|Tonight in Eugene, OR!|
|Written by Eric Reynolds | Filed under Monte Schulz, events||14 Oct 2009 12:51 PM|
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Category >> Monte Schulz
Get your questions ready for Monte Schulz -- the This Side of Jordan author will be appearing on Bob Andelman's live "Mr. Media" internet radio call-in interview program this coming Monday, Sept. 22, at 2 PM (though I'm not sure what time zone that is). Tune in here; once the broadcast is archived we'll post the streaming audio player.
New comics arrive in comics shops on Thursday this week due to the U.S. holiday. That gives you an extra day to count up your nickels because HOO BOY do we have a ton of stuff scheduled to land in shops this week! Such as:
All and Sundry: Uncollected Work 2004-2009 by Paul Hornschemeier
Giraffes in My Hair: A Rock 'n' Roll Life by Bruce Paley & Carol Swain
Love and Rockets: New Stories #2 by the Hernandez Brothers
The Red Monkey Double Happiness Book by Joe Daly
The Squirrel Machine by Hans Rickheit
This Side of Jordan by Monte Schulz (cover by Al Columbia)
West Coast Blues by Jacques Tardi & Jean-Patrick ManchetteGet yourself educated on all of the above titles by clicking their links and checking out the descriptions and previews. Check with your local shop to make sure they'll have what you're looking for, then take the hammer to the ol' piggy bank and load up on all these beautiful books!
Online Commentary & Diversions:
• Review: "Monte Schulz proves that his father was not the only talented storyteller in the family.... Monte has carved out his own stake with This Side of Jordan, the first novel of a planned trilogy.... Even though there are moments of brutal violence in the vein of Cormac McCarthy, Jordan is more about the young man facing his future with uncertain terms.... You’ll find yourself enraptured by his style, fittingly written in honor of his father." - Bruce Grossman, Bookgasm
• Review: "Overall, I liked West Coast Blues quite a bit, enough so that it makes me want to search out Manchette's novels that have been translated into English. If you enjoy hardboiled crime graphic novels, you should certainly give this one a try." - James Reasoner
• Review: "Boody’s absurdism is patently blue-collar. There is nothing heady or cynical or mean-spirited in these strips. They owe far more to the tradition of wives tales and folk legends than Kafka. As their syndication would likely demand, Boody’s bizarre comics are Golden Age nuggets of an off-kilter author who found a particular release in his medium." - Erik Hinton, PopMatters
• Review: "Chusid and Economon once again prove to be wise stewards of the Flora archives. [The] Sweetly Diabolic [Art of Jim Flora] reveals many largely unknown aspects of his work, but also fruitfully revisits his classic Columbia-era work. Thanks to the quality of the reproductions and design of the book itself, the vitality of Flora's art comes through on each page. An effective introduction to Flora's art and a satisfying crowd-pleaser for his established fans, Diabolic is another richly entertaining treasury of Flora's 'baroque and subversive' art." - Joe Bendel, J.B. Spins
Monte Schulz's prose novel opens in the spring of 1929, as the 19-year-old consumptive farm boy Alvin Pendergast attends an ill-fated dance marathon he's too sickly to participate in. After a year of his life has been stolen by a sanitarium, Alvin knows he's relapsing, and dreads not only the drudgery of his family's homestead, but a return to the hospital. In this state of mind, an invitation for a late-night slice of pie is too seductive to pass up and before he knows it, Alvin crosses the Mississippi River and finds himself working for a slick con artist named Chester Burke.
Alvin is no match for Chester, who's not merely a con man, but a gangster from Chicago, following the bootleg liquor trade through the small towns of America's middle border. With Alvin in tow, Chester's insouciant disregard for life serves him well as he embarks upon a series of bank robberies and senseless murders. All summer long, Chester assumes the role of a dark angel on Judgment day, cleansing the scrolls of those whose sad fortune had drawn them across his path. Too ill to flee, too morally weak to object, Alvin resigns himself to what seems like certain doom somewhere down the road. Fortunately, Alvin finds another companion on his journey, a lonely, eccentric, and grandiloquent dwarf named Rascal, whose own infirmity binds his and the farm boy's destiny together. Drawn deeper and deeper into Chester's murderous frolic, they come across a curious assortment of characters, from small town businessmen and religious kooks to wayward girls and dance contestants, spiritualists and sideshow freaks. Caught between Chester's villainy and Alvin's own physical deterioration, the young farm boy must make a decision: stick with Chester, who would surely kill him at the slightest hint of betrayal, or muster the courage to stake his life on faith in Rascal's clever plan to save them both. Tired of being afraid, Alvin finally grasps the need not only to outwit the gangster but to find another road to travel. What he discovers about the meaning of home offers a solution to escape and freedom.
This Side of Jordan is a thoroughly American novel told in the voice of a lost generation hurtling toward the Great Depression, and evokes a long ago America of crowded Main Streets and tourist camps, miles of cornfields, rural churches, and musty parlors. It ends on the fairgrounds of a traveling wagon circus that beckons gangster, farm boy, and dwarf toward a startling resolution, and a hard-fought absolution for the two young, frightened collaborators. The narrative of this novel has the momentum of a freight train, but told in the seductive, rhythmic tradition of Southern lyricism reminiscent of Flannery O'Connor and Truman Capote, and filled with vivid, outsized literary characters. If Jim Thompson and Carson McCullers went on a collaborative bender by kidnapping Holden Caulfield, Perry Smith, and Ignatius J. Reilly, they'd have come up with something like This Side of Jordan.