The Cleanest Mug in the Kitchen of Online Commentaries & Diversions:

• Review: Booklist reviews the Mysterious Traveler: The Steve Ditko Archives Vol. 3, by Steve Ditko and edited by Blake Bell. Gordon Flagg notes these horror stories feature "Ditko’s distinctly off-kilter drawings and boldly potent composition" and the "meticulous restoration means that the stories look far better here than they did upon their original appearances."

• Review: Booklist enjoys Mort Meskin's Out of the Shadows, edited by Steven Brower. "Meskin’s powerful compositions add a fitting dynamism to superhero tales featuring the Black Terror and Fighting Yank. His bold use of shadows and other solid black areas impart a moody atmosphere to horror and crime stories, and even the romance and sci-fi pieces included here benefit from his economic illustration style and attractive page designs," writes Gordon Flagg.

• Review: Black Gate picks up Linda Medley's Castle Waiting: Volume 2 for a good read. John O'Neill stated, "it retold the fairy tale of Sleeping Beauty (sort of), as seen by an odd cast of mostly minor characters. It was well written and beautiful, feminine in perspective and mood, incredibly slow-paced, and wholly original. I loved it."

• Interview: Gary Panter spent a whole hour talking to Benjamen Walker on the Too Much Information show at WFMU about life, Dal Tokyo, the evolving medium of comics and more.

• Interview: New Statesman interviews Chris Ware on Building Stories, Jimmy Corrigan and the time inbetween books. "Kim Thompson at Fantagraphics was really willing to experiment [with format]; I remember how much he and I sweated the idea of putting out a comic book that was just 1/2" shorter than the standard format in 1993."

The fully charged Online Commentaries & Diversions:

• Review: School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."

• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."  

• Review: AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"

 • Review: Nick Gazin at Vice looks Sexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."

• Plug: Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.

• Review: San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.

• Plug: The Daily Cartoonist takes a sneak peak at Naked Cartoonists, edited by Gary Groth. Alan Gardener says "What a fun project. Well done." 

• Review: Chicago Tribune likes the premise of the Significant Objects edited by Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."

• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lung before it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."

• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."

• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!

• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."

This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.

New York Mon Amour
by Jacques Tardi, Benjamin Legrand & Dominique Grange

84-page black & white/duotone 8.25" x 10.75" hardcover • $19.99
ISBN: 978-1-60699-524-2

"Four short stories by the French Tardi set in New York City. The biggest thing about Tardi is his range, even within the confines of a single story. He can effortlessly move from silly, mannered humor to explosive, gruesome violence. Tarantino, if he had become a cartoonist, would have wished that he could be this guy." – Ao Meng, Novi Magazine

"Among this week’s crop of new releases is another in Fantagraphics’ excellent and continuing series of extremely welcome English language editions of the diverse body of work by the great Jacques Tardi, surely one of the top exponents of the comic form.... I’m so glad the Fanta crew has been making these titles available again to English language readers." – Joe Gordon, Forbidden Planet International

"I mentioned New York Mon Amour last week, but how can you possibly cite Jacques Tardi too many times? All I know is that four NYC stories are included, in black, white & red; $19.99." – Joe McCulloch, The Comics Journal

"If I had $30, I’d make the difficult choice between two top-notch offerings from Fantagraphics this week. One: New York Mon Amour, a collection of Manhattan-themed stories by the one and only Jacques Tardi, including the Kalfkaesque “Cockroach Killer.” The other would be the third volume in the ongoing Mickey Mouse collection, High Noon at Inferno Gulch. I’m an unabashed Floyd Gottfredson fan, so the Mickey book would probably win out. But I’d be sure to save my coins for next week so I can get the Tardi book then." – Chris Mautner, Robot 6

Out of the Shadows
by Mort Meskin; edited by Steven Brower

200-page full-color 7.5" x 10.5" softcover • $26.99
ISBN: 978-1-60699-532-7

"Assuming I don’t blow all my splurge dough on the Tardi book, there’s a number of solid options here [including] Out of the Shadows, a collection of Mort Meskin’s early non-DC work..." – Chris Mautner, Robot 6

"Also dropping is Out of the Shadows, a 200-page collection of Golden Age comics by Mort Meskin, edited and designed by Steven Brower; $26.99." – Joe McCulloch, The Comics Journal

"The Mort Meskin book is a must-have simply because of the way Meskin has muscled his way into the conversation about great and influential mainstream craftsmen -- I think maybe through a door left ajar a few places by Art Spiegelman, although I honestly couldn't tell you the exact provenance of his rediscovery." – Tom Spurgeon, The Comics Reporter

Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch
by Floyd Gottfredson

280-page black & white/color 10.5" x 8.75" hardcover • $29.99
ISBN: 978-1-60699-531-0

"These volumes have been a revelation, showing a generation who had only seen the dull, squeaky clean corporate Mickey exactly why he was the darling of the 1930s. Pure rollicking high-adventure, they’re also filled with background material and essays by cartoon scholars such as editor David Gerstein. A must for any cartoon fan collection." – Sean Gaffney, Manga Bookshelf

"...Fantagraphics’ hilarious little mascot returns for more Floyd Gottfredson-headed antics in Walt Disney’s Mickey Mouse Vol. 3: High Noon at Inferno Gulch, boasting 60 or so pages of supplements toward a 280-page total; $29.99. " – Joe McCulloch, The Comics Journal

Love and Rockets: New Stories #1 (2nd Printing)
by the Hernandez Brothers

100-page black & white 7.5" x 9.25" softcover • $14.99
ISBN: 978-1-56097-951-7

Back in print!

Today's Online Commentary & Diversions:

• Review: "The sad, forgotten beauty of the in-between moments of daily life: playing a board game at a kitchen table just cleared from a family dinner; listening to music having just slipped off your shoes; daydreaming while doing the dishes. What would it be like if a series of graphic novellas tried to capture these moments? What if it also featured an omnipresent, invisible rabbit that could change sizes and a dark, cloud-shaped creature ('the Big Blind') living in the basement of an apartment building that fed on the memories, dreams, and nightmares of its inhabitants? It would probably be something like the Italian comic-book creator Gabriella Giandelli’s... Interiorae." – Nicholas Rombes, Oxford American

• Preview: At The Beat, Jessica Lee presents a 5 page sneak peek of the new book by Josh Simmons, saying "Toying with the vulnerability of characters that seem timelessly recognizable, i.e. fairies in a fantastical land or a batman-esque figure scaling a wall, The Furry Trap is a graphic novel that is set to shock and appall its reader, yet Simmons is able to retain an even stronger range of visual style that makes this graphic novel’s scope extend further than being just a horrific tale."

• Plug: "...[T]he new volume of Prince Valiant, volume 5, is here and an event all its own. Fantagraphics' new hardcover printings of these wonderful Hal Foster Sunday pages offers the finest reproduction yet, far superior to their old softcover series. While I own the original Sunday pages, collected years ago, I could not resist sitting down with these new volumes and getting re-hooked on the stories AND art by one of the very true masters of comic art." – Bud Plant

• Plug: "Out of the Shadows deserves your attention. Meskin is one of my favorite artists from the 1940s and 1950s.... Mort's work here are some of the hidden gems of the Golden Age.... This book comes a long way to reveal this incredible talent who rose above the mass of Golden Age artists." – Bud Plant

• Interview: I think we missed this February 2011 interview with Jaime Hernandez on the SiDEBAR podcast — The Comics Reporter caught it

• Commentary: At The Comics Reporter, Tom Spurgeon on becoming a regular Love and Rockets reader via the Mechanics reprint series

• Scene: The Seattle Star's Heather Logue reports on Saturday's Jeffrey Brown signing at Fantagraphics Bookstore & Gallery: "And truthfully I did spend much of my time at the reading trying desperately to stop picturing in my mind the cartoon genitalia he’d drawn dozens of times in his books. Awkward."

• Scene: Jen Vaughn is driving cross country to start her new job here at Fantagraphics and she's making stops along the way to do portfolio reviews and evangelize for her former employer, the Center for Cartoon Studies. I think we picked a good one!

Just arrived in our warehouse and ready to ship to our mail-order customers:

Out of the Shadows
by Mort Meskin; edited by Steven Brower

200-page full-color 7.5" x 10.5" softcover • $26.99
ISBN: 978-1-60699-532-7

See Previews / Order Now

One of the greatest visual storytellers in the history of comics. That was Mort Meskin, famed Golden Age artist whose name belongs in the first rank of comics storytellers: Will Eisner, Jack Kirby, Steve Ditko.

See for yourself why Meskin earned the admiration and respect of his peers (as well as contemporary critics and historians) for his atmospherically charged work, his masterful use of form and composition to convey mood and action, his noirish use of light and shadow to create suspense.

This, the first-ever collection of Meskin’s comics, surveys his work from the 1930s, 1940s, and 1950s. Here, in just under 200 pages, you’ll discover the artist’s amazing ability to stamp his own fresh visual imprimatur across a wide variety of genres: superheroes (The Black Terror, The Fighting Yank, a never-before published Golden Lad), adventure (the origin of Sheena, Queen of the Jungle), science fiction (Tom Corbett, Space Cadet) — plus horror, kid gangs, crime, Western — even romance!

Rescued from the fading obscurity of old, yellowing comic books, this deluxe volume meticulously reproduces his work from the best available sources. At last, Mort Meskin steps into the spotlight and — OUT OF THE SHADOWS!

Praise for Mort Meskin:

“Deserves to be treasured by all comics fans and studied by all artists of the medium” – Rich Clabaugh, Christian Science Monitor

"A genius" – Carmine Infantino

"A great talent" – Jack Kirby

"One of comics' unsung heroes" – Jim Steranko

20-page excerpt (download 6.4 MB PDF):

Video & Photo Slideshow Preview (view in new window):

The latest Online Commentary & Diversions:

• Commentary: "The completion of Fantagraphics's Krazy [Kat] Sunday series also means, quite possibly, the end of Krazy Kriticism — a brand of writing that, as far as I can tell, only the Kat engenders. Critic Gilbert Seldes first articulated its credo in the 1924 article 'The Krazy Kat That Walks by Himself.' After comparing Herriman to Dickens, Cervantes, and Charlie Chaplin, Seldes threw up his hands: 'It isn't possible to retell these pictures; but that is the only way, until they are collected and published, that I can give the impression of Herriman's gentle irony, of his understanding of tragedy, of the sancta simplicitas, the innocent loveliness in the heart of a creature more like Pan than any other creation of our time.' Thus did the gates open to a flood of ecstatic, mimetic writing in which every critical impulse was mercilessly drowned in gushing praise and fervent prayers to put the comics between covers." – Sarah Boxer, Los Angeles Review of Books

• Commentary: At Print magazine, Steven Brower looks at different ways comics publishers restore and present vintage comics material, including his own compilation of Mort Meskin comics, Out of the Shadows: "For the Mort Meskin collection, we hoped that a contemporary audience would rediscover him; Fantagraphic’s fresh, newly minted approach goes a long way toward achieving that."

• Review: "I mean this in the nicest possible way but self-confessed obscurist Hans Rickheit is clearly not all there in the head. ...[Folly: The Consequences of Indiscretion] is a collection of shorts from over the years, frequently featuring the same characters, in particular identical twins Cochlea & Eustachia, who inevitably get themselves into all sorts of unpleasant bother. Definitely the type of read to make you wary of opening doors when you’re not entirely sure what’s on the other side, as Hans frequently surprises his characters, and us readers, by taking you somewhere you’d never expect, nor probably want to go to." – Jonathan Rigby, Page 45

• Review: "‘Plunder Island’ is the fourth of six oversized volumes collecting all of E.C. Segar’s Popeye-era Thimble Theatre strips....  The Segar book is every bit as good as the three volumes that preceded it – brilliant cartooning and laugh-out-loud funny gags.  The only difference this time around is that the Sunday strips fill the first half of the book and the dailies fill the second half (it’s usually the other way around) but otherwise it’s business as usual.  I don’t have a single bad thing to say about Segar’s Popeye, and the whole book was thoroughly enjoyable..." – Rob Wells, Comics – On The Ration

• Profile: Andrew Dansby of the Houston Chronicle profiles Daniel Clowes: "Clowes describes an eerie but common sight in his studio. Since eyes are the last thing he draws when he's working, the room is full of characters without them. 'I've had other cartoonists come over, and they've told me it's pretty creepy to see all these faces with no eyes staring back,' he says. 'But that's where I can get the last 10 percent of the emotion on the page. If I get it just right, you can subtly influence any expression through the eyes more than any other feature. They're where the character comes to life.'"

Things have been hectic around here and they're only going to get hecticer. Here are the advances and sample copies that have arrived at the office since the last sneak-peek update a few weeks ago, some of which have already been spotted out in public making their debuts during our current convention gauntlet and all of which should be available between now and July.

It's hard to tell from this angle but Joe Daly's Dungeon Quest Book 3 is thicker than Books 1 & 2 put together:

We already gave you this first glimpse of Flannery O'Connor: The Cartoons:

The Furry Trap, the new collection of horror stories by Josh Simmons, is sure to turn heads and stomachs:

God and Science: Return of the Ti-Girls by Jaime Hernandez collects his superhero fantasia from Love and Rockets: New Stories in this snappy hardcover (the back cover is a humdinger too):

New York Mon Amour wraps up Big Apple-flavored stories by Jacques Tardi and his collaborators under this striking cover:

Steven Brower follows up his biography of Mort Meskin with this collection of Meskin's comics, Out of the Shadows:

It's a new issue of Tales Designed to Thrizzle by Michael Kupperman, yaaay! It's also the last issue, waaah!

Shimura Takako's wonderful, acclaimed and beloved manga series continues in Wandering Son Vol. 3:

And we're expecting another half dozen deliveries pretty much any day now. How do we do it? I don't even know!

Fantagraphics is heading over to the mighty 2012 MoCCA Fest this weekend, with so much awesomeness in store for you all! Visit us this Saturday, April 28th and Sunday, April 29th at the Lexington Avenue Armory in New York City!

First off, take a look at all the debuts we're bringing! Many of these books won't be in stores for several more months, and copies are limited, so make our table your first stop:

• Angelman: Fallen Angel by Nicolas Mahler
• Dungeon Quest 3 by Joe Daly
• The Furry Trap by Josh Simmons

 • God and Science: Return of the Ti-Girls by Jaime Hernandez
• Jack Davis: Drawing American Pop Culture (the fancy new printing!) by Jack Davis
•  Jewish Images in the Comics by Fredrik Strömberg

• New York Mon Amour by Jacques Tardi, Benjamin Legrand & Dominique Grange
• Out of the Shadows by Mort Meskin; edited and designed by Steven Brower
• Tales Designed to Thrizzle #8 by Michael Kupperman
• Walt Disney's Uncle Scrooge: Only a Poor Old Man by Carl Barks Delayed at the printer, sorry!

We're excited to introduce another all-star cast of artists signing at our table:

Saturday, April 28th
12:00 pm-1:00 pm       Josh Simmons / Kim Deitch / Olivier Schrauwen
1:00 pm-2:30 pm         Drew Friedman
1:30 pm-3:00 pm         Nicolas Mahler
3:00 pm-4:00 pm        Michael Kupperman
3:00 pm-4:30 pm        Jason
4:30 pm-5:30 pm        Fredrik Strömberg / Hans Rickheit

Sunday, April 29th
11:30 am-12:30 pm      Fredrik Strömberg / Peter Kielland
12:30 pm-2:30 pm       Jason / Nicolas Mahler
2:30 pm-3:30 pm         Kim Deitch / Michael Kupperman
3:30 pm-4:30 pm         Hans Rickheit / Josh Simmons / Olivier Schrauwen

edit: We're sorry to report that Josh Simmons and Olivier Schrauwen won't be able to make it after all! 

Find all of this, and even more, at the Fantagraphics booth, located at our usual spot at #J1, J2, K1, K2:

And hey! Check out these panels!

Saturday, April 28th

12:15 pm // With Nicolas Mahler and Tom Gauld: Brian Heater interviews two artists; Tom Gauld of Scotland, and Nicolas Mahler of Austria. (Room B)

1:15 pm // Checklist for a New Comic: A Guide to Getting Started: In this brief seminar, Jessica Abel and Matt Madden will walk you through the many considerations you should keep in mind when you embark on a new comic of any kind. Abel and Madden will help you strategize and come up with a working plan for your next project, and will cover: creative block and coming up with ideas; choosing a format and platform that makes sense; setting goals and scheduling your time so that you can reach them; finding an audience and looking for collaborators and/or publishers. So bring some paper and be ready to take notes on your next big (or small) project! (Room B) 

2:15 pm // Klein Award Ceremony with Gary Panter: Gary Panter receives the 2012 Klein Award! (Room A)

3:15 pm // Hans Rickheit in Conversation: Brian Heater takes on Hans Rickheit -- musician, performance artist, cartoonist. (Room B)

3:15 pm // A Nordic Roundtable with Fredrik Strömberg (SE), Peter Madsen (DK), Kaisa Leka (FI), Bendik Kaltenborn (NO) and Mattias Elftorp: The comics culture of northern Europe is brimming with energy, talent and innovation, among other things visible in the new anthology Kolor Klimax from Fantagraphics. Come and meet some of the Nordic artists present at MoCCA. (Room A)

5:15 pm // Carousel with Michael Kupperman, Domitille Collardey, Shannon Wheeler, Leslie Stein, Lauren Weinstein and R. Sikoryak: Live comics brought to life by cartoonists and a team of talented voice actors. With voices by Julie Klausner, Dave Hill, Scott Adsit. (Room A)

Sunday, April 29th

2:00 pm // A Discussion with Josh Neufeld and Shannon Wheeler: These two creators interview one another about their work in comics, especially as it relates to their approaches to documenting tragedy on the Gulf Coast. (Room B) 

Here's another 2012 sneak peek for you — Out of the Shadows, the first-ever collection of comics by unjustly overlooked Golden Age great Mort Meskin, edited by Steven Brower, author of our 2010 Meskin bio From Shadow to Light. Steven posted this cover art over on his blog, where he also reveals a spiffy-looking compilation of Golden Age Western comics he put together for powerHouse Books. They're both coming out this Spring — we've got more info on the Meskin book here on our website, and stay tuned right here for updates!

A double dose of Online Commentary & Diversions:

• Review: "Walt Disney's Mickey Mouse: Race To Death Valley by Floyd Gottfredson will be warmly received by comics aficionados but should also intrigue Disney animation buffs who aren't necessarily plugged into comic strip history. Editors David Gerstein and Gary Groth have not only scoured the planet for the best surviving artwork on Gottfredson's first epic continuity, which ran in newspapers from April to September of 1930; they've provided background essays (by a raft of experts), vintage press materials and artwork to put it into the context of Walt Disney's burgeoning career, and Mickey Mouse's budding stardom.... I have a feeling that this book, crafted with such obvious care, will earn Gottfredson a new legion of admirers." – Leonard Maltin

• Review: "Popeye hawking newspapers? Donald Duck selling gasoline? You'll find them and a whole cavalcade of comic strip characters in Drawing Power: A Compendium of Cartoon Advertising, edited by Rick Marschall and Warren Bernard. In a hundred-plus pages you are treated to a sampling of cartoon print ads from the 1890s to 1940s. There are short informative blurbs about the cartoonists (some of whom were featured in ads themselves) and the history behind the ads. A great treat for fans of comic strips, Americana, and ephemera." – The Christian Science Monitor "Top Picks"

• Review: "Not long ago a very interesting book was released which aims precisely to investigate and chronicle the parallel paths of comics and advertising from 1870 until 1940 entitled Drawing Power: A Compendium of Cartoon Advertising. Fantagraphics Books offers a hearty volume... which is our guide with text and images to the 'commercial' roots of the comic strip and the amazing work that resulted from comics creators who worked in advertising.... Drawing Power: A Compendium of Cartoon Advertising is a book that will surely pique the interest of those involved in the communication sector, but also all who are drawn to pop culture. An excellent edition from Fantagraphics..." – Lida Tsene, Comicdom (translated from Greek)

• Review: "Richard Sala’s The Hidden is yet another undead saga, though it’s more ambitious than most.... As the backstory deepens, Sala ties The Hidden to older literary traditions, weaving in pieces of folktales and the legend of Frankenstein. Because Sala has had a career-long fascination with B-movies, gothic illustrations, and general ghoulishness, this plot is right in his wheelhouse. But The Hidden isn’t just an entertaining riff on well-worn horror concepts. Taking his cues from Mary Shelley, Sala explores human vanity and arrogance as a way of showing how everything can go so wrong so fast." – Noel Murray, The A.V. Club

• Review: "...Mome 22 concludes the run of one of alt-comics' longest-running and most essential anthologies. Like Weirdo before it, Mome bridged the gap between veteran cartoonists and the new breed... Here’s hoping that as with Zap, Raw, Arcade, and so many that have gone before, another anthology will rise to take Mome’s place. And soon." – Noel Murray, The A.V. Club

• Review: "...Shimura Takako is a master at portraying subtle events in a slice of life story about adolescence that never feels didactic.... One of the things I like about Wandering Son is the way many of the events in the book are simultaneously safe and filled with dramatic tension.... Like the storyline, Shimura’s art is simple but nuanced.... As you’d expect from Fantagraphics, the production quality for Wandering Son is excellent. I hope that more manga is on the horizon from them. While I’ll happily read more cheaply produced manga, it is nice to have a variety of options. Carefully curated manga like Wandering Son is a treat." – Anna Neatrour, Manga Report

• Review: "Jason’s deadpan, anthropomorphic characters make his books must-reads for me.... I'd give [Isle of 100,000 Graves] to my daughter... and my wife... in hopes that, after laughing at the Hangman’s Academy’s students, teachers, and administrators, they’ll agree to dress up in multi-colored hoods and carry instruments of torture next Halloween." – Gene Ambaum, The Unshelved Book Club

• Review: "Chun fills his collections with the best cartoons – the ones that can still delight readers, and Covey uses his lively and inventive design sense to make these old cartoons fresh and vital. With The Pin-Up Art of Humorama, Chun and Covey will once again make you believe that the art of Humorama is still alive and kicking – although the line ceased to exist decades ago. [Grade:] A" – Leroy Douresseaux, I Reads You

• Review: "This Fantagraphics edition collects the first two French albums of Les Aventures Extraordinaires d’Adèle Blanc-Sec (Pterror Over Paris and The Eiffel Tower Demon) in a large format hardback edition, and it’s beautifully presented. First released in 1976, Jacques Tardi’s story has a timeless quality, set in an alternative, steam-punk universe, shortly before World War I.... Tardi’s art recreates the scenery beautifully, with stunning backdrops bringing the architecture and beauty of Paris to life. ...[A] compelling and enjoyable mystery story with an alternative Victorian feel." – Grovel

• Review: "Comic fanboys have read Sgt. Rock or The Howling Commandos which are realistic in many ways, but there was a time when a comic mag got down right truthful. I’m speaking of Blazing Combat #1-4 (1965-66, Warren) and recently Fantagraphics collected the run in both hardcover and softcover. Blazing Combat was an anthology comic that showed the very dark and very real side of war. A loose followup to the EC Comics War genre books, it showed US G.I.’s dying in terrible ways, commanders giving orders with little regard for consequences and the militaristic definition of collateral damage. Jim Warren let it all hang out when it came to editing Archie Goodwin’s writing... Of course Goodwin is a genius and I’m usually more of a word-man when it comes to comics, but this time it’s the art that captured my attention. It’s a who’s-who of monster talent..." – Chris Marshall, Collected Comics Library

• Review: "Fred [the Clown] is a figure of innocence, a lovelorn sad sack who keeps getting hit by custard pies — and, even harder, by life — over and over again, but keeps standing back up to go on. Langridge mostly tells his story in short wordless comics stories... in his usual style, a crisp modern interpretation of the classic '20s animation look... They're slapsticky stories of a sad clown, using the accouterments of vaudeville and early Hollywood, that nonetheless feel entirely new and fresh and funny. I don't know how Langridge does it, but he does it very very well." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.

• Plug: "You must buy @DaveMcKean's NSFW book 'CELLULOID' at your local comics or book store. Or in a plain brown wrapper..." – Neil Gaiman

• Preview/Plug: Comicsphere re-formats and re-presents one of our previews of Johnny Ryan's Prison Pit Book 3 to their readers, with Josh West saying "This is set to be 120 pages of ‘once you see it, it can’t ever be unseen’ scenarios and, honestly, Comicsphere couldn’t be more excited! Unbelievably unpredictable, violent, satirical and likely to entertain more than anything else on the shelves through September, the Prison Pit makes Hell look like nothing more than a relaxing Sunday morning stroll through a (really hot) meadow."

• Interview: Comic Book Resources' Tim Callahan has a wide-ranging conversation with Johnny Ryan about Prison Pit and other topics: "I guess I have this fascination with stories where the 'hero' is not a hero at all. He's a loser or an idiot or a scumbag, but somehow the author makes us give a shit about him or her.... I think this is a strain that also runs through my work. It's about bad people, doing bad things, but I try and trick people into caring about or liking these people."

• Preview/Plug: Comicsphere gives the same treatment as above to our excerpt of Jacques Tardi & Jean-Patrick Manchette's Like a Sniper Lining Up His Shot, with Josh West saying "...Jacques Tardi returns to the world of guns, crime, betrayal and bloodshed with this stunning, grisly, and remarkably faithful interpretation of Manchette’s last completed crime thriller."

• Plugs: Robot 6's Michael May singles out a few of our upcoming releases from the November Previews catalog for spotlighting:

"Mr. Twee Deedle: Raggedy Ann’s Sprightly Cousin – The Forgotten Fantasy Masterpieces of Johnny Gruelle – I almost drowned in the amount of praise Fantagraphics poured on Gruelle’s work in the ad, but simply looking at the cover, it appears to be justified."

"The Extraordinary Adventures of Adele Blanc-Sec, Volume 2: The Mad Scientist/Mummies on Parade – Even if I wasn’t already turned on to the awesomeness of Jacques Tardi’s Belle-Époquian heroine, 'Mummies on Parade' would be enough to necessitate this purchase."

"Athos in America – Jason returns to The Last Musketeer and includes other Jasony stories like 'The Brain That Wouldn’t Virginia Woolf.'"

• Plugs: Graphic Novel Reporter includes almost everything we have coming out over the next 3 months in their "Great Graphic Novels of Fall 2011" roundup, particularly the Adult Fiction and Nonfiction categories (though we feel we should point out that Alexander Theroux's Estonia is neither fiction nor a graphic novel)

• Plug: "We’re over halfway done, and have moved into the last 20 years of the strip with the release of The Complete Peanuts: 1981 to 1982. Can you believe how fast time is flying? Kudos to Fantagraphics for maintaining the incredibly high standard of quality and presentation they established at the outset, with this entry featuring an introduction from cartoonist Lynn Johnston. More!" – Ken Plume, FRED

• Interview: Newsarama's Albert Ching talks to Michael Kupperman about his new book Mark Twain's Autobiography 1910-2010: "One other character I frequently think of when doing Twain — writing that book, or doing him in Thrizzle — is Dave Thomas from SCTV doing Walter Cronkite. Which in some ways is very similar — this kind of roguish, semi-self-befuddled character, roaming around having adventures."

• Interview: The Daily Cross Hatch's Brian Heater begins a multi-part chat with Drew Friedman: "Basically when Monte Beauchamp who edits those books invited me to do a book, I thought about what I like to draw the most. I like to draw comedians and old Jews. So I put those two together and started working on them between assignments over a year. I just got pleasure in drawing them. I could put aside any annoying assignment I had and just get down to drawing those old Jewish faces. That’s what it came down to."

• Interview: Washington City Paper's Mike Rhode had a little pre-SPX Q&A with Noah Van Sciver: "I'm excited to stop by the Fantagraphics table and say hello to those guys and see what's new." Well shucks!

• Analysis: At The Comics Journal, From Shadow to Light author Steven Brower examines the dream comics of Jack Kirby, Joe Simon, and Mort Meskin

• Links: Another comprehensive round of Hernandez Bros.-related links from Love & Maggie

• Lore: "’71 was a weird year for me. I never had quite so many women coming and going, as I did that year in the apartment I shared with Gary. But I was still drinking too much and just overdoing it in general, hedonistically speaking. I was getting very little good work done (gosh, I wonder why?) and was generally pretty miserable." – Kim Deitch's epic memoir-in-music "Mad About Music: My Life in Records" at TCJ.com forges into the 1970s

• Staff picks: Our own Ambassador of Awesome (and funniest Flogger) Janice Headley is the guest contributor to this week's Robot 6 "What Are You Reading?" column