• Review: "[21: The Story of Roberto Clemente] is a reverent, yet sometimes playful look at the man and what he had to go through to get where he did. [...] The scenes with the various family members remind me a bit of what Gilbert Hernandez gets up to in Love and Rockets, that same sort of close-knit relationship thing. [...] Santiago’s art is cartoonish, yet expressionistic and appealingly loose. [...] He does a great job, and even the best of the best often have trouble with this, of drawing baseball players that actually look like baseball players — at bat, in the field, running, catching the ball. [...] He really captures the action of the game very well, and it’s kinda hard to describe — it’s really some daredevil storytelling at times." – Johnny Bacardi, Popdose
• Review: "After reading the first volume of Fantagraphics excellent reprinting of Hal Foster’s creation [Prince Valiant], I’m surprised at the life within this antique. It’s no surprise that the art is beautiful. Foster’s figures have a fine, illustrated detail — rarely seen on the comics page — but they’re full of energy as they joust, dive and play at swords." – James Seidler, Ape Mind Transcripts
• Profile: "[Special Exits] was fueled by Farmer's personal outrage at the unacceptable treatment of her elderly parents at the hands of medical and nursing home establishments. And she'll pooh-pooh the idea that making the book was psychological therapy of any sort. 'It was in no way cathartic. It was really, really depressing,' she told me any number of times. This is classic Joyce Farmer, drawing, writing, and satirizing taboo and socially risky subjects." – Kathleen Vanesian, Phoenix New Times
• Interview: Leah Berkenwald of Jewesses with Attitude (the blog of the Jewish Women's Archive) talks to Miss Lasko-Gross about her participation in the Graphic Details exhibit: "Q: How does your Jewish identity influence your work? L-G: I don't know that it does, but in the auto-bio game having a genetic predisposition to being a neurotic mess doesn't hurt." (Via Heeb)
This fascinating-looking exhibit which originated at the Cartoon Art Museum in San Francisco last summer is now traveling to Toronto. From the announcement:
Graphic Details is a groundbreaking touring exhibition, providing the first in-depth look at a unique and prolific niche of graphic storytelling — Jewish women's autobiographical comics. While the influential role of Jews in cartooning has long been acknowledged, the role of Jewish women in shaping the medium is largely unexplored. This exhibition of original drawings, full comic books and graphic novels, presents the powerful work of eighteen Canadian and international artists whose intimate, confessional work has influenced the world of comics over the last four decades, creating an entirely new genre.
Featuring work from artists: Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Sarah Lazarovic, Miriam Libicki, Sarah Lightman, Diane Noomin, Corinne Pearlman, Trina Robbins, Racheli Rotner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein, Ilana Zeffren
Graphic Details: Confessional Comics by Jewish Women Originated by Michael Kaminer and Sarah Lightman February 17th to April 17th, 2011 Opening Reception Thursday February 17th, 7:30PM-10PM (Artists in attendance) @ Koffler Gallery Off-Site at the Gladstone Hotel, 1214 Queen St W Free to Attend
More info here; there's a great lineup of related events here.
The nominations for this year's Lulu Awards have been announced and Miss Lasko-Gross & Carol Tyler are both in the field of candidates for Lulu of the Year, "For the creator, book or other entity whose work best exemplifies Friends of Lulu’s mission statement." Congratulations to both! The online ballot is here.
This looks like an excellent and well-due survey of a robust but underacknowledged area of comics: "Graphic Details: Confessional Comics by Jewish Women" opens at San Francisco's Cartoon Art Museum on October 1, featuring work by Vanessa Davis, Bernice Eisenstein, Sarah Glidden, Miriam Katin, Aline Kominsky-Crumb, Miss Lasko-Gross, Miriam Libicki, Corinne Pearlman, Sarah Lightman, Sarah Lazarovic, Diane Noomin, Trina Robbins (above), Racheli Rottner, Sharon Rudahl, Laurie Sandell, Ariel Schrag, Lauren Weinstein, and Ilana Zeffren.
From the announcement: "The Forward, the leading independent Jewish weekly newspaper and web site, is media sponsor, and will publish the show’s catalog as an eight-page newspaper broadsheet. The catalog will include the last story written by Harvey Pekar, the legendary writer and pioneer and autobiographical comics. Pekar had been collaborating with artist Tara Seibel on the essay for 'Graphic Details' at the time of his death."
• Review: "Many books have been written about World War I, but few can truly worm their way into your head like Jacques Tardi’s It Was the War of the Trenches. … The tales here are devastating and heartbreaking, and often disturbing, but readers will nonetheless have a hard time putting it down." – Holly Scudero, Sacramento Book Review
• Review: "Perhaps there is something in Charlie Brown, that the longer I read his adventures, the more I become a fatalist. I look at the history of Europe and I know that there are frequent periods of relative peace, such as the past 60 years in Poland. And since they are rare, sooner or later they can suddenly end." – Konrad Hildebrand, Motyw Drogi (translated from Polish)
• Review: "This, then, was my introduction to the idiosyncratic and fantastically imagined worlds of Jaime and Gilbert Hernandez. ... While the stories and art of each Hernandez brother is unique, they shine extra bright by being juxtaposed, one to the other. Altogether: these rambling, lingering tales are bewitching." – Anna Clark, Isak
• Review: "...[In A Mess of Everything, Miss] Lasko-Gross covers the usual Holden Caulfield territory with brevity and an eye for detail. Her cartooning is very expressive and the book is coloured in subdued wash-like tones of brown, grey and blue that enhance the emotional impact of her cringe-worthy struggles for independence and individuality." – Bryan Munn, Sequential
• Plug: "[Roberta] Gregory is the cartoonist responsible for the comic series Naughty Bits, which is one of the best comic series I've ever read. Seriously, Life's a Bitch is one of my favorite comics ever. It's basically a biography of one normal — albeit kinda hateful — woman, and it's insightful, funny, and true." – Paul Constant, The Stranger (previewing an event on Saturday that, alas, we didn't know about in advance)
• Reviewer:Laura Warholic author Alexander Theroux looks at a new biography of Jack London for The Wall Street Journal: "Readers can be pardoned for thinking it seems not improbable that London, given the chance, would punch Mr. Haley in the nose."
Thanks to all the artists, attendees, and MoCCA staff & volunteers for helping make the 2010 MoCCA Art Festival our most successful ever! We sold out of numerous titles, some within hours (and to the chagrin of our artists who ran out of books to sign — sorry!), and had mobs of fans turn out for our signings.
• List: Adam McGovern of ComicCritique.Com declares Miss Lasko-Gross to be Writer/Artist of the Year ("Vividly imaginative in tricky layouts, intricate patterns and hallucinatory neverlands yet starkly perceptive of everyday details and personality, immune to art-star mythology while stockpiling stuff of legend, Lasko-Gross is capable of anything — but can’t help doing right") and her A Mess of Everything the #3 Graphic Novel of the Year ("Lasko-Gross creates the least wholesome and most healthy youth memoirs you’re likely to read. Tales of adolescent insight, creativity, trauma and folly for those who like to learn their lessons with minds of their own"); Gilbert Shelton's "Last Gig in Shnagrlig" from Mome Vols. 13-15 to be Strip of the Year ("With a style that seems strung from spider-webs, popping veins, worried brow-wrinkles and tangled vines and an eye for absurd posturing, both undiminished by five decades and whatever art-supplies he’s been sniffing, Shelton’s dystopian vaudeville is a vision you can never predict of species-wide misbehavior which remains, alas, just like you remembered it"); and Lilli Carré's "The Carnival" from Mome Vol. 14 to be Short Story of the Year ("A bittersweet, tragicfunny story of the luminous, enchanting worlds just beyond the outskirts of nowhere")
• Review: "I spent most of this week reading the new, paperback edition of Blazing Combat ... [T]he artistry on display is so mind-boggling, particularly in the case of Crandall, Heath and Severin, that it seems churlish of me to not recommend this book simply because of a few overly and obviously ironic twists. The creators clearly had a real love for this kind of material, so much so that [I] wish things had tipped slightly in their favor a bit more, and that the market had made at least a little more room for war comics when as the silver age gave way to the bronze." – Chris Mautner, Robot 6
• Review: "...I love the art, with great layouts, nice thick lines, and coloring that's somehow both rich and muted. Even when I don't like the characters or find their actions believable I still love the way everything looks. And the elliptical structure was a smart choice because it adds at least a little bit of mystery; instead of just reading to see what happens next you keep going to better understand what's already happened. I don't know if the stories were published individually anywhere, but Hallorave is basically the first book of King of the Flies, with two more on the way. I'm interested to see how closely they intersect with each other." – Garrett Martin, Shazhmmm...
• Review: "Based on a crime novel by Jean-Patrick Manchette, West Coast Blues is an existential comic by master cartoonist Jacques Tardi. It's colorless crime as only the French can do it, with despicable characters waxing philosophical on film and high-risk sex even while on the run from clumsy assassins. ... Plenty of crime stories revolve around the bizarre preoccupations of its characters and just as many are centered around the plight of the common man thrust into extraordinary circumstances. But Tardi really brings it home, offering a messed up story about messed up people who do some truly messed up things. While only 80 pages, it's a robust read. ... As compelling as this short yarn is in terms of the writing, the real draw here is Tardi. ... His style is comparable to Herge's, if not quite as clean. His characters are expressive and his architecture's pretty damn impressive. ... Big ups to Fantagraphics and editor/translator Kim Thompson for assembling a really lovely English language edition of this book." – Paul Montgomery, iFanboy
• Commentary: "You would think I'd have more to say about teaching 'Human Diastrophism,' one of my favorite comics in the classroom, but this was my fourth pass at the story and most of the classroom surprises have been played out. The greatest remaining challenge is just the problem of extracting one storyline from Gilbert Hernandez's long-running Palomar setting and fitting it into a single week of class discussion." – Marc Singer, I Am NOT the Beastmaster
• Interview:In this video, Vito Delsante talks to Jaime Hernandez at Jaime's appearance at Jim Hanley's Universe in NYC last Friday, April 9 (via ¡Journalista!)
• Interview: "'Digital vs. paper? That’s a totally bogus debate,' [Peter] Bagge told Wired.com in an e-mail interview. 'There will always be both. Whichever one you want, you got it!'" Well that solves that!
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