• Interview: The L.A. Times Hero Complex blog's Noelene Clark talks to Jim Woodring about his L.A. Times Book Prize-nominated Weathercraft: "Art is always so reductive, and what I have going on in my comics is so simple and relatively easy to understand compared to real life, which is infinitely complex. So it might relate to real life in the same way that a chessboard would relate to a chessboard with an infinite number of squares on it. It’s sort of similar in some ways, but it’s much, much, much, much, much simpler and reductive and easier to understand."
• Review: "The strips themselves are great. In fact, it’s a crime these aren’t more well known. These daily strips are part of why Mickey Mouse became a popular character and world famous icon. The serialized adventures are exciting and fun, establishing a real personality for Mickey beyond what was possible in the animated shorts. The book has lovingly restored these strips from the original negatives and proof sheets – each one crystal clear and absolutely beautiful. If that were all there was to this book, I’d recommend it highly. But that’s not all. Co-Editor David Gerstein has... loaded this book with over 60 pages of supplementary articles and features that are a MUST for all Disney history buffs. [...] I cannot praise this volume highly enough." – Jerry Beck, Cartoon Brew
• Review: "I had high expectations for Castle Waiting, given that the first volume was outstanding, and I wasn’t disappointed. I found Volume 2 so strong, in fact, that it was my best graphic novel of 2010. [...] I normally am not a big fan of fantasy, but here, the characters are so strong in personality, so interesting and likable, that I want to spend more time with them. [...] The true strength of Castle Waiting, though, is Medley’s gorgeous art. The characters are perfect, distinctive and expressive, and the storytelling so strong you don’t even notice it. Instead, you’re visiting with this self-created family for a while — and it’s never long enough. When I close the cover, it’s always a melancholy action, because I want more time with these people, more adventures, more humor and good-heartedness." – Johanna Draper Carlson, Comics Worth Reading
• Review: "Mome 21 bats a good average, with many stories hitting their mark and a few clearing the fences. [...] Mome plays a unique role in the world of North American alternative comics. It’s one of the only long-form, regularly published comics anthologies out there, providing a vision of novelty and variety for the future of literary comics. When the series concludes later this year, a chapter in comics history will have closed." – Ao Meng, The Daily Texan
• List: In light of the impending end of the anthology, Robot 6's Chris Mautner names "The six best stories in Mome" (to date... there's one issue yet to go)
• Review: "Hernandez of Love and Rockets continues his obsessive study of faux Z-movies featuring L&R character Fritz, a lisping, freakishly large-chested post-ingenue. This latest offering [Love from the Shadows] is imaginatively staged, beautifully drawn and deftly dialogued, with odd discordant undertones and psychosexual notes that include incest and insanity." – Richard Pachter, The Miami Herald
• Review: "More stoner/fantasy silliness from Daly. There seems to be more of a focus on plot and creating lengthy action sequences than in previous. The jokes don’t seem as frequent, or at least are more subtle this time around. [...] Dungeon Quest Book Two is still a fun romp, especially if you’re at all familiar with the fantasy genre or role-playing games in particular." – Chris Mautner, Robot 6
• Review: "Crane's drawings are clear, simple, rounded. They combine perfectly with the primary colors used in printing newspapers. His characters were drawn more cartoonish than realistic, with free and lightweight lines, without much concern for details. In layout, Crane was able to explore the space of the entire page of the Captain Easy strip, alternating horizontal and vertical panels to get a more dynamic effect. The author also used horizontal panels to show beautiful panoramic images of fights and persecution." – Gustavo Guimaraes, Ambrosia (translated from Portuguese)
• Interview: At The Rumpus, Ted Wilson has a fun chat with Jim Woodring: "People sometimes avoid me but not because I am or am not a garbageman. I really have no idea what you are asking. Do people avoid garbagemen? Not in my experience. In fact I learned that some women simply cannot resist a man in any kind of a uniform. I’m not kidding."
• Interview:Paul Gravett presents a transcription of the Comica-sponsored conversation between Dave McKean and Lorenzo Mattotti which took place in London last month: "I had read Piersanti’s novels, When he was buying a portfolio of mine, we were introduced. A French publisher wanted a short comic for an anthology about religion, so I asked Claudio because I knew he was interested in philosophy and spiritual problems. He had the idea of a man who finds he has stigmata wounds on his hands and doesn’t know what to do." (via The Comics Reporter)
• Interview: At The Comics Journal, Ken Parille talks to Ivan Brunetti about teaching comics: "To me, art is not about talent, it’s about hard work. It’s about developing one’s intelligence, thoughtfulness, and sensitivity. To some degree, the potential for these things seems to vary, implying they are perhaps innate, but I think anything can be nurtured (or neglected). Something might not come easy, but it can be learned. It’s matter of will, desire, determination, and hard work."
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editor Matt Madden spotlights Alexey Sokolin's "Life, Interwoven" from the Abstract Comics anthology as a 2010 Notable Comic: "The comic is made entirely of hatching lines, scribbles, swooping lines, and, way down beneath it all, hints of representative imagery. It almost looks like what began as a conventional comic mutated as the marks and lines broke free of the images. It’s also interesting the way the comic can read either as a six page comic, a series of six drawings (a sextich?), or six iterations of the same page being increasingly overwhelmed with line."
• Review: At Comix Cube Kevin Czap praises Steven Weissman's "Barack Hussein Obama" (seen here on our website and in Mome Vol. 21): "It actually reminds me of Wally Gropius in terms of the structure, which is not surprising given its appearance in MOME. One can only hope that the whole thing will get collected, at which point I predict it to be one of my favorite comics ever." (Via The Comics Reporter)
• Review: We almost missed this cartoon review by Casey Scieszka and Steven Weinberg at Unshelved Book Club: "…The Last Musketeer… is the epitome of everything we love about Jason: stunning color palette, insane and absurd plot, humor that sneaks up on you, his signature anthropomorphized animals, and surprisingly serious themes of authority, humanity, death, love, jealousy…"
• Profile: At Examiner.com, Gillian Gaar talks to editor/EMP curator Jacob McMurray about Taking Punk to the Masses: From Nowhere to Nevermind: "The book, as its title suggests, views Nirvana’s success as the culmination of the alternative rock scene that blossomed in America during the 1980s. 'That’s the bigger context in the exhibition as well,' McMurray explains. 'It is the story of Nirvana, but it's couched within what was happening throughout the Northwest, and throughout the US, from the rise of punk rock on. It’s the idea that there needs to be a sort of infrastructure in place for a band like Nirvana to even exist; that without all of these advances that had been happening in the underground by a dozen different bands, Nirvana would have never happened.'"
• Interview:Comic Book Resources' Chris Mautner talks to Gilbert Hernandez about Love from the Shadows and the other "Fritz B-Movie" books: "The Fritz series frees me of any obligation to be a do-gooder cartoonist, something most regular L&R readers probably don't want to hear. I felt straight jacketed with 'Palomar' and the like after a while, really. I have a lot more going on in my imagination than I'm expected to utilize." Further reading: at CBR's Robot 6 blog, Sean T. Collins comments on the interview
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editors Jessica Abel & Matt Madden spotlight two stories from Mome Vol. 13 as 2010 Notable Comics: Abel picks Dash Shaw's "Satellite CMYK" — "Dash Shaw just keeps popping up in our 'can’t miss' pile. [...] Beyond being a good story, the formal element of using color (and black and white) as a storytelling tool is very unusual and makes this work a standout." — and Madden picks Josh Simmons's "Jesus Christ": "The storytelling is fluid and dynamic, and Simmons’s ability to convey the enormity of the monster is bracing. Simmons deliberately mixes elements from different mythologies to defy any obvious reading. In the end, all we have before us is this escstatic Kali-Godzilla-Centaur with a halo of fire and a title to provoke us."
The Comics Reporter broke the news that the next volume of Mome, number 22, will be the last. CR's Tom Spurgeon commented and spoke to Mome editor Eric Reynolds about ending the long-running anthology; Rob Clough talked to Eric at TCJ.com; and Sean T. Collins comments at Robot 6. We thank the three of them and everyone else who has been a proponent of the series. I for one will miss the publication and abhor the vacuum its departure will leave, but look forward to Eric's future editorial efforts and future work from Mome's long list of contributors.
• Review: "Wilfred Santiago’s reverent comic biography 21: The Story of Roberto Clemente respectfully portrays both the player and the humanitarian without ever devolving into hagiography. [...] Santiago’s pleasantly cartoonish art defuses the sort of stifling sincerity that often turns well-intentioned works like this into ponderous bores. His dynamic layouts during the excellently rendered game scenes are tremendous, amazingly capturing the tension and euphoric release of a successful at-bat. [...] Santiago makes the sport exciting for even the most die-hard anti-baseball lout, but more importantly reminds us of the man behind one of the most inspirational figures in sports." – Garrett Martin, Paste
• Review: "...Jacques Tardi is one of the world’s greatest living cartoonists... [The Arctic] Marauder's standout attraction is Tardi’s art, particularly the complex ways Tardi combines black ink, gray tones and white space to delineate the frozen Atlantic Ocean expanses that open and close the book. ...Marauder‘s story is a pleasure to read. [...] Tardi’s handling of this milieu is perfect." – Craig Fischer, The Panelists
• Review: "Here [in Krazy & Ignatz 1919-1921] you’ll find Krazy moved to tears by the plight of a caged canary denied all the joys of free-flying fowl which he demonstrates one by one… outside of his cage. You’ll see him creep around on behalf of a pig begging for pennies after Ignatz dobs him in, the sneak. You’ll witness the sublime stupidity of Pupp and Ignatz investigating a dark cave with eyes, right under (or above) Krazy’s nose. But most of all, there’s them thar bricks aflyin’. [...] Regardless of gender, it’s probably the strangest love triangle in the world." – Page 45 (via The Comics Reporter)
• Review: "Krazy and Ignatz, as it is dubbed in these lovely collected tomes from Fantagraphics, is not and never has been a strip for dull, slow or unimaginative people who simply won’t or can’t appreciate the complex multilayered verbal and pictorial whimsy, absurdist philosophy or seamless blending of sardonic slapstick with arcane joshing. It is the closest thing to pure poesy that narrative art has ever produced." – Win Wiacek, Now Read This!
• Interview (Audio): Your must-listen of the day: our own Kim Thompson joins Inkstuds host Robin McConnell and Dr. Bart Beaty for a discussion of all things Euro-comics
• Feature: At the Drawing Words & Writing Pictures blog, Best American Comics series co-editor Jessica Abel spotlights Nate Neal's "Delia's Love" from Mome Vol. 15 as a 2010 Notable Comic: "Clearly structured, despite somewhat-complex flashbacks, 'Delia’s Love' is a story of down-and-outness and complicated romantic and sexual history. It’s told sensitively, and with subtlety, despite the sometimes harsh subject matter. No character comes off as either entirely hero or victim, and that’s how I like it."
• Plug: "This collection [Take a Joke] will feature some of the longer humor pieces from Johnny Ryan's Angry Youth Comix and, while it is NOT family friendly, it is funny as shit. [...] REMEMBER THAT THIS IS NOT FAMILY FRIENDLY ENTERTAINMENT." – Forces of Geek
After previous mentions in this space — see previous posts for additional blogger-blurbs — and possible early appearances at some comic shops, the following titles are on the official Diamond Comics Distributors shipping list for this week. Please check with your local shop to confirm availability. (Ordering in advance is always a good idea, too.) Previews and more info about each book, as always, at the links below:
200-page two-color 6.25" x 8" hardcover • $22.99 ISBN: 978-1-56097-892-3
"Wilfred Santiago's beautiful, intricately-told biography of the Pittsburgh Pirates icon manages to come out just in time for major league baseball's opening day. I think this is a work that people can return to a few times, meaning that if it's a novelty gift for someone -- something you buy for a baseball fan in your life that may not read a lot of comics, say -- it represents an enormous amount of value for that kind of book." – Tom Spurgeon, The Comics Reporter
"All I know about baseball is that there are some bases and a ball, but from this PDF preview it looks like one of those books that fools you into thinking you like a sport when you clearly don’t, just because it’s presented so beautifully... Wilfred Santiago’s... art is amazingly expressive. Looks like a good’un." – Gosh! Comics
"Then there’s 21, the new biography of baseball player Roberto Clemente by Wilfred Santiago, which looks pretty fantastic..." – Chris Mautner, Robot 6
"Just in time for opening day, it's Wilfred Santiago's beautiful biography of baseball legend, Roberto Clemente." – Benn Ray (Atomic Books), Largehearted Boy
344-page black & white 8.5" x 7" hardcover • $28.99 ISBN: 978-1-60699-438-2
"One thing that may be lost as we pore over this volume and the next few looking for a shift in tone or approach is that these books are deeply pleasurable and Schulz became in the golden afternoon of his career a highly confident and supremely reliable cartoonist." – Tom Spurgeon, The Comics Reporter
"...that Complete Peanuts Vol. 15 looks pretty spiffy as well..." – Chris Mautner, Robot 6
"It's been a while since the book was previewed, but I remember the Sara Edward-Corbett cover-featured work being particularly strong, and I'm a fiend for what Josh Simmons is doing right now." – Tom Spurgeon, The Comics Reporter
"… I’d have to make some tough decisions this week. Do I spend my initial $15 on the latest volume of Mome or on [other titles]...?" – Chris Mautner, Robot 6
"CONFLICT OF INTEREST RESERVOIR: Okay, a lot of this might have shown up in earlier weeks, but Diamond says it’s now. R.I.P.: Best of 1985-2004 collects works by Thomas Ott, reviewed by Sean T. Collins at this site here; $28.99. 21: The Story of Roberto Clemente is a new sporting biography by Wilfred Santiago; $22.99. The Complete Peanuts Vol. 15: 1979-1980 is a collection of superhero comics by Todd McFarlane, introduction by Al Roker; $28.99. And MOME Vol. 21 complies artists summarized by the link, although I’d be particular interested in new stand-alone Josh Simmons and a piece by Sergio Ponchione; $14.99."
• Analysis: At The Comics Grid, an essay titled "Ghost World[s] and Non-Places" by Tony Venezia: "By mapping Augé’s notion of non-places onto the grids of Ghost Worldwe can get an idea of how such supermodern environments are represented via a medium particularly well suited to figuring spatial representations." (Via Spurge.)
• Analysis:Lisa Pollifroni offers a (spoiler-filled) feminist reading of Gilbert Hernandez's Human Diastrophism: "I believe what Hernandez is trying to get at with Luba is the ways in which a woman can feel when they are seen as mainly a sexual object. Luba wasn’t born a Female Chauvinist Pig, she was taught to be one by the way she is treated due to the fact that yes, she does have large breasts, and yes, she is pretty. Instead of trying to get people to see beyond those attributes, she plays up to them, and that is what makes her, in this story at least, a Female Chauvinist Pig."
On The Ruined Cast blog Dash Shaw posted this page from his story "Blind Date 3" appearing in the next issue of Mome. Looks like a bit of a stylistic departure from the first two "Blind Date" strips. If you're not already familiar, yes, these are comics adaptations of actual episodes of the TV show Blind Date and yes, they're as funny and weird as you think.
Diamond Comics Distributors has confirmed with us that the following 4 books are shipping this week, though only one is included on their official weekly shipping list. Therefore, most of these will likely be reappearing with additional comics-blogger blurbs in next week's New Comics Day post. Be extra-sure to contact your local shop to confirm availability. Previews and more info about each book, as always, at the links below:
136-page black & white 6" x 8.25" softcover • $12.99 ISBN: 978-1-60699-436-8
"Joe Daly's D&D/stoner/sword-and-sorcery semi-parody epic continues. Opening caption: 'In their ongoing mystical quest to find the missing parts of the Atlantean resonator guitar our heroes find themselves wandering through the primeval gloom of Fireburg Forest in an attempt to find the prophet and poet, Bromedes, and return his borrowed penis sheath...' That about sums up the aesthetic here." – Douglas Wolk, Comics Alliance
176-page black & white 9" x 12" softcover • $24.99 ISBN: 978-1-60699-364-4
"The next-to-last volume of Fantagraphics' reprint of all of George Herriman's miraculous 'Krazy Kat' Sunday strips. I could go on about this stuff all day, so I won't start, except to say: not for fast quaffing, for slow sipping." – Douglas Wolk, Comics Alliance
"Hey, it's a book featuring page after page of the best comic ever. Krazy Kat is so good that if you don't get it, it's better for you in the long run that you do whatever is necessary to change yourself until you do get it." – Tom Spurgeon, The Comics Reporter
"Fantagraphics are still enthusiastically plowing on with their plan to collect every Krazy Kat Sunday page ever, which is about as ambitious a plan as they come. A Kind, Benevolent and Amiable Brick is the penultimate volume of the series, collecting over 150 pieces published between 1919 and 1921. As usual, they’re housed in a handsome package designed by the esteemed Mr. Chris Ware so they’ll match the others on your shelf, or near enough, providing he isn’t pulling a wacky Acme Novelty Library design on us." – Gosh! Comics
"CONFLICT OF INTEREST RESERVOIR: And speaking of commonalities with Spawn and Youngblood, Krazy & Ignatz 1919-1921: A Kind, Benevolent and Amiable Brick offers 176 pages of blood-drenched chrome and muscle carnage as you like it..." – Joe McCulloch, The Comics Journal
112-page full-color 7" x 9" softcover • $14.99 ISBN: 978-1-60699-394-1
"From Fantagraphics you can get the latest instalment in their acclaimed comics anthology Mome, now in its sixth (!) year. There’s stuff from Sara Edward-Corbett, Steven Weissman (Chewing Gum in Church), Sergio Ponchione (Grotesque), Nate Neal, Dash Shaw (Bottomless Belly Button), Jon Adams, Tom Kaczynski, T. Edward Bak, Derek Van Gieson, Kurt Wolfgang, Lilli Carré (The Lagoon), Nicolas Mahler (Van Helsing’s Night Off) and Josh Simmons, whose biography goes 'Simmons draws comics about happy bunnies, cirkus folks, and violent sex. He is a nice young man.'" – Gosh! Comics
On all of them:
"If I had $15: It’s a toss-up between the latest volume of Mome [and] the second volume of Joe Daly’s great stoners-meet-D&D fantasy Dungeon Quest... Splurge: Two big books out this week from Fantagraphics, both must-buys, at least for me. The first is Krazy & Ignatz 1919-1921 which collects more wonderful Herriman goodness. The second is The Arctic Maurader, the latest release in Fanta’s ongoing Jacques Tardi library. This one is particularly interesting as it’s a) a parody/homage of sorts to the classic Jules Verne/H.G. Wells/19th-century pulp stories; and b) done in a scratchboard-style motif designed to emulate woodcuts that apparently all but drove the artist around the bend. Since I’m splurging, I’ll get them both." – Chris Mautner, Robot 6
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