I thought I could keep up with Online Commentary & Diversions while at Comic-Con. Ha ha ha ha ha.
• Coming Attractions: At Robot 6, Chris Mautner takes a look through the 46 (!!!) upcoming books listed in our Fall/Winter catalog (note: listed release dates may no longer be accurate and are all subject to change)
• History/Profile/Review: "What A Drunken Dream reveals is an author whose childhood passion for Frances Hodgson Burnett, L.M. Montgomery, and Isaac Asimov profoundly influenced the kind of stories she chose to tell as an adult. ... For those new to Hagio’s work, Fantagraphics has prefaced A Drunken Dream with two indispensable articles by noted manga scholar Matt Thorn. ... Taken together with the stories in A Drunken Dream, these essays make an excellent introduction to one of the most literary and original voices working in comics today. Highly recommended." – Katherine Dacey, The Manga Critic
• Review: "Anyone interested in the historical development of manga and the women who’ve contributed to the art form should read this book. I hope A Drunken Dream sells well enough for Fantagraphics or other publishers to consider putting out some of Hagio’s longer works. Her short stories are great, but I’d love to see what she does with a longer storyline." – Anna Neatrour, TangognaT
• Plug: "What Osamu Tezuka is to shonen and seinen manga, Moto Hagio is to shojo manga -- a true innovator who challenged and stretched the conventions of the medium by created touching, memorable and truly artistic comics stories. ... Fantagraphics had copies of the absolutely gorgeous hardcover edition of A Drunken Dream available for sale at their [Comic-Con] booth..." – Deb Aoki, About.com: Manga
• Interview:The Comics Journal's Shaenon Garrity sat down with Moto Hagio & translator Matt Thorn for a conversation at Comic-Con International: "I find it very embarrassing to read my very early work, but when you see the stories arranged chronologically it gives a good overall impression of my career. In Japanese, too, it’s common to present an author’s works in a sample spanning his or her whole career, so it’s turned out very much like that."
• Review: "Deadpan dialogue, drawings that move from panel to panel with the strange and deliberate force of kung fu performance art, and a subtle interweaving of humor and angst come together to make [Werewolves of Montpellier] a brief knockout of a book." – Publishers Weekly (Starred Review)
• Review: "...[T]his cartwheeling shaggy-dog story begins, like a lot of metafiction, with the semblance of reality... But by the time a frog demon reanimates a 19th-century French peasant whose brains it has eaten, it’s fairly clear that Deitch is making stuff up. The fun of [The Search for Smilin' Ed] is the way it constantly darts back and forth across the line between genuine show-business lore (a favorite Deitch theme) and delirious whole-cloth invention. There are stories within stories, unreliable explainers, secret passageways that lead from one part of the tale to another." – Publishers Weekly (Starred Review)
• Review: "Wally Gropius is a book that’s constantly lying to the reader, with a terrifying chaos roiling just immediately below its surface. The book is a flood of visual and textual information, but the information itself is near constantly false. ... For me, it’s a book that lies constantly, that lies at its very core, but that nevertheless ends up getting at a greater truth of things. And so, yeah: I thought that was pretty neat." – Abhay Kholsa, The Savage Critics
• Review: "There’s more derring-do [in Prince Valiant Vol. 2: 1939-1940] than you can shake a sword at! Foster’s stories are filled with vivid, colorful characters, none more engaging than the aptly named Valiant and his never-ending quest for adventure. The artwork is breathtaking. Foster’s figures are handsome and graceful whether eating a sumptuous feast or fighting on a crowded battlefield. ... Even if the age of chivalry is not your flask of ale, Foster’s art and storytelling will win you over." — Rich Clabaugh, The Christian Science Monitor
• Review: "This book is why Fantagraphics is one of the best and most important comic publishers in the business today. [Blazing Combat] is a series that could have easily been forgotten to the ages but Fantagraphics always is at the forefront of making sure important works of sequential art are remembered. ... This is a brilliant collection of stories that should be required reading. Intelligent, gripping stories and fantastic art! Grade A +" – Tim Janson, Mania and Newsarama
• Review: "Formally inventive and emotionally acute, Bottomless Belly Button indeed proves to be all those things: as fascinating and affecting a depiction of family ties as Jonathan Franzen's The Corrections or Wes Anderson's The Royal Tenenbaums." – Ed Park, Los Angeles Times
• Plugs: Alex Carr of Amazon's Omnivoracious blog has Weathercraft by Jim Woodring ("I am woefully ignorant when it comes to Woodring’s Frank comics, and this looks like the weirdest place to start") and Dungeon Quest Book 1 ("After The Red Monkey Double Happiness Book, I will read anything Joe Daly produces") on his summer vacation reading list
• History: For the Los Angeles Times, Ben Schwartz compiles an oral history of the 1980s heyday of L.A. alternative comics with Matt Groening, Gilbert & Jaime Hernandez, David Lynch (!), and Gary Panter
Oh man did it pain me to erase Moto Hagio's unsolicited drawing off of our whiteboard! I console myself with other artwork which followed and the hope that she will do a new drawing each day. She signed copies of A Drunken Dream and Other Stories and drew sketches for a big group of very excited and appreciative fans, with the assistance of Drunken Dream translator/editor Matt Thorn and, behind the scenes, interpreter/personal assistant (and mobile veterinarian, for real) Mari Morimoto. See below (or here) for video of Hagio-sensei sketching a character!
• Review: "A book that sticks with you like a virus, Woodring's newest collection of tales of vague morality and definite oddity [Weathercraft] keeps intact his status as one of comics most eccentric auteurs. ... Woodring's wordless story is a looping and circumstantial affair, concerned more with fantastically rendered backgrounds — his starkly layered landscapes play like minimalist woodcuts of the deepest unconscious — than matters of plot and story. There is a creeping message of sorts, about the wages of greed and what happens to curious cats, but it's mired in a universe of deeply strange beauty and not always easy to divine." – Publishers Weekly (Starred Review)
• Review: "...[A] gorgeously-produced best-of collection from shojo manga creator Moto Hagio, A Drunken Dream and Other Stories... The material showcased here has been assembled from across thirty years of Moto’s career, and shows her switching nimbly between storytelling modes. On the face of the evidence there was very little she could not do, some things she did well, and a few things she did magnificently. ... This book’s further evidence that 'shojo' need not be thought of as closed-ended and insular a category as “science fiction” once was." – Serdar Yegulalp, Genji Press
• Review: "Where most American gag strips were about the silly things that happen every day, Peanuts was about how to keep on living when you don't get what you want. It was still vital and true at this point [1973-1974], even if more and more of the stories focused on Snoopy quaffing root beers with Bill Mauldin, or writing bad novels, or playing tennis." – Andrew Wheeler, The Antick Musings of G.B.H. Hornswoggler, Gent.
• Review: "Medley has a real talent for character, and she does a wonderful job of exploring and expanding upon standard fairy tale tropes. With her signature creation, Castle Waiting, she takes the bare bones of several well-known stories and redrafts them to account for the human element. ... The first volume of Castle Waiting... is available in a gorgeous hardcover edition from Fantagraphics Books... and the finished product is stunning..." – Stella Matutina
• Plug: "Megan Kelso's Artichoke Tales... is earning comparisons with epics like Cold Mountain and The Thorn Birds, and Kelso's nimble, cartoonish two-color art will remind readers of Marjane Satrapi's Persepolis. – Michael Bagnulo, Shelf Awareness
• Interview:Stephen DeStefano talks shop in a "Cartoonist Survey" Q&A with David Paccia of David-Wasting-Paper: "I recall when I first got to DC Comics as a teenager, Joe Kubert lectured me on starting my reference file. This way, no matter what I wanted to draw, I always had a photo to reference. In this age of Google Image Search, the idea of a reference folder seems positively quaint!"
• Interview: At HiLobrow, Joshua Glenn presents a previously unseen 2002 Q&A (missing the Qs) with Kim Deitch: "Yeah, Waldo represents individualization. His edges can’t be smoothed off — even by me. That’s why I try not to over-use Waldo. If I haven’t got a good idea with him, I’ll let him sit on the shelf for years." (Via ¡Journalista!)
• Profile: The Cincinnati Enquirer's Lauren Bishop spotlights the Comic-Con-bound Carol Tyler: "It's sure to be quite a different experience from the last time Tyler attended Comic-Con, in 1988, when she received the inaugural Dori Seda Memorial Award for Best New Female Cartoonist. 'When I went, it was pretty small,' she says. 'I slept on somebody's floor.'"
• Review: "Instead of bringing to mind old black & white stories and advertisements, the color [Tales Designed to] Thrizzle now mines the endless well of cheap, awful color comics. The color scheme is so heavily into the CMYK scheme of old four-color comics, and employed so luridly, that the reader is once again forced to dig into each panel slowly. ... Kupperman can jab you with a quick joke like a fake ad or a cover for an old comic called 'Cowboy Oscar Wilde,' or he can wrestle you into submission with a shaggy dog joke. ... With... subtle changes, Kupperman has managed to keep the top humor periodical fresh." – Rob Clough, The Comics Journal
• Review: "This most recent compilation is the finest presentation of the Mr. Natural strips I’ve ever seen and is a must-buy for any Crumb fan whether they’ve been there since he first made his appearance in Zap or are coming on board with The Book of Genesis. Either way, this is not to be missed." – Joe Keatinge, Neon Monster
• Review: "Reading [Charles M. Schulz's] wonderful comics is enjoyable and comfortable, sort of like wearing a worn, favourite sweater. Fantagraphics Books has done a good job putting Schulz's cartoons together in a nice book. Whether you're watching Peppermint Patty skating and being coached by Snoopy, Snoopy dealing with a broken leg, or Lucy still pulling the football away from Charlie Brown at the last second The Complete Peanuts: 1975 to 1976 is a humourous, welcome reprieve from a stressful, often screwed up, world. Thanks Mr. Schulz!" – Glenn Perrett, Simcoe.com
• Review: "Like some Uncle Wiggly story gone mad — or perhaps Krazy Kat in disguise — Tony Millionaire’s mad cake batter boy goes on a frantic rampage to return a baby owl to its mother and embarks on an adventure that is in no way as linear as my sentence implies. Millionaire really does channel the cartoonists of the early 20th century, while still giving the work [Billy Hazelnuts and the Crazy Bird] a quality that’s somewhat reminiscent of ’70s underground comics — and it’s kid-friendly to boot! Good fun with good energy." – John Seven, Worcester Magazine
• Review: "I picked up Carol Tyler's You'll Never Know, Book One: A Good and Decent Man from the library on the strength of recommendations I have seen for it all over the web, and it didn't disappoint me... Tyler has a nice diary style that seems intimate and friendly but is also quite sophisticated. ... There aren't too many comics about middle-aged women, and it was nice to read about something other than youthful rebellion and angst for a change." – Brigid Alverson, Robot 6
• Plug: "Based on reviews, [Werewolves of Montpellier] sounds really good. The art reminds me of Chris Ware or Chris Onstad, and I’m a fan of deadpan, sardonic humour. Do want!" – Werewolf News
• Plug: Joe Gordon of the Forbidden Planet International Blog recommends the works of Jacques Tardi for your Bastille Day reading: "...[W]ith the always fine folks at Fantagraphics translating and publishing Tardi’s work in English several of his works are now easily accessible even to anyone who doesn’t read a word of French. A long-standing interest in the history of World War One and his own family history lead to his It Was the War of the Trenches, recently published in English and one of the most interesting comics on the period since Charley’s War in my book."
Just dropped off at the office today: our advance copies of A Drunken Dream and Other Stories by Moto Hagio. It's pretty! Designer Adam Grano has outdone himself on this one, and of course the contents are gorgeous too. Pick up your copy at Comic-Con next week and have it signed by Moto Hagio — she'll be there all 4 days! It should be widely available next month.
• Review: "After hearing his name lauded for many years, Werewolves of Montpellier was my first excursion into the world of Jason, the renowned Norwegian-born artist known for mixing whimsical anthropomorphic characters with introspective and often quite heavy storylines. Now I understand what my friends have been raving about for years. Jason’s artwork is sparse and the story is a masterpiece in simplicity. ... At times heartbreakingly sad and laugh-out-loud funny, this story just feels like real life... but with werewolves. ... These characters are hopeless, hilarious, tragic and beautiful – probably a lot like you and your friends." – Chad Derdowski, Mania
• Review: "Norwegian cartoonist Jason's latest work [Werewolves of Montpellier] is an absolute gem, funny, sparse and poignant. A tale of a thief, his complicated love life, urban living and werewolves, this is a unique and entertaining work." – Ian Mayor
• Semi-review: "A bound galley of Moto Hagio's A Drunken Dream and Other Stories arrived in yesterday's mail, and I'm halfway through it already. Hagio's art in some of these stories is absolutely beautiful to look at... I'm sure the finished book will be beautiful and expensive, but I sort of hope some girls find these stories as well, and get the same thrill I did." – Bridgid Alverson, Robot 6
Just announced over the weekend, the Saturday and Sunday programming for Comic-Con international. Our official PR goes out this week but we figure some of you might not want to wait to find out about the Fantagraphics-related panels. See here for Friday's FBI-ish panels.
[Note: this post is updated as we get more information.]
12:00-1:00 Spotlight on Peter Bagge — Comic-Con special guest Peter Bagge talks to Fantagraphics' Jason T. Miles about his work, including the legendary Buddy Bradley stories in Hate and his new graphic novels, Apocalypse Nerd and Other Lives. Room 3
1:00-2:00 Spotlight on Gabrielle Bell— Join Comic-Con special guest Gabrielle Bell (Cecil and Jordan in New York, Lucky). Gabrielle Bell has been featured in McSweeneys, Vice and the Believer. The title story of her most recent book, Cecil and Jordan in New York has been adapted for the screen by Michel Gondry in the triptych Tokyo! She is currently serializing her Ignatz award-winning autobiographcal comics Lucky online. Gabrielle Bell will present a slideshow and discuss her work with Tom Spurgeon (www.thecomicsreporter) Room 3
1:30-2:30 Comics Criticism— Comics are a staple of the arts and book review sections of everything from The New York Times and Publishers Weekly to a current golden age of published biography and history, such as Gerard Jones's Men of Tomorrow, R. C. Harvey's Meanwhile..., and David Michaelis's Schulz and Peanuts. Some of the nation's leading critics discuss the state of the art and the state of its journalism, 2010. Panelists include Gary Groth (The Comics Journal), Douglas Wolk (Reading Comics), Brian Doherty (Radicals for Capitalism), Ben Schwartz (editor, Best American Comics Criticism), R. C. Harvey (Meanwhile...) and R. Fiore (Funnybook Roulette). Room 4
3:00-4:00 Comics Reprint Revolution— For comics fans, the vintage reprint revolution keeps getting bigger and better! Comics Reporter's Tom Spurgeon talks with Craig Yoe (Krazy Kat, Popeye, Jetta), Dean Mullaney (editor of Library of American Comics for IDW: Dick Tracy, Little Orphan Annie, Secret Agent Corrigan), Daniel Herman (Hermes Press: Buck Rogers, The Phantom), Gary Groth (Fantagraphics: Peanuts, Prince Valiant, Captain Easy), Peggy Burns (Drawn and Quarterly: John Stanley Library, Walt & Skeezix), Steve Saffel (Titan Books, Beetle Bailey, Simon & Kirby Library) and Charles Pelto (Classic Comics Press: Mary Perkins, On Stage, The Heart of Juliet Jones, Big Ben Bolt) about their publications reprinting some of the very best of comic books and comic strips. Room 8
3:30-4:30 International Comics and Graphic Novels— Comics are popular the world over and Comic-Con always includes an impressive gathering of worldwide talent. Journalist Tom Spurgeon talks with special guests Moto Hagio (Japan: A Drunken Dream), Émile Bravo (France: My Mommy is in America and she Met Buffalo Bill), Milo Manara (Italy: Click!), and Kathryn and Stuart Immonen (Canada: Moving Pictures, Russian Olive to Red King) about graphic novels with a more international flavor. Room 4
12:30-1:30 The Funny Stuff: Humor in Comics and Graphic Novels— The world of comics isn't just about dark and mysterious superheroes. There are a lot of great funny books out there. The Cartoon Art Museum's Andrew Farago talks to Comic-Con special guests Peter Bagge (Hate), Howard Cruse (Wendel), Nicholas Gurewitch (The Perry Bible Fellowship), Keith Knight (The K Chronicles), Larry Marder (Beanworld), and Doug TenNapel (Monster Zoo) about the humorous side of comics. Room 8
10:00-11:00 Publishing Comics— Four publishers—Matt Gagnon (BOOM!), Gary Groth (Fantagraphics), Dallas Middaugh (Del Rey Manga), and Mark Siegel (First Second Books) -- each from a different part of the comics industry, discuss what's involved in running a publishing company and in creating and fostering a unique comics ideology. Moderated by Graeme McMillan (Techland). Room 8
10:30-11:30 Spotlight on Moto Hagio— Comic-Con special guest Moto Hagio is considered to be the mother of shōjo (young girl) manga. Her large body of work is renowned the world over, and Fantagraphics Books is publishing a new collection of her short stories, Drunken Dreams. Celebrate her first-ever visit to the U.S. at this special Q&A session, moderated by Matt Thorn, associate professor in the department of manga production at Kyoto Seika University in Japan. (Thorn decided to translate shōjo manga into English after reading Thomas no Shinzō by Moto Hagio in the mid-1980s). Room 5AB
12:00-1:00 Spotlight on C. Tyler— Comic-Con special guest C. Tyler is known for her personal brand of storytelling. Her latest book, You'll Never Know, Book 1: A Good and Decent Man chronicles the story of her father's life during World War II and interweaves it with her own story. Fantagraphics publisher Gary Groth interviews Tyler about her work. Room 4
2:00-3:00 Graphic Novels: The Personal Touch— You know when you read it: that certain something that sticks out in a graphic novel. It's the personal touch, a work that draws on the life of the creator or the people around him or her. Call the work autobiographical, call it reality—many times it results in truly personal and inspiring comics. Comics creator and journalist Shaenon Garrity (Narbonic, Skin Horse) talks to Comic-Con special guests Gabrielle Bell (Cecil & Jordan in New York), Howard Cruse (Stuck Rubber Baby), Vanessa Davis (Make Me a Woman), Larry Marder (Beanworld), Jillian Tamaki (Skim), and C. Tyler (You'll Never Know Book 1: A Good and Decent Man) about their very personal work. Room 4
2:00-3:00 Peanuts Turns 60— On October 2, 1950 the Peanuts comic strip launched in seven American newspapers. Little did anyone know the impact this comic strip would have around the world for decades to come. Nearly 60 years later, Peanuts appears in over 2,200 newspapers, in 75 countries and 21 languages. The animated specials have become a seasonal tradition and thousands of consumer products are available in every country around the world. Moderator Jerry Beck (animation historian/cartoon producer/consulting producer to Warner Bros., Universal, and Disney), Comic-Con special guest Jeannie Schulz (widow of Peanuts creator Charles Schulz), Paige Braddock (creative director of Charles M. Schulz's studio in Santa Rosa), Andy Beall (fix animation lead for Ratatouille, Wall-E, UP), Stephan Pastis (creator of Pearls Before Swine), and Marge Dean (general manager, W!ldbrain Animation Studios), present an in-depth foray into the work of Charles M. Schulz and what new things fans can look out for from Peanuts. Warner Premiere is joining the celebration with a sneak peek of something all new from Peanuts that fans won't want to miss. Room 25ABC
3:00-4:00 Spotlight on Émile Bravo— Eisner Award 2010 nominee -- three nominations for My mommy is in America and she met Buffalo Bill (Fanfare/Ponent Mon) -- and Comic-Con special guest Émile Bravo makes an illustrated presentation: "Graphic Writing, Comics as Calligraphy," with Michele Foschini (BAO Publishing, Italy) and Stephen Vrattos (Captain Gravity; www.heroesinmycloset.com), followed by a Q&A. Room 4
3:30-4:30 Comics Design— How do pages of art become a book? Six designers -- Mark Chiarello (DC Comics), Adam Grano (Fantagraphics), Chip Kidd (Random House), Fawn Lau (VIZ), Mark Siegel (First Second Books), and Keith Wood (Oni Press)—discuss what's involved in the process of comics design, and the importance of design to a book's critical and consumer reception. Moderated by Chris Butcher (The Beguiling). Room 26AB
• Review: "Exploration, thankfully, is precisely what Weathercraft is all about. Woodring’s latest graphic novel is a deep exploration of Unifactor, through looking glasses, behind tears in the world’s fabric, under sea and into space, this time all experienced through the beady eyes of Frank’s principle antagonist, Manhog." – Brian Heater, The Daily Cross Hatch
• Interview: At Newsarama, Michael C. Lorah discusses Weathercraft with Jim Woodring: "This is Manhog’s book. He’s a more interesting character than Frank in a lot of ways. He’s deep, whereas Frank is bottomless."
• Review: "Fantagraphics has done the world the great service of reprinting Basil Wolverton's Culture Corner... [T]hese strips will delight any Wolverton fan with their characteristic doggerel, gratuitous violence, and slapstick humor that pokes fun at the American self-improvement genre. ... [T]he Fantagraphics edition is well worth the price: it's a handsomely bound item, augmented with the sketches and a nice essay by Wolverton's son." – Cory Doctorow, Boing Boing
• Review: "Foster’s humorous, quick-moving stories charge relentlessly forward. ... Whether Val is plotting a way to upend a larger force or enjoying good times with old friends, Foster’s twist-laden narrative comes across with a casual warmth, as if telling of merry adventures around a campfire. Similarly, Foster’s detailed renderings enforce the earthy grounding of Prince Valiant and his cohorts. ... The artistry, the witty and creative plot twists, and the evocative and charming characters all make for a truly timeless, and utterly enjoyable adventure comic strip experience. Any reader who appreciates the innocent high adventure of yore needs to get on board with Hal Foster’s Prince Valiant." - Michael C. Lorah, Newsarama
• Interview: Mark L. Miller of Ain't It Cool News discusses Werewolves of Montpellier with Jason: "The opening concept, the guy who dresses up as a werewolf and then is chased by real werewolves, I had in my mind a long time. I thought it was a fun, silly concept. But something was missing. It was only when I got the idea to mix it with an Audrey Hepburn movie that the story really took off."
• Interview in the future:Matt Thorn wants to know what you'd like him to ask Moto Hagio at her spotlight panel at Comic-Con
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