The tantric release of Online Commentaries & Release:
• Review:The LA Times and Noel Murray interviews Gilbert Hernandez about Julio's Day, Marble Season (from D&Q), plus the future books Love and Rockets: New Stories #6 and Maria M. LA Times: Gilbert says " ‘Julio’s Day’ is very simple. I mean, there’s a lot of heavy stuff going on, but I wanted it to read like a very simple, direct story."
• Interview:comiXology interviews Gilbert Hernandez about his most recent comic Julio's Day on their podcast.
• Review: Tom Spurgeon looks at Gilbert Hernandez's latest work, Julio's Day, on the Comics Reporter. "I found Julio's Day moving at times, again for reasons I'm not really certain I can fully articulate. The idea that we may be known as much for the choices of those around us and things that happen in proximity to ourselves as much as if not more than by the choices we make is either the ultimate comfort or the first back-of-throat rumblings of an existential howl."
• Plug:Publishers Weekly lists Julio's Day as a pick of the week: "A marvelous and tightly scripted epic whose last page is a heart-stopper."
Review: Charles Hatfield of The Comics Journal flips through Julio's Dayby Gilbert Hernandez. "When it comes to Beto, the lightning keeps striking, and if it doesn’t strike exactly the same place twice, it does testify to the same divided genius…It is the great lost Beto comic, belatedly given new form and new life.
• Review:Grovel's Andy Shaw reads Julio's Dayby Gilbert Hernandez. "Just buy it now. This is Gilbert Hernandez at his finest, distilling a lifetime into a single volume of pleasure and pain.Julio’s Day is a literary classic, and another incredible piece of work from a true master of comics."
• Plug:Largehearted Boy plugs Julio's Day. "Gilbert compresses the history of the 20th century as well as the life of a man into a riveting, masterful story," writes Benn Ray.
• Review:The A.V. Club looks at The Adventures of Jodelle by Guy Peellaert. "The essays-which at 80 pages take up more of the book than Jodelle-are this volume's real selling point... Peellaert foregrounded the eroticism of advertising, and exposed how pulp imagery affects the public's understanding of everything from politics to gender. And he did it without resorting to polemics. The Adventures Of Jodelle book-both the comic strip and the supplemental material-is a delight both visually and intellectually," writes Noel Murray.
• Plug:Largehearted Boy plugs The Adventures of Jodelle by Guy Peellaert. "Think of Barbarella animated in that Yellow Submarine style and you get the idea of what Jodelle's adventures look like. This is comics as art."
• Plug: Angel House Press is celebrated National Poetry Month with a focus on visual poetry, inspired by latest collection of it The Last Vispo, edited by Nico Vassilakis and Crag Hill. Check here for a month of visual poetry.
• Review: Heroes Complex at the LA Times looks at 50 Girls 50 by Al Williamson. Noel Murray writes, "These pieces are classic EC: punchy, knowing and ironic in the best sense of the word, in that they force readers to examine their own expectations. The best stories in '50 Girls 50 have readers rooting for heels, or celebrating war, all while framing the situation in such a way that readers question their responses." In reference to the whole EC Comics Library line, Murray writes, "All of these books are essential purchases for comics fans, but for those on a budget who are looking to prioritize…These are the books that best show off how EC took genre stories seriously, striving to create comics that didn’t treat readers as naive or ignorant."
• Review:Fangoria reviews the next two EC books. Rick Trembles enjoys 'Tain't the Meat by Jack Davis. "Jack Davis’ dark comedic touch is all over this collection, diffusing the ghastly nature of the stories somewhat, an aspect to his work that was obviously lost on his opponents." Meanwhile with Al Willliamson's 50 Girls 50, Trembles writes "here we’re dazzled by romanticized sci-fi heroics and delicate line-work of the ilk of FLASH GORDON’S original artist Alex Raymond, Williamson’s main inspiration. Dinosaurs, spaceships, and outlandish otherworldly creatures populate the flora of faraway worlds, accompanied by buxom, exotically garbed beauties."
• Review: Nick Gazin sets his VICE sights on 'Tain't the Meat by Jack Davis. "Even though he wasn't a perfectionist, Jack Davis's laziness is better than most people's best work. When Davis does invest himself in a drawing it's just a mind bender. This is a must have for anyone who loves horror, EC, Jack Davis, any of that stuff."
• Review: Comics Bulletin looks at 3 New Stories from Dash Shaw. "This is a short, floppy-sized comic, but it's incredibly rich in complexity and depth. Shaw delivers an amazing collection of stories here."
• Interview:DigBoston and Clay Fernald talk to Dash Shaw about 3 New Stories, New School, Bottomless Belly Button and more. Shaw says, "Words and pictures are very different. They don't sit comfortably next to each other. Some cartoonists try to bring them closer together. Ware is like that. I like that space between things. I want the differences between things to be activated."
• Plug: Largehearted Boy hosts Atomic Books look at new comics included 3 New Stories. "Dash Shaw is a modern comics master. He experiments with everything from structure to narrative to color. If you're unfamiliar with his work, he's sort of like Gary Panter illustrating a Chris Ware story, or, in this case, 3 stories of dystopian societies," writes Benn Ray from Atomic Books.
• Review:Nerds of a Feather enjoys Tom Kaczynski's Beta Testing the Apocalypse. Beta Philippe Duhart states "The thin lines, sharp angles, and rigid geometry…brings a clarity and simplicity that expertly balances the abstractness of the themes at the heart of Beta Testing the Apocalypse…One doesn’t need to have read iek to grasp Beta Testing’s themes and criticisms. One only needs to have only gone apartment hunting."
• Interview:Comics Bulletin and Keith Silve interview James Romberger and Marguerite Van Cook on 7 Miles A Second. Van Cook remembers, "David was a poet of the soul, there was always a tension between beauty and the vileness of what society did to anyone who was not of the mainstream. I once asked him what he did with the money he got from hustling when he was so young and he told me he would take a bus to the country and walk around. We thought it was so ironic that selling one's body and selling art had many of the same qualities. We laughed rather darkly, about how the body and art are commodified and priced so arbitrarily."
• Interview (video): Back in January, Carol Tyler spoke to University of Southern California Provost's Professor Henry Jenkins and students as part of the USC Visions and Voices series. Mike Lynch was good enough to blog about it as soon as USC put up on the internet. She speaks about personal life and drawing comics, including the You'll Never Know series.
• Plug:Manga Bookshelf lists its first quarter favorites of 2013 and include Moto Hagio's newest book. "The Heart of Thomas was my most eagerly anticipated manga of the year, and while its January release date set the bar perhaps unfairly high for the year to come, I can’t bring myself to be sad about that."
• Review:Comics Worth Reading pulls out the Castle Waiting Vol. 2: Definitive Edition by Linda Medley. Johanna Draper Carlson writes "…it’s engrossing and beautifully drawn. I was surprised, reading the whole thing at once, how much of what figures in the final chapters was mentioned very early on. It gave me new appreciation for Medley’s long-term storytelling."
• Review:Calgary Public Library's Teen Blog speaks out on Castle Waiting Vol. 1 and 2 by Linda Medley. Adrienne writes, "Castle Waiting is a great comic book that takes elements from fairytales such as 'Sleeping Beauty' and combines them with a good dose of humour and plots about bearded ladies, two-headed girls, pregnancy and hidden libraries..I highly recommend her"
• Review: Strange Journal reviews Castle Waiting. "I’ve really fallen for it, it’s what they’d call a triple threat in show business: It can sing, dance AND act…In the tradition of Jeff Smith’s Bone and the better parts of Dave Sim’s Cerebus, Medley has conjured an amazing and beautiful world and filled it with flawed, interesting folks eking out their existence in a castle on the edge of the world," states Adam Blodgett.
• Review: Delphine by Richard Sala is reviewed on Comics Bulletin. Jason Sacks "We're used to fairy tales telling the story of a journey by a girl from innocence to the real world. Delphine inverts the gender of those classic tales, but uses those familiar tropes to tell a familiar story. Richard Sala treads a world of metaphor and allusion, a world that feels as familiar as Grimm's Fairy Tales and as mysterious as our own heart."
• Review: Nick Gazin sets his VICE sights on Out of the Shadows by Mort Meskin (edited by Steven Brower). "Shadows everywhere. The stories are just a lot of old timey chatter where people call each other chum and stuff but the compositions and choices that Mort Meskin made are pretty sophisticated."
• Interview:The Comics Journal posts an article titled Crockett Johnson and the Invention of Barnaby. Philip Nel writes about it all including the creation of fairy godfather, Mr. O'Malley's favorite catchphrase. Barnaby is coming so soon, we'll all cry "Cushlamochree!"
• Review: iFanboy hypes up Impossible Tales: The Steve Ditko Archives Vol. 4 (by Steve Ditko and edited by Blake Bell) coming out this May. Josh Christie states: "Steve Ditko is one of those guys you could picture on the Mount Rushmore of comics creators…Like so many of the great comics from the 1950s, the drug-fueled, macabre scenes look more like something out of an alternate dimension rather than from the states’ apple pie and bubblegum past."
• Review:Arkham Comics reviews Messages in a Bottle by B. Krigstein (edited by Greg Sadowski). A rough translation states, "Messages in a Bottle is a magicalbook,atimeless andstunningclarity:a lesson incomics aswe do notmeet every day."
• Review:Noah Van Sciver's The Hypo is reviewed on We Read Comics "Sciver absolutely nails it…We see Lincoln's plain spoken style, his humbleness, his self-doubt, and his honesty here with so much fucking economy and elegance."
• Interview:Noah Van Sciver appears on Comic Impact to talk about The Hypo and his newest comics project.
• Plug:The End of the Fucking World (Spoiler alert!) on The Chemical Box. "Similar to Derf’s analysis of Jeffery Dahmer in 'My Friend Dahmer', you can see James (along with Dahmer) struggling with their basic instincts."
• Plug:The Beat waxes on about Julia Gfrörer and Black is the Color. Zainab Akhtar writes, "Gfrorer’s work is consistently excellent, featuring themes of myth, folk lore, mysticism and spirituality, coupled with her fine-lined, evocative art."
• Plug: Demencha calls Ed Piskor a Hip Hop Archeologist and more in reference to Hip Hop Famiy Tree. "His classic indie comic composition and narrative ease make the strip readable, informative (who knew Rammelzee went tagging with Basquiat?), and respectful to the art forms and artists it covers," writes J.P. McNamara.
• Review: In an oddly religious review, Mirrors of Christ looks at Eye of the Majestic Creature by Leslie Stein. "Sadly in this story the lyre (guitar) did not participate in the worship of God but in the desire of the flesh."
• Review:Orgasm reviews Sexytime edited by Jacques Boyreau. "…if you want an oversized coffee-book that your guests might enjoying flipping through the pages as you bring refreshments, Sexytime is for you. And hey, it might even get you laid."
• Review:Josh Simmons' story from The Furry Trap, 'Mark of the Bat' is reviewed on Vorptalizer. Seat T. Collins comments, " 'Mark of the Bat' picks and picks and picks at our dovetailed drive for cruelty and need to feel superior to others until the fingernail tears off. It leaves a mark."
• Plug:Comics Workbook enjoys reading The Portable Frank digitally thanks to comiXology.Leah writes, "Woodring’s way of transitioning images between panels (in, ya know, a pretty trippy way) lends itself really well to the panel by panel viewing of the digital reader."
• Plug: Tucker Stone mentions the new issue of The Comics Journal on the Comics Journal, not trying to get to incestuous. "The new issue of the Journal is pretty good; the Tardi interview is great."
• Plug:Textures of Ether looks at Abstract Comics. "Do Abstract Comics artists need to be aware of comics history?…Molotiu’s articles explore the theory behind Abstract Comics and are always interesting to read. They would make a welcome addition to any future AC anthology."
• Review: Nick Gazin checks out Cruisin' with the Hound by Spain Rodriguez on VICE. "Spain's comics always feel lively and real and there's this sense that he was probably too cool to be making comics but somehow he was. You can tell he was for real because he put the most energy into drawing motorcycles and cars and his people always look kinda like they're secondary to their machines. Great book from a great artist and story teller."
• Plug: Musical notation in Peanuts is analyzed on the Hooded Utilitarian. "In this sense, Schulz again collapses into Charlie Brown — locked out of high art virtuosity and romantic opportunities, disappointed in art as in love.…Schulz has, perhaps, found a way to invert Lichtenstein," writes Noah Berlatsky.
• Plug (video): Al Jaffee and Robert Grossman are interviewed on the Imperium about the Harvey Kurtzman retrospective at the Society of Illustrators. Jaffee states, "His concepts were, to us at the time, revolutionary because he was breaking the third or the fourth wall, whatever you want to call it."
The longest, unabridged edition of Online Commentaries & Diversions:
• Review: The Village Voice is almost hospitalized while reading Michael Kupperman's Tales Designed to Thrizzle Vol. 2. "Kupperman heaps absurdity upon absurdity…The result is a jubilant rococo, the strips all thrilling ornamentation…No exaggeration: I coughed hot soup out of my nose while reading the new hardbound volume of deadpan dadaist Michael Kupperman…" states Alan Scherstuhl.
• Review: Comic Book Resources looks at Tales Designed to Thrizzle Vol. 2 by Michael Kupperman. Brian Cronin loves the Moon 69 story. "The devolution of the ads as the story continues might be my favorite part…The second collection of Kupperman’s individual Thrizzle issues JUST came out and it includes [Moon 69]! So go buy it, dammit!"
• Review:Tales Designed to Thrizzle Vol. 2byMichael Kuppermanshines at The AV Club. "Kupperman's work only gets funnier when read in bulk... Kupperman's comics take pre-existing popular culture-TV shows, advertising, other comics-and tweak them just a little until they become hilariously absurd," states Noel Murray.
• Review: Glen Weldon reviews The Comics Journal #302 on New Republic, exclusively the Maurice Sendak interview conducted by Gary Groth. "Why on earth would I want to read 100 pages of caustic carping? Because Sendak is funny. Deeply, passionately so. Read in full, Sendak’s zingers lose their venom and evince a sincere and surprising warmth. He comes off as bitter, but not embittered—a fine distinction, perhaps, but a real one."
• Plug:USA Today's Pop Candy mentions TCJ #302. "This week I've been reading the wonderful (and massive) issue No. 302, which contains a huge Maurice Sendak tribute as well as his final interview"
• Revew: Chris Estey of KEXP writes on some of our new titles like The Comics Journal #302, edited by Gary Groth, Kristy Valenti and Michael Dean. "Probably my favorite single issue magazine of 2013, it is actually a freakily-elevated edition of the long-running only-trustable trade magazine devoted to comics…it gives us a chance to sample the gamut of an ever-evolving and surprisingly inspiring art-form."
• Revew: Chris Estey of KEXP reviews our newest book of music criticism The Grammar of Rockby Alexander Theroux. "Ripping through this hilarious rage on banality and unexpected pleasures I thought, they don’t make writers like this anymore…Drop that boring band biography and fetch this, if only for the mountains of lists of rarely-heard missing gems he has sampled and tasted beforehand for you."
• Review: Pop Matters has to tune into The Grammar of Rock by Alexander Theroux. John L. Murphy writes, "Naturally, the fun of The Grammar of Rock lies in its acerbic prose as well as its aesthetic insight…You’ll either laugh or you won’t. I laughed."
• Review:Washington Independent Review of Books also looks at Alexander Theroux's The Grammar of Rock. "Reading Alexander Theroux’s The Grammar of Rock is like hitching a ride with a suspiciously awake truck driver who talks endlessly for hours…All in all, this book is a very cold love letter," says DJ Randy Cepuch.
• Plug: Wired runs 10 sketches by Janet Hamlin featured in her upcoming book,Sketching Guantanamo. Hamlin remembers sketching Khalid Sheikh Mohammed, "He would turn and pose — a deliberate turn, facing me, holding very steady."
• Review:Julio's Day by Gilbert Hernandez gets reviewed on on The AV Club. "Julio's Day(Fantagraphics) is as much about what's not on the page as what is...Fashions, mores, and technologies change; but desires and disappointments do not," writes Noel Murray.
• Review:Nerds of a Feather give an outstanding rating and review a recent reprint of Jack Jackson's work. Philippe Duhart writes, "Los Tejanos and Lost Cause are the products of serious historical research, and as such they are clear exhibitions of comics' potential as a viable media for academic and journalistic work…I appreciate that Johnson sticks with the perspective of the “losers” -- Juan Seguin's struggles against racism following Texas’ rebellion and Texan Confederates' struggle to regain a sense of honor following the defeat of their cause."
• Review:Fingers on Blast reads Linda Medley's Castle Waiting Vol. 1. "The tales weave their way together seamlessly thanks to Medley's art. There is no simple way to describe it, but to say it draws you ever deeper into the story."
• Revew: Chris Estey of KEXP writes on some of our new titles Peter Bagge's Other Stuffwhich" features Bagge doing some sharp-witted journalism (on comedy festivals, especially) and historical stories…it is an electric, howlingly funny, bona-fide classic mangle of manic music history, prickly satire, and perfectly rendered cartooning."
• Review:Novi Magazine picks apart feminist storytelling in Moto Hagio's The Heart of Thomas. "While Thomas depicts male characters, Hagio codes femininity into every element of the story, with every effort towards drawing in her assumedly female audience…" writes Dan Morrill.
•Review:BookDragon plugs The Heart of Thomas by Moto Hagio. "…it’s certainly proved its lasting effects. Never mind the rockets, sometimes turbulent feelings can take you much, much further…" writes Terry Hong.
• Plug:Comics Forge is looking foward to The Adventures of Jodelle by Guy Peellaert as much as we are! "This was one of the trend setting 1960’s comics that you will see echoed worldwide during that time and when this style of pop art was raging as the most important thing since sex was invented…It looks like it is going to be a beautiful book, like most of the books that Fantagraphics puts out, you can feel the love."
• Review:Scoop covers Buz Sawyer Vol. 2: Sultry's Tiger by Roy Crane in one hell of a history lesson on newspaper and adventure comics. "Buz Sawyer may be the peak of the adventure strip as a genre…Crane’s ability to walk a fine line between hyper-realism while still incorporating an easy to read and understand style places him among the greats in comic history," says Mark Squirek.
• Review:Scoop covers Mort Meskin's Out of the Shadows. "He is so skilled at body language that without reading a single word you can see the kid’s enthusiasm for his grandfather’s story grow across the first three panels,"writes Mark Squirek.
• Interview: Comic Book Resources and Alex Dueben interview Tom Kacyznski about his books. Kacyznski says, "There's an easy willingness to imagine the collapse of everything instead of small changes in the political system that could fix a lot of the problems that we're having. Those kinds of themes interest me."
• Review:Beta Testing the Apocalypse by Tom Kaczynski gets a look-see on B-Sides & Rarities. Elizabeth Simins writes, "Kaczynski’s style involves a pretty dedicated commitment to setting scenes with lyrical descriptions as much as imagery, which is something I associate with the space between “regular” fiction and comics…You should read it."
• Review:Grovel reviews The Hypo by Noah Van Sciver. "It’s a surprising but fascinating insight into the psyche of a man that outsiders would normally assume to be a sort of political superhuman, but Sciver adds depth and soul to the two-dimensional image of the man with half a beard and a top hat," penned Andy Shaw.
• Review:Comic Pusher enjoys their read of Chris Wright's new book: "In Black Lung Wright presents a world of ceaseless violence and pain, his reflectively brutal cartooning interwoven with elegiac prose, with the very syntax of comic storytelling breaking down under the memory and transformative agony of loss and obsession," says Jeffrey O. Gustafson.
• Plug: Jade at D&Q Bookstore digs into Your Vigor for Life Appalls Me by R. Crumb. "The extraordinary title is only matched by the incredible insight into the iconoclast’s mind and the ultra-snazzy portrait of an early Crumb on the cover, sporting a corduroy jacket and tie…A definite must-read for any Crumb fan."
• Review:The Comics Journal digs Black is the Color by Julia Gfrörer. Sean T. Collins writes, "Gfrörer’s most moving comic to date, Black Is the Color eroticizes suffering not to glamorize it, but to endure it."
• Interview: Robin McConnell interviews Julia Gfrörer about her webcomic and soon-to-be-in-print book,Black is the Color on Inkstuds.
• Review: Comics Bulletin loves Charles Forsman's The End of the Fucking World. Geoffrey Lapid writes "Instead of allowing you to step back and look at James and Alyssa through wistful adult hindsight, Forsman's fluid and subdued linework take us right into those moments that you only understand when you're 17 years-old, proudly oblivious and doomed…James and Alyssa feel like real, substantial characters rather than simple broad strokes alluding to a deeper history."
• Interview: Ed Piskor is interviewed by Jackie Mantey for Columbus Alive during his Ohio art residency and on Hip Hop Family Tree. "The purity of intent is something that’s important to me with anything I come across," Piskor believes.
• Interview: Kelli Korducki interviews Jaime Hernandez on behalf of Hazlitt about Love and Rockets. Jaime answers, "I like the way women react to situations. Guys in a certain situation mostly try to keep it cool, keep their cover, keep things in control. With a lot of women I know, you get eight different reactions to a situation."
• Review: Jon Longhi looks at Spain Rodriguez in Having a Book Moment.Cruisin' with the Hound, a recent collection, is "it's all gang fights, hot rods, teenage mayhem and its wonderfully entertaining and beautifully illustrated."
The most intricate house sigil of Online Commentaries & Diversions:
• Review:The LA Times enjoys their reading of7 Miles a Secondby David Wojnarowicz, James Romberger and Marguerite Van Cook. "Part of the power of Wojnarowicz’s work is that he dealt with such concepts accessibly; he didn’t have time to waste. It was the source of his restless imagination, his willingness to experiment with unexpected forms," writes David L. Ulin.
• Plug:NY1 (New York 1) and Don Kois talk about 7 Miles a SecondDavid Wojnarowicz, James Romberger and Marguerite Van Cook. "…this graphic novel is an amazing document of the gaudy, dangerous world of clients and johns and artists and thugs downtown in the 1980s."
• Interview: Nick Hanover of Comics Bulletin interviews Tom Kaczynski on Beta Testing the Apocalypse. Kacyznski writes, "All these stories started to feel like they were linked and eventually things like the noise stories and the themes of sound started to kind of inject themselves into the rest of the material…I'm interested in utopias, and utopian societies. And a lot of what Communism is is essentially an attempted utopia that failed. "
• Review:Art Rocker and Wee Claire look at Delphine by Richard Sala. "Delphine is arguably Richard Sala's darkest tale to date and a brilliant gateway for those new to his whimsical storytelling style…There are comparisons to Snow White dotted throughout the story but Sala's indie-goth execution tinged with a 70s horror atmosphere make for a much more interesting tale."
• Review:The Toronto Star reads and reviews our books like Heads or Tails by Lilli Carré. "Carré’s work, fittingly titled Heads or Tails, probes choice, ambivalence and fate; in her stories, there’s a flip side to everything, rendered in full and brilliant colour,"says Laura Kane.
• Review: Noah Bertlatsky on the Hooded Utilitarian looks at the art of Lilli Carré comics from Heads or Tails through the gendered lens of Bart Beaty. "If art is both hyperbolic masculine swagger and small-scale feminized detail, though, for Carré the form that mediates between the two is something that looks a lot like comics."
• Interview (partial): Dan Nadel of The Comics Journal posts part of the interview of Jacqes Tardi by Kim Thompson from TCJ 302.
• Plug: "It's astonishing to me that The Comics Journal will have outlasted Wizard, Hero Illustrated and CBG, but I'm happy for that fact," says former TCJ editor, Tom Spurgeon. TCJ 302 was co-edited by Kristy Valenti and Mike Dean.
• Review:Mort Meskin gets the full hello-how-are-ya when his collections are reviewed, edited by Steven Brower. "Out of the Shadows was such an enjoyable find that when it ended we were hungry for more of Meskin’s work." So Scoop turns to From Shadow to Light, "Meskin is so skilled in portraying body language that he doesn’t need a face to tell us know exactly what someone is thinking…a thorough and very detailed look at a man’s life, his family and the work he valued."
• Plug:Kotaku and Evan Narcisse get teary-eyed over Peanuts Every Sunday by Charles M. Schulz. "The daily black-and-white comics were great but the full-color Sunday strips gave Schulz a big, beautiful canvas to let his expert pacing and amazing linework breathe in a rainbow of color…it's really the entire mix of characters …and their mix of adult prickliness and childlike naiveté that made Charles Schulz's iconic comics strips so timeless."
• Interview:MTV Geek interviews Charles Forsman about The End of the Fucking Worldand life. Forsman answersEddie Wright's question, "I do love sparse cartooning. Like Schulz which I think comes through in mine a bit. I've heard people descibe this stuff as "Peanuts" all grown-up and violent."
• Review:Nerds of a Feather look at Ed Piskor's Hip Hop Family Tree, to be printed later this year. Philippe Duhart gives it a rare 10 out of 10, "…those familiar with the genre can attest, it's difficult to separate the music from other elements of the "culture" -- b-boying, graffiti, lingo, style. Piskor demonstrates an affectionate respect for the interrelations between these phenomenon, telling a story of a culture, rather than a musical genre."
• Review: Anime News Network reviews and givest The Heart of Thomas by Moto Hagio an 'A-'. Rebecca Silverman writes, "The Heart of Thomas may be the grandmother of the boys' love genre, but it would be shortsighted to simply classify it as such…Heartfelt and dreamlike, it is a window into the lives of those affected by the sudden death of one of their own."
• Review:The Toronto Star reads and reviews our books like The Cartoon Utopia by Ron Regé, Jr. The Cartoon Utopia "is visionary, but also unmistakably influenced by ’70s psychedelia… the thrilling, one-of-a-kind art will stretch your imagination and, at the very least, make you believe in the power of comics to explore the impossible," writes Laura Kane.
• Review:The Toronto Star reads and reviews our books like Came the Dawn by Wallace Wood and Corpse on the Imjin! by Harvey Kurtzman. Laura Kane writes, "In dark shadows, bold lines and intense close-ups, [Wallace Wood] perfectly illustrates the stories — which ran the gamut from B-horror to confronting social issues such as racism, anti-Semitism and sexism." As for Corpse on the Imjin!, "In these violent, blood-spattered pages, [Kurtzman] lays bare the devastation of war."
• Review/Commentary: Eddie Campbell on The Comics Journal compares and contrasts recent reviews of the EC Comics being reprinted at Fantagraphics and how critics struggle and feel the need to analyze comics at literature. Distilling the article to a mere quote is abhorrent so we tried but please read it. "If comics are any kind of art at all, it’s the art of ordinary people. With regard to Kurtzman’s war comics, don’t forget that the artists on those books were nearer to the real thing than you and I will ever be."
• Review: Elliot Bay Books reviews No Straight Lines, edited by Justin Hall. Dave Wheeler writes, "Impossible to be even close to a complete collection of the genre, No Straight Lines instead seeks to trace the parallel trajectories toward visibility for both comics and LGBTQ identities…these are the stories of real people, or they are people transfigured by folklore."
• Plug: Greg Akers of the Memphis Flyer enjoyed reading Love and Rockets: New Stories #4 by Jaime Hernandez and Gilbert Hernandez. "Jaime breaks me every time. The conclusion to "The Love Bunglers" is an all-time great. Tears in my eyes, destroyed emotionally."
• Plug: Joost Swarte sings the blues at Angouleme, thanks to Paul Karasik.
• Review:SequArt looks at Black Hole by Charles Burns. Faith Brody Patane point out "…it’s a story that’s meant to be devoured with intent to possibly make you have freaky nightmares. Black Hole is one of those stories that lingers long after you read it…This group of teens is far from Riverdale and far more desperate."
The Cleanest Mug in the Kitchen of Online Commentaries & Diversions:
• Review:Booklist reviews the Mysterious Traveler: The Steve Ditko Archives Vol. 3, by Steve Ditko and edited by Blake Bell. Gordon Flagg notes these horror stories feature "Ditko’s distinctly off-kilter drawings and boldly potent composition" and the "meticulous restoration means that the stories look far better here than they did upon their original appearances."
• Review:Booklist enjoys Mort Meskin's Out of the Shadows, edited by Steven Brower. "Meskin’s powerful compositions add a fitting dynamism to superhero tales featuring the Black Terror and Fighting Yank. His bold use of shadows and other solid black areas impart a moody atmosphere to horror and crime stories, and even the romance and sci-fi pieces included here benefit from his economic illustration style and attractive page designs," writes Gordon Flagg.
• Review:Black Gate picks up Linda Medley's Castle Waiting: Volume 2 for a good read. John O'Neill stated, "it retold the fairy tale of Sleeping Beauty (sort of), as seen by an odd cast of mostly minor characters. It was well written and beautiful, feminine in perspective and mood, incredibly slow-paced, and wholly original. I loved it."
• Interview: Gary Panter spent a whole hour talking to Benjamen Walker on the Too Much Information show at WFMU about life, Dal Tokyo, the evolving medium of comics and more.
• Interview: New Statesman interviews Chris Ware on Building Stories, Jimmy Corrigan and the time inbetween books. "Kim Thompson at Fantagraphics was really willing to experiment [with format]; I remember how much he and I sweated the idea of putting out a comic book that was just 1/2" shorter than the standard format in 1993."
The fully charged Online Commentaries & Diversions:
• Review:School Library Journal will happily be lending out copies of Flannery O'Connor: The Cartoons to library patrons. Francisca Goldsmith says, "O’Connor’s viewpoint as a college student during the early years of World War II at an all-female Southern institution adds another layer of texture, too, for contemporary teen artists and observers of places and situations that fall outside popular media’s scope."
• Review: On Comics Worth Reading, Johanna Draper Carlson checks out Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, edited by David Gerstein with Gary Groth. "While the strips are surprisingly entertaining to readers not used to such a vibrant version of the title character, I enjoy the supplemental material just as much. The introduction by Thomas Andrae puts the work in context and point out key observations that aid in getting more out of the comics."
• Review:AV Club thumbs through the finest of our collection. Flannery O'Connor: The Cartoons, edited by Kelly Gerald, features "a Barry Moser introduction into how O’Connor used the medium and a Kelly Gerald-penned look at how O’Connor’s early life influenced her art. The Moser and Gerald pieces are so well-researched that they’d be worth reading even without the cartoons between them." Noel Murray continues onto Mort Meskin's Out of the Shadows, "Not tied down to any one character, Meskin was free to work in a variety of genres, most of which are represented here: jungle adventure, supernatural horror, westerns, science fiction, romance, crime, etc." The trip down comics-memory-lane makes at stop at Uncle Scrooge: Only a Poor Old Man by Carl Barks: "[the stories] are just as rich in their original form, packed with clever plans, narrow escapes, and a lead character who enjoys amassing and hoarding his huge fortune, even though it makes him a little nutty." On Walt Disney's Mickey Mouse Vol. 3: High Noon at Inferno Gulch by Floyd Gottfredson, Murray points out, "[editors] Gerstein and Gary Groth have assembled the usual outstanding array of contextual material, including a Gottfredson-inspired Italian Donald Duck strip from 1937 that helped seed that country’s still-fertile contributions to Disney comics…"
• Review: Nick Gazin at Vice looksSexytime up and down. The Jacques Boyreau-edited collection is a mighty fun read because ". . . every one of the posters in this book is fascinating for one reason or another. It might just be that design is so ugly that even the lowest-level design from the 70s is better than the best of what anyone's making right now. . . Portable Grindhouse was a nearly-perfect book and so is this one."
• Plug:Comic Book Resources mentions the The Art of Joe Kubert edited by Bill Schelly and mainstream comics. Augie De Blieck Jr. says, "I learned a lot about Joe Kubert from Fantagraphics' biography on him that I read last fall. It immediately made me want to go buy some reprints of 50 year old DC material that I previously had no affection for." Kubert was a master and will be missed.
• Review:San Francicso Chronicle reviews No Straight Lines edited by Justin Hall. Charlie Wells writes, "Hall's book provides a striking example of how entwined the history and literature of the gay rights movement have been since the early days of the battle.
• Review:Chicago Tribune likes the premise of the Significant Objectseditedby Joshua Glenn and Rob Walker but was not bowled over by the micro-fiction. Christopher Borrelli said, " . . . attaching a story is partly the appeal of a farmer's market, a Happy Meal. The right back story for a brand such as Apple, the editors argue, helps build a phenomenon. . . A note about the physical book, itself a gorgeous, significant object. . ."
• Review: Recently found a Robot 6 review from SCAD cartoonig professor and cartoonist, Chris Schweizer, on Chris Wright's Black Lungbefore it was signed to Fantagraphics. According to Schweizer, his opinions still hold true: "It’s a graphic novel, both in its vernacular term and in a more literal sense, violent and horrible and poetic at the same time – the sort of thing McCarthy might write if he were more interested in pirates than cowboys or Appalachians."
• Plug: Torsten Adair posts on The Beat how to order and find those SPECIAL Halloween comics that your store may or may not give out for free. Buy a stack of 20 comics for $5 and this exclusive Spacehawk comic by Basil Wolverton can be yours! "You should offer to pay for them in advance, since the comics shop will most likely consider these unusual items, and be hesitant to place the order. Of course, if they’re a cool store, they are probably participating in Halloween ComicFest, and will be happy to add your order to their store order."
• Plug: Speaking of shopping, Johanna Draper Carlson gives some tips on finding that first volume of Wandering Son by Shimura Takako on Comics Worth Reading. Good news though, the second printing will arrive within the month!
• Plug: Tom Spurgeon gets worked up over the Daniel Clowes Reader on The Comics Reporter. Fantagraphics is releasing a "Ken Parille-edited book on Dan Clowes in early 2013. Ken Parille's stuff is routinely pretty great. . . Count me in."
This week's comic shop shipment is slated to include the following new titles. Read on to see what comics-blog commentators and web-savvy comic shops are saying about them (more to be added as they appear), check out our previews at the links, and contact your local shop to confirm availability.
84-page black & white/duotone 8.25" x 10.75" hardcover • $19.99 ISBN: 978-1-60699-524-2
"Four short stories by the French Tardi set in New York City. The biggest thing about Tardi is his range, even within the confines of a single story. He can effortlessly move from silly, mannered humor to explosive, gruesome violence. Tarantino, if he had become a cartoonist, would have wished that he could be this guy." – Ao Meng, Novi Magazine
"Among this week’s crop of new releases is another in Fantagraphics’ excellent and continuing series of extremely welcome English language editions of the diverse body of work by the great Jacques Tardi, surely one of the top exponents of the comic form.... I’m so glad the Fanta crew has been making these titles available again to English language readers." – Joe Gordon, Forbidden Planet International
"I mentioned New York Mon Amourlast week, but how can you possibly cite Jacques Tardi too many times? All I know is that four NYC stories are included, in black, white & red; $19.99." – Joe McCulloch, The Comics Journal
"If I had $30, I’d make the difficult choice between two top-notch offerings from Fantagraphics this week. One: New York Mon Amour, a collection of Manhattan-themed stories by the one and only Jacques Tardi, including the Kalfkaesque “Cockroach Killer.” The other would be the third volume in the ongoing Mickey Mouse collection, High Noon at Inferno Gulch. I’m an unabashed Floyd Gottfredson fan, so the Mickey book would probably win out. But I’d be sure to save my coins for next week so I can get the Tardi book then." – Chris Mautner, Robot 6
200-page full-color 7.5" x 10.5" softcover • $26.99 ISBN: 978-1-60699-532-7
"Assuming I don’t blow all my splurge dough on the Tardi book, there’s a number of solid options here [including] Out of the Shadows, a collection of Mort Meskin’s early non-DC work..." – Chris Mautner, Robot 6
"Also dropping is Out of the Shadows, a 200-page collection of Golden Age comics by Mort Meskin, edited and designed by Steven Brower; $26.99." – Joe McCulloch, The Comics Journal
"The Mort Meskin book is a must-have simply because of the way Meskin has muscled his way into the conversation about great and influential mainstream craftsmen -- I think maybe through a door left ajar a few places by Art Spiegelman, although I honestly couldn't tell you the exact provenance of his rediscovery." – Tom Spurgeon, The Comics Reporter
280-page black & white/color 10.5" x 8.75" hardcover • $29.99 ISBN: 978-1-60699-531-0
"These volumes have been a revelation, showing a generation who had only seen the dull, squeaky clean corporate Mickey exactly why he was the darling of the 1930s. Pure rollicking high-adventure, they’re also filled with background material and essays by cartoon scholars such as editor David Gerstein. A must for any cartoon fan collection." – Sean Gaffney, Manga Bookshelf
"...Fantagraphics’ hilarious little mascot returns for more Floyd Gottfredson-headed antics in Walt Disney’s Mickey Mouse Vol. 3: High Noon at Inferno Gulch, boasting 60 or so pages of supplements toward a 280-page total; $29.99. " – Joe McCulloch, The Comics Journal
• Review: "The sad, forgotten beauty of the in-between moments of daily life: playing a board game at a kitchen table just cleared from a family dinner; listening to music having just slipped off your shoes; daydreaming while doing the dishes. What would it be like if a series of graphic novellas tried to capture these moments? What if it also featured an omnipresent, invisible rabbit that could change sizes and a dark, cloud-shaped creature ('the Big Blind') living in the basement of an apartment building that fed on the memories, dreams, and nightmares of its inhabitants? It would probably be something like the Italian comic-book creator Gabriella Giandelli’s... Interiorae." – Nicholas Rombes, Oxford American
• Preview: At The Beat, Jessica Lee presents a 5 page sneak peek of the new book by Josh Simmons, saying "Toying with the vulnerability of characters that seem timelessly recognizable, i.e. fairies in a fantastical land or a batman-esque figure scaling a wall, The Furry Trap is a graphic novel that is set to shock and appall its reader, yet Simmons is able to retain an even stronger range of visual style that makes this graphic novel’s scope extend further than being just a horrific tale."
• Plug: "...[T]he new volume of Prince Valiant, volume 5, is here and an event all its own. Fantagraphics' new hardcover printings of these wonderful Hal Foster Sunday pages offers the finest reproduction yet, far superior to their old softcover series. While I own the original Sunday pages, collected years ago, I could not resist sitting down with these new volumes and getting re-hooked on the stories AND art by one of the very true masters of comic art." – Bud Plant
• Plug: "Out of the Shadows deserves your attention. Meskin is one of my favorite artists from the 1940s and 1950s.... Mort's work here are some of the hidden gems of the Golden Age.... This book comes a long way to reveal this incredible talent who rose above the mass of Golden Age artists." – Bud Plant
One of the greatest visual storytellers in the history of comics. That was Mort Meskin, famed Golden Age artist whose name belongs in the first rank of comics storytellers: Will Eisner, Jack Kirby, Steve Ditko.
See for yourself why Meskin earned the admiration and respect of his peers (as well as contemporary critics and historians) for his atmospherically charged work, his masterful use of form and composition to convey mood and action, his noirish use of light and shadow to create suspense.
This, the first-ever collection of Meskin’s comics, surveys his work from the 1930s, 1940s, and 1950s. Here, in just under 200 pages, you’ll discover the artist’s amazing ability to stamp his own fresh visual imprimatur across a wide variety of genres: superheroes (The Black Terror, The Fighting Yank, a never-before published Golden Lad), adventure (the origin of Sheena, Queen of the Jungle), science fiction (Tom Corbett, Space Cadet) — plus horror, kid gangs, crime, Western — even romance!
Rescued from the fading obscurity of old, yellowing comic books, this deluxe volume meticulously reproduces his work from the best available sources. At last, Mort Meskin steps into the spotlight and — OUT OF THE SHADOWS!
Praise for Mort Meskin:
“Deserves to be treasured by all comics fans and studied by all artists of the medium” – Rich Clabaugh, Christian Science Monitor
• Commentary: "The completion of Fantagraphics's Krazy [Kat] Sunday series also means, quite possibly, the end of Krazy Kriticism — a brand of writing that, as far as I can tell, only the Kat engenders. Critic Gilbert Seldes first articulated its credo in the 1924 article 'The Krazy Kat That Walks by Himself.' After comparing Herriman to Dickens, Cervantes, and Charlie Chaplin, Seldes threw up his hands: 'It isn't possible to retell these pictures; but that is the only way, until they are collected and published, that I can give the impression of Herriman's gentle irony, of his understanding of tragedy, of the sancta simplicitas, the innocent loveliness in the heart of a creature more like Pan than any other creation of our time.' Thus did the gates open to a flood of ecstatic, mimetic writing in which every critical impulse was mercilessly drowned in gushing praise and fervent prayers to put the comics between covers." – Sarah Boxer, Los Angeles Review of Books
• Commentary: At Print magazine, Steven Brower looks at different ways comics publishers restore and present vintage comics material, including his own compilation of Mort Meskin comics, Out of the Shadows: "For the Mort Meskin collection, we hoped that a contemporary audience would rediscover him; Fantagraphic’s fresh, newly minted approach goes a long way toward achieving that."
• Review: "I mean this in the nicest possible way but self-confessed obscurist Hans Rickheit is clearly not all there in the head. ...[Folly: The Consequences of Indiscretion] is a collection of shorts from over the years, frequently featuring the same characters, in particular identical twins Cochlea & Eustachia, who inevitably get themselves into all sorts of unpleasant bother. Definitely the type of read to make you wary of opening doors when you’re not entirely sure what’s on the other side, as Hans frequently surprises his characters, and us readers, by taking you somewhere you’d never expect, nor probably want to go to." – Jonathan Rigby, Page 45
• Review: "‘Plunder Island’ is the fourth of six oversized volumes collecting all of E.C. Segar’s Popeye-era Thimble Theatre strips.... The Segar book is every bit as good as the three volumes that preceded it – brilliant cartooning and laugh-out-loud funny gags. The only difference this time around is that the Sunday strips fill the first half of the book and the dailies fill the second half (it’s usually the other way around) but otherwise it’s business as usual. I don’t have a single bad thing to say about Segar’s Popeye, and the whole book was thoroughly enjoyable..." – Rob Wells, Comics – On The Ration
• Profile: Andrew Dansby of the Houston Chronicle profiles Daniel Clowes: "Clowes describes an eerie but common sight in his studio. Since eyes are the last thing he draws when he's working, the room is full of characters without them. 'I've had other cartoonists come over, and they've told me it's pretty creepy to see all these faces with no eyes staring back,' he says. 'But that's where I can get the last 10 percent of the emotion on the page. If I get it just right, you can subtly influence any expression through the eyes more than any other feature. They're where the character comes to life.'"
Things have been hectic around here and they're only going to get hecticer. Here are the advances and sample copies that have arrived at the office since the last sneak-peek update a few weeks ago, some of which have already been spotted out in public making their debuts during our current convention gauntlet and all of which should be available between now and July.