• Review/Interview:Vice's Nick Gazin looks at The Complete Peanuts 1981-1982 — "I expected that the quality of the Peanuts comics would be waning by now, but I’m still laughing at the jokes and recognizing the personalities of characters I know in the gang.... It’s a beautifully designed, thick, brickish volume with lots of memorable storylines.... All in all it’s a beautiful two years worth of Charles Schulz’s creative output. It’ll make you laugh, it’ll make you think." — and talks to Monte Schulz about his dad's work on the strip — "The early 80s were a strange time for us. In 1981, Dad underwent quadruple bypass surgery after feeling in poor health for most of the previous year. The idea of surgery terrified him, but the medications he’d been taking had left him so debilitated that surgery became the option he was forced to consider. So he had the procedure and survived, and found a wealth of material from the experience, which he poured into his strip." — and his own career as a writer
• Review: "Jaques Tardi has already proven with West Coast Bluesthat he is just the man for the job when it comes to illustrating the particular brand of noir crime Jean-Patrick Manchette so deftly dished out. There’s a palpable feeling of safeness when you open [Like a Sniper Lining Up His Shot] — nothing to do with the subject matter, of course, but with such certifiable masters captaining the ship you’re quite willing to... [trust] that it will lead somewhere totally unexpected, which it does.... Remember that feeling you got in your guts just before the end of Kiss Me Deadly? It feels a bit like that. The first page grabs you roughly by the hair and the book happens in those split seconds before the last page punches your lights out." – Hayley Campbell, The Comics Journal
• Review: "Fantagraphics Books has done an excellent job putting the comic strips of Mickey Mouse in this impressive volume.... Also included in this book is a section on 'The Gottfredson Archives: Essays and Archival Features.' Fans of Mickey Mouse or cartoon strips will enjoy the wonderful stories and illustrations of Floyd Gottfredson created approximately 80 years ago and beautifully presented by the publisher." – Glenn Perrett, Simcoe.com
• Interview: At art:21 Thea Liberty Nichols talks to Lilli Carré: "I frequently switch back and forth between working on comics and animation. Sometimes it’s nice to be able to work with pages, where I can really focus on the details and nuances from one panel to the next, and an overall page composition. After I’ve been working on something like that for a while, it feels very freeing to switch to working on an animation, and draw 12 drawings for every second of film. It becomes much looser in terms of each individual drawing, and is more about the overall feel and movement." (Via The Comics Reporter)
• Lore:Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" continues at TCJ.com
Residents of San Francisco should head over to the Cartoon Art Museum tonight as they welcome author Monte Schulz! Schulz will talk about growing up with his father, Peanuts artist Charles M. Schulz, and how "Sparky" influenced his own writings. It's sure to be an engaging evening for all!
Following the presentation, Schulz will be signing copies of his latest novel, The Last Rose of Summer. The Cartoon Art Museum is located at 655 Mission Street in San Francisco. The event runs from 7:00 pm to 9:00 pm, and is free and open to the public!
The second book in Monte Schulz’ Jazz Age trilogy (the first, This Side of Jordan, was released in 2009; the last, The Big Town, will be released in 2012), The Last Rose of Summer examines the relationships among three women under the same roof in late 1920s Bellemont, East Texas: Maude, Marie and Rachel. Marie and her two small children, Cissie and Henry, are sent by her husband Harry to live with his mother Maude while he is on business elsewhere. Marie observes her sister-in-law Rachel’s tempestuous love life while trying to abide by Maude’s house rules, keep track of her children and provide for her family. When a boy is found dead in the river, Marie worries that his killer may still be lurking in the shadows. As a Northerner, she is also disturbed by the town’s overt racism, especially that of her in-laws. Meanwhile, she resists the advances of her boss, Jimmy Delahaye.
An unexpected technical glitch has necessitated the splitting of today's Online Commentary & Diversions in twain, so part 2 follows immediately:
• Review: "Fantagraphics Books rolls on with their hardcover library collection The Complete Peanuts, with the latest installment spotlighting 1979 and 1980. [...] In Charlie Brown, one sees a character with life still left ahead of him, so the myriad indignities he suffers are tempered by the thought that things could only get better. Had it been an adult character, the question would have been, 'Why hasn’t this guy drank himself to death by now?' ...[T]he Complete Peanuts collection is highly recommended to anyone who is in love with not just this format, but to anyone who can appreciate the highest level of achievement." – Dw. Dunphy, Kirkus Reviews
• Review: "I always look forward to the latest collection of Peanuts strips from Fantagraphics and with the newest offering, the [Complete] Peanuts [series] moves into the 1980s. In general, Charles Schulz' strips can fit in any era. [...] There's something so simple and yet so complex about Peanuts strips. Not matter how many you read you can never tire of them. Grade A" – Tim Janson, Mania
• Review:iFanboy's Ron Richards selects 21: The Story of Roberto Clemente as their Book of the Month: "Filled with emotion and heart, this story presents what it meant to the world, to Pittsburgh, to Puerto Rico and ultimately to his family. A great baseball biography is filled not only with on field accomplishments but with off field heart and relationships and Wilfred Santiago captured that perfectly... Santiago's artwork is stunning, at times completely breathtaking... Santiago is able to paint a picture of raw emotion, both good and bad, with his illustrations that one cannot help but get lost in the tale. [...] I don't think there is a higher praise I can give to this book other than I wish I could go back in time and give the 9 year old version of me this book to delight over. [...] I can't think of a better way to start the baseball season this April than by enjoying this beautiful graphic novel achievement by Wilfred Santiago."
• Review: "In this emotionally moving biography, the Puerto Rican Wilfred Santiago magnificently chronicles the often tragic life of this icon. [...] Santiago expertly traverses Clemente's tribulations, losses, and success with ease and skill. His portrayal of the baseball games rank among the finest ever attempted in this medium. Under the masterful hands of Santiago, 21 evolves into far more than just a biography of a sports figure. It showcases a life worth emulating." – Rick Klaw, The SF Site: Nexus Graphica
• Interview (Audio): Author Monte Schulz appears on the MarketingOurMuse program on BlogTalkRadio to talk with host Marla Miller about marketing novels in 2011
MONTE SCHULZ TOURS WEST COAST IN MARCH TO PROMOTE THE RELEASE OF THE NEW NOVEL, THE LAST ROSE OF SUMMER
SEATTLE, WA, FEB. 2, 2011 --- This March, Fantagraphics Books will publish The Last Rose of Summer, a novel by Monte Schulz. To support the release, the author will tour several cities on the West Coast in late-February and March:
"Beautifully written and thoroughly researched, a veritable time-machine that whirled me through time to the dirty back roads of the American midwest in the year before the Depression. ... Did I mention how good the writing is? The writing is excellent... a masterpiece of setting and storytelling..."- Cory Doctorow, BOINGBOING
With the Great Depression looming and about to define America's next decade, three strong-minded women related by marriage form an uneasy household in the summer of 1929. Forced by her husband Harry to uproot their two small children from Illinois and take up residence in East Texas, Marie Hennesey struggles to find a place not only within her mother-in-law's home but in a Southern town whose troubling unfamiliarities compound her marital woes and homesickness.
Maude Hennesey has little patience for Marie and her children, and even less for her own pretty but petulant daughter, Rachel, who fights and flirts with a dashing pilot from New Orleans. Colliding issues of faith and sexual mores, racial proprieties and class distinctions, fuel a constant bickering through the narrow corridors of the house, all three women heedless of the love that has brought them together. Maude seems cold and distant except toward the ladies of her club; Rachel's affection for her doting aviator rises and falls capriciously; and Marie seeks to understand an absent husband, while deciding how to receive her employer's slow seduction.
As summer wears on, the conflicts among these women are exacerbated by a child murder that sends shockwaves of fear and mistrust throughout the community, particularly between the town's white residents and a black shantytown across the river. An ever-increasing sense of dread culminates in the arrival of a terrible storm whose aftermath reveals poignant and unexpected truths about these three women living at a time when America was poised on the brink of economic catastrophe.
In The Last Rose of Summer, Monte Schulz has created a story about three women and their interior and exterior lives, each of whom symbolize quintessential American notions of family, love and community. In so doing, he reminds us all where we come from and how we got here. With an elegiac voice that evokes an era in its final bloom, and a thoughtful rendering of the public and private contentions that ruled the day, The Last Rose of Summer becomes an instant American classic.
Monte Schulz published his first novel, Down By The River, in 1990, and spent the next twelve years writing a tapestry of the Jazz Age, of which The Last Rose of Summer and 2009's This Side of Jordan are two of three parts. He received his M.A. in American Studies from the University of California at Santa Barbara, where he continues to reside. He is the eldest son of Charles M. Schulz (Peanuts).
"Comix Talks" is presented in association with the fledgling Fantagraphics Book Club. Additional information on the book club will be announced at the Aaron Renier/Jason Shiga appearance at the bookstore on on February 23. Watch this space for more news.
With the Great Depression looming and about to define America's next decade, three strong-minded women related by marriage form an uneasy household in the summer of 1929. Forced by her husband Harry to uproot their two small children from Illinois and take up residence in East Texas, Marie Hennessey struggles to find a place not only within her mother-in-law's home but in a Southern town whose troubling unfamiliarities compound her marital woes and homesickness.
Maude Hennessey has little patience for Marie and her children, and even less for her pretty but petulant daughter, Rachel, who fights and flirts with a dashing pilot from New Orleans. Colliding issues of faith and sexual mores, racial proprieties and class distinctions, fuel a constant bickering through the narrow corridors of the house, all three women heedless of the love that has brought them together. Maude seems cold and distant except toward the ladies of her club; Rachel's affection for her doting aviator rises and falls capriciously; and Maude seeks to understand an absent husband, while deciding how to receive her employer's slow seduction.
As summer wears on, the conflicts among these women are exacerbated by a child murder that sends shockwaves of fear and mistrust throughout the community, particularly between the town's white residents and a black shantytown across the river. An ever-increasing sense of dread culminates in the arrival of a terrible storm whose aftermath reveals poignant and unexpected truths these three women living at a time when America was poised on the brink of economic catastrophe.
In The Last Rose of Summer, Monte Schulz has created a story about three women and their interior and exterior lives, each of whom symbolizes quintessential American notions of family, love and community. In so doing, he reminds us all of where we come from and how we got here. With an elegiac voice that evokes an era in its final bloom, and a thoughtful rendering of the public and private contentions that ruled the day, The Last Rose of Summer becomes an instant American classic.
Yeah, we're great, and our books are late. Why, what did you think the headline meant?
Anyway, a new year is upon and it's time to 'fess up about all the late Fantagraphics titles you were expecting to have by now, and don't, because we suck. Specific apologia and weaseling have been added to some titles, others we just pass under mortified silence. 2011 will be better!
The following have been rescheduled: • THE ANTIC CARTOON ART OF T.S. SULLIANT will be reformatted, rethought, re-solicited, and released in early 2012 • FORLORN FUNNIES VOLUME 1 by Paul Hornschemeier will be released in the Summer of 2011 • THE HIDDEN by Richard Sala will be re-solicited and released in July 2011 • HOW TO READ NANCY will be re-solicited and released in 2012 in a vastly expanded version from what we first expected • IS THAT ALL THERE IS? (né MODERN SWARTE, originally announced for 2007) in late Fall 2011: Yes, Joost has turned in all the files and publishers in three countries are synchronizing their watches! • NANCY IS HAPPY will be released in late 2011: It turns out that there was more production work than we anticipated to make the book as perfect as humanly possible.) • POGO VOLUME 1 will be released in the Fall of 2011 - yes, seriously, for real this time
cover illustration by Cathy Malkasian 332-page 6" x 9" hardcover • $29.99 ISBN: 978-1-60699-401-6
Ships in: February 2011 (subject to change) — Pre-Order Now
With the Great Depression looming and about to define America's next decade, three strong-minded women related by marriage form an uneasy household in the summer of 1929. Forced by her husband Harry to uproot their two small children from Illinois and take up residence in East Texas, Marie Hennessey struggles to find a place not only within her mother-in-law's home but in a Southern town whose troubling unfamiliarities compound her marital woes and homesickness.
Maude Hennessey has little patience for Marie and her children, and even less for her pretty but petulant daughter, Rachel, who fights and flirts with a dashing pilot from New Orleans. Colliding issues of faith and sexual mores, racial proprieties and class distinctions, fuel a constant bickering through the narrow corridors of the house, all three women heedless of the love that has brought them together. Maude seems cold and distant except toward the ladies of her club; Rachel's affection for her doting aviator rises and falls capriciously; and Maude seeks to understand an absent husband, while deciding how to receive her employer's slow seduction.
As summer wears on, the conflicts among these women are exacerbated by a child murder that sends shockwaves of fear and mistrust throughout the community, particularly between the town's white residents and a black shantytown across the river. An ever-increasing sense of dread culminates in the arrival of a terrible storm whose aftermath reveals poignant and unexpected truths these three women living at a time when America was poised on the brink of economic catastrophe.
In The Last Rose of Summer, Monte Schulz has created a story about three women and their interior and exterior lives, each of whom symbolizes quintessential American notions of family, love and community. In so doing, he reminds us all of where we come from and how we got here. With an elegiac voice that evokes an era in its final bloom, and a thoughtful rendering of the public and private contentions that ruled the day, The Last Rose of Summer becomes an instant American classic.
Read the entire first chapter! Download the EXCLUSIVE 38-page PDF excerpt (246 KB).
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