No lie: just a couple days ago I was wondering when they were going to announce this year's Ignatz Award nominees, and lo and behold, here they are today! Our artists & books received 8 nominations in 5 categories, and as per our typical M.O., we've put all the nominated titles on sale for a limited time! Congratulations to all; see the complete list of nominees here.
The acclaimed anthology of contemporary comics steams toward its landmark 20th issue. This issue leads off with the cover story, the first part of the satiric psychedelic epic "The White Rhinoceros," drawn by Josh Simmons and written by The Partridge in the Pear Tree. It is our privilege to welcome the great Gilbert Hernandez to the pages of Mome with a brand-new story starring his beloved character Roy! Also debuting this issue, exciting newcomer D.J. Bryant, with what may be the most hard-boiled story to appear in Mome yet. And making return appearances: Olivier Schrauwen, Tim Lane, Conor O'Keefe, and Robert Goodin with new stories, and T. Edward Bak with the continuation of his epic "Wild Man" serial.
Download an EXCLUSIVE 9-page PDF excerpt (1.6 MB) with a page from every artist in the issue, plus the Table of Contents.
Tim Lane and his collaborator Franklin Oros bring his tale "The Passenger" from Mome Vol. 18 to life with a combination of the previously-presented "radio drama" audio adaptation and various film and video footage intercut with panels from the comic and new artwork. I've only watched the first few minutes before bringing it to you but so far it is dyn-o-mite stuff. A bunch more info and bonus artwork can be seen at Tim's blog.
• Review: "Intentionally or not, Mome #19 is almost a theme issue, with the usual mix of abstraction and autobiography giving way to multiple narrative-driven stories with their roots in genre fiction. ... All-in-all, a solid outing for one of the best (and last) alt-comics anthologies on the market. [Grade] B+" – The A.V. Club
• Review: "Rhymes, lyrics, words used by your grandma (and only if they had emigrated to the U.S.) and situations that have been extinct for many years are the main features of Culture Corner. But when is this so bad? ... So this is a release of great value for fans of Wolverton, but also a great opportunity to learn about one of the most famous and funny in the business." – Thomas Papadimitropoulos, Comicdom (translated from Greek)
• Comic-Con: Eden Miller of Comicsgirl reports on the Moto Hagio spotlight panel at Comic-Con last week
• Interview:Frank Santoro joins Brandon Graham, Michael DeForge, and host Robin McConnell for an Inkstuds roundtable on "fusion in modern comics"
• Review: "...[T]he newer crop of contributors [in Mome Vols. 17, 18 & 19 is] a rough and tumble bunch who are bringing some fierce and hard-edged work to the table. ...[T]he balance is definitely in favor of the strong stuff, because it is strong stuff — well drawn in a variety of styles, and potentially troubling without cloaking itself in shopworn tropes. ... Once again, you're getting your bang for your buck." – Sean T. Collins, Attentiondeficitdisorderly
• Review: "And when you’re drawn into the world [of It Was the War of the Trenches] it’s hard not to rhapsodize about the drawing itself – Tardi’s gaze may be level, but his lines are sure and lush. His gentle contour line drawings are almost delicate, but then he fills them with a gray tone, or attaches them to nearly psychedelic intestines. It’s art that comes over you and stays with you – nicely offsetting an otherwise icy stare. ...Tardi seems a master, and this work a rare and intensely humane book." – Dan Nadel, Comics Comics
• Review: "Sequence by sequence and page by page, the re-readability of [Jason's] stories and scenes consistently offer more densely fulfilling reads than any three or four new $4 books... This particular story [Werewolves of Montpellier] ends in a graceful, yet awkwardly suspenseful and open-ended manner, but as with Jason books I’ve encountered before, this landing contributes to the matter-of-fact delivery he often employs in making you feel like you’re witnessing a story sliced out of a larger saga." – Brian Warmoth
• Review: "Those inclined to look for meaning could make a good case for this... as a story about people assuming false identities through a mix of circumstance and personal choice, but what Jason’s comics literally mean matters less than the pleasure of their deadpan humor and unexpected twists: His work has been building a whole habitat of crooks, monsters, and adventurers, just so he can explore their minor personal problems. Werewolves of Montpelier establishes yet another inviting corner of Jasonworld. [Grade] B+" – The A.V. Club
• Review: "...[T]he first 11 issues of [Dame Darcy's] sporadically released pamphlet Meat Cake — collected by Fantagraphics in a new trade-paperback edition — comprise some of the best alt-comics of the past 20 years. ...Darcy’s scratchy, fine-lined, loosely intricate artwork owes a slight debt to Edward Gorey, Victorian illustration, and the more demented wing of the E.C. roster (particularly Graham Ingels), but the dreamy vision and gleefully morbid sensibility are all her. Overall, Meat Cake’s dalliance with folklore, horror, camp, and transcendent bits of autobiography pack more of a poetic punch than the title is generally given credit for… [Grade] A-" – The A.V. Club
• Review: "Newave!is an astonishing collection of minicomics from the ’70s, ’80s and early ’90s... This book puts the lie to the notion that underground cartooning was fallow during this period; indeed, all it did was really go underground. ... Newave! gains momentum as it proceeds, an impressive feat for a 900-page anthology. ... The back half of Newave! features nary a dud. ... In an era when some cartoonists are learning how to create minicomics as part of a formal art education, Newave! should be a crucial text." – Rob Clough, The Comics Journal
• Review: "Out since last Halloween, this handsome collection of early 1980s exploitation VHS box art [Portable Grindhouse] is shaped like one of those old oversized clamshell cases. The all-color book collects the front and backs of many memorable cassette releases of that bygone era and will send you back to the days prowling dusty mom-and-pop video stores for you schlock fix. ... You won’t learn anything about the movies, but who needs that when the rest of the book is such a nostalgic gas?" – Tony Timpone, Fangoria
We have two new releases scheduled to find their way to comic shops this week. You can check out extensive previews for each book at their respective links below so you can be an informed consumer before taking your money down to your local shop. As usual, we'll let the blogosphere do our plugging for us:
240-page black & white/color 6.5" x 9.75" softcover • $22.99 ISBN: 978-1-60699-367-5
"...[A] mail-order tome of electrical cages, creepy costumes, and other casual torture devices. DeMoulin [Bros.] marketed these gadgets to men's social clubs, who were all too happy to subject new recruits to shocking see-saws and detonating flower pots." – io9
"I think Midtown’s fucking with me? Or, Fantagraphics is releasing a 240-page reproduction of a 1930 catalog from De Moulin Bros. & Co., specializing in dangerous-looking props to use in lodge initiations and such. Featuring a new appreciation by David Copperfield, in his first Fantagraphics appearance since retiring the Anton Drek pseudonym." [Ha ha ha! - Ed.] – Joe McCulloch, Comics Comics
"I can't tell if this is really cool-sounding or if that title reads like an unfortunate google translation." – Tom Spurgeon, The Comics Reporter
128-page color/b&w 7" x 9" softcover • $14.99 ISBN: 978-1-60699-349-1
"A new Gilbert Hernandez story is set for this latest edition of Fantagraphics’ house anthology, along with the start of a 'satiric psychedelic epic' from writer Shaun Partridge and artist Josh Simmons. Also: Olivier Schrauwen, Tim Lane, T. Edward Bak, more." – Joe McCulloch, Comics Comics
"The 'short pieces by regular contributors' paradigm for Fantagraphics' anthology series seems to have mostly gone out the window; instead, this volume involves Josh Simmons pushing some buttons, Olivier Schrauen doing a piece that looks like a Paper Rad/Winsor McCay mash-up, Gilbert Hernandez with one of his weird-ass Roy stories, and so on." – Douglas Wolk, Comics Alliance
"I'm a regular reader of this square-bound anthology series, but even if I wasn't I'd be picking this up for the debut of a new story by Gilbert Hernandez featuring the always awesome Roy, as well as a new 'satiric psychedelic epic' by Josh Simmons and a guy who for some strange reason wants to call himself The Partridge in the Pear Tree." – Chris Mautner, Robot 6
"This is a really good issue, leaning more towards Eric Reynolds' 'I edited Dirty Stories and my own comics can be terribly frightening' side than his art comics side. Some very potent, troubling short stories and some unorthodox yet beautiful-looking comics art." – Tom Spurgeon, The Comics Reporter
Vol. 19 of Mome isn't even out yet and we're already wrapping up work on the landmark 20th volume, due in October. Beginning with this issue the anthology sports a new design by Fantagraphics Art Director Adam Grano. The cover star is Fuzz from Ted Stearn's current ongoing Fuzz & Pluck serial "The Moolah Tree."
• Review: "Kelso’s work radiates a warmth, poetry, sympathy, and simultaneously earthy and otherworldly essence that few comics creators have brought to the table with such quiet confidence and grace. The closest comic in recent memory to match Artichoke Tales, both in breadth and depth, is Jeff Smith’s Bone. [Grade] A" – The A.V. Club
• Review: "...Fantagraphics’ hardcover edition of The Book of Mr. Naturalfeels like the perfect introduction to R. Crumb’s most enduring creation—and to the sexual peccadilloes that occasionally get both character and creator in hot water. ... It’s fascinating stuff, and should be mandatory reading for anyone who squirmed through Terry Zwigoff’s excellent Crumb documentary—or for anyone looking to get their danders up at Crumb’s allegedly misogynistic tendencies. [Grade] A-" – The A.V. Club
• Review: "[Editor Eric] Reynolds has done an amazing job of balancing serials with a variety of single-page strips and one-shots. Expanding Mome to include translations from international cartooning stars, short works from established cartoonists and left-field contributions from illustrators not known in the comics world have kept things interesting on an issue-to-issue basis. The eccentricity of Reynolds’ taste as an editor has been another major factor in preventing Mome from getting into a rut. ...[T]his issue of Mome is a fine overall read, and the first half is especially spectacular." – Rob Clough, The Comics Journal
• Review: "Percy Gloom is a moving, engaging, enlightening book. It’s exactly the sort of comic readers should be demanding – thoughtful and intelligent, a beautifully drawn narrative that unfolds its layers over the course of multiple readings. Cathy Malkasian’s produced two winning graphic novels, and she’s clearly a talent that deserves a far wider readership." – Michael C. Lorah, Newsarama
• Profile: For The New York Times, Reyhan Harmanci reports on how Mark Bodé is carrying on his late father Vaughn's legacy: "Vaughn Bodé created a world in his comics that Mark has fleshed out, making oil and spray paint paintings from his father’s cartoon panels and unfinished sketches. The younger Mr. Bodé perfected his father’s signature pieces: the ever-slouching Cheech Wizard, the science-fiction-inflected planet full of lizards, the cartoonishly lewd 'Bodé broads.' As Mark Bodé, 47, who is based in Daly City said, 'I am mortal and he is immortal, and the two of us work well together.'"
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