• Review: "Artists of vision toiling within the gears of a vision-suppressing machine, Carl Barks and Floyd Gottfredson drew and wrote great swathes of the best popular art of the twentieth century, mostly in the least auspicious venues available: comic books and comic strips credited to Walt Disney.... Fantagraphics is currently collecting the work of both artists: Barks's transcendent Donald and Scrooge McDuck comics, and Gottfredson's sprightly Mickey Mouse serials. To the publisher's credit, the books are gorgeous but designed for readability rather than coffee-table displaying. This is great art you can feel guilt-free perusing in the bathtub....
"The initial volume in the Barks series is... all pleasure, a treasury of deceptively simple gag and adventure stories that fashioned with wit, irony, and impeccable craftmanship.... The longer stories here... are suspenseful, surprising, funny, and fresh... These kids' comics are far from kids' stuff -- this is for everyone....
"Like the goofy, violent, darker-than-expected cliffhangers of the second Indiana Jones flick, Gottfredson's Mickey Mouse -- especially in in its second volume, covering 1932 and '33 -- is an exhausting achievement in can-you-top-this adventure storytelling.... This kids' stuff isn't for kids, either. But it's revealing and thrilling, both a guide to what's long been wrong with this country -- and guide to what's great in its imagination." – Alan Scherstuhl, SF Weekly
• Review: "...I’d been looking forward to the Fantagraphics [Carl Barks Library] series, and I’m happy to say it’s being done right.... I like to think that Carl Barks, an unpretentious storyteller who created for an audience of children whose intelligence, ingenuity and decency he never doubted, would approve and be gladdened by how his work, this time around, is being put back out into the world." – Tom De Haven, The Comics Journal
• Review: "...[I]n this insightful and riveting biography, Avery has brought the flat-capped, sunglassed, mustachioed, Nat Sherman-smoking, hamburger eating, and Coca-Cola guzzling wordsmith back to life; a writer as fascinating -- and frustrating -- as many of his interview subjects.... Thankfully, more than half of the books pages are given over to reprints of Nelson's own work... And while Everything Is an Afterthought will bring renewed attention to the work of Paul Nelson, it's the work of Kevin Avery that resonates most as he tries -- and succeeds as much as possible -- to unravel the enigma of Paul Nelson's mind." – Bob Ruggiero, Houston Press
• Review: "Michael Kupperman’s Tales Designed to Thrizzle #7 has many more laughs than it does pages. It’s jokes that build on jokes that lead to more jokes through left turns, fakes, surprises, and nerdy pop culture references.... One premise leads to the next, like one of the better episodes of Monty Python or Mr Show... – this book is funny enough to make you crack up on a crowded bus." – Tom Mohrman, CultureMob
• Interview: David Fernández of Zona Negativa has a career-spanning Q&A (in English and Spanish) with Jason: "You don’t do comics for the money. You do it for love of the medium, for the need to tell stories in images. It’s not necessarily a bad thing. You feel a connection to other struggling cartoonists. It’s something you have in common. There some humility in it. So there are very few cartoonist assholes. I haven’t met any."
Our new Ultimate Catalog, arriving in mailboxes soon! Dig that glorious Floyd Gottfredson artwork. If you’re not already on our mailing list and like getting cool stuff in the mail, contact us to request your free copy. And if you want a tree-free version (although they're already all printed, so you wouldn't really be saving anything) we'll be making it available as a PDF download soon too.
• Review: "Gottfredson is in much stronger form here [in Walt Disney's Mickey Mouse Vol. 2: Trapped on Treasure Island] than in the first volume, drawing upon the early Mickey cartoons for ideas — mad scientists, treasure hunts, mail pilots — but then expanding and developing them in a way those early Disney shorts were incapable of doing. Over time, Mickey’s personality becomes more refined as well; scrappier, tougher and more determined to seek justice (or an adventure) regardless of the odds. Again, part of the enjoyment for me with this series is the rich amount of historical material editors Gary Groth and David Gerstein are able to provide. From foreign material to biographies of various ancillary contributors, supplemental art, character histories and more, this series is rich with detail, both in the strip itself and in the editorial handling of the material, that puts other reprint projects to shame." – Chris Mautner, Robot 6
• Review: "What is good about Love and Rockets: New Stories [#1], however, is that it throws readers and fans a curve. Just what are Los Bros. going to do now? By going back to their early styles, in essence, they’ve allowed themselves a re-launch or at least a chance to throw many surprises at our expectations. Whatever they choose to do, it’ll still be the most interesting comics coming from America’s most literate, experimental, and adventurous comic book creators." – Leroy Douresseaux, I Reads You
• Plug: "In these days of precious art comics and highfalutin graphic novels, it’s often forgotten that comic strips evolved for one (now quaint) reason: to sell newspapers. Cartoonists were commercial artists, not auteurs. [In Drawing Power: A Compendium of Cartoon Advertising] you’ll find Peter Arno, the sophisticated New Yorker cartoonist, endorsing Rheingold Extra Dry Beer; Mickey Mouse and pals flogging just about everything under the sun except, maybe, mousetraps; and Krazy Kat selling Gulfsteel Nails. They are all Joe Camel’s ancestors." – Dana Jennings, The New York Times
• Interview: At Our Town Downtown, Cullen Gallagher, who says "...Everything Is an Afterthought: The Life and Writings of Paul Nelson [is] a deeply moving biography that captures not only Nelson’s tragedy, but also celebrates the ardor and artistry of his life and work," talks to the book's author/editor, Kevin Avery: "In the mid-to-late ’70s, rock music was still being discovered. There were no hard and fast rules, so in a way criticism was an act of discovery for these writers and they were just expressing what they liked. Paul was able to do that in a way that was not only personal, but also he would draw from film, books and his knowledge of folk music. You also got the feeling that he was a mysterious character. There would be hints dropped that there was an unhappy guy behind all these reviews. His writing was beautiful. This was music criticism that could be read as literature."
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability. (Please note we have several additional explanatory notes below as well!)
352-page black & white/color 8.75" x 11.25" hardcover • $45.00 ISBN: 978-1-60699-513-6
NOTE: The hardcover edition is already sold out from the distributor! This means that once a shop sells out of their initial shipment, they won't be able to order more copies. So if you want it and your store has it, pounce!
"A new edition (in both hardcover and paperback) of Jim Woodring's early Frank stories, which are utterly wonderful -- the first one, 'Frank in the River,' is my single favorite comics story ever at least 20% of the time. I can't think of much other art that's both so unironically devoted to pleasure and entertainment (in this case, in the form of funny-looking animals doing amusing things in colorful, inventively odd settings) and so deeply, primally unsettling and ambiguous." – Douglas Wolk, Comics Alliance
"...[I]f you're a fan of any and all good things in life you definitely want the Frank work by the great cartoonist Jim Woodring in as many forms as you can pull it across the table and into your lap." – Tom Spurgeon, The Comics Reporter
"A softcover edition of Woodring's landmark Frank features an anthropomorphic cat in a pyschedelic world." – Benn Ray (Atomic Books), Largehearted Boy
"...I’d pick up the second volume of Floyd Gottfredson’s Mickey Mouse. The first volume was a real treat, not just in terms of reintroducing myself to Gottfredson’s stellar work, but also in the sheer amount of incisive historical information about the strip, Gottfredson and his various Disney helpers. I’m sure Vol. 2 will be more of the same." – Chris Mautner, Robot 6
"These Floyd Gottfredson-created adventure strips following the early years of the now-neutered corporate icon are everything you want from a feature like this: exuberant, lovely-looking and a lot of fun." – Tom Spurgeon, The Comics Reporter
32-page two-color 8.5" x 11" comic book, with jacket • $7.95 Part of the Ignatz Series
NOTE: Again, this title is not on the official shipping list but we have confirmed reports that some stores received it last week and we believe it should be available everywhere tomorrow. Again, check with your local shop blah blah blah.
"Kevin Huizenga has blessed us all with another issue of Ganges, totally unexpected and entirely wonderful. Let's not disappoint him." – Chris Butcher, The Beguiling
"CONFLICT OF INTEREST RESERVOIR: My other favorite comic of 2011 so far is Jim Woodring’s Congress of the Animals, though I confess a lot of the effect it had on me (elation) was due to having lived with the mechanics and boundaries of Woodring’s wordless storytelling for so long that deviations from it proved meaningful – as luck would have it, new hardcover and softcover editions of The Frank Book are out this week to catch you up on most of the major stuff; $34.99 ($45.00 in hardcover). Elsewhere in ambulating creature-things, Walt Disney’s Mickey Mouse Vol. 2: Trapped on Treasure Island offers more from Floyd Gottfredson and his hungry team of pre-Imagineers; $29.99. And while it’s still not on Diamond’s list, keep an eye out for Kevin Huizenga’s Ganges #4, which I understand has floated into a store or two, maybe; $7.95."
(I should also note that The Manara Library Vol. 1 is out this week from Dark Horse, translated by our very own Kim Thompson. I'd sure like to see his "Adventures in Translation" notes for THAT series.)
• Review/Interview: Marc Campbell of Dangerous Minds calls Everything Is an Afterthought: The Life and Writings of Paul Nelson "music book of the year," saying "the thing I really appreciate in reading Paul’s writings is you get to a place where even if you disagree with him you want to really explore why. He challenges you, not outrightly, but through the sheer force of his own enthusiasm and the particulars of why he digs what he digs. That’s what great rock writers do - they send you to the music. Of all the books I’ve read this year, Everything Is an Afterthought is the one that has meant the most to me." Campbell also talks to the book's author/editor, Kevin Avery: "You could tell it was important for him to accurately convey how he heard the work he was writing about; how it made him feel. At the same time, there was often the suggestion that whatever he wrote about was in some way part of his own story. Though it was never overt. There was an ongoing mystery to it."
• Review: "It's fascinating to see the great intentions of good people of liberal Oregon run aground on the slick and complicated story on the ground... Duin and Wheeler spend much of [Oil and Water] showing the kind of cultural imperialism or Liberal Guilt that the Oregonians feel when trying to help their brethren from the South, and the resentment that the Southerners feel back at them. ...Shannon Wheeler's calm, quiet and almost abstract images capture the story in a way that allows the story to stray from straight reportage to a quieter meditation on the events that happen.... The story lives in the present and the past, both itself and something more." – Jason Sacks, Comics Bulletin
• Review: "The Extraordinary Adventures of Adele Blanc-Sec are extraordinary indeed.... The amazing Jacques Tardi creates a fully realized world in the two stories contained in this book, stories in which strange, almost mythological, creatures live right next to the Eiffel Tower, famous French cemeteries and the Louvre.... Tardi delivers an ending to the second half of this book that is thoroughly shocking. Adele and her friends aren't Doctor Who and his companions, gallivanting across space and time and always emerging unscathed. The adventures that occur in this book are real and terrible in their consequences. They may seem a bit outlandish... but they are real in a way that feels oddly intense for American readers." – Jason Sacks, Comics Bulletin
• Review: "This isn't your father's Mickey Mouse (it's more likely your great-grandfather's), and it's a shame we don't see him this way as much anymore. Floyd Gottfredson is one of the most talented artist/gag writers in comics history and it is wonderful to see his talent recognized in a medium and a manner so deserving of preservation. This giant-sized book is only mildly unwieldy, but it is the perfect size to replicate and do justice to every single panel of such a singularly perfect work.... Mickey Mouse is one of the most important and revered characters in pop culture, and no other creator has written him so human, so interestingly, so uniquely fun and vibrant as Floyd Gottfredson has. The cover price is too little to ask, as the stories in this book are a treasury of the highs sequential art can hit." – Rafael Gaitan, Comics Bulletin
• Review: "The Hidden is ridiculously good, silly fun... A great big orgy of schlocky gore and cartoon deaths, the plot is every old horror film rolled into one glorious genre cliché... and Richard Sala’s absurd humour bleeds through the lot like red ink on a crisp white collar.... As ever, the true joy here is seeing Sala in brilliant colour. Layer upon layer of masterfully applied paint creates every shadow, shade and unlikely bright pajama in the cartoon horror. Undead eyes stare from blue and green sunken sockets, blood splashes across the page in spurts of dark crimson. It is, to hammer it home with a bloody mallet, an absolute demented joy." – Hayley Campbell, The Comics Journal
• Interview (Translated): Gerardo Vilches of The Watcher and the Tower says of Joyce Farmer's Special Exits, which was just published in Spain by Astiberri, "I read this comic a few months ago and I think it is not only one of the comics of the year but the last decade" translates Alex Dueben's December 2010 Comic Book Resources interview with Farmer into Spanish, adding "I also wanted to do my bit to raise awareness of an awesome comic I hope has the impact it deserves."
• Review: "Every now and then, if I’m lucky, I might just bump into a stone cold masterpiece. The kind of art that makes you just want to shout and scream it is so good. So, in the interest of doing just that, let me say that this Jaime Hernandez’s 'The Love Bunglers' (Love and Rockets: New Stories no. 4) is such a work. I don’t even need to qualify it for myself (i.e. 'what’s coming later; what’s come before; shouldn’t there be a cooling period?') when I say: This is not just Jaime’s finest work, but one of the best (at this moment I’d rank it in my top five of all time) works ever created in the medium. You can hold that over me in twenty years and I’ll still be right..." – Dan Nadel, The Comics Journal [SPOILER WARNING]
• Review: "Jaime Hernandez is my favorite cartoonist. I think he is the greatest cartoonist of all time. My opinion.... No art moves me the way the work of Jaime Hernandez moves me. I am in awe of his eternal mystery." – Frank Santoro, The Comics Journal
• Review: "I picked up a copy of the new issue at a signing Jaime was doing here in Brooklyn a few weeks ago. It was a packed house, and there were a lot of people I was happy to talk to. Amidst all the socializing, I allowed myself a quick glimpse inside the comic, and when I randomly flipped to pages 92 and 93, I felt like I’d been blind-sided. I had to look closer to make sure I was seeing what I thought I was seeing." – Adrian Tomine, The Comics Journal
• Commentary:Robot 6's Sean T. Collins spotlights the above TCJ links, saying "Paying off thirty years of continuity and character development. Delivering shocks, gasps, cheers, and tears in equal measure, seemingly at the author’s whim. Offering a master class in everything from laying out a double-page spread to drawing clothes. Telling a story about beloved characters so emotionally engaging that even their most ardent fans wouldn’t mind if this were the last one ever told. Any way you slice it, Jaime Hernandez's 'The Love Bunglers' — his contribution to the recently released Love and Rockets: New Stories #4 and the conclusion to the already wildly acclaimed 'The Love Bunglers'/'Browntown' suite from last year’s issue — is a hell of a comic. But you don’t have to take my word for it."
• Review: "As I finished reading Love and Rockets: New Stories #4, I had to sit back and just take a moment to take it all in and collect myself, as I know that I had just completed reading one of the greatest works in comics for 2011. Love and Rockets has been a source of inspiration within the comics industry for years, so it’s not like I’m the first one to praise the Brothers Hernandez for their contribution. But it’s even more incredible to see that after nearly 30 years, both Jaime and Gilbert Hernandez are creating some of the best comics of their careers and making them completely accessible to new readers. Love and Rockets: New Stories #4 is an achievement for the Brothers Hernandez and has earned a permanent spot on my required reading list for anyone interested in reading the great works of modern comics creators." – Ron Richards, iFanboy "Book of the Month"
• Review (Audio): "The artwork [in Pogo] is fantastic because Kelly, coming from a Disney background, had really great technical chops and he was able to put a lot of detail into a small daily strip while at the same time giving it breathing room despite the fact that the characters are quite talkative…. He crowded an awful lot into each panel without making it feel crowded, which is a neat trick. He really pulled it off well. …It's just a joy to look at, and it's so much fun to read too because the characters all have really funny personalities that are… very dimensional… It is beautifully designed by Walt Kelly's daughter Carolyn Kelly, and she and Fantagraphics did a really good job of finding all these strips… lovingly scanned and restored so that you get to see the line art in all its detailed glory…. I highly recommend it -- it's going to be one of my prize books... that I'm going to hang onto for a long time." – Mark Frauenfelder, Boing Boing "Gweek" podcast
• Review: "When you read the first volume of Fantagraphics' complete reprint of Gottfredson's Mickey Mouse — the first of its kind anywhere — you understand quickly why Disney decided to keep him on the daily strip. He was simply a natural talent." – Matthias Wivel, Nummer 9 (translated from Danish)
• Commentary: "...Jim Woodring is not one to rest on his laurels where his funny-animal protagonist Frank is concerned. Lately he’s been posting breathtaking images... to his blog on a surprisingly regular basis. They appear to show Frank up to his old mischievous tricks, and to augur another Frank book on the horizon. Check them out here and here, and marvel that a cartoonist of Woodring’s caliber is tossing these things out there for free like it ain’t no thing." – Sean T. Collins, Robot 6
“Oh, for gosh sakes!” Floyd Gottfredson’s classic 1930s Mickey Mouse is back for another round of thrills, chills, and epic quests — taking him from the depths of teeming jungles to the halls of spooky Blaggard Castle. Mickey’s classic Disney bad guys are here, too, with arch-enemy Pegleg Pete joined for this book by the mysterious “Bill Shakespeare” and hypnosis-happy Professors Ecks, Doublex, and Triplex!
Floyd Gottfredson, artist of Mickey Mouse from 1930-1975, made it the most popular cartoon-based comic of its time. Unafraid to tackle social satire and grown-up action-adventure, Gottfredson produced a Mouse for all ages — truly popular in a way that Mickey’s blander 1950s image could never be.
In this book you’ll relive Mickey’s fight with pirates on desolate Treasure Island; his quest with Goofy to catch ruthless counterfeiters; and his battles to save windy Horace Horsecollar from mad scientists, a robbery frame- up — and himself!
Lovingly restored from Disney’s original negatives and proof sheets, “Mickey Mouse: Trapped on Treasure Island” also includes more than 50 pages of fascinating supplementary features. You’ll enjoy rare behind-the-scenes art, vintage publicity material, and vivid commentary by a full team of seasoned Disney scholars.
Walt Disney often said that his studio’s success “all started with a mouse” — and today Mickey is among the world’s most recognizable icons in the world. Now it’s time to rediscover the wild, unforgettable personality behind the icon: Floyd Gottfredson’s Mickey Mouse.
Download and read a 19-page PDF excerpt (3.1 MB) which includes the full Table of Contents, David Gerstein's first chapter introduction, and 15 pages of strips!
The first two volumes of Mickey's thrilling adventures from the early 1930s, packaged in a beautiful and sturdy slipcase and priced cheaper than the individual volumes! A perfect gift and/or collector's item.
• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin
• Review: "Popeye hawking newspapers? Donald Duck selling gasoline? You'll find them and a whole cavalcade of comic strip characters in Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard. In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"
• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)
• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club
• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club
• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report
• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club
• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You
• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel
• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library
• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Plug: "You must buy @DaveMcKean's NSFW book 'CELLULOID' at your local comics or book store. Or in a plain brown wrapper..." – Neil Gaiman
• Preview/Plug:Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."
• Interview:Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."
• Preview/Plug:Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."
"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"
• Plugs:Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)
• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED
• Interview:Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."
• Interview:The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."
• Interview:Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!
• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s
• Staff picks: Our own Ambassador of Awesome (and funniest Flogger) Janice Headley is the guest contributor to this week's Robot 6 "What Are You Reading?" column
• Review: "In this Golden Age of Comic Strip Reprints, Gottfredson's Mickey Mouse was, I had long assumed, the one that had gotten away.... It should go without saying that Fantagraphics has done their usual stellar job in regards to editorial presentation... and design... In addition to over two and a half year's worth of the strip, the book contains an impressive amount of introductory material and contextual essays... There are other neat bonus features, such as cover images from foreign editions collecting storylines from the strip. As for the comics themselves, they entertain on a couple of levels. First, it should be of interest to comics fans as one of the Great Comic Strips Of All Time.... The comic strip should also be of great interest to Disney aficionados, as it represents one of the earliest transitions of the animated characters into another medium..." – Patrick Markfort, Articulate Nerd
• Review: "This is a comic book that feels like a video nasty. Its characters could well have been discovered from drawings scratched into school desks, its plot may well have been cribbed from the insane diary of a 9 year old. But that is what makes the 2 volumes of Prison Pit (published to date) so brilliant and unique. Writer/Artist Johnny Ryan has taken all those dreams, that desensitisation to violence, and our eagerness to doodle the grotesque, and turned it into a full ongoing epic.... Prison Pit is insane; it is a title that simply shouldn’t exist outside of a teenager’s head. But it does, and it’s brilliant. A forgotten level of comedic violence, an absence of exposition and dialogue that all reduces down into a paste of pure barbaric fun." – Kevin Scully, Comicsphere