's not on the official distribution list, though, so no promises.
As always, feast your eyes on our many previews and excerpts at the above links, and contact your local shop to confirm availability before busting open your piggy bank.
Let's see what Online Commentary & Diversions popped up over the weekend:
• Review: "Abstract Comics: The Anthology is an impressive collection of old and new work with unique pages covering exactly what the title says... bold... intriguing... This is a book for readers who like fine art or those who would like to expand their sequential art experiences. A hearty slap on the back for Fantagraphics for choosing to create this marvelous example of a widely unknown artistic expression." - Kris Bather, Comic Book Jesus
• Review: "I had always equated [Prince] Valiant with everything that is dull and lifeless and boring and supposedly good for you, but it turns out I was completely and utterly wrong. On the contrary, it's a rip-snorting good time, full of high adventure and thrilling escapades. And Valiant, far from being the schoolmarmish goody two-shoes I imagined him being, is full of piss and vinegar and quite a bloodthirsty young chap, which makes him a good deal more interesting than some of his contemporaries on the comics page." - Chris Mautner, Robot 6
• Review: "Tales Designed to Thrizzle #5, like all the previous issues by Michael Kupperman, did not fail at thrilling or dazzling me." - Brian Cronin, Robot 6 (same link as above)
• Review: "...C. Tyler's You'll Never Know Book One: A Good and Decent Man isn't... much like any other autobio comic I've encountered... It’s a really rather fascinating work, and the longer one thinks about it, the more important and universal it seems to be. On the surface level, of course, it’s an extremely interesting, rather unique story of a couple different life’s stories, and how they overlap, but there plenty of other levels waiting to be discovered and ruminated over. I won’t be at all surprised to see this book taking slots on a lot of best of the year lists in another six months or so." - J. Caleb Mozzocco, Newsarama
• Review: "Don’t think of [The Wolverton Bible] as an exception or a bizarre footnote in religious art but one and maybe the 20th century continuation... By the end of the book, pages after pages of doom and destruction, you realize that Wolverton is maybe the only person to illustrate the The Old Testament and the Book of Revelation -- the most 'savage' books of the bible." - Are You a Serious Comic Book Reader?
• Plug: "Tales Designed to Thrizzle Vol. 1: It's the collection of the first four issues of Michael Kupperman's hilarious series, now in color! This stuff is comedy gold, so get it if you haven't read it already, and hell, spend the extra money to see the non-monochromatic version if you want." - Matthew J. Brady
• Events: Jared Gardner reports from a panel he moderated with Arnold Roth, Mort Walker and Brian Walker as part of the celebration of the merger of the International Museum of Cartoon Art with Ohio State University's Cartoon Library and Museum, adding that Jean Schulz has set up a matching grant to raise needed funds for the combined museum to move into a new permanent home
• Oddity: At Guttergeek, Chris Reilly interviews himself: "I actually am a big fan of Michael Kupperman and Eric Reynolds from Fantagraphics just sent me a copy of the hardcover Tales Designated to Thrizzle Vol. 1 and I would like to conduct this interview by commenting on the quotes of this book – would that be cool?" Um, 'kay...